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All Journal Imaji: Jurnal Seni dan Pendidikan Seni ARS: Jurnal Seni Rupa Dan Desain Jurnal Pendidikan dan Kajian Seni Panggung Studi Budaya Nusantara Atrat: Jurnal Seni Rupa Jurnal Senirupa Warna (JSRW) Moda : The Fashion Journal Prosiding Konferensi Nasional PKM-CSR JUrnal Riset Ilmu Pendidikan BAJU: Journal of Fashion and Textile Design Unesa Arty: Jurnal Seni Rupa Panggung Canting : Jurnal Batik Indonesia Serat Rupa: Journal of Design
Asep Miftahul Falah
Institut Seni Budaya Indonesia Bandung
Religion Arts Humanities Chemistry Control & Systems Engineering Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Nursing Public Health Social Sciences Other

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Pengaruh Digitalisasi Terhadap Kolektif Seni Grafis “Huru Hara” Dudi Muhammad, Rizziq Ramadhan; Cahyana, Agus; Nagara, Martien Roos; Falah, Asep Miftahul
Jurnal Senirupa Warna Vol. 12 No. 2 (2024): Seni, Ekspresi dan Eksistensi
Publisher : Faculty of Arts and Design, Jakarta Institute of the Arts

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36806/jsrw.v12i2.228

Abstract

Abstrak Studi ini bertujuan untuk menggali lebih dalam mengenai identitas dan eksistensi pada kolektif Seni Rupa yang memiliki fokus terhadap medium Seni Grafis di era yang segalanya sudah serba canggih. Era teknologi atau yang sering kita dengar dengan nama lain era digital. Kini, sudah merambah kedalam segala aspek, baik itu smartphone, komputer, informasi, pendidikan, ekonomi. Namun, dikesempatan kali ini penelitian akan memfokuskan pembahasan terkait pandangan para penggiat seni grafis khususnya yang berkolektif atas dampak dan pengaruh digitalisasi, dengan adanya digitalisasi seperti saat ini apakah memberikan keuntungan dan peluang untuk mereka atau malah sebaliknya. Karena pada dasarnya seni grafis ini selain untuk membuat karya seni juga memiliki banyak tujuannya. Contohnya; membuat poster, periklanan, majalah, surat kabar dan media cetak lainnya untuk memvisualkan sebuah berita dan informasi yang dicetak secara manua. Oleh karena itu, dalam upaya mendalami pandangan mereka, studi ini akan memakai metode penelitian kualitatif wawancara dengan anggota kolektif seni Grafis Huru Hara. Hasil penelitian ini diharapkan dapat memberikan wawasan yang lebih mendalam tentang peran digitalisasi dalam dunia seni grafis. Kata Kunci: Seni Grafis, Digitalisasi, Kolektif Seni Abstract This study aims to explore the identity and existence of a Fine Art collective that focuses on the medium of Graphic Arts in an era where everything is sophisticated. The era of technology or what we often hear by another name is the digital era. Now, it has penetrated into all aspects, be it smartphones, computers, information, education, economy. However, on this occasion the research will focus on the discussion related to the views of graphic arts activists, especially those who collectively on the impact and influence of digitalization, with the existence of digitalization as it is today whether it provides benefits and opportunities for them or vice versa. Because basically this graphic art in addition to making art also has many purposes. For example; making posters, advertising, magazines, newspapers and other print media to visualize news and information that is printed manually. Therefore, in an effort to explore their views, this study will use a qualitative research method of interviews with members of the Huru Hara Graphic Arts Collective. The results of this study are expected to provide a deeper insight into the role of digitization in the world of graphic arts. Keywords: Graphic Art, Digitalization, Art Collective
PERANCANGAN TEKSTIL DENGAN TEKNIK MARBLING DAN BATIK TULIS UNTUK BUSANA CASUAL Amelia, Neneng Dela; Falah, Asep Miftahul; Atik, Saftiyaningsih Ken; Kudiya, Komarudin
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3515

Abstract

This research presents an innovation in textile design for casual wear by combining marbling and batik techniques. The state of the art of the problem involves the need for unique and different casual wear, along with the increasing public interest in environmentally friendly and sustainable products. This research aims to produce interesting and unique textile designs and introduce traditional techniques such as batik tulis into casual wear. The method used is IDEO Method Cards, with the stages of Learn to learn marbling and batik tulis techniques, Look to see design inspiration, Ask to ask experts, and Try to try the techniques. The result is a casual fashion collection that is unique, artistic, and environmentally friendly. The recommendation of this research is to encourage further development in the use of traditional techniques in the modern fashion industry.
DAUR NAIK LIMBAH TEKSTIL UNTUK PRODUK FESYEN READY TO WEAR DELUXE DENGAN TEKNIK QUILTING Fajar, Elina Almara; Falah, Asep Miftahul; Atik, Saftiyaningsih Ken
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3517

Abstract

This research aims to explore the potential of textile waste recycling in the manufacture of deluxe ready-to-wear fashion products by applying quilting techniques. Against the background of the textile industry that generates huge waste and significant environmental impact, this research tries to provide a sustainable solution by utilizing textile waste as the main material. The Design Thinking method is used in five stages, namely Empathize to understand user needs and problems faced, Define to determine the problems to be solved, Ideate to generate creative ideas, Prototype to create initial products, and Test to test products with potential users. It is hoped that the results of this research can contribute to the development of environmentally friendly and innovative fashion products.
Analisis Proses Kreatif Komunitas Artnonymous Visual Dalam Penciptaan Karya Mural Di Cianjur Akhmad Baehaqi, Faiq; Cahyana, Agus; Nagara, Martien Roos; Falah, Asep Miftahul
Studi Budaya Nusantara Vol. 8 No. 2 (2024)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2024.008.02.04

Abstract

Murals, a form of artistic expression that emphasizes creativity in painting on large, expansive, and permanent media such as building walls, fences, streets, and other surfaces. Murals serve as the primary outlet for artists to convey their ideas using various types of paint such as spray paint, water-based paint, or oil paint. The aim of this research is to explore the factors underlying the creative ideas acquisition within the Artnonymous Visual community, referencing Graham Wallas' theory comprising stages of preparation, incubation, illumination, and verification. Additionally, the study aims to deeply understand the process of mural creation undertaken by the Artnonymous Visual community and to analyze the level of creativity in their mural works in Cianjur. The research methodology employed is qualitative descriptive, enabling researchers to describe, analyze, and depict phenomena and events occurring in the context of mural art creation. Murals created by the Artnonymous Visual community feature themes centered around animals and their lives, designed to allow local residents and pedestrians to interact directly with the artwork, fostering profound visual and social experiences in public spaces. This study is expected to significantly contribute to understanding the creative process in mural art and the importance of interaction between artwork and society. The findings aim to provide valuable insights for the development of local visual culture and to inspire mural art practitioners in various community settings.
MENGANALISIS PROSES KREATIF, TEKNIK, DAN ESTETIKA PADA KARYA SENI KERAMIK Nurfadhilah, Laila; Falah, Asep Miftahul
Ars: Jurnal Seni Rupa dan Desain Vol 28, No 1 (2025): Januari-April 2025
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v28i1.14885

Abstract

Penelitian ini bertujuan untuk menganalisis proses kreatif, teknik, dan estetika pada karya seni keramik dengan fokus studi kasus di Pabrik Barokah Keramik, Sukapura, Bandung. Menggunakan pendekatan kualitatif dengan metode deskriptif-analisis, penelitian ini menggali bagaimana praktik pembuatan keramik tradisional dan modern dipadukan dalam satu ruang produksi. Keramik sebagai cabang seni rupa telah mengalami perkembangan panjang dari masa prasejarah hingga era kontemporer, mengedepankan fungsi sekaligus nilai estetika. Dalam konteks keramik di Pabrik Barokah Keramik Sukapura Bandung, berbagai teknik seperti pijat, pilin, lempengan, putar, dan cetak diterapkan untuk membentuk karya, kemudian diperkaya melalui pewarnaan glasir dan teknik dekorasi lainnya. Studi ini juga menyoroti bagaimana inovasi material dan teknologi modern telah memperluas kemungkinan artistik dalam seni keramik, sekaligus mempertahankan unsur tradisi yang menjadi akar budaya lokal. Hasil penelitian ini diharapkan dapat memberikan kontribusi terhadap pemahaman perkembangan seni keramik di Indonesia, khususnya dalam mempertahankan kearifan lokal di tengah arus perkembangan teknologi digital.Kata kunci: seni keramik; proses kreatif; estetika; inovasi; ekspresi seni---Analyzing the Creative Process, Techniques, and Aesthetics in Ceramic Artworks. This research aims to analyze the creative process, techniques, and aesthetics of ceramic artworks with a case study focus at Barokah Keramik Factory, Sukapura, Bandung. Using a qualitative approach with a descriptive-analytical method, this research explores how traditional and modern ceramic making practices are combined in one production space. Ceramics as a branch of fine art has undergone a long development from prehistoric times to the contemporary era, prioritizing function as well as aesthetic value. In the context of ceramics at Barokah Keramik Sukapura Factory in Bandung, various techniques such as massage, twisting, slabbing, turning, and molding are applied to form works, then enriched through glaze coloring and other decoration techniques. The study also highlights how modern material and technological innovations have expanded the artistic possibilities in ceramic art, while maintaining the traditional elements at the root of local culture. The results of this study are expected to contribute to the understanding of the development of Indonesian ceramic art, especially in maintaining local wisdom in the midst of digital technology development.Keywords: ceramic art; creative process; aesthetics; innovation; art expression
The Legacy of Painting Values, Techniques, and Aesthetics through Art Education: A Case Study of Cirebon Glass Painting in the Contemporary Era Falah, Asep Mifatahul; Ramli, Zaenudin; Cahyana, Agus
Jurnal Riset Ilmu Pendidikan Vol. 5 No. 3 (2025): Jurnal Riset Ilmu Pendidikan
Publisher : Lembaga Riset Mutiara Akbar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56495/jrip.v5i3.1199

Abstract

Cirebon glass painting is one of the traditional art forms that contains cultural values, distinctive techniques, and local aesthetics. In facing the challenges of modern times, the sustainability of Cirebon glass painting demands a contextual and adaptive inheritance strategy. This study aims to examine how the values, techniques, and aesthetics in the tradition of Cirebon glass painting are passed down through art education, both in the formal (schools and art colleges) and non-formal (studios and communities) realms. Using a qualitative method with an ethnographic case study approach, data was collected through observation, interviews, and visual documentation. The results show that the inheritance of glass painting does not solely depend on technical skills, but also on the internalization of cultural values and understanding of local aesthetics. Art education plays a role as a medium for intergenerational inheritance, although in its implementation it faces various challenges, such as limited curriculum integration, lack of regeneration of artists, and the need for innovative learning methods that are in accordance with the contemporary cultural context. This study recommends strengthening collaboration between educational institutions, traditional art practitioners and communities in designing a sustainable art inheritance model.
Kontribusi pengrajin batik dalam pelestarian budaya Batik Cimahi pada UKM Batik Anggraeni Putri, Amalia Sandra; Falah, Asep Miftahul
Canting : Jurnal Batik Indonesia Vol 2 No 1 (2025): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/canting.v2i1.375

Abstract

Batik merupakan warisan budaya Indonesia yang memiliki nilai filosofis dan identitas daerah. Namun, di tengah arus modernisasi, eksistensi batik tradisional seperti Batik Cimahi menghadapi tantangan, terutama dalam menarik minat generasi muda. Penelitian ini bertujuan untuk mengetahui kontribusi UKM Batik Anggraeni dalam pelestarian budaya Batik Cimahi serta strategi pemasaran yang digunakan untuk bertahan dan bersaing di era modern. Metode yang digunakan adalah penelitian kualitatif dengan teknik triangulasi, melibatkan observasi lapangan, wawancara, dokumentasi, dan studi literatur. Hasil penelitian menunjukkan bahwa Batik Anggraeni aktif melestarikan Batik Cimahi melalui produksi batik bermotif lokal, partisipasi dalam pameran budaya, serta promosi digital melalui media sosial. Dukungan dari pemerintah Kota Cimahi, seperti keterlibatan dalam kegiatan DEKRANASDA dan penghargaan yang diperoleh, turut memperkuat eksistensi UKM tersebut. Strategi pemasaran digital seperti sistem pre-order dan pemanfaatan media sosial terbukti efektif dalam menjangkau pasar yang lebih luas. Dengan demikian, Batik Anggraeni tidak hanya berkontribusi dalam pelestarian budaya lokal, tetapi juga mampu menyesuaikan diri dengan perkembangan zaman melalui inovasi dan kolaborasi.
Peranan batik dalam pelestarian budaya melalui kostum tari kreasi : Studi Kasus SagaSara Costum Desriani, Salsa; Falah, Asep Miftahul
Canting : Jurnal Batik Indonesia Vol 2 No 2 (2025): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/cjbi.v2i2.378

Abstract

Kostum tari khususnya kostum tari tradisional dan tari kreasi tidak hanya menjadi elemen pendukung dalam sebuah pertunjukan tari, seperti salah satu tempat penyewaan kostum di Bandung yaitu Sagasara costum yang menyatakan bahwa usaha mereka tidak hanya mendukung minat dan bakat masyarakat terhadap tari tradisional, tetapi memiliki peran besar dalam pelestarian budaya melalui kostum tari. Penelitian ini menggunakan penelitian kualitatif dengan objek yang diteliti berupa penggunaan batik pada koleksi kostum tari kreasi di SagaSara Costum. Teknik pengumpulan data dalam penelitian ini adalah wawancara, observasi, dan dokumentasi dimana penulis berinteraksi langsung dengan pemilik SagaSara Costum untuk mendapatkan informasi yang berguna bagi penelitian. Penelitian ini menemukan bahwa penggunaan batik pada koleksi kostum tari SagaSara Costum secara tidak langsung memiliki peran yang besar dalam upaya pelestarian budaya. penggunaan motif batik yang dipadukan dengan elemen kostum tari lainnya memiliki peran yang cukup besar dalam mengenalkan budaya Indonesia yaitu batik. SagaSara Costum tidak hanya berupaya memperkenalkan keragaman tarian Indonesia, namun juga menekankan nilai-nilai budaya melalui penggunaan batik sebagai bagian dari kostum tari, upaya ini secara tidak langsung memiliki peran dalam pelestarian budaya generasi mendatang.
Transformasi Visual dan Makna Simbolik Motif Batik Parang Rusak dalam Konteks Budaya Modern Nan Quddus, Sang Padi; Cahyana, Agus; Falah, Asep Miftahul; Nagara, Martien Roos
Serat Rupa: Journal of Design Vol 9 No 2 (2025): JULI-2025
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v9i2.11994

Abstract

The Parang Rusak batik motif is one of Indonesia’s classical cultural heritages, originating from the Javanese royal courts and rich in philosophical values, such as strength, resilience, and the spirit of life’s struggle. Over time, this motif has undergone transformation not only in its visual form but also in its symbolic meaning, especially within the context of commercialization and adaptation in the modern creative industry. This study aims to analyze the transformation of both form and meaning in the Parang Rusak motif, with a particular focus on the works of Batik Hasan Bandung. Employing semiotic and historical approaches, this research explores how traditional motifs are creatively modified while preserving their philosophical essence. The findings reveal that Batik Hasan successfully sustains the symbolic meaning of the Parang Rusak motif through visual innovation that remains rooted in traditional principles. This transformation serves as an example of dynamic cultural adaptation, where the preservation of noble values can coexist with contemporary demands and creative evolution. This study contributes to strengthening public appreciation of batik as a living and evolving symbol of Indonesian cultural identity.
Metodelogi Turun Bawah Lembaga Keboedajaan Rakyat Untuk Produksi Karya.: Methodology Turun Bawah Lembaga Keboedajaan Rakjat To Produce Work. fauzi, mochamad; Agus, Cahayana; Asep Miftahul , Falah; Roos Nagara, Martien
Arty: Jurnal Seni Rupa Vol. 13 No. 2 (2024): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v13i2.7463

Abstract

Metode berkesenian adalah suatu kegiatan yang diterapkan oleh seniman untuk menggapai sebuah visi tertentu dalam keseniannya metode sering kali menyatu dalam sebuah manifesto yang digagas seniman atau organisasi kelompok, di Indonesia sendiri memiliki satu manifesto yang teguh ber-irisan dengan sifat politis dan ideologis, pada tahun  1959 dalam kongres mengemukakan pernyataan penolakan terhadap slogan “seni untuk seni” hal tersebut dikemukakan oleh Njoto yang berkembang menjadi manifesto organisasi seni budaya yaitu Lembaga Keboedajaan Rakjat atau Lekra. Lekra memiliki manifesto atau panduan yang harus diteladani tiap seniman yaitu TURBA (Turun Bawah), tetapi dengan perkembangan negara Indonesia yang mengalami banyak peristiwa politik membuat TURBA luput untuk diterapkan oleh para seniman terutama setelah Indonesia mengalami peristiwa 1965 dan berimbas pada gaya kesenian Indonesia yang menghilangkan unsur politis dalam karyanya, hal tersebut juga mendapatkan otokritik terutama di era seni rupa kontemporer yang dirasa para seniman tidak mempunyai akar yang kuat dan landasan yang mendasar untuk mempresentasikan karyanya, lalu apakah metode berkarya TURBA akan selalu diperlukan pada tiap seniman, dalam tulisan ini akan mengulas bagaimana perkembangan TURBA dan korelasinya dengan dunia seni rupa sekarang.
Co-Authors Adrian, Regia Aulia Putri Agus Cahyana Agus, Cahayana Akhmad Baehaqi, Faiq Amelia, Neneng Dela Andini Futty Atik, Saftiyaningsih Ken Cahyani, Isma Awal Fitroh Caroline Valent Sunarko Chamid Nur Dwaji Desriani, Salsa Dion Darsa Sabrian Dudi Muhammad, Rizziq Ramadhan Elina Almara Fajar Evania Sarah Adinda Fajar, Elina Almara Fauzi, Mochamad Ghaitsa Salma Ghaza Ayeesha T.H.A Gustiyan Rachmadi Hanifah Nurul Muslimah Husen Hendriyana Indri Haryanti Islami, Melani Putri Komarudin Kudiya, Komarudin Kurniawan, Dede Ananta Muhamad Mubarok Muhammad Afit Nagara, Martien Roos Nan Quddus, Sang Padi Nanang Rizali Neneng Dela Amelia Nisa Haritsatul Ummah Nugroho, Muhamad Prasatyo Nurfadhilah, Laila Putri, Amalia Sandra Ramli, Zaenudin Rohmah, Fauziah Saftiyaningsih Ken Atik Setiadin Setiadin Siti Nuraini SITI NURJANAH Sri Mulyati, Evi Utan Sahiro Ritonga Wanda Hamidah Wulandari Wulandari