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Pelatihan pengembangan pembelajaran dan asesmen berdiferensiasi pada guru bidang studi di SMPN 4 Kuripan Lombok Barat Setiawan, Irma; Sapiin, Sapiin; Sudika, I Nyoman; Chaer, Hasanuddin; Karoluslina, Karoluslina; Martin, Nurhidayat
SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan Vol 9, No 3 (2025): May
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/jpmb.v9i3.30759

Abstract

AbstrakPembelajaran dan asesmen berdiferensiasi pada konteks pendidikan kekinian sangatlah penting, khsususnya untuk mengakomodasi siswa yang memiliki keberagaman secara kognitif, afektif, dan psikomotorik. Pembelajaran berdiferensiasi dirancang untuk memenuhi kebutuhan belajar siswa dengan mempertimbangkan kesiapan, minat, dan gaya belajarnya. Dalam pembelajaran, tentu diperlukan instrumen penilaian yang adaptif, yakni asesmen berdiferensiasi.  Melalui asesmen diagnostik, kelebihan dan kelemahan belajar siswa dapat diketahui secara komprehensif, sehingga dapat memudahkan guru dalam merancang asesmen yang sesuai dengan potensi siswa. Untuk merancang pembelajaran dan asesmen berdiferensiasi ini, diperlukan pelatihan intensif yang berkelanjutan, khususnya bagi guru selaku fasilitator pembelajaran di era Kurikulum Merdeka. Seperti halnya yang akan dilakukan di SMPN 4 Kuripan, Desa Jagaraga Kecamatan Kuripan Lombok Barat, NTB. Permasalahan utama yang dihadapi komite pembelajaran (pengawas bina, kepala sekolah, dan guru) adalah formulasi pembelajaran kurang dapat mengakomodasi kesiapan, minat, dan gaya belajar siswa. Penyebab utama karena para guru bidang studi masih kurang memahami secara komprehensif mengenai implementasi pembelajaran dan asesmen berdiferensiasi. Tujuan pelatihan/kegiatan ini untuk menguatkan pemahaman dan mengaktualisasikan pengembangan pembelajaran dan asesmen berdiferensiasi, sehingga proses dan hasil belajar siswa meningkat. Hasil kegiatan pelatihan meliputi: 1) tahap persiapan, melalui asesmen diagnostik diperoleh potensi dan kelemahan guru mencapai cukup baik; 2) tahap masukan, melakukan pemolaan dan kategorisasi berdasarkan hasil diagnostik, termasuk menemukan strategi terbaik dalam meningkatkan kemampuan guru dalam pembelajaran berdiferensiasi yang berkelanjutan mencapai baik; dan 3) tahap proses, melakukan pelatihan berkelanjutan terdiferensiasi mencapai sangat baik. Kata kunci: asesmen; berdiferensiasi; guru; pembelajaran; pengembangan Abstract Differentiated learning and assessment in the contemporary educational context are very important, especially to accommodate students with cognitive, affective, and psychomotor diversity.Differentiated learning is designed to meet students' learning needs by considering their readiness, interests, and learning styles.In learning, adaptive assessment instruments are certainly needed, namely differentiated assessments.Through diagnostic assessments, the strengths and weaknesses of students' learning can be comprehensively identified, making it easier for teachers to design assessments that align with students' potential.To design differentiated learning and assessment, continuous intensive training is required, especially for teachers as learning facilitators in the era of the Merdeka Curriculum.As will be done at SMPN 4 Kuripan, Jagaraga Village, Kuripan District, West Lombok, NTB.The main problem faced by the learning committee (supervisors, principals, and teachers) is that the learning formulation does not adequately accommodate students' readiness, interests, and learning styles.The main reason is that subject teachers still lack a comprehensive understanding of the implementation of differentiated learning and assessment.The purpose of this training/activity is to strengthen understanding and actualize the development of differentiated learning and assessment, so that the process and outcomes of student learning improve.The results of the training activities include: 1) preparation stage, through diagnostic assessment, the potential and weaknesses of teachers were identified, reaching 60% (satisfactory); 2) input stage, modeling and categorization based on diagnostic results, including finding the best strategies to improve teachers' abilities in sustainable differentiated learning, reaching 85% (good); and 3) process stage, conducting continuous differentiated training, reaching 90% (very good). Keywords: esmen; differentiation; teacher; learning; development
Strategi pemertahanan drama tradisional rudat di Lombok: Studi atas kelompok Temu Karya di Lombok Timur Khairussibyan, Muh; Mar’i, Mar’i; Karoluslina, Karoluslina; Febriani, Elya
Imaji: Jurnal Seni dan Pendidikan Seni Vol. 23 No. 2 (2025): October
Publisher : FBSB UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/imaji.v23i2.89747

Abstract

Penelitian ini mengkaji strategi pemertahanan kelompok kesenian rudat Temu Karya di Lombok Timur di tengah tantangan modernisasi. Dengan pendekatan kualitatif dan teori sistem autopoietic Niklas Luhmann, studi ini menganalisis adaptasi kelompok rudat Temu Karya atas perubahan lingkungan sosial dan teknologi.  Hasil penelitian menunjukkan empat strategi utama kelompok Temu Karya yakni: (1) modernisasi peralatan panggung, (2) pemanfaatan media digital (Youtube dan Facebook) untuk perluasan audiens, (3) fleksibilitas pertunjukan dengan menyesuaikan konten (cerita/humor) berdasarkan lokasi, dan (4) kolaborasi dengan kelompok rudat lain dalam pertukaran sumber daya. Tantangan seperti penurunan minat generasi muda diatasi dengan pergeseran citra atau rebranding melalui media sosial. Temuan ini memberikan kontibusi temuan mengenai ketahanan kesenian tradisional rudat berupa adaptasi sistemik. Penelitian ini merekomendasikan integrasi teknologi dan strategi komunikasi modern untuk pemertahanan drama tradisional.    Abtract This study examined the preservation strategies of the Temu Karya rudat art group in East Lombok amidst the challenges of modernization. Using a qualitative approach and Niklas Luhmann’s autopoietic systems theory, this study analyzed how the Temu Karya rudat group adapted to changes in the social and technological environment. The findings revealed four key strategies employed by the Temu Karya group: (1) modernizing stage equipment, (2) utilizing digital media (YouTube and Facebook) to expand their audience reach, (3) adapting performance content (stories/humor) based on location for flexibility, and (4) collaborating with other rudat groups to exchange resources. Challenges such as declining interest among the younger generation were addressed through image rebranding via social media. These findings contributed to the resilience of traditional rudat art through systemic adaptation. The study recommended the integration of technology and modern communication strategies for the preservation of traditional performing arts.   
Kajian Strukturalisme Todorov dalam Cerpen Berciri Realisme Magis: Todorov’s Structuralism in a Short Story with Magical Realism Marzuki, Ismail; Rifa'i, Ahmad; Karoluslina, Karoluslina
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 9 No. 4 (2025): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v9i4.3288

Abstract

This study aims to reveal the representation of Tzvetan Todorov’s structuralism in the short story Memanggil Roh Singa (“Summoning the Lion’s Spirit”), which contains elements of magical realism. Todorov’s structuralist approach is employed to examine the relationship among the intrinsic elements, particularly the narrative facts, theme, and literary devices. The short story is analyzed using a qualitative descriptive method through close reading of the text and identification of its narrative structure based on Todorov’s framework, as well as an analysis of the characteristics of magical realism using Wendy B. Faris’s theory to validate its magical aspects. The results indicate that Memanggil Roh Singa represents Todorov’s distinctive structural pattern, consisting of 21 narrative sequences dominated by flashbacks. The setting portrays magical elements with a ritual theme of “kammala”, narrated from a first-person point of view. The narration is dominated by metaphorical and personifying language, enriched with mystical symbols. This research demonstrates that Todorov’s structuralism is effective in uncovering the layers of meaning within a short story characterized by magical realism, as it reveals the coherence between the narrative structure and its embedded mystical dimensions.