Article Per Year (5 Year)
p-Index From 2021 - 2026
0.983
P-Index
This Author published in this journals
All Journal Journal Communication Spectrum: Capturing New Perspectives in Communication Corak : Jurnal Seni Kriya Rekam : Jurnal, Fotografi, Televisi Animasi Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Jurnal Ilmu Komunikasi Jurnal Antropologi: Isu-Isu Sosial budaya Panggung TRIHAYU: Jurnal Pendidikan Ke-SD-an Sorai: Jurnal Pengkajian dan Penciptaan Musik International Journal of Visual and Performing Arts Jurnal Kajian Seni Jurnal Kawistara Panggung
G.R. Lono Lastoro Simatupang
Departemen Antropologi, Fakultas Ilmu Budaya, Universitas Gadjah Mada
Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Mathematics Social Sciences

Published : 21 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 21 Documents
Search

 1   2   3 
Preservation strategy through implementation of Hindu aesthetics on Balinese Pejaten pottery in Indonesia Priscilla Tamara; Gabriel Roosmargo Lono Lastoro Simatupang; Gustami Gustami; I Wayan Senen
International Journal of Visual and Performing Arts Vol 3, No 2 (2021)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v3i2.421

Abstract

Pejaten pottery is one of the aesthetically unique potteries. The pottery has various ornaments such as god ornaments, god weapons, barong, and animals and plants. These ornaments are often found in Hindu worship ceremonies. This shows that, aesthetically, Pejaten pottery cannot be separated from Hindu aesthetics, so it is interesting to study. The problem is how the implementation of Hindu aesthetics in Pejaten pottery works and how Hindu aesthetics is used as a strategy for preserving Hindu aesthetics in Pejaten pottery. This study aims to determine the basis for applying Hindu aesthetics as a strategy for preserving Pejaten pottery. This qualitative research took the location of Pejaten Village, Kediri District, Tabanan Regency, Bali. Data were collected by direct observation, interviews, and also collecting literature data related to Hindu aesthetics. The aesthetic analysis process of Pejaten pottery is carried out using the concepts of Rwa bhineda (balance), satyam (truth), sivam (holiness), sundaram (beauty), and Pangider Bhuana (Pangider-ider). This study indicates that the ornaments and various forms of Pejaten pottery have a strong Hindu philosophical foundation, and this shows the religious nature of the Pejaten pottery craftsman. The conclusion is that the religiosity of the Pejaten pottery craftsmen is very influential in their creative process, and this is significantly able to maintain the preservation of the Hindu aesthetics of Pejaten pottery, Bali
The Unconscious Self in Role Playing Video Game’s Avatar Ardian Indro Yuwono; Gabriel Roosmargo Lono Lastoro Simatupang; Aprinus Salam
Jurnal Ilmu Komunikasi Vol 16, No 2 (2018)
Publisher : Univeritas Pembangunan Nasional "Veteran" Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31315/jik.v16i2.2687

Abstract

In the world of digital video games, human players are present through surrogates. Surrogates in the video game is a character which also called by the term avatar which is a self-representation of real players. The presence of avatars in role playing games are formed through a process of creation by the gamer. The production of avatars cannot be separated from the unconscious mind of the players, the unconscious desire, ego and ideology. This avatar creation process continues ongoing, following the progress of the video game story. The decision, the path, and the act that the player take in completing the story are gradually reshaping the avatar. In the end, the avatar eventually became a manifestation and reflection of the unconscious minds of the video game players. This research conducted using ethnography and Jacques Lacan psychoanalysis theory.
Menggelar Narasidan Reputasi: PameranSeniRupa sebagai Pergelaran G. R. Lono Lastoro Simatupang
PANGGUNG Vol 26, No 3 (2016): Visualisasi Nilai, Konsep, Narasi, Reputasi Seni Rupa dan Seni Pertunjukan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (195.663 KB) | DOI: 10.26742/panggung.v26i3.191

Abstract

AbstrakPembagian seni secara konvensional ke dalam Seni Rupa dan Seni Pertunjukan dapat dituduhsebagai faktor pendorong tidak saling bertegursapanya kajian kedua ranah seni tersebut. Penelitian ini menggunakan metode kajian pertunjukan. Hasil penelitian ini menyajikan tawaran cara pandang pergelaran (performance) sebagai salah satu alternatif perspektif untuk menjembatani kajian kedua ranah seni tersebut. Penulis berpendapat bahwa melihat pameran seni rupa sebagai peristiwa pergelaran berpeluang menghasilkan wilayah kajian baru dalam kajian seni rupa. Cara pandang pergelaran bahkan juga dapat dimanfaatkan lebih lanjut untuk mengkaji akuisisi dan koleksi seni rupa.Kata kunci: pameran seni rupa, pergelaran, kajian pertunjukanAbstractThe conventional division of arts into Arts and Performing Arts can be blamed as an impedingfactor for conversation between studies of the two art realms. This research uses performance studies method.This research result proposes performance as analternative perspective to bridge both studies. It argues that viewing arts exhibition as performance might give result to a new field of arts studies. Performance perspectives even can be applied further to examine arts acquisition and collection.Key words: arts exhibition, performance, performance studies
KETERAMPILAN ANSAMBEL DALAM MUSIK KAMAR (STUDI KASUS MARSKANSKEY STRING QUARTET) Arum Kusuma Dewi; Royke Bobby Koapaha; Gabriel Roosmargo Lono Lastoro Simatupang
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 14, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i1.3709

Abstract

String Quartet is the most popular form of Chamber Music. In a string quartet there are no conductors as leaders, directors and music coordinators, no wonder many quartets end up disbanding due to problems. Marskanskey String Quartet is a group from Jogja that has been around for a long time and has more achievements, although based on initial observations this group looks the same as other groups. This research was appointed to find out what aspects of ensemble skills, how to apply ensemble skills in the Marskanskey group. To explore how the application of ensemble skills in the Marskanskey group, the author discusses the case with Keller's theory of ensemble skills. The author's theory considers that he is able to describe the discourse thoroughly, comprehensively and deeply, namely skills from the rehearsal process to performances. This research is a qualitative research with a case study approach. The results showed that Marskanskey had applied ensemble skills both in rehearsal and concert. With strategies in practice, including self-preparation until perfomances can influencing and supporting the success of a group to achieve maximum sound production. Interestingly, the researchers found a shift in function in the use of cues, as well as limitations in Keller's theory, namely the online cog-motor ensemble skill that occurs automatically.
GONDANG SITOLUPULUTOLU PADA UPACARA ADAT SAUR MATUA MASYARAKAT BATAK TOBA SILAHISABUNGAN Sopandu Manurung; Gabriel Roosmargo Lono Lastoro Simatupang; Aton Rustandi Mulyana
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 14, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i1.3715

Abstract

Gondang Sitolupulutolu is a gondang ensemble that can only be found in the Toba Batak community. They are Silalahisabungan clan group. Gondang sitolupulutolu is very important in the Silahisabungan community because it can not be separeted from the traditional ceremonies. This study aims to determine how the use and function of the gondang sitolupulutolu in one of the traditional ceremonies of the Silahisabungan community, namely saur matua. This study use a qualitative method. Alan P. Meriam’s (1964) theory of use and function was chosen to see the use and function of the gondang sitolupulutolu. The results showed that the Gondang Sitolupulutolu was used at the opening ceremony during the manortor (ceremonial dance) and at the end of ceremony (closing ceremony). While the function of the gondang sitolupulutolu at the traditional ceremony of Saur Matua is as an expression of joy and sorrow, as entertainment, as a means of communication to convey prayers to God, as a symbol, and as a validation of the Saur Matua traditional ceremony.
PERAN NOTASI BALOK DALAM PEMBELAJARAN BIOLA DI LEMBAGA KURSUS MUSIK (Studi Kasus Pembelajaran Lagu Klasik dan Pop di Jogja Music School) Santy Alif Patuh Briyandewi; Wiwik Sushartami; Gabriel Roosmargo Lono Lastoro Simatupang
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 13, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v13i2.3370

Abstract

Classical music notation is a basis for studying Western classical music instruments (including violin) in formal institution with majoring classical music. Based on pre-observation the author knows the classical music notation has undergoing adjustment in non-formal institution (music course), one of them is at Jogja Music School course violin class, so this research will discuss how a classical music notation play a role for students in the violin process in Jogja Music School. This research used a qualitative method with a musicological approach, that is done with observation, interviews, and documentation. Based on the data obtained from two students, it was found that one student played pop songs with classical music notation in different ways (playing improve) and author found the other student played pop songs without classical music notation, therefore in the discussion section the comparative technique is used to analyze the learning process of the two students. The results of this research showed that classical music notation has a role in forming the disciplinary attitude of students in playing a musical piece. The discipline in playing a musical piece includes the discipline of reading rhythm and melody, also discipline in playing the violin technique as written on the score.
Rekonseptualisasi Dokumenter: Kebenaran Filmis dalam Perspektif Kognitif Renta Vulkanita Hasan; Gabriel Roosmargo Lono Lastoro Simatupang; Kurniawan Adi Saputro
Jurnal Kajian Seni Vol 4, No 1 (2017): Jurnal Kajian Seni Vol 4 No 1 November 2017
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (167.095 KB) | DOI: 10.22146/jksks.28524

Abstract

Rekonseptualisasi dokumenter memiliki urgensi dalam kajian dokumenter untuk memberikan sudut pandang lain bagi klaim kebenaran filmis. Rekonseptualisasi ini berangkat dari persepektif film kognitif dengan melibatkan kegiatan menonton, di mana proses pemahaman dan pengalaman penonton menjadi dasar bagi rekonseptualisasi ini. Kajian literatur menjadi langkah awal dalam rekonsetualisasi dengan tujuan (1) mengkaji berbagai isu dan pemahaman dokumenter mutakhir: (2) memetakan dan mengulas teori-teori yang menjelaskan bagaimana dokumenter didefinisikan selama ini: dan (3) menentukan sudut pandang alternatif bagi kebenaran filmis bagi dokumenter. Rekonseptualisasi dilakukan bertahap melalui tiga jalur konseptual, yaitu: (a) penyelidikan terhadap penelitian terdahulu, (b) pemetaan problem dari penelitian terdahulu, dan (c) tawaran sudut pandang sebagai alternatif bagi penyelesaian problem terdahulu. Tiga jalur konseptualisasi tersebut dipilih dengan alasan bahwa sejak dokumenter didefinisikan dan diteorikan, maka saat itu juga muncul isu-isu sentral yang memusatkan pembicaraan terhadap klaim kebenaran. Problem terkait klaim kebenaran yang dimaksud, notabene diletakkan pada hubungan antara fakta (realitas) dan kebenaran filmis dalam film dokumenter, di mana hubungan itu memiliki keterkaitan yang sesungguhnya keduanya tidak dapat diidentikan.
Relevansi Antropologi dalam Kajian Kesenian di Indonesia Gabriel Roosmargo Lono Lastoro Simatupang
Jurnal Antropologi: Isu-Isu Sosial Budaya Vol 25, No 1 (2023): (June)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jantro.v25.n1.p1-8.2023

Abstract

This article aims to review how anthropology and art pay attention to art, especially to similar studies that have been carried out in Indonesia. Based on this, it is also to show the implicit meaning of some propositions and associations of ideas from an anthropological perspective that can be considered for the study of art. In this sense, it is not to solve the great questions of the anthropology of art or confine oneself to the virtues of anthropology for art but to broaden the horizons in which they must be considered.
KOMODIFIKASI BARONGSAI MENJAGA TRADISI MENEGOSIASI PASAR Moch. Choirul Arif; GR. Lono Lastoro Simatupang; Budiawan Budiawan
Jurnal Kawistara Vol 6, No 1 (2016)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.15486

Abstract

After the fall of the Soeharto regime was like the fresh air for the ethnic Chinese in Indonesia inarticulating cultural identities, especially after the issuance of Presidential decree Number 6 of 2000which revoked Presidential Instruction Number 14 of 1967 on religion, beliefs, and customs of China.With that Presidential decree, Chinese people were free to celebrate the religious ceremony and customs,as well as featuring Barongsai (Lion Dance) in front of public. Consequently, Barongsai became popularand transformed into a cultural icon as well as “obligatory menu” for city event. Barongsai allegedlyunderwent commodification along with its popularity. However, that signal was responded byBarongsai activists as the consequence of efforts to survive and conquer the market. Through the mindsetof yin and yang, commodification discourse is abrogated and appropriated by Barongsai activists, socommodification is not just an effort to maintain and preserve the ancestral cultural heritage, identity,and cultural pride due to the accomplishments achieved
ASPECTS UNDERLYING THE MODIFICATION OF BRIDAL COSTUME IN GORONTALO AT THE WEDDING RECEPTION Hariana Hariana; G.R. Lono Lastoro Simatupang; Timbul Haryono; SP. Gustami
Jurnal Kawistara Vol 7, No 3 (2017)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.33951

Abstract

The visualization of the Gorontalonese bridal costume worn at the wedding reception is increasingly diverse in terms of the modification forms. The modification can be seen in the design elements including shape, texture, color, material, and accessory. Furthermore, the modification of the current costume makes the functional value of the bridal costume different from the already patterned one, which can be seen from its social, symbolic, and economic values of the Gorontalo community. The data in this study was collected through the review of books and previous studies related to the wedding clothing, the interviews, and the observation of bridal costumes and analyzed using the qualitative data analysis approach. The observation of unmodified bridal costume objects was done at the Dulahopa Traditional House in Gorontalo, while that of modified bridal costume objects was conducted on the widely used bridal costumes within the last two years in Gorontalo. The purpose of this study was to find out the aspects underlying the modification of bridal costume in Gorontalo. The results show that Gorontalo people tend to choose modified wedding dresses in the wedding party. Moreover, this study suggests that the bridal costume modification is influenced by the family’s social status in Gorontalonese community, migratory Gorontalonese people (staying outside the area of origin), and technological advancement.
Co-Authors AM Hermien Kusmayati Ardian Indro Yuwono Arum Kusuma Dewi Aton Rustandi Mulyana Budiawan Deni Arifiana Firmansyah Firmansyah Gustami Gustami Hariana Hariana Harsawibawa Albertus I Wayan Senen Kurniawan Adi Saputro M. Dinu Imansyah Moch. Choirul Arif Priscilla Tamara R. M. Soedarsono Renta Vulkanita Hasan Renta Vulkanita Hasan Rosmegawaty Tindaon Royke B. Koapaha Rustim Rustim Salam, Aprinus Santy Alif Patuh Briyandewi Sopandu Manurung SP. Gustami SP. Gustami Sujud Puji Nur Rahmat Timbul Haryono Timbul Haryono Victor Ganap Wisma Nugraha Ch.R. Wiwik Sushartami