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All Journal Imaji: Jurnal Seni dan Pendidikan Seni ARS: Jurnal Seni Rupa Dan Desain Jurnal Pendidikan dan Kajian Seni Panggung Studi Budaya Nusantara Atrat: Jurnal Seni Rupa Jurnal Senirupa Warna (JSRW) Moda : The Fashion Journal Prosiding Konferensi Nasional PKM-CSR JUrnal Riset Ilmu Pendidikan BAJU: Journal of Fashion and Textile Design Unesa Arty: Jurnal Seni Rupa Panggung Canting : Jurnal Batik Indonesia Serat Rupa: Journal of Design
Asep Miftahul Falah
Institut Seni Budaya Indonesia Bandung
Religion Arts Humanities Chemistry Control & Systems Engineering Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Nursing Public Health Social Sciences Other

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NILAI PENDIDIKAN SENI PADA PERTUNJUKAN WAYANG GOLEK GIRI HARJA KABUPATEN BANDUNG Asep Miftahul Falah; Siti Nurjanah
ATRAT: Jurnal Seni Rupa Vol 11, No 2 (2023): KARAKTERISTIK RUPA DALAM TRADISI DAN BUDAYA
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v11i2.2850

Abstract

This study discusses the Giri Harja hermitage in wayang golek in West Java. The selection of the Giri Harja wayang golek to be studied is very important because it has a role and function in art education in the village of Jelekong, West Java. This study aims to analyze the role and function of art education in the Giri Harja wayang golek art performance. Using qualitative methods with a descriptive analysis approach, researchers can describe, describe, explain and answer the problems to be studied in more detail. The object of observation was carried out in the wayang village, Giri Harja Jelekong, Baleendah sub-district, Bandung Regency. As a result, the wayang golek show, a cultural heritage considered antique and almost ignored, still has the essence of educational, cultural, and moral values and good life. Because apart from being a spectacle, the puppet show is also a guide. In Jelekong, the people are still trying to instill character education values among their citizens, namely by having a hermitage and an institution as a place to accommodate peoples interest in the world of wayang and puppetry. With scheduled routine training, exhibitions, and other artistic activities aimed at maintaining the preservation of the art of wayang golek and strengthening noble values. Keywords: wayang golek, art education, Giri Harja, Jelekong ------------------------------------------------------------------------------------ Penelitian ini membahas padepokan Giri Harja dalam wayang golek di Jawa Barat. Pemilihan wayanag golek Giri Harja untuk dikaji sangat penting karena memiliki peran dan fungsi pendidikan seni di desa Jelekong, Jawa Barat. Penelitian ini bertujuan untuk menganalisis peran dan fungsi pendidikan seni dalam pertunjukan seni wayang golek Giri Harja. Dengan menggunakan metode kualitatif dengan pendekatan deskriptif analisis, peneliti bisa menggambarkan, melukiskan, menjelaskan dan menjawab secara lebih rinci permasalahan yang akan diteliti. Objek observasi dilakukan di kampung wayang, Giri Harja Jelekong, kecamatan Baleendah, kabupaten Bandung. Hasilnya, pertunjukan wayang golek yang merupakan warisan budaya yang dianggap antik dan hampir tidak di hiraukan lagi, ternyata masih tetap memiliki esensi nilai-nilai pendidikan, budaya, moral kehidupan dan kebaikan. Karena selain merupakan tontonan, pertunjukan wayang golek juga merupakan tuntunan. Di Jelekong, masyarakatnya tetap dalam upaya penanaman nilai-nilai pendidikan karakter terhadap warga masyarakatnya yaitu dengan memiliki padepokan dan lembaga sebagai wadah untuk menampung minat masyarakat dalam dunia pewayangan dan pedalangan. Dengan adanya latihan rutin yang telah terjadwal, pameran-pameran dan kegiatan-kegiatan kesenian lainnnya yang ditujukan untuk mempertahankan kelestarian seni wayang golek serta penguatan nilai-nilai luhur. Kata Kunci: wayang golek, pendidikan seni, Giri Harja, Jelekong
FASHION SEBAGAI BENTUK EKSPRESI DIRI DAN KARAKTER MAHASISWA UNIVERSITAS MUHAMMADIYAH BANDUNG Ghaitsa Salma; Asep Miftahul Falah
ATRAT: Jurnal Seni Rupa Vol 11, No 1 (2023): INOVASI DAN APLIKASI PADA KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v11i1.3197

Abstract

In the history of its development, fashion is a symbol of the period of change in group culture. Fashion is often synonymous with clothing, although the true meaning of fashion can include anything related to jewelry, style, and clothing. Clothing is a symbol of the soul, and clothing cannot be separated from the development of human life and cultural history. In other words, fashion can be interpreted as a social aspect that contains messages and ways of life of certain individuals or communities that are part of social culture. The research method used in this study, in an effort to understand fashion as a form of self expression and character of Bandung Muhammadiyah University students, the authors used qualitative methods by distributing questionnaires to 50 students of the Muhammadiyah University of Bandung. The result is that 92% of students agree that the way they dress is in accordance with their individual personalities. This means they choose clothes according to the color, model, style, design, and aesthetic value that they feel suits their personality. So it is true that the style of dress is a form of self-expression of the character of Bandung Muhammadiyah University students. Keywords: Fashion, Style, Character, Self Expression, Personality Dalam sejarah perkembangannya, fashion adalah simbol periode perubahan budaya kelompok. Fashion seringkali identik dengan pakaian, meskipun arti sebenarnya dari fashion dapat mencakup apapun yang berhubungan dengan perhiasan, gaya, dan pakaian. Pakaian merupakan simbol jiwa, dan pakaian tidak dapat dipisahkan dari perkembangan kehidupan manusia dan sejarah kebudayaan. Dengan kata lain, fashion dapat diartikan sebagai suatu segi sosial yang mengandung pesan dan cara hidup individu atau komunitas tertentu yang menjadi bagian dari kultur sosial. Metode penelitian yang dilakukan dalam penelitian ini, dalam upaya memahami fashion sebagai bentuk Ekspreksi Diri dan Karakter Mahasiswa Universitas Muhammadiyah Bandung, penulis menggunakan metode kualitatif dengan cara menyebar kuesioner kepada 50 mahasiswa Universitas Muhammadiyah Bandung. Hasilnya sebanyak 92% mahasiswa menyetujui jika cara berbusana mereka dalam berpakaian sesuai dengan kepribadian individu masing-masing. Ini artinya, mereka memilih pakaian sesuai dengan warna, model, gaya, desain dan nilai estetika yang dirasa sesuai dengan kepribadian mereka. Sehingga benar adanya jika gaya berpakaian menjadi bentuk ekspresi diri karakter mahasiswa Universitas Muhammadiyah Bandung. Kata Kunci: Pakaian, Gaya, Karakter, Ekspresi Diri, Kepribadian
EKSISTENSI TEKNIK PATCHWORK SERTA PENERAPANNYA PADA PRODUK FASHION Nisa Haritsatul Ummah; Asep Miftahul Falah
ATRAT: Jurnal Seni Rupa Vol 11, No 1 (2023): INOVASI DAN APLIKASI PADA KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v11i1.2842

Abstract

Patchwork is traditional art that originated in Europe and developed in the continental United States. Patchwrok in the Indonesian dictionary means patchwork. But in its full sense, patchwork is a craft that combines pieces of patchwork with one another. Those that have different motifs or colors then become a new form. Patchwork is also included in sustainable design, also known as environmental design, (environmentally sustainable design, eco conscious design, etc. Generally, patchwork crafts use industrial waste materials and textile products in the form of scraps of cloth or commonly called patchwork. Even though it looks like a worthless item, patchwork waste can be turned into useful and economical items considering that patchwork has various patterns and textures and can be combined into useful creations, including as complementary elements of home interiors, such as curtains, curtain fasteners. Pillowcases (tassel), pillowcases, bed linen, blankets, lampshades, magazine holders, place mats, glass mats, tissue holders, dirty clothes holders, multi-purpose hanging bags and others. Keywords: Traditional art, Patchwork, industrial waste materials, home interior ------------------------------------------------------------------------------------ Patchwork merupakan seni tradisional yang berasal dari Eropa dan berkembang di benua Amerika Serikat. Patchwrok dalam kamus Bahasa Indonesia yang berarti kain perca. Namun pengertian lengkapnya, patchwork adalah kerajinan yang menggabungkan potongan-potongan kain perca satu dengan yang lainnya. Yang memiliki motif atau warna yang berbeda-beda lalu menjadi suatu bentuk baru. Patchwork juga masuk kedalam Desain berkelanjutan, atau disebut juga sebagai desain lingkungan, (desain berkelanjutan secara lingkungan, desain kesadaran lingkungan, dll.) Umumnya kerajinan patchwork menggunakan sisa bahan limbah industri dan produk tekstil yang berupa sisa potongan kain atau biasa disebut kain perca. Walaupun terlihat sebagai barang yang tidak berharga, limbah kain perca dapat diubah menjadi barang-barang yang berguna dan bernilai ekonomis mengingat kain perca memiliki corak dan tekstur yang beragam dan dapat dipadukan menjadi kreasi yang berguna termasuk sebagai unsur pelengkap interior rumah, seperti tirai, pengikat tirai (tassel), sarung bantal, sprei, selimut, kap lampu, tempat majalah, alas piring, alas gelas, tempat tissue, tempat pakaian kotor, kantong gantung serba guna dan lain-lain. Kata Kunci: Seni tradisional, Kain Perca, Patchwork, limbah industry, interior rumah
ANALISIS INDIKATOR KEBERHASILAN PROSES TERAPI SENI SEBAGAI ALTERNATIF METODE PENYEMBUHAN KESEHATAN MENTAL Wanda Hamidah; Asep Miftahul Falah
ATRAT: Jurnal Seni Rupa Vol 11, No 2 (2023): KARAKTERISTIK RUPA DALAM TRADISI DAN BUDAYA
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v11i2.3187

Abstract

This study aims to analyze indicators that influence the process of art therapy as an alternative method of healing mental health. Art therapy is an approach that uses creative expression in the arts, such as the visual arts, music, dance, or theatre, to help individuals deal with their mental health issues. This qualitative research uses a descriptive analysis method with a psychological approach. The analysis was conducted to identify the main indicators that influence the effectiveness of the art therapy process in healing mental health. Data reduction, data presentation, and conclusion are the data analysis technique used. Data collection techniques were carried out through observation, interviews, and documentation. The results of the study show that several key indicators influence the process of art therapy. First, the individuals active involvement in creative expression and the overall artistic experience. The more individuals are engaged and actively involved in the artistic process, the greater the healing potential that can be achieved. Another indicator is the social support and therapeutic relationship between the art therapist and the individual undergoing therapy. Strong social support and positive therapeutic relationships can increase the effectiveness of art therapy. In addition, environmental factors are also important indicators. Environments that support and encourage creative expression, such as adequate art studios and safe spaces, can influence the outcome of art therapy. The findings of this study provide a better understanding of the factors that influence the process of art therapy as an alternative method of mental health healing. This information can be used to improve the development and implementation of art therapy in clinical practice and mental health rehabilitation programs. Keywords: mental health, art therapy, indicators, healing methods ------------------------------------------------------------------------------------ Penelitian ini bertujuan untuk menganalisis indikator yang memengaruhi proses terapi seni sebagai alternatif metode penyembuhan kesehatan mental. Terapi seni adalah pendekatan yang menggunakan ekspresi kreatif dalam seni, seperti seni visual, musik, tari, atau teater, untuk membantu individu mengatasi masalah kesehatan mental mereka. Penelitian ini merupakan penelitian kualitatif dengan metode deskriptif analisis dengen pendekatan psikologi. Analisis dilakukan untuk mengidentifikasi indikator utama yang memengaruhi efektivitas proses terapi seni dalam penyembuhan kesehatan mental. Teknik analisis data yang dilakukan yakni melalui reduksi data, penyajian data, serta penarikan kesimpulan. Teknik pengambilan data dilakukan melalui observasi, wawancara, serta dokumentasi. Hasil penelitian menunjukkan bahwa terdapat beberapa indikator kunci yang memengaruhi proses terapi seni. Pertama, keterlibatan aktif individu dalam ekspresi kreatif dan pengalaman seni secara menyeluruh. Semakin individu terlibat dan terlibat secara aktif dalam proses seni, semakin besar potensi penyembuhan yang dapat dicapai. Indikator lainnya adalah dukungan sosial dan hubungan terapeutik antara terapis seni dan individu yang menjalani terapi. Dukungan sosial yang kuat dan hubungan terapeutik yang positif dapat meningkatkan efektivitas terapi seni. Selain itu, faktor lingkungan juga menjadi indikator penting. Lingkungan yang mendukung dan mendorong ekspresi kreatif, seperti studio seni yang memadai dan ruang yang aman, dapat mempengaruhi hasil terapi seni. Temuan penelitian ini memberikan pemahaman yang lebih baik tentang faktor-faktor yang memengaruhi proses terapi seni sebagai alternatif metode penyembuhan kesehatan mental. Informasi ini dapat digunakan untuk meningkatkan pengembangan dan implementasi terapi seni dalam praktik klinis dan program program rehabilitasi kesehatan mental. Kata Kunci: kesehatan mental, terapi seni, indikator, metode penyembuhan
PERANCANGAN TEKSTIL DENGAN TEKNIK MARBLING DAN BATIK TULIS UNTUK BUSANA CASUAL Neneng Dela Amelia; Asep Miftahul Falah; Saftiyaningsih Ken Atik; Komarudin Kudiya
ATRAT: Jurnal Seni Rupa Vol 12, No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3515

Abstract

This research presents an innovation in textile design for casual wear by combining marbling and batik techniques. The state of the art of the problem involves the need for unique and different casual wear, along with the increasing public interest in environmentally friendly and sustainable products. This research aims to produce interesting and unique textile designs and introduce traditional techniques such as batik tulis into casual wear. The method used is IDEO Method Cards, with the stages of Learn to learn marbling and batik tulis techniques, Look to see design inspiration, Ask to ask experts, and Try to try the techniques. The result is a casual fashion collection that is unique, artistic, and environmentally friendly. The recommendation of this research is to encourage further development in the use of traditional techniques in the modern fashion industry. Keywords: Textile Design, Sustainable, Marbling, Batik Tulis, Casual Fashion --------------------------------------------------------------------- Penelitian ini menghadirkan inovasi dalam perancangan tekstil untuk busana casual dengan menggabungkan teknik marbling dan batik tulis. State of art dari permasalahan melibatkan kebutuhan akan busana casual yang unik dan berbeda, seiring dengan meningkatnya minat masyarakat terhadap produk yang ramah lingkungan dan berkelanjutan. Tujuan penelitian ini adalah untuk menghasilkan desain tekstil yang menarik dan unik serta memperkenalkan teknik-teknik tradisional seperti batik tulis ke dalam busana casual. Metode yang digunakan adalah IDEO Method Cards, dengan tahapan Learn untuk mempelajari teknik-teknik marbling dan batik tulis, Look untuk melihat inspirasi desain, Ask untuk bertanya kepada para ahli, dan Try untuk mencoba teknik-teknik tersebut. Hasilnya adalah koleksi busana casual yang unik, artistik, dan ramah lingkungan. Rekomendasi dari penelitian ini adalah untuk mendorong pengembangan lebih lanjut dalam penggunaan teknik-teknik tradisional dalam industri busana modern. Kata Kunci: Perancangan Tekstil, Sustainable, Marbling, Batik Tulis, Busana Casual
Hijrah seni seniman muda: Analisis kritik seni pada karya lukis Yogi Ginanjar Islami, Melani Putri; Falah, Asep Miftahul
Imaji: Jurnal Seni dan Pendidikan Seni Vol 22, No 1 (2024): April
Publisher : FBSB UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/imaji.v22i1.64422

Abstract

Penelitian ini bertujuan untuk mengkaji proses hijrah seni seorang seniman muda, Yogie Ginanjar, melalui analisis mendalam terhadap karya-karya lukisnya. Metode penelitian yang digunakan adalah pendekatan Kritik Seni dengan menggunakan analisis konten visual dari sejumlah karya lukis Yogie Ginanjar. Tujuan dari penelitian ini adalah untuk memahami evolusi seni Yogie Ginanjar, termasuk perubahan gaya, teknik, dan tema dalam karyanya dari tahun 2013 - 2017.Hasil penelitian ini menunjukkan bahwa Yogie Ginanjar telah mengalami perkembangan seni yang menarik dalam perjalanan kreatifnya. Pada awal kariernya, karya-karya Yogie cenderung mengikuti gaya lukisan realis dengan fokus pada detail dan representasi yang realistis. Namun, seiring berjalannya waktu, gaya lukis Yogi bertransformasi menjadi lebih ekspresif, abstrak, dan eksperimental. Perubahan ini mencerminkan proses eksplorasi seni dan transformasi kreatif yang dialami oleh seniman muda ini. Selain itu, tema-tema yang diangkat dalam karya-karya Yogie juga mengalami perubahan yang signifikan. Dari awal yang lebih konvensional dan berfokus pada pemandangan alam, Yogie berangsur-angsur mengeksplorasi isu-isu sosial, emosional, dan identitas manusia dalam karyanya. Tema-tema tersebut mencerminkan perasaan dan refleksi pribadi Yogie, serta memberikan sudut pandang yang lebih mendalam kepada penonton mengenai realitas sosial yang dihadapinya. Analisis kritikal terhadap karya-karya Yogie Ginanjar juga melibatkan persepsi dan tanggapan dari para pengamat seni dan masyarakat. Beberapa penikmat seni mengapresiasi keberanian Yogie dalam mengeksplorasi medium lukis dengan gaya yang berbeda, sementara yang lain mungkin menghadapi tantangan dalam memahami pesan di balik karya-karya eksperimentalnya. Keywords: Hijrah seni, kritik seni, seniman muda, seni lukis The hijrah of young artists: An analysis of art criticism on yogi Ginanjar’s paintings AbstractThis study aims to examine the artistic migration process of a young artist, Yogie Ginanjar, through an in-depth analysis of his paintings. The research method used is an Art Criticism approach by using visual content analysis from a number of Yogie Ginanjar’s paintings. The purpose of this study is to understand the evolution of Yogie Ginanjar’s art, including changes in style, technique, and themes in his work from 2013-2017. The results of this study indicate that Yogie Ginanjar has experienced interesting artistic developments in his creative journey. At the beginning of his career, Yogie’s works tended to follow a realist painting style with a focus on details and realistic representations. However, over time, Yogi’s painting style has transformed to become more expressive, abstract, and experimental. This change reflects the process of artistic exploration and creative transformation experienced by this young artist. Apart from that, the themes raised in Yogie’s works have also undergone significant changes. From a more conventional beginning and focusing on natural landscapes, Yogie gradually explores issues of social, emotional and human identity in his work. These themes reflect Yogie’s personal feelings and reflections, as well as provide the audience with a deeper perspective on the social reality he faces. Critical analysis of Yogie Ginanjar’s works also involves perceptions and responses from art observers and society. Some art connoisseurs appreciate Yogie’s courage in exploring painting mediums with different styles, while others may face challenges in understanding the message behind his experimental works. Keywords: Art migration, kritik seni, young artist, painting 
Trend Fashion Masyarakat Indonesia saat Menghadiri Konser Musik K-Pop Adrian, Regia Aulia Putri; Falah, Asep Miftahul
BAJU: Journal of Fashion and Textile Design Unesa Vol. 4 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v4n2.p190-198

Abstract

A music concert is an event or performance held by musicians for music lovers as an appreciation for the music they create. Currently, Indonesian people are being inundated by music concerts held in various regions of Indonesia. Not only domestic musicians but also from abroad. Fashion is now an important part of watching music concerts. Not only as a music concert event but now the music concert event as a venue for art lovers to show their best fashion. Everyone has their own sense of fashion, so at the music concert event people wear a variety of fashions. From simple-looking fashion to fashions that look crazy-looking. The fashion trend of watching music concerts is now familiar, someone has their own concept when dressing up for a music concert. K-Pop or Korean Pop is a genre of music from South Korea, which is now widely loved by Indonesians from all walks of life. The enthusiasm of the Indonesian people to watch a music concert, especially a K-Pop music concert, is very high. The research method that will be used in this research is a qualitative method, distributing questionnaires to Indonesian people who like K-Pop music, by using the Phenomonology theory approach. Keywords: Fashion, Concert, Music, Indonesia, K-Pop.
PERSPECTIVE OF GENERASI Z FASHION AS MANIFESTATION OF SOCIAL CONSTRUCTIONISM Ananta, Dede; Falah, Asep Miftahul
Moda : The Fashion Journal Vol. 5 No. 2 (2023)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v5i2.4113

Abstract

This study explores Generation Z's view of fashion as a manifestation of social constructionism. This research attempts to answer questions about how Generation Z understands and responds to fashion trends and how fashion trends play a role in the social construction of their identities. The research problem studied is the role of fashion in shaping self-perception and how social views influence the acceptance and interpretation of fashion trends by Generation Z. The basic design of this study uses qualitative methods with a phenomenological approach. Data was collected through observation and distribution of questionnaires with several participants from Generation Z, who represented various social and cultural backgrounds. The collected data is then analyzed thematically to identify key trends and emerging findings. The analysis shows that Generation Z sees fashion as a means to express their identity and build a social image with community groups. Fashion for them is not only about personal style but also a form of expression of their culture and social values. The main trend found is that Generation Z tends to be more inclusive and accepting of differences in fashion, rejecting stereotypes and rigid social norms. The interpretation of the results of this study shows that fashion for Generation Z is not just a tool to follow trends, but also a form of self-expression and social identity. In addition, they tend to reject social boundaries and fight for inclusivity in fashion.
Kontekstualitas dan Representasional Patung Monumen di Kota Bandung Gustiyan Rachmadi; Husen Hendriyana; Asep Miftahul Falah
PANGGUNG Vol 33 No 2 (2023): Ideologi, Identitas, dan Kontekstualitas Seni Budaya Media
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i2.2609

Abstract

Pembuatan patung monumen sering dijadikan penanda seperti simbol dan ikon tertentu yang dianggap penting. Permasalahannya yaitu bagaimana kontekstualitas dan representasi dari gagasan, konsep, bentuk, dan tempat patung monumen itu diwujudkan. Penelitian ini bertujuan untuk mengetahui teks dan konteks, serta bentuk estetik patung monumen di Kota Bandung. Berdasarkan penelusuran data di lapangan didapatkan lima puluh bentuk patung monumen di wilayah kota Bandung. Namun, dari hasil proses analisis seleksi objek hanya tiga patung monumen yang dijadikan sample pembahasan penelitian ini, yaitu Patung Monumen Pemuda Pelajar Pejuang 45, Patung Monumen Perjuangan Rakyat Jawa Barat, dan Patung Monumen Bandung Lautan Api. Untuk mengetahui kontekstualitas dan representasi dibalik wujud dan bentuk patung yang dimaksud, penelitan ini menggunakan metode semiotika, yakni untuk mengkaji hubungan antara tanda-tanda dengan designata atau objek-objek patung monumen beserta kajian aspek kesejarahannya. Pada kajian fenomena seni patung monumental ditempatkan sebagai fenomena kebahasaan yang memiliki struktur tertentu seperti halnya bahasa, yakni aspek langue, parole, sintagmatik dan paradigmatik, icon, index, symbol. Hasil penelitian mengungkapkan teks dan konteks pembuatan patung monumen di Kota Bandung sehingga memungkinkan bisa memberikan jawaban secara kontekstual terkait dengan nilai historis, ekologis, nasionalis, edukasi serta representasi proses kreatif. Bentuk estetis merupakan gagasan dan konsep yang menjadi dasar perwujudan patung monumen tersebut. Kata Kunci : kontekstualitas; representasi; patung, monumen
Pelestarian Warisan Seni Disabilitas: Studi Kasus dan Strategi Studio Tab Space Bandung Sri Mulyati, Evi; Cahyana, Agus; Miftahul Falah, Asep; Roos Nagara, Martien
JPKS (Jurnal Pendidikan dan Kajian Seni) Vol 9, No 2 (2024)
Publisher : Universitas Sultan Ageng Tirtayasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/jpks.v9i2.26362

Abstract

The research conducted has the main objective of understanding how this social organisation contributes to the preservation and development of disability art, as well as identifying and analysing what strategies are used by Studio Tab Space in preserving and uplifting disability art. The researcher will also document the various initiatives taken by Studio Tab Space located in Bandung in order to maintain and develop the artistic heritage created by individuals with disabilities. Through a qualitative case study with an ethnographic approach, the researcher conducted a series of participatory observations and in-depth interviews with members of the social organisation, as well as collecting valuable data from documentation of activities. The results showed that Studio Tab Space Bandung has successfully created a space for disabled artists to express themselves and develop their skills. They use various strategies, such as training, performance, and collaboration with other non-disabled artists. This research contributes to the development of knowledge in the field of art by highlighting the importance of disability art preservation and the role of social organisations in this process.
Co-Authors Adrian, Regia Aulia Putri Agus Cahyana Agus, Cahayana Akhmad Baehaqi, Faiq Amelia, Neneng Dela Andini Futty Atik, Saftiyaningsih Ken Cahyani, Isma Awal Fitroh Caroline Valent Sunarko Chamid Nur Dwaji Desriani, Salsa Dion Darsa Sabrian Dudi Muhammad, Rizziq Ramadhan Elina Almara Fajar Evania Sarah Adinda Fajar, Elina Almara Fauzi, Mochamad Ghaitsa Salma Ghaza Ayeesha T.H.A Gustiyan Rachmadi Hanifah Nurul Muslimah Husen Hendriyana Indri Haryanti Islami, Melani Putri Komarudin Kudiya, Komarudin Kurniawan, Dede Ananta Muhamad Mubarok Muhammad Afit Nagara, Martien Roos Nan Quddus, Sang Padi Nanang Rizali Neneng Dela Amelia Nisa Haritsatul Ummah Nugroho, Muhamad Prasatyo Nurfadhilah, Laila Putri, Amalia Sandra Ramli, Zaenudin Rohmah, Fauziah Saftiyaningsih Ken Atik Setiadin Setiadin Siti Nuraini SITI NURJANAH Sri Mulyati, Evi Utan Sahiro Ritonga Wanda Hamidah Wulandari Wulandari