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Mursidah
Institut Teknologi Dan Sains Nahdlatul Ulama Pekalongan
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RACIKAN JAMU TRADISIONAL SEBAGAI PEWARNA ALAMI KAIN BATIK Rachdantia, Dheasari; Mursidah, Mursidah
SULUH: Jurnal Seni Desain Budaya Vol 6, No 2 (2023)
Publisher : Universitas Islam Nahdlatul Ulama Jepara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34001/jsuluh.v6i2.6595

Abstract

Jamu merupakan minuman racikan khas Indonesia, digunakan untuk pengobatan yang dapat meningkatkan imunitas tubuh ketika sakit. Penggunaan zat warna pada sebuah kain putih menjadi penambah nilai estetis maupun praktisnya. Minuman jamu merupakan racikan dari beberapa tanaman yang memiliki khasiat. Penelitian ini memiliki tujuan untuk mengkaji, menganalisa, serta melalukan eksperimen terkait pewarnaan alam pada kain dengan membuat ekstraksi jamu yang digunakan sebagai pewarna batik. Di Indonesia, pada ekosistem kecilnya adalah pewarnaan kain putih pada produksi batik yang masih marak menggunakan zat warna sintetis mengakitkan timbulnya masalah pencemaran lingkungan karena limbah yang dibuang langsung tanpa adanya pengolahan terlebih dahulu. Seiring perkembangannya semakin banyak pengusaha maupun pengrajin batik yang menggunakan pewarna batik dari bahan alami, inovasi terus dilakukan dan tidak jarang menggunakan bahan-bahan yang dapat mengangkat kearifan lokal Indonesia. Hal ini menjadi alasan untuk perlunya peningkatan penemuan-penemuan menggunakan bahan-bahan yang memiliki nilai kearifan lokal. Metode penelitian yang digunakan adalah tipe penelitian deskriptif dengan pendekatan kualitatif. Metode Practice Based Research digunakan dalam proses penciptaan warna alam dari olahan jamu tradisional yang memungkinkan adanya pengetahuan-pengetahuan baru saat proses penelitian berlangsung melalui proses eksperimen.
Penambahan Nilai Estetik pada Produk Selendang Batik Pesisiran dengan Aplikasi Manipulating Fabric Mursidah, Mursidah; Cahyo, Andri Nur; Dwirainaninsih, Yustiana; Rachdantia, Dheasari
Jurnal Ilmiah Universitas Batanghari Jambi Vol 24, No 2 (2024): Juli
Publisher : Universitas Batanghari Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33087/jiubj.v24i2.5080

Abstract

The application of manipulating fabrics to batik can create uniqueness and exclusivity to increase its value. The application of manipulating fabrics on batik can support the development or creation of custom made batik based on creativity to create batik fashion innovation. This can encourage the creation of new product designs to refresh the market. The application of manipulating fabrics to batik provides novelty value because it adds use value to the product. Adding use value to batik products can add to the superiority of the product, namely that apart from being beautiful it also has a certain physical appearance. It is important to develop batik to maintain its sustainability. Batik as a cultural heritage still needs to continue to be developed to be transformed to the younger generation. There are still younger generations who think batik is old fashioned clothing. Batik can be modified to suit current modern fashion trends so that the younger generation is even more enthusiastic about preserving it. One way that can be done is by applying manipulating fabric. The aim of this research is to produce a new product design with the idea of providing additional use value to coastal motif batik products by applying the technique of manipulating fabrics. The method used is qualitative research with a practice-based approach to the creative arts creation process (practice-led research). The result of this research is a batik shawl with fabric manipulation applications in the form of embroidery, slashing and smocking.
MEMBACA VISUAL MOTIF BATIK SEMARANGAN WARAK NGENDOG Mursidah; Amin Sulistiyowati
Canthing Vol. 8 No. 2 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Batik Semarangan has a variety of motives, including architectural motifs (Lawang Sewu, Tugu Muda, Sam Po Kong, and others) and floral fauna motifs (asem, tendrils, fish, etc.). One of batik Semarangan's unique and interesting motifs is Warak Ngendog's motif. Visualization of Warak Ngendog motif is made by referring to the mythological animal of Semarang belief. This journal will discuss the visual motives of Warak Ngendog through the semiotic viewpoint. This viewpoint sees batik motifs not merely images, but as cultural texts in which operate marking practices that lead to the method of reading batik motifs as a text. With this point of view Warak Ngendog's motives will be analyzed by traces of visual detail, how to form visual constructs, and to track his social history. Keyword: Batik Semarang, Warak Ngendog, Signs, Semiotic.
PERANCANGAN MOTIF BATIK EKSPRESIONISME ABSTRAK DENGAN SUMBER IDE SISI EMOSIONAL UNTUK FASHION STYLE BAD GIRL Shafira Nabila; Mursidah; Yustiana Dwirainaningsih
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The most young people didn’t like batik that seems old-fashioned with colors that seems monotonous. This design is a from of innovation to foster like and interest for young people so that batik willn’t be immersed in foreign cultures and will countinue to exist in the future. This design is an innovation that develops abstract contemporary batik with more expressionism in which the depiction displays the emosional side experienced by female figure who became the ideas for this work. In terms of images that are randomly generaled with the appearance of expressions human. In addition, the color ascept is made to show the emosional side. Observation of motifs and colors is done through the media of the books and the internet. This batik is realize using the written batik technique, with the coloring using the dab technique. This batik work is packaged or realized in the form of Bad Girls Style which reflects the figure of feminine girl who became a new, tomboyish personality. The results of this design trial obtained 3 motifs with 7 fashion designs which are illustrated in the from of 3 motifs in 1 design and realized with the chosen motif, namely the Confundo motif on a bad girl outfit. Keyword : Bad Girl, Contemporary Batik, Ekspresionism
EKSPLORASI WARNA ALAM KUNYIT UNTUK PRODUK MUKENA BATIK Mursidah; Dheasari Rachdantia; Amin Sulistyowati
Canthing Vol. 8 No. 1 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Natural dyes are non-toxic alternative dyes refurbished and environmentally friendly. Materials for natural dyes are selected based on its availability in nature and easy to obtain like turmeric (Curcuma domestica Val) which is a native spice and medicinal plant from Asian region. Turmeric is a plant that is commonly used as traditional medicine and herbal medicine. Apart from that, turmeric can also be used as a natural dye for batik cloth. This research aims to make turmeric an environmentally friendly natural dye for batik cloth, and produce a new product design with the idea of ​​providing additional use value to batik mukena products. The method used is qualitative research with a practice-based approach to the creative arts creation process (practice-led research). The results of this research are batik mukena products using the natural dye turmeric. Coloring using a dipping technique of 10 dips using natural turmeric dye with a fixation locking process using a tunjung. Keywords: Batik, Natural Turmeric Color, Mukena batik.
The Application of Draping Techniques in Zero-Waste Fashion Design Using Pekalongan Batik Fabric Mursidah Mursidah; Andri Nur Cahyo
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.5998

Abstract

Abstract. Batik is the result of creating motifs which consists of the integrity of the arrangement of ornaments that decorate the surface of the fabric. Batik motifs are noble works of art because they are philosophical, the basic idea behind the birth of the patterns is the creator's philosophy of life and cosmology. In ancient times, batik fabric was not allowed to have cut motifs and was only wrapped around the human body. But now, batik has developed following fashion trends. For fashion production, batik fabric is processed through cutting with contemporary patterns or models. This will unknowingly reduce the essence of creating batik motifs and their use. In the development of fast fashion, the fashion industry has contributed a lot of waste that damages the environment. One way to reduce this is with zero waste fashion. This article contains a discussion about how to apply the zero waste fashion concept to Pekalongan batik cloth. The zero waste concept used is by applying draping techniques to construct fabric without cutting the material into one complete fashion model. Applying the draping technique to Pekalongan batik cloth makes batik fashion without cutting the material so it doesn't produce waste. Apart from that, batik motifs can appear in their entirety without being cut, just like the initial essence of batik cloth created. The zero waste fashion concept provides greater opportunities for the Pekalongan batik industry so that it does not have a negative impact on the environment and is more sustainable.
Pengembangan Canting Batik Cap Modular untuk Produksi Batik Berkelanjutan Andri Nur Cahyo; Mursidah; Intan Pratiwi
JURNAL RUPA Vol 10 No 1-2 (2025): In Press
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v10i1-2.9959

Abstract

The national batik industry faces challenges in increasing production efficiency without sacrificing traditional values and environmental sustainability. One of the current challenges lies in the limited flexibility of conventional canting cap tools in accommodating diverse motif variations, which may affect production efficiency and material utilization. This research aims to develop a canting cap based on a modular design that allows batik artisans to arrange, replace, and combine stamp elements as needed. The research method uses a Research and Development (R&D) approach with a design thinking and participatory design model. The process includes problem identification, prototype design, testing, and evaluation with batik artisans. The research results produced a prototype of a modular canting cap made from recycled duplex paper with three mechanism configurations: modular Mechanical interlocking, modular light magnetic locking, and modular strong magnetic locking. The strong magnetic locking configuration proved to be the most ideal because it is stable, precise, and supports the principle of zero waste. This innovation contributes to production efficiency, waste reduction, and supports the transformation of batik into a sustainable creative industry.
AFFIRMATIVE ENFORCEMENT FOR MICRO, SMALL, AND MEDIUM ENTERPRISES IN THE FIELD OF INTELLECTUAL PROPERTY RELATED TO NATURAL COLOURS IN BATIK MAKING Yustiana Dwirainaningsih; Dheasari Rachdantia; Mursidah; Andri Nur Cahyo
Bengkoelen Justice : Jurnal Ilmu Hukum Vol. 14 No. 2 (2024): November 2024
Publisher : Universitas Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33369/jbengkoelenjust.v14i2.37343

Abstract

The importance of Intellectual Property Rights protection for Micro, Small and Medium Enterprises is a major highlight in supporting the sustainability and economic competitiveness of this sector. IPR has great potential to add value to the products and services produced by MSMEs, create a competitive advantage, and protect innovations or brands from the threat of infringement. However, various obstacles such as complex administrative procedures, high costs, unsupportive regulations, and limited law enforcement related to IPR violations are significant challenges for MSME actors. Normative legal research in this context aims to identify solutions to these problems, through simplification of the registration process ensuring that IPR registration procedures are simpler and more accessible to MSME actors subsidising registration fees providing relief from IPR registration fees through government subsidies or fiscal incentives for MSMEs that register their IPRs improvement of regulations encourages revision of regulations that pay attention to the needs of MSMEs, such as accelerating the time of the registration process and recognition of IPRs for local or traditional typical products. Increased law enforcement encourages revision of regulations that pay attention to the needs of MSMEs, such as accelerating the time of the registration process and IPR recognition for local or traditional typical products. Socialisation and education are expected to educate MSME players about the strategic benefits of IPR and how to take advantage of the system to support their businesses. Policies that support MSMEs are more optimal in utilising IPR to increase competitiveness, open up opportunities for market expansion, and protect local innovation and creativity. Collaborative efforts between the government, related institutions, and MSME players are the key to the optimal use of IPR. Keywords: MSMEs natural color batik, Affirmative, Intellectual Property
Co-Authors Amin Sulistiyowati Amin Sulistyowati Amin Sulistyowati Andri Nur Cahyo Anjarini, Ary Dwi Aria Mulyapradana, Aria Dheasari Rachdantia Dheasari Rachdantia Dwirainaningsih, Yustiana Dwi Dwirainaninsih, Yustiana H Hariana H Hasmah Intan Pratiwi Nooryan Bahari Rachdantia, Dheasari Sarah Rum Handayani Shafira Nabila Shafira Nabila