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Proses Komposisi Musik Menggunakan Kenny Baron Chords Voicing pada Digital Audio Workstation Cubase Sembiring, Piter
Clef : Jurnal Musik dan Pendidikan Musik Vol. 6 No. 1 (2025): Clef: Jurnal Musik dan Pendidikan Musik
Publisher : Program Studi Pendidikan Musik Gereja IAKN Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51667/cjmpm.v6i1.2167

Abstract

Penelitian ini bertujuan untuk menguraikan proses komposisi musik digital dengan menerapkan teknik chord voicing khas Kenny Barron pada platform Digital Audio Workstation (DAW) Cubase. Menggunakan pendekatan practice-based research, penelitian ini mengintegrasikan penciptaan karya seni sebagai metode utama dalam memperoleh pengetahuan, dengan didukung oleh dokumentasi proses kreatif, rekaman audio, serta refleksi kritis terhadap eksplorasi harmoni jazz. Hasil utama berupa komposisi berjudul Flowing in You, yang memanfaatkan Virtual Studio Technology (VST) seperti Peculiar Sounds dan Roland Zenology dalam membangun tekstur sonik yang ekspresif dan multidimensional. Komposisi ini menampilkan ciri khas voicing akor ke-11, inversi, serta modulasi tonalitas, yang mencerminkan pendekatan harmonik Barron. Temuan penelitian ini menegaskan bahwa platform digital mampu mewadahi penerapan konsep harmoni jazz modern secara praktis, sekaligus memberikan kontribusi terhadap pengembangan pedagogi musik yang adaptif terhadap kemajuan teknologi produksi musik.
DRUM LEARNING AND MOTOR SKILLS: EXPLORING TEACHER MOTIVATION AND DIRECT STRATEGIES IN PRIVATE LESSONS Sembiring, Piter
Jurnal Kajian Pembelajaran dan Keilmuan Vol 9, No 2 (2025): OKTOBER 2025
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jurnalkpk.v%vi%i.93818

Abstract

This study explores the integration of teacher motivation and direct instructional strategies in the development of students"™ motor skills during private drum lessons. The background highlights the pedagogical importance of drumming as both a musical and developmental tool. A descriptive qualitative approach was applied at two music institutions in Bandung, involving 15 elementary students through interviews, participatory observation, and documentation. The results reveal that intrinsic motivation such as personal satisfaction and emotional connection plays a pivotal role in enhancing teaching effectiveness. Teachers"™ use of structured demonstrations, kinesthetic explanations, and adaptive feedback significantly improved students"™ rhythmic coordination and neuromuscular awareness. Discussion emphasizes how direct instruction, when emotionally engaging and physically responsive, creates a holistic and immersive learning experience. The study concludes that music education should integrate psychological and biomechanical perspectives to optimize motor skill development. This finding has implications for teacher training programs aiming to foster interdisciplinary competencies in music pedagogy
Joyful Learning : An Effective Strategies for Interactive Drum Learning Sembiring, Piter; Sukmayadi, Yudi; Gunara, Sandie
Jurnal Paedagogy Vol. 12 No. 2 (2025): April
Publisher : Universitas Pendidikan Mandalika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33394/jp.v12i2.14825

Abstract

This study aims to describe the application of the Joyful Learning method in drum lessons at Favore Music and to identify effective strategies in increasing student motivation and engagement. Using a qualitative descriptive approach with a participatory method, this study involved four drum students at Favore Music, Bandung City, through observation, structured interviews, and documentation. The data were analyzed through processes of data reduction, data display, and conclusion drawing, while method triangulation was applied to ensure research validity. The results showed that the application of Joyful Learning through rhythmic exploration, improvisation, and dynamic interaction was able to significantly increase student engagement. Learning strategies such as the use of backing tracks, variations in sticking exercises with various objects, and the challenge of tempo changes and fill-ins create a more interactive and enjoyable learning experience. This approach not only deepens students' musical understanding but also increases their confidence and consistency in practicing. This study contributes to innovation in private music education and provides new insights into the effectiveness of experiential learning in improving the quality of drum learning.
Integrating Digital Tools in Drum Learning: A Qualitative Exploration of Students’ Perceptions Sembiring, Piter; Sukmayadi, Yudi; Gunara, Sandie
Jurnal Pendidikan Tambusai Vol. 9 No. 3 (2025): Desember
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Pertumbuhan pesat teknologi digital telah secara signifikan mengubah pendidikan musik, khususnya dalam pembelajaran drum, dengan menyediakan sumber belajar yang interaktif dan fleksibel. Penelitian ini mengkaji persepsi siswa sekolah dasar dan sekolah menengah pertama terhadap penggunaan YouTube, LALAL.AI, dan Pro Metronome dalam mendukung latihan drum. Dengan menggunakan pendekatan studi kasus deskriptif kualitatif, sebanyak 16 siswa berusia 10–14 tahun di Favore Music dipilih secara purposif. Data dikumpulkan melalui wawancara semi-terstruktur, observasi, dan dokumentasi, kemudian dianalisis menggunakan model Miles dan Huberman yang didukung triangulasi. Temuan penelitian menunjukkan bahwa YouTube membantu memvisualisasikan teknik dasar drum, LALAL.AI meningkatkan ketepatan ritmis melalui isolasi suara instrumen, dan Pro Metronome memperkuat konsistensi tempo. Integrasi ketiga alat tersebut memperkaya perkembangan teknis, kognitif, dan motivasional siswa. Penelitian ini memberikan kontribusi terhadap wacana literasi digital dalam pendidikan musik dengan menunjukkan nilai pedagogis dari kombinasi aplikasi berbasis video, kecerdasan buatan, dan metronom dalam pembelajaran drum tingkat awal.
Achievement and Goals in Private Music Learning: Pathways to Motivation and Musical Growth Sembiring, Piter; Tia Destiana Puri
Jurnal Pendidikan Non formal Vol. 3 No. 2 (2025): December
Publisher : Indonesian Journal Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47134/jpn.v3i2.2235

Abstract

This study examines how achievement orientations, goal setting practices, and motivational factors shape students’ engagement and musical development in private music learning. Using a qualitative design, data were collected through observations and semi structured interviews with twelve students aged eight to seventeen studying various instruments in one-to-one lessons. The findings show that mastery and performance orientations emerge through structured tasks, diagnostic-based sequencing, and individualized guidance. Clear short term and long term goals enhanced students’ focus and supported consistent practice routines, while teacher support and joyful learning principles helped sustain motivation when students faced technical challenges. Motivational barriers generally stemmed from task difficulty, unmet expectations, or irregular home practice but were mitigated through gradual task breakdown and targeted instruction. The study concludes that aligning achievement orientations, structured goal setting, and motivational supports is essential for maintaining engagement and promoting continuous musical growth in private music education.
Band Milestones as Strategy for Mapping Students’ Musical Progress in GJKI Bandung Raya Sembiring, Piter; Hutapea, Clarisa Jesika Korina Tiurmauli; Maulana, Marsel Ridky; Heon, Lee Ji
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 8 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v8n2.p137-153

Abstract

This study examines students’ musical development in a church-based band learning environment using a milestone framework to map technical, musical, and collaborative progress. Ten students from GJKI Bandung Raya participated in rehearsals involving instrument-specific training, group coaching, and arrangement work. Data were collected through observation, interviews, and documentation, then analysed using thematic procedures and Miles and Huberman’s analytic stages. Findings indicate that students demonstrated measurable growth in tempo stability, harmonic understanding, dynamic control, cue responsiveness, and role clarity. Collaborative progress was also evident, particularly in rhythmic coordination, structural navigation, and real-time problem solving during rehearsals. Challenges such as mid-song tempo instability, dynamic imbalance, and vocal inaccuracy required adaptive instructional adjustments that supported sustained improvement. The milestone approach proved effective for identifying learning indicators in community-based band settings. The study contributes practical and theoretical insights and suggests future development of structured milestone-based band curricula.
Music and Motivation: A Literature-Based Review of Learning and Engagement Sembiring, Piter; Muqri, Al; Heon, Lee Ji
Indonesian Journal on Education (IJoEd) Vol. 2 No. 3 (2025)
Publisher : LPPI Yayasan Almahmudi bin Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70437/ijoed.v2i3.304

Abstract

This study aims to review and synthesize literature examining the relationship between music, learning motivation, and student engagement across educational settings. A literature review method was employed by analyzing twenty relevant articles on music learning. Thematic analysis was used to identify key conceptual patterns related to the role of music in enhancing motivation, supporting concentration, and influencing psychological mechanisms that foster student engagement. The findings indicate that music strengthens intrinsic motivation, regulates concentration, and promotes engagement through self-efficacy, flow experiences, and interpersonal support. Music is most effective when applied alongside responsive pedagogical strategies such as demonstration, guided practice, technological integration, and autonomy-oriented instruction. The study concludes that the intentional integration of music can improve learning quality and support the development of more student-centered instructional approaches
To What Extent is Demonstration-Based Instruction Effective in Music Education? Sembiring, Piter
Journal for Teaching and Education for Scholars Vol 3 No 1 (2026): JOTES: May
Publisher : Yayasan Cendekiawan Indonesia Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59065/jotes.v3i1.272

Abstract

This study analyzes demonstration-based instruction in music education through an integrative review of twenty peer-reviewed studies published between 2019 and 2026. The review employs an integrative synthesis approach involving systematic literature search across Google Scholar, SINTA, and Scopus, followed by screening based on predefined inclusion and exclusion criteria and thematic comparative analysis of quantitative, qualitative, and mixed-methods studies. The synthesis shows that demonstration supports learning outcomes, including psychomotor development, technical proficiency, coordination, musical literacy, and interpretative performance across instrumental and vocal contexts. However, its effectiveness varies depending on instructional design and is significantly strengthened when combined with active learning strategies, goal-oriented instruction, and performance-based assessment. The study proposes an integrative pedagogical framework that positions demonstration as foundational modeling within a structured sequence of exploration and evaluation. Rather than functioning as an isolated practice, demonstration is conceptualized as a core component within a coherent instructional system. This study contributes to the literature by synthesizing fragmented findings into a unified analytical perspective that clarifies the conditions under which demonstration-based instruction is most effective in music education.
Reconsidering the Drill Method in Music Education: Pedagogical Perspectives and Learning Outcomes Sembiring, Piter; Sukmayadi, Yudi; Gunara, Sandie
Cantata Deo: Jurnal Musik dan Seni Vol. 4 No. 1 (2026): Cantata Deo: Jurnal Musik dan Seni
Publisher : Pusat Penelitian dan Pengabdian Masyarakat STAKPN Sentani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69748/jmcd.v4i1.531

Abstract

The drill method has long been employed in music education, yet its pedagogical relevance remains debated due to its association with mechanical repetition and limited musical meaning. This study aims to re-examine the role of the drill method in music learning by synthesising pedagogical perspectives, instructional practices, and reported learning outcomes within existing scholarly literature. A qualitative literature review design was employed, involving systematic database searching, study selection based on predefined inclusion criteria, and thematic analysis of selected studies. Data were analysed using a structured analytical framework through coding, categorisation, and cross-study comparison to identify recurring pedagogical patterns and reported learning outcomes. The reviewed studies indicate that drill-based practice consistently supports technical stability, musical accuracy, notation literacy, and performance consistency across diverse educational contexts. However, its effectiveness is strongly dependent on instructional design and pedagogical integration. Drill contributes to meaningful musical development when aligned with clear objectives, guided feedback, and interpretative engagement, but becomes limited when applied as isolated repetition. This study positions drill as a foundational pedagogical strategy that supports progressive musical learning rather than as a purely mechanical method.
PRACTICE BEYOND INSTRUCTION: EXPLORING PRACTICE STRATEGIES IN PRIMARY SCHOOL DRUM LEARNING Sembiring, Piter; Latifah, Diah; Gunara, Sandie
Jurnal Ilmiah Didaktika Vol 26 No 2 (2026): Jurnal Ilmiah Didaktika February 2026
Publisher : Center for Research and Publication Universitas Islam Negeri (UIN) of Ar-Raniry

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/jid.v26i2.34281

Abstract

This study addresses the limited attention given to independent practice in primary music education by examining how young students structure drum practice beyond direct instruction in a non-formal setting. A qualitative design was employed involving four students aged seven to nine, using participant observation, semi-structured interviews, and document analysis during thirty-minute sessions. Inductive thematic analysis revealed that students consistently initiated practice by revisiting previously learned 4/4 grooves, using prior material as a structural anchor. Despite tempo instability and coordination challenges between the hi-hat and bass drum, students maintained rhythmic coherence while negotiating motor demands. Problem-solving was predominantly global, relying on whole-pattern repetition rather than segmentation. Practice organization emerged implicitly, progressing from hi-hat stabilization toward full groove integration. These findings highlight early-stage self-structured practice behaviors and extend understanding of independent practice in drum learning. However, the small sample and single-context design limit generalizability. Future research should involve larger samples and longitudinal approaches to examine developmental progression in practice strategies.