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All Journal Humaniora Nusa: Jurnal Ilmu Bahasa dan Sastra Journal Communication Spectrum: Capturing New Perspectives in Communication BAHASTRA Rekam : Jurnal, Fotografi, Televisi Animasi Jurnal Ilmu Komunikasi Journal of Language and Literature Aksara Jurnal Pengabdian Pada Masyarakat Semiotika Lingua Litteria Journal Handep: Jurnal Sejarah dan Budaya Journal of International Conference Proceedings Libraria: Ilmu Perpustakaan dan Informasi ADJES (Ahmad Dahlan Journal of English Studies) Jurnal Kawistara Aksara
Salam, Aprinus
Universitas Gadjah Mada
Agriculture, Biological Sciences & Forestry Arts Humanities Decision Sciences, Operations Research & Management Education Electrical & Electronics Engineering Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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POLITIK RESISTENSI DALAM MASYARAKAT JAWA POSKOLONIAL Aprinus Salam; Rina Zuliana
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 23 No 2 (2022): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v23i2.31915

Abstract

Resistance does not exist autonomously but as behavior or responsive attitude to the situation. Resistance occurs in various forms depending on the relations between subjects or between subjects and objects. This article explained the practice of resistance at the subject level, while the limitation of Javanese society is intended as an arena for the subject's location. Resistance is used in the postcolonial perspective, the various forms of insubordination from postcolonial subjects dealing with postcolonial implications related to resistance. This study described the systems (a mechanism) of resistance such as silence, satire, imitation of physical and language plays, demonstrations, and violence. Meanwhile, this study elaborated on the nature of resistance in ideological resistance, half-heartedness, manipulative, narcissistic, and authentic resistance.
The Sensibility of Cyber Community in The Multicultural Space: Reading the Practice of Digital Ethnography in Kampoeng Cyber Jogja Aprinus Salam; Rina Zuliana
Journal of International Conference Proceedings (JICP) Vol 4, No 2 (2021): Vol 4, No 2 (2021): Proceedings of the 10th International Conference of Project
Publisher : AIBPM Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32535/jicp.v4i2.1265

Abstract

This study aims to reveal the sensibility and the sociocultural practice of the KCJ cyber community in a multicultural space. This research uses digital ethnographic methods to reveal the cultural practices of cyber societies and cultural productions born from their new habits. Indirectly, the impact of alleviating society from the digital divide led them to sociocultural change. The KCJ community entered into a hybrid space. The online activities of the KCJ community form a local-multimedia sensibility, both of a general nature such as limited internet access by looking at the world globally or explicitly using the Internet as a medium of interaction and communication with only a limited community. In practice, KCJ's sensibility as a multimedia society mingles with the traditional sensibility that social practices still follow local customs, values, and norms.
The Manifestation of Sovereign Power in the Novel Yauma Qutila al-Zaim by Najib Mahfudz M. Hafidzulloh S.M; Aprinus Salam
Journal of International Conference Proceedings (JICP) Vol 4, No 2 (2021): Vol 4, No 2 (2021): Proceedings of the 10th International Conference of Project
Publisher : AIBPM Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32535/jicp.v4i2.1292

Abstract

Polemics and social inequality are the primary basis for story building in several of Najib Mahfudz's works. As the primary source, the social constellation presents to seek the formation of relations between social structures and literature. Various social systems come with articulations in economic, cultural, and political forms. This article will explore the context of government and state apart from being an executive institution and exercising sovereignty with its power. The identification of sovereignty is closely related to very paradoxical power. This type of research is qualitative. This type is classified because the primary data source in the study is in the form of textual data from the novel Yauma Qutila al-Zaim by Najib Mahfudz using a postmarxis approach. In this study, two main problems are discussed. First, how is the manifestation of the dual function of state power and sovereignty; second, why sovereignty is placed and positioned as a structure with very high absolutism. The duality formation between sovereignty and power that forms a network of sovereignty with all its forms of transformation. The sovereignty network then includes a working logic of power and sovereignty with all forms of attribution inherent in it.
Implementasi Teknologi Informasi di Perpustakaan: Representasi dalam Film Indonesia Era 2000-an Nina Mayesti; Aprinus Salam; Ratna Noviani
LIBRARIA : Jurnal Ilmu Perpustakaan dan Informasi Volumen 6, Nomor 2, Tahun 2017 (Desember 2017)
Publisher : FPPTI Jawa Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (342.004 KB)

Abstract

melihat gambaran implementasi teknologi informasi di perpustakaan. Film Indonesiadi era 2000-an menjadi objek yang menarik untuk dikaji dan dikaitkandengan perkembangan dunia perpustakaan di era milenium ketiga. Artikel inimengkaji implementasi teknologi informasi di perpustakaan yang direpresentasikandalam 5 (lima) judul film Indonesia yang rilis pada era tahun 2000-an.Menggunakan paradigma kajian budaya dan media, penelitian ini mengkajibabak-babak dalam film tersebut yang menampilkan adegan berlatar perpustakaanyang memuat gambaran implementasi teknologi informasi. Metodeyang digunakan untuk menganalisis sumber data adalah Analisis WacanaKritis. Hasil penelitian menunjukkan bahwa representasi perpustakaan dalamfilm-film Indonesia yang dikaji masih dipengaruhi wacana mengenai perpustakaantradisional. Wacana tersebut masih terus menerus direproduksi dandikukuhkan melalui representasi dalam film. Tidak ada upaya pembaharuanwacana mengenai perpustakaan digital atau perilaku pengunjung yang sesuaidengan era milenium ketiga. Kalaupun ada komputer atau perangkat teknologiyang muncul dalam latar, nampak sebatas simbol untuk memperkaya unsurdekoratif film. Keberadaan teknologi dan budaya digital yang sudah menjadibagian dari perpustakaan, ternyata tidak dianggap sebagai hal yang penting
Understanding How They Work: The Agents’ Strategies in Producing Indonesian-English Literary Translation M. Yuseano Kardiansyah; Aprinus Salam; Nur Saktiningrum
Journal of Language and Literature Vol 23, No 1 (2023): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v23i1.4784

Abstract

This article contains a study on Yogyakarta literary agents’ strategies in producing a translated work from Indonesian into English (Indonesian-English literary work) entitled “Pilgrimage in the Land of Java”. Due to the development of literary studies based on the practice of its agents, this study aims to understand more the pattern and vision of agents in producing translated literary work in a particular context. In this case, the agents are a poet Iman Budhi Santosa, an indie publisher Interlude, and a translator Chrysogonus Siddha Malilang. This study adopts the Bourdieusian concept of strategy in cultural production as the framework of thought. Meanwhile, interview and document selection are two primary techniques to collect data for this qualitative research. This study reveals the strategies implemented by the three primary agents during the production of “Pilgrimage in the Land of Java”. Although running on the same track, it turns out that each of them had specific strategies based on the role that they possessed during the production. This study also discloses the significance of social capital in translation practice.
Posisi Subjek Tokoh Skeeter dalam Filem The Help (2011) Karya Tate Taylor: Kajian Subjektivasi Slavoj Žižek Nor Holis; Aprinus Salam
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 4: November 2019
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (248.55 KB) | DOI: 10.14710/nusa.14.4.523-535

Abstract

Slavoj Žižek introduces definition of subject through the concept of The Real. He decribes it use the Lacan’s psychoanalys triagle. The process of reaching The Real causes the subject to do something that can be out of the symbolic. Therefore, the position of subject could be decided at this stage. This kind of subject is seen in The Help (2011) film. It is represented by Skeeter. She tries to out from the symbolic order to get the real. In her process to reach the real, she is unable to release herself from the symbolic completely because of her educational background, her thought, and her conscience. Therefore, Skeeter could not be defined as the radical subject based on the process. Still, her effort in order to out from the symbolic is never succeeded. It is because she always does everything with full consideration. In fact, she only moves to the new symbolic order.
French Holocaust Literature: A Study of the Work of Joseph Joffo on World War Two Sunahrowi Sunahrowi; Faruk Faruk; Aprinus Salam
Lingua Litteria Journal Vol 10 No 2 (2023): Octobre 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/ll.v10i2.72803

Abstract

La seconde guerre mondiale en France a donné naissance à une nouvelle forme dans le domaine de la littérature. Outre le Nouveau Roman né dans les années 1950, une nouvelle forme de littérature a émergé, à savoir la littérature holocauste. Ce type d'œuvre littéraire qui prend pour toile de fond l'holocauste a été lancé par de nombreux écrivains français, tels que Patrick Modiano, Simone Veille, Joseph Joffo et bien d'autres. Ils ont choisi le décor de l'holocauste avec divers rôles; en tant qu'auteurs (victimes) et en tant que lecteurs de documents sur l'événement. Cette étude vise à décrire la forme de la littérature française sur l'Holocauste, à décrire les œuvres de Joseph Joffo et les récits de l'Holocauste, et à examiner les recherches antérieures sur les œuvres de Joffo. La méthode utilisée dans cette recherche est Library Method. Cette recherche produit des résultats liés aux questions soulevées et à la forme de la littérature sur l'holocauste, l'histoire de l'holocauste dans les deux suites de Joseph Joffo et la position de l'œuvre de Joseph Joffo parmi d'autres œuvres se déroulant dans la seconde guerre mondiale.
Indonesian Government’s Motive and Literary Taste: A Perspective on the Translation Funding Program (TFP) M. Yuseano Kardiansyah; Aprinus Salam; Nur Saktiningrum
Ahmad Dahlan Journal of English Studies Vol. 9 No. 2 (2022): September
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/adjes.v9i2.85

Abstract

The translation Funding Program (TFP) was initiated concerning the Indonesian government agenda to be the guest of honor at the Frankfurt Book Fair (FBF) 2015. As a result, it produced many Indonesian-English literary translations, particularly the two from Yogyakarta. By applying the Bourdieusian approach to cultural production, this study is arranged to unravel the government’s motive and literary taste behind the execution of that program, especially through the production of two literary works, “Pilgrimage in the Land of Java” and “Jatisaba.” This study is directed to figure out the importance of Indonesian-English translation for Indonesian literature and the criteria of literary works to be involved in such a government program. Therefore, the government’s motive and literary taste behind the TFP can be elaborated further. There are two primary techniques for the data collection in this research; 1. Digital library research is utilized to access relevant information about TFP, and 2. Interview the writers to get information about their experience participating in TFP. All collected data are synchronized in the analysis to explain the binding knot among the literary translation production, TFP, and FBF. As a result,the study reveals that there were some motives behind the production of literary translation through the TFP. Those motives were also related to the literary taste influenced by international demand.
Arena and (Re)Stabilization of Reog Bulkiyo Dance Cultural Production Aprinus Salam; Alfian Maulana
Jurnal Kawistara Vol 14, No 2 (2024)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.92385

Abstract

Contestation among traditional art performances, in the technology and information era, creates complex and diverse challenge to the dance of Reog Bulkiyo. In 1999, the dance had to be stopped following the regeneration and economical problem. Although Reog Bulkiyo has been performed again since 2009, the conditions which makes this dance can be produced is still inexplicable. This article attempts to explain why dance experiencing production and activity stagnation. Pierre Bourdieu’s cultural production theory is used to analyze this problem, while ethnographic qualitative is used as the method. This study found that Reog Bulkiyo dance is in the arena of traditional dance art which has a double-tiered structure. The first structure leads to popular culture, while the second structure leads to art culture. In the first structure, Reog Bulkiyo dance group uses relational capital with relatives, social and Islamic groups to survive in the midst of competition with other popular arts. The dance then gains a relationship with the academy and the state which provides relational, cultural, and symbolic capital in the form of granting intangible cultural heritage status. These two relations give Reog Bulkiyo dance group the opportunity to maintain its cultural production.
TAWARAN SINGULARITAS DALAM SELAMAT PAGI BAGI SANG PENGANGGUR KARYA SENO GUMIRA AJIDARMA Yuniardi Fadilah; Aprinus Salam
Aksara Vol 32, No 1 (2020): AKSARA, Edisi Juni 2020
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v32i1.534.1-13

Abstract

Seno Gumira Ajidarma, melalui cerpen “Selamat Pagi bagi Sang Penganggur”, menggunakan posisi tokoh utama untuk menilai kondisi individu-individu lain yang dianggap kehilangan kebebasannya sebagai pribadi. Sebagai pengangguran, tokoh utama—Aku—juga mengalami kesulitan karena dianggap identik dengan identitasnya, namun lebih memiliki kebebasan dibandingkan pekerja lain yang berada dalam sistem struktural tertentu. Melalui cerpen tersebut, tulisan ini mempersoalkan kecenderungan pengarang menggiring diskursus pada  konsep singularitas. Sudut pandang tulisan ini menggunakan teori yang dikembangkan oleh Antonio Negri dan Jean Luc-Nancy terkait konsep singularitas dan identitas. Kajian ini menemukan bahwa pengarang memiliki kecenderungan untuk mengkritik bentuk konsep identitas yang menyeragamkan individu-individu sebagai komoditas yang hanya dilihat berdasarkan nilainya semata. Bentuk identitas ini terjadi karena adanya kuasa tatanan global dalam biopower yang berbentuk kapitalisme. Sebagai bentuk alternatif, pengarang menawarkan singularitas yang tergambar dalam bangunan komunitas di dalam cerpen. Komunitas yang terbentuk di dalam cerpen adalah keluarga, sebagai komunitas terkecil yang mampu dibentuk, dan komunitas imajiner dalam dunia tokoh Aku. Dalam komunitas ini, singularitas memberdayakan individu-individu sebagai subjek yang berbeda dan bebas.Kata kunci: cerpen, singularitas, identitas, komunitas, multitude Seno Gumira Ajidarma, through short story “Selamat Pagi Bagi Sang Penganggur,” uses the position of the main character to assess the condition of other individuals who are considered to lose their freedom as a person. As unemployed, the main character - Aku - also has difficulty unlike what is considered identical to his identity but has more freedom than other workers who are in certain structural systems. Through this short story, this paper questions the author's tendency to lead to discourse about the concept of singularity. The point of view of this paper uses the theory developed by Antonio Negri and Jean Luc-Nancy regarding the concept of singularity and identity. This paper found that the author tends to criticize the concept of identity that classifies individuals as commodities that are only seen based on their value. This form of identity occurs because of the power of the global order in the form of capitalism as biopower. Singularity which portrayed on the community that built in the story is offered by author as an alternate. Family as the smallest formable community and imaginary community which formed on “Aku’ universe as the main character is the formed community. In this community, singularity empowers individuals as a distinct and independent subjects.Keywords: short story, singularity, identity, community, multitude
Co-Authors Alfian Maulana Ardian Indro Yuwono Faruk, Faruk G.R. Lono Lastoro Simatupang I Ngurah Suryawan Ida Rochani Adi Ilham Rabbani Kardiansyah, M. Yuseano M. Hafidzulloh S.M Mayesti, Nina Nor Holis Nur Saktiningrum Ratna Noviani Rina Zuliana Rio Heykhal Belvage Sunahrowi Sunahrowi Umilia Rokhani Wiwien Widyawati Rahayu, Wiwien Widyawati Yuniardi Fadilah