Article Per Year (5 Year)
p-Index From 2021 - 2026
1.347
P-Index
This Author published in this journals
All Journal Nivedana : Jurnal Komunikasi dan Bahasa Jurnal Ilmu Komunikasi dan Sosial Politik Journal of Innovative and Creativity An Nafi’; Multidisciplinary Science INTERACTION: Jurnal Pendidikan Bahasa
Ali Imron Hamid
Universitas Bina Sarana Informatika
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Mathematics Social Sciences Other

Published : 8 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 8 Documents
Search

 1 
Leveraging Instagram for Public Service Communication: A Case Study of LRT Jabodebek Yulianti Fajar Wulandari; Putri Nabila Suherman; Ali Imron Hamid; Yan Bastian
Journal of Innovative and Creativity Vol. 5 No. 3 (2025)
Publisher : Fakultas Ilmu Pendidikan Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joecy.v5i3.3721

Abstract

This study investigates how Instagram serves as a public service communication tool for LRT Jabodebek, a new urban rail transit system in Greater Jakarta, Indonesia. The research aimed to analyze the platform’s role in disseminating information, engaging users, and improving service delivery. Using a descriptive qualitative method, non-participant observation and documentation analysis were conducted on the official Instagram account @lrt_jabodebek between April and June 2025. From 461 posts, eight were selected based on engagement metrics, including schedule updates, safety campaigns, ridership milestones, and feedback responses. Findings reveal that Instagram enhanced service through real-time updates, transparency, and public education. The account frequently shared schedules, addressed complaints, and promoted commuter etiquette and safety systems. Increased engagement correlated with higher ridership from March to May 2025. The study concludes Instagram is now a central communication channel for urban transport, recommending content diversification, faster responses, and cross-platform integration for greater effectiveness.
The Rational and Irrational Dialectics in the Simulacrum of Posters and Narratives in Indonesian Horror Film Genre A. Yudo Triartanto; Tuty Mutiah; Adhi Dharma Suriyanto; Ali Imron Hamid; Syarif Fitri
INTERACTION: Jurnal Pendidikan Bahasa Vol. 11 No. 2 (2024): INTERACTION: Jurnal Pendidikan Bahasa
Publisher : Program Studi Pendidikan Bahasa Inggris, Universitas Pendidikan Muhammadiyah Sorong

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

In recent years—and even dating back to the 1970s and 1980s—the Indonesian horror film genre has consistently drawn large audiences to theaters. Conceptually, this study examines this phenomenon by employing Max Horkheimer’s theory of rational and irrational dialectics, Jean Baudrillard’s concept of simulacrum, and Textual Analysis applied to horror film posters and narratives from the 1970s to the 2000s, alongside select Asian horror films that resonate with audiences. The rational and irrational dialectic emerges prominently in Indonesian horror films, as viewers grapple with the interplay between reality and the supernatural depicted in posters and narratives that serve as simulacra, ultimately becoming modern myths. Philosophically, this dialectic presents a dilemma where humans navigate rationality and irrationality in attempting to dismiss mythological elements. Simulacrum, in this context, represents a duplication without an original, blurring the line between the copy and the real. Textual Analysis, rooted in media and cultural studies, is employed here as a methodology for examining texts that contain meaningful signs. Most Indonesian horror film posters and narratives feature terrifying creatures without real-world references. As a result, despite a dip in popularity during the 1990s, horror films from the 1970s through the 2000s have frequently achieved high viewership, especially those based on legendary tales familiar to audiences. These recurring themes, perpetuated through film posters and narratives, are further reinforced by makeup, animation techniques, and CGI (Computer Generated Imagery), all of which bring the horror elements to life.
The Transformation of Labor's Digital Consumption in a Capitalist Regime YouTube Leslar Entertainment: A Christian Funchs Perspective Ali Imron Hamid
INTERACTION: Jurnal Pendidikan Bahasa Vol. 11 No. 1 (2024): INTERACTION: Jurnal Pendidikan Bahasa
Publisher : Program Studi Pendidikan Bahasa Inggris, Universitas Pendidikan Muhammadiyah Sorong

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research explores the impact that the transformation of social media has had on human communication culture, especially through interactions between celebrities and fans in vlog content on Leslar Entertainment's YouTube channel. The focus is not only on changing digital consumption patterns, but also on the role of social media in the context of capitalism. Using social theories, such as the concepts of presumption, playboard, and digital labour, this study underscores the changes taking place in modern society driven by the logic of power accumulation and accelerated accumulation. The concept of time in labour value theory is also used to identify social media as a reflection of the changing regime of time in modern society. Theoretical and interpretive analysis methods were used in researching vlog content and interactions between celebrities and fans on Leslar Entertainment's YouTube platform. The results show that social media, particularly in the context of Lesla's YouTube.
JUMBO Film as a Turning Point for Indonesian Animated Films in the Digital Era Tuty Mutiah; Bonardo Marulitua A; Ken Norton Hutasoit; Ali Imron Hamid; Syarif Fitri
INTERACTION: Jurnal Pendidikan Bahasa Vol. 12 No. 1 (2025): INTERACTION: Jurnal Pendidikan Bahasa
Publisher : Program Studi Pendidikan Bahasa Inggris, Universitas Pendidikan Muhammadiyah Sorong

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36232/interactionjournal.v12i1.2846

Abstract

The Indonesian film industry has shown significant development in recent years, particularly in terms of genre diversification and technical quality. One major achievement in this sector is the success of the animated film JUMBO (2025), which became the third highest-grossing Indonesian film of all time, with over 7 million viewers. This success reflects a major shift in Indonesian audience preferences toward local animated films, which were previously often considered less popular. JUMBO not only offers entertainment but also presents a strong and emotional narrative, along with relevant Indonesian social and cultural values. This study aims to examine JUMBO as a manifestation of a new paradigm in Indonesian cinema, focusing on its narrative approach, technical and visual aspects, as well as the digital communication strategies used to market the film. In addition, audience responses to the film are analyzed to understand its impact on public perception of local animated films. The research uses a qualitative approach, including content analysis of the film and a study of social media use in its marketing strategy. JUMBO not only provides visual entertainment but also conveys universal values such as struggle, family, and hope, making it both relevant and emotionally resonant for viewers. The findings show that JUMBO has successfully reshaped audience expectations regarding the quality of local films and opened new opportunities for the development of the animation genre in Indonesia. The film’s success highlights the great potential for the Indonesian animated film industry to grow further and be embraced by both local and international audiences.
Analisis Resepsi Stuart Hall Pada Tayangan Youtube Narasi TV Episode Prabowo Menjawab Puput Juniar; Yulianti Fajar Wulandari; Ali Imron Hamid
An Nafi': Multidisciplinary Science Vol. 2 No. 03 (2025): An Nafi’
Publisher : CV Edujavare Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70610/annafi.v2i03.943

Abstract

This study aims to analyze the audience's reception position toward the “Prabowo Menjawab” episode on Narasi TV’s YouTube channel using Stuart Hall’s decoding theory. The research employs a qualitative approach through observation and interviews. A total of 30 comments were selected from 7,866 comments based on popularity (number of likes, replies, and posting time within the past two months), while interviews were conducted with four informants who had fully watched the video. The findings indicate that the majority of audiences occupy the oppositional decoding position, consciously rejecting the narrative and interpreting the program as a form of political image-building. Some audiences fall into the negotiated position, partially accepting the message while maintaining a critical stance toward its substance. Only a small portion of the audience demonstrates a dominant-hegemonic stance, showing full acceptance of the message. These results suggest that audiences are active in interpreting media content and that media constructions are not always received passively, but can be negotiated or even resisted.
PERAN EMPATIK DALAM KOMUNIKASI TERAPEUTIK: STUDI KASUS FENOMENOLOGIS PADA PENGALAMAN TERAPIS PSIKOLOG DI RSUD ANUGERAH SEHAT AFIAT DEPOK Endri Choirunnisa; Yulianti Fajar Wulandari; Ali Imron Hamid
An Nafi': Multidisciplinary Science Vol. 2 No. 4 (2025): An Nafi’
Publisher : CV Edujavare Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70610/annafi.v2i4.1006

Abstract

Komunikasi terapeutik memiliki peran sentral dalam proses penyembuhan pasien, terutama ketika empati menjadi inti dalam interaksi antara terapis dan pasien. Penelitian ini bertujuan untuk memahami makna dan peran empatik dalam komunikasi terapeutik di RSUD Anugerah Sehat Afiat Depok dengan menggunakan pendekatan kualitatif fenomenologis. Metode ini digunakan untuk menggali pengalaman subjektif para terapis psikolog dalam membangun hubungan empatik dengan pasien. Data dikumpulkan melalui wawancara mendalam, observasi partisipatif, dan studi dokumentasi, kemudian dianalisis menggunakan teknik analisis fenomenologis dengan tahapan reduksi, penyajian, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa empati menjadi fondasi utama dalam komunikasi terapeutik, yang diwujudkan melalui perhatian penuh, pendengaran reflektif, sikap nonverbal yang menenangkan, serta penerimaan tanpa penilaian. Empati terbukti meningkatkan rasa aman, kepercayaan, dan keterbukaan pasien dalam proses terapi, sekaligus memperkuat motivasi penyembuhan. Temuan ini menegaskan tiga dimensi empati dalam praktik terapeutik, yaitu empati kognitif, afektif, dan perilaku, yang secara sinergis membentuk hubungan terapeutik yang manusiawi dan efektif. Penelitian ini juga memperkuat teori Hildegard Peplau tentang hubungan interpersonal terapeutik serta fenomenologi Schutz mengenai kesadaran intersubjektif dalam memahami pengalaman manusia. Dengan demikian, empati tidak hanya berfungsi sebagai respon emosional, tetapi juga sebagai keterampilan profesional dan nilai kemanusiaan yang menjadi dasar praktik psikologi klinis modern. Penelitian ini merekomendasikan pentingnya pelatihan empatik bagi tenaga psikolog guna meningkatkan kualitas komunikasi terapeutik dan efektivitas penyembuhan pasien.
Makna Kehilangan pada Lirik Lagu “Satu Bulan” di Akun Resmi Youtube Bernadya Vicko Fabian Putra Pribadi; Yulianti Fajar Wulandari; Ali Imron Hamid
Jurnal Ilmu Komunikasi Dan Sosial Politik Vol. 3 No. 2 (2025): Oktober - Desember
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jiksp.v3i2.3502

Abstract

Penelitian ini menganalisis makna kehilangan dalam lirik lagu 'Satu Bulan' karya Bernadya dan resepsi audiens Generasi Z terhadapnya. Musik, sebagai media interaktif, berperan dalam pembentukan identitas dan ekspresi isu sosial. Lagu 'Satu Bulan' relevan karena mengangkat tema kehilangan, kerinduan, dan keterpisahan emosional, yang banyak digunakan Generasi Z dalam unggahan media sosial. Generasi Z (lahir 1997-2012) selektif, ekspresif, dan responsif terhadap konten personal. Penelitian kualitatif ini menggunakan analisis resepsi Stuart Hall, berfokus pada tiga posisi decoding: dominan-hegemonik, negosiasi, dan oposisi. Hasil menunjukkan mayoritas Generasi Z menginterpretasikan lagu sebagai refleksi mendalam atas kehilangan personal (orang tua, anak, kekasih). Resepsi negosiasi menyesuaikan makna dengan konteks pribadi, sementara resepsi oposisi menolak makna dominan atau menginterpretasikannya secara berbeda (humor/kritis). Studi ini berkontribusi pada pemahaman hubungan musik dan identitas emosional generasi muda, serta peran musik sebagai media refleksi dan penyembuhan.
PRODUCTION DESIGN IN THE CREATION OF THE SHORT FILM BEHIND THE DOOR : (A Qualitative Approach to Cinematography and Visual Storytelling) Ken Norton Hutasoit; Tuty Mutiah; Ali Imron Hamid
NIVEDANA : Jurnal Komunikasi dan Bahasa Vol. 7 No. 3 (2026): NIVEDANA : Jurnal Komunikasi dan Bahasa
Publisher : Sekolah Tinggi Agama Buddha Negeri Raden Wijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53565/nivedana.v7i3.2779

Abstract

This study examines the process of making a short film entitled “Behind the Door”, which has a psychological and mystery theme. Audio-visual works with optimized artistic and technical work are the main objectives of this design. Pre-production, production, and post-production are all part of the design process, which focuses on script creation, storyboarding, location selection, and lighting and sound arrangements to support the mood of the story. To ensure the quality of production in accordance with cinematographic standards, this design uses a qualitative approach by conducting literature research, observation, and interviews with film practitioners. It is hoped that this design will become a model for making short films that can convey story messages and provide a deep experience to the audience.
Co-Authors A. Yudo Triartanto ADHI DHARMA SURIYANTO Bonardo Marulitua A Endri Choirunnisa Ken Norton Hutasoit Puput Juniar Putri Nabila Suherman Syarif Fitri Tuty Mutiah Vicko Fabian Putra Pribadi Yan Bastian Yulianti Fajar Wulandari