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All Journal Pendas : Jurnah Ilmiah Pendidikan Dasar Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Jurnal Pengabdian Masyarakat IPTEK Canthing
Amin Sulistiyowati
Universitas Tiga Serangkai
Arts Humanities Computer Science & IT Other

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PERANCANGAN MOTIF BATIK TULIS DENGAN TEMA KERARIFAN LOKAL GAMELAN JAWA DI DESA WIRUN KECAMATAN MOJOLABAN KABUPATEN SUKOHARJO SEBAGAI UNSUR DESAIN PERMUKAAN PADA BUSANA PESTA BERGAYA BOHEMIAN Ojiezenia Della Deviana; Amin Sulistiyowati
Canthing Vol. 5 No. 1 (2019)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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ABSTRAK Di wilayah Bekonang terdapat sebuah desa yang memiliki keunikan karena sebagian penduduknya bermata pencaharian sebagai pengrajin gamelan. Gamelan adalah seperangkat alat musik di Jawa yang terdiri dari berbagai ricikan atau waditra (instrumen) yang menghasilkan lagu atau gending. Desa Bekonang juga merupakan sentra kerajinan batik tulis. Membatik menjadi kegiatan sampingan bagi kaum pria dan wanita di desa tersebut. Dalam pembuatan karya Tugas Akhir ini, Penulis ingin memperkenalkan kearifan lokal Desa Bekonang berupa gamelan yang dituangkan melalui motif batik. Kata kunci : Kearifan Lokal Gamelan Jawa.
ESTETIKA BATIK PEDESAAN DI BEKONANG SUKOHARJO Amin Sulistiyowati
Canthing Vol. 4 No. 1 (2017)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Batik mengalami perluasan daerah, keberadaan batik juga ditemukan di daerah Bekonang. Pola batik Bekonang terinspirasi dari lingkungan alam sebagai sumber ide pembuatannya. Inspirasi ide tersebut tampil dalam bentuk flora dan fauna. Terdapat beberapa unsur yang menjadi cirikhas pada batik Bekonang. Masalah yang dikaji dalam penelitian ini adalah bagaimana keberadaan batik Bekonang, bagaimana jenis dan fungsi batik Bekonang, dan bagaimana batik Bekonang ditinjau dari estetika. Tujuan penelitian ini adalah untuk menjelaskan keberadan batik Bekonang, mengetahui jenis dan fungsinya, serta menganalisis batik Bekonang dari segi estetikanya. Penelitian ini menggunakan pendekatan estetika Wilfried van Damme untuk menganalisa karya seni batik dengan karakter kedaerahanya. Hasil penelitian menunjukkan bahwa: pertama, keberadaan batik Bekonang dipengaruhi oleh pola keraton. Pada awalnya pola batik Bekonang hanya berupa pola batik klasik keraton tetapi pada perkembangannya muncul pola batik petani. Kedua, batik Bekonang terbagi menjadi tiga jenis menurut periode perkembangan yaitu batik kreasi, batik gabungan, dan batik sugesti alam. Memiliki tiga jenis menurut tekniknya yaitu batik tulis Bekonang, batik cap/stempel Bekonang, dan batik kombinasi Bekonang. Dari hasil varian tersebut batik Bekonang dapat difungsikan sebagai bahan pembuat produk lain, seperti pelangkap busana pengantin dan asesoris. Ketiga, ditinjau dari estetika batik Bekonang terdapat pada visual, tekstur, dan aroma seperti malam.
First Love Sebagai Sumber Ide Perancangan Busana Pesta Formal Hasna Khoirunisa; Ruth Ambarsari; Amin Sulistiyowati
Canthing Vol. 8 No. 1 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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The design of the end-of-duty fashion is to create a formal dress design that combines both the source of the idea and the style of dress that has been selected. The idea behind the final design of the project is the design of the formal prom fashion with the source of the first love idea-poured suga BTS through the clothes using batik and embroidered techniques as a combination of the clothes. This dress is used for formal parties. The material used in the final design of the silky cotton, lurik, and organza. The colors of the material on the final draft follow the color of the trend exploitation. Keyword: First Love
PENERAPAN ELEGANT STYLE FASHION DENGAN SUMBER IDE BENTUK ARSITEKTUR LAWANG SEWU MENGGUNAKAN TEKNIK BATIK TULIS Fina Aulia; Salim Salim; Amin Sulistiyowati
Canthing Vol. 8 No. 1 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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The design of fashion in this final project aims to create a party dress design that combines the source of ideas and fashion styles that have been selected, namely elegant fashion style. The source of the idea of this design is lawang sewu. Lawang sewu is a building in the city of Semarang, Central Java, which has 600 doors and windows. The material used in this design is silk cotton with modern motifs designed according to the theme, namely Lawang Sewu. The colors of the three designs follow the 2020-2021 fashion trend, which is spirituality. Keywords: Lawang Sewu
CUBISM "TWO FACE OF THE GIRLS" Melda Eksiyana; Ruth Ambarsari; Amin Sulistiyowati
Canthing Vol. 8 No. 1 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The fashion design in this Final Project aims to create a special party fashion design that combines the source of ideas and selected fashion styles. The source of the idea for this design is Cubism "Two Face of the Girls" itself is poured into clothing with the application of pacth wrok and using traditional lurik material, while the fashion style is Harajuku Style using original clothing from Japan such as Yukata and Kimono. The type of clothing chosen is a special themed party dress. The material used in this design is linen cotton and hemp cotton for the Cubism motif. The colors of the material in this design use secondary colors. Keyword: Cubism ( Two face of the girls ).
HARAJUKU STREET OF THE MURAL Asri Puspitasari; Amin Sulistiyowati; Salim
Canthing Vol. 7 No. 2 (2021)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Clothing is everything we wear from head to toe, the clothes we wear also reflect our personality and social status, and can convey a message to someone who sees it. The author raised the theme of harajuku street of the mural which was inspired by the street style of Harajuku combined with mural art by street artists. Because it shows that the merging of two different elements is able to create something newer and contemporary.Keywords: Harajuku street of the mural
TATO DAYAK DENGAN APLIKASI BORDIR PADA BAHAN KULIT Iqbal Lina Rimawati; Salim; Amin Sulistiyowati
Canthing Vol. 7 No. 2 (2021)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Indonesia is a country that is famous for its many diverse cultures and from various regions, so there are many Indonesian cultures that are rarely known by many people, even the Indonesian people themselves. The many cultures and languages that exist in Indonesia give this country its own color and also become one of the icons and special attractions for foreigners, the many cultural differences in Indonesia have a positive impact on society.One of Indonesian culture that is not well known is traditional Indonesian tattoos, where tattoos are one of the cultural customs of several tribes in Indonesia, namely the Mentawai, Dayak, and Moi tribes. Tattoos on each tribe are symbols or traditional traditions for them, which have their own meaning. Of the three tribes, the most familiar are Dayak tattoos and Moi tattoos, but the ones that are more widely used by the general public are Dayak tattoo motifs.Keywords: Tattoos are symbols of the Mentawai, Dayak, and Moi traditional traditions
CUBISM “TWO FACE OF THE GIRLS” Melda Eksiyana; Ruth Ambarsari; Amin Sulistiyowati
Canthing Vol. 7 No. 2 (2021)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The fashion design in this Final Project aims to create a special party fashion design that combines the source of ideas and selected fashion styles. The source of the idea for this design is Cubism "Two Face of the Girls" itself is poured into clothing with the application of pacth wrok and using traditional lurik material, while the fashion style is Harajuku Style using original clothing from Japan such as Yukata and Kimono. The type of clothing chosen is a special themed party dress.The material used in this design is linen cotton and hemp cotton for the Cubism motif. The colors of the material in this design use secondary colors.Keyword : Cubism ( Two face of the girls )
MEMBACA VISUAL MOTIF BATIK SEMARANGAN WARAK NGENDOG Mursidah; Amin Sulistiyowati
Canthing Vol. 8 No. 2 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Batik Semarangan has a variety of motives, including architectural motifs (Lawang Sewu, Tugu Muda, Sam Po Kong, and others) and floral fauna motifs (asem, tendrils, fish, etc.). One of batik Semarangan's unique and interesting motifs is Warak Ngendog's motif. Visualization of Warak Ngendog motif is made by referring to the mythological animal of Semarang belief. This journal will discuss the visual motives of Warak Ngendog through the semiotic viewpoint. This viewpoint sees batik motifs not merely images, but as cultural texts in which operate marking practices that lead to the method of reading batik motifs as a text. With this point of view Warak Ngendog's motives will be analyzed by traces of visual detail, how to form visual constructs, and to track his social history. Keyword: Batik Semarang, Warak Ngendog, Signs, Semiotic.
KOMPARASI ESTETIK BATIK FRAKTAL DENGAN BATIK NUSANTARA TRADISI Andri Nur Cahyo; Amin Sulistiyowati
Canthing Vol. 8 No. 2 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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ABSTRACT Batik fractal is a modern batik made refer to the tradition motif combined with fractal visual in computational way. As an innovation in the arena batik Nusantara, batik fractal managed to integrate the digital technology with fractal visuality as a major milestone work design. It has produced a form of batik modern that play an important role in bringing batik Nusantara to face the global competition. This journal will discuss the relationship between batik fractal with batik tradition in the constellation batik Nusantara through the aesthetic comparative study. Keyword: Batik Fractal, Batik Nusantara, Comparative Study.
Co-Authors Ambarsari, Ruth Andri Nur Cahyo Andri Nur Cahyo Andri Nur Cahyo Aninda Dyah Hayu Aninda Dyah Hayu Asri Puspitasari Aulia, Fina Deviana, Ojiezenia Della Dhea Putri Aguatina S,A Dhea Putri Aguatina S,A Dian Kurniasari Eksiyana, Melda FADILA, FATIN Fajar Prihati Fina Aulia Hasna Khoirunisa Iffana Nafisa Saraswati Iffana Nafisa Saraswati Intan Rofiah Intan Rofiah Iqbal Lina Rimawati Khansa Luthfi Musyaffa Khoirunisa, Hasna Kisni Hangganingtyas Kisni Hangganingtyas M , Warda Sachiyya Ai Melda Eksiyana Melda Eksiyana Mila Fiska Indriana Mila Fiska Indriana Muchamad Bagus Iman Muchamad Bagus Iman Mursidah Mursidah Ojiezenia Della Deviana Rahmatika Retno Tri Vulandari Rofi’ah , Intan Ruth Ambarsari Ruth Ambarsari Salim Salim Salim Salim Salim, Salim Shafa Kamila Choirunnisya Sutanto