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All Journal Batoboh : Jurnal Pengabdian Pada Masyarakat Unes Law Review Journal of Scientific Research, Education, and Technology Journal of Religion and Film Ezra Science Bulletin Cinelook: Journal of Film, Television, and New Media Asian Journal of Media and Culture
Fitri, Dynia
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ANALISIS PERAN TIM LOKASI DALAM MANAJEMEN PRODUKSI FILM MENUJU PELAMINAN Syahputra, Andri; Sasongko, Hery; Fitri, Dynia
EZRA SCIENCE BULLETIN Vol. 3 No. 2 (2025): July-December 2025
Publisher : Kirana Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/ezrasciencebulletin.v3i2.463

Abstract

Penelitian ini bertujuan untuk menganalisis peran tim lokasi dalam menunjang keberhasilan produksi film Menuju Pelaminan. Tim lokasi merupakan bagian integral dari proses produksi film yang memiliki tanggung jawab dalam pengelolaan tempat pengambilan gambar, koordinasi lapangan, serta hubungan sosial dengan masyarakat di area produksi. Penelitian ini menggunakan pendekatan deskriptif kualitatif dengan metode observasi langsung dan wawancara. Hasil penelitian menunjukkan bahwa tim lokasi memiliki peran strategis dalam tiga tahap utama produksi, yaitu pra-produksi, produksi, dan pasca-produksi. Pada tahap pra-produksi, tim lokasi berperan dalam menentukan lokasi syuting, mengurus perizinan, dan menyiapkan logistik. Pada tahap produksi, mereka mengatur jalannya kegiatan di lapangan agar sesuai dengan rencana kerja. Sedangkan pada tahap pasca-produksi, tim lokasi memastikan pemulihan lokasi serta penyelesaian administrasi. Keberhasilan produksi film Menuju Pelaminan tidak terlepas dari profesionalitas, komunikasi, dan kemampuan adaptasi tim lokasi dalam mengatasi berbagai kendala di lapangan.
Long Take to Support Drama in the Film Women from Rote Island Director Jeremias Nyangoen Asyraf, Muhammad; Fitri, Dynia
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 4 No. 4 (2025): Vol. 4 No. 4 2025
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v4i4.931

Abstract

This study aims to reveal, examine, and analyze how the long take technique can support the dramatic elements in the film Women From Rote Island directed by Jeremias Nyangoen. The research method used is qualitative with a descriptive analysis approach. The results of the study show that the application of the long take technique in the film Women From Rote Island proves that the long take does not stand alone, but is combined with other cinematographic elements such as camera movement, framing, camera angle, and lighting, which is in accordance with the theories of Bordwell, Thompson & Smith, Blain Brown, Joseph Mascelli. This combination successfully supports the dramatic elements of conflict, suspense, surprise, and curiosity. The effective use of long takes provides an opportunity for the audience to feel the tension and emotions of the characters directly.
ASISTEN PENATA SUARA PADA WEB SERIES MALAM PERTAMA DI PRODUCTION HOUSE SINEMART JAKARTA BARAT Revilia; Fitri, Dynia
EZRA SCIENCE BULLETIN Vol. 3 No. 2 (2025): July-December 2025
Publisher : Kirana Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/ezrasciencebulletin.v3i2.505

Abstract

Pentingnya kualitas audio yang jernih dan bebas gangguan dalam sebuah karya audio visual membuat peran Asisten Penata Suara (Sound Utility) menjadi sangat penting di lokasi syuting. Penelitian profesi ini bertujuan untuk memahami dan menerapkan secara langsung alur kerja, tugas, dan tanggung jawab seorang Asisten Penata Suara dalam produksi web series Malam Pertama di Production House Sinemart. Metode yang digunakan adalah Praktik Kerja Profesi (magang) dengan terlibat secara aktif dalam seluruh tahapan produksi, mulai dari Pra-Produksi Meeting (PPM) dan workshop alat, hingga proses shooting di lapangan. Hasilnya, penulis berhasil melaksanakan tugas utama seperti mempersiapkan dan memasang mikrofon wireless pada pemain, mencatat sound report harian, melakukan final check peralatan sebelum take, serta memastikan sinyal audio aman dan bebas dari gangguan selama proses pengambilan gambar. Pengalaman ini memberikan wawasan mendalam mengenai penggunaan peralatan dan manajemen kerja tim suara profesional, yang sangat bermanfaat untuk pengembangan karir di industri perfilman.
SOUND UTILITY PADA FILM LOVE THERAPY DI BANYUMILI SOUND SERVIS JAKARTA Maisyarah, Siti; Sasongko, Hery; Fitri, Dynia
EZRA SCIENCE BULLETIN Vol. 3 No. 2 (2025): July-December 2025
Publisher : Kirana Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/ezrasciencebulletin.v3i2.507

Abstract

Pengabdian ini dilakasnakan untuk Mata Kuliah Riset dan Pengembangan Profesi merupakan program pembelajaran lapangan yang bertujuan memberikan pengalaman kerja nyata kepada mahasiswa sesuai bidang keahliannya. Kegiatan ini dilaksanakan penulis di Banyumili Sound Servis Jakarta, sebuah tim profesional yang bergerak di bidang penataan suara film. Selama dua bulan, penulis terlibat dalam produksi film Love Therapy yang disutradarai oleh Ody C. Harahap dan diproduksi oleh MD Pictures. Dalam proyek tersebut, penulis menjalankan tugas sebagai Sound Utility dengan tanggung jawab utama memasang perangkat wireless, melakukan pengecekan kualitas audio, serta menyusun sound report selama proses produksi berlangsung. Hasil kegiatan menunjukkan bahwa peran Sound Utility memiliki kontribusi penting dalam menjaga kualitas suara dan kelancaran kerja tim audio di lapangan. Program ini memberikan pengalaman profesional yang relevan bagi mahasiswa dalam memahami proses teknis dan kolaboratif dalam produksi film.
Editor’s Role in Event Video Loop Visual Identity Aqil, Sutan Muhammad; Fitri, Dynia
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 5 No. 1 (2026): Vol. 5 No. 1 2026
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v5i1.991

Abstract

Video loops are visual media used in events to build atmosphere and strengthen audience identity. The Bundafest Haibunda event utilizes video loops with a specific visual style aimed at mothers and families.This study aims to analyze the role of editors in shaping the visual identity of the Bundafest Haibunda eventvideo loops. The research uses a qualitative approach with participant observation methods, in which theauthor is directly involved as an editor in the production process. Data is obtained through observation ofthe editing process, visual documentation, and work experience reflections, then analyzed using RolandBarthes' semiotic approach which includes denotation, connotation, and myth. The results show that the editor's decisions in color selection, editing rhythm, and visual consistency play an important role inconstructing the meaning of warmth, cheerfulness, and emotional closeness. At the mythical level, the video loop represents the image of modern mothers as active, positive, and adaptive figures in the digitalspace. This study confirms that editors do not only play a technical role but also act as strategic actors inthe production of event-based media visual identities.
PENYUTRADARAAN FILM FIKSI PANDORA TANARA MENGGUNAKAN RITME INTERNAL UNTUK MEWUJUDKAN SUSPENSE Johan, Ani Marshella; Abidin, Zainal; Fitri, Dynia
Cinelook: Journal of Film, Television, and New Media Vol 1, No 01 (2023): Cinelook: Journal of Film, Television, and New Media
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cl.v1i01.3418

Abstract

Film is the right medium to convey messages to the wider community. Pandora Tanara is a fictional trailer genre film with duration 30 minutes. The film Pandora Tanara tells the story of a psychopathic mother who locks up her child and gives her drugs. The dynamic narrative structure and conflicts contained in the Pandora Tanara film scenario are manifested in internal rhythms to create tension. Internal rhythm is applied by paying attention to image movement, player movement, type of shot and sound, to create suspense in the film. Image cuts that adjust the rhythm of the character scenes in the film, as well as the selection of shots and sound effects. The purpose of creating this work is to create tension by using aspects that exist in internal rhythms.
Mise-En-Scene Sebagai Pendukung Unsur Dramatik Film Penyalin Cahaya Fajri, Husnil; Fitri, Dynia; Riski, Wahyu Nova
Cinelook: Journal of Film, Television, and New Media Vol 1, No 01 (2023): Cinelook: Journal of Film, Television, and New Media
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cl.v1i01.3453

Abstract

This research aims to reveal and explore the role of mise-en-scene contained in each of the dramatic elements of the film. Supporting dramatic elements (conflict, suspense, curiosity and surprise) contained in the film, seen from the aspects of mise-en-scene, namely setting, make up & costume, lighting and staging: movement & performance.This research employs a qualitative research method with a descriptive approach. The research object chosen is the Photocopier (2021) directed by Wregas Bhanuteja. The data in this study were obtained from observations, interviews and documentation of the film. The theory used in analyzing mise-en-scene is the mise-en-scene theory by David Bordwell, Kristin Thompson & Jeff Smith based on the theory of dramatic elements by Elizabeth Lutters.The results of this study indicate that there are 25 scenes containing dramatic elements based on the level of significance of the presence of mise-en-scene in supporting dramatic elements. In this film, mise-en-scene plays a role in supporting dramatic element (conflict, suspense, curiosity, and surprise) so that the audience can feel it through settings, costumes, lighting and staging arrangements : movement & performance. While the make-up applied to the film does not have a major influence on each of the film's dramatic elements.
Co-Authors Andri Maijar Apri Wenando, Febby Aqil, Sutan Muhammad Asyraf, Muhammad Badad Alauddin, Muhammad Deni Putra, Muhammad Desnita, Wilda Edy Suisno Ezriani, Ezriani Fadilla, Siti Fajri, Husnil Fajrina, Rahma Melisha FRANSISKUS XAVERIUS YATNO KARYADI Girsang, Nitasri Murawaty Hery Sasongko Hibatullah, Naufal Johan, Ani Marshella Muhammad Farhan Aulia Piliano, Hamdan Algifari Prakarti DB, Vicia Dwi Putri, Mellyda Radhitya, Genta Hatif Rahmadhani, Alhabib Ridho Revilia Riki Rikarno, Riki Rizky Malikian, Ragga Siti Maisyarah Syahputra, Andri Wahyu Nova Riski Zainal Abidin