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Jurnal RISA
Published by Universitas Katolik Parahyangan
ISSN : 25488074     EISSN : -     DOI : https://doi.org/10.26593/risa
Core Subject : Engineering,
Civil Engineering, Building, Construction & Architecture
Jurnal RISA aims to contribute to scientific research, practice, and education by publishing national and international studies. The scope of this journal includes the dissemination of research findings, ideas, and reviews in the following subject areas: 1. History, Theory, and Philosophy of Architecture; 2. Housing and Settlements; 3. Architecture and Urban Design; and 4. Building Management Technology.
Arjuna Subject : Teknik (semua kategori) - Arsitektur
Articles 300 Documents
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STUDI KARAKTERISTIK ARSITEKTUR PERCANDIAN ERA SINGOSARI-MAJAPAHIT (DITINJAU DARI SINKRETISME ARSITEKTURAL SECARA SOSOK, TATA RUANG, DAN TEKTONIKA) Fabrian Gulla, Marcellino; P. Herwindo, Rahadhian
Riset Arsitektur (RISA) Vol 8 No 04 (2024): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i04.8587.406- 422

Abstract

Abstract - Hinduism and Buddhism were introduced to Nusantara society in the 5th century, when maritime trading routes that connected India in the west and China in the east thrived in the region. In its development, Hinduism and Buddhism experienced significant progress in the Island of Java which one of them marked by the construction of Hindu and Buddhist temples that now Indonesians call as Candi at the beginning of the 8th century in the era of Ancient Mataram Kingdom. Candi itself are ancient temple buildings that has religious functions and originated from the Hindu-Buddha era in Nusantara. As time goes by, the glory of Ancient Mataram Kingdom started to fade, along with the move of the government to the east. The fading Ancient Mataram Kingdom gave birth to newly established kingdoms, from Kediri Kingdom, which followed by Tumapel Kingdom or popularly known as Singosari and up to Majapahit Empire. In this period of time, a form of syncretism arose from Hindu-Buddhist beliefs that had existed into a concept calls Shiva-Buddhism, with influences from Tantrism, and the revival of native Nusantara beliefs. The syncretism that happened gave influence to architectural composition of Cnadi that was built in this period with its own characteristics that is distinct form its predecessors. Study about Singosari-Majapahit era Temples that have existed have not fathomed about syncretism from its architectural side, therefore it needs further studies through this research. This research is conducted using a qualitative approach with the aim of understanding the characteristics of Singosari-Majapahit era temples, also to find out the similarities and differences of Singosari-Majapahit era temples with Hindu temples and Buddhist temples through analysis in forms, spatial orders, and tectonics. After being analyzed, it is found that the syncretism that occurs in the temples did not have a default pattern, which the syncretism itself is only accepted conceptually whereas practically it is in the form of hybrid. Moreover, it is also found that the arrangements of temple complex had drifted into elongated and linear order as an embodiment of egalitariansm which was also mentioned in Panji tales, with the main temple is at the rearest part of the complex. This kind of arrangement will later influence and still can be seen by us now in the religious complexes of Bali. Keywords: candi, characteristics, syncretism, Singosari-Majapahit
STUDI PENJAJARAN ARSITEKTUR CANDI BUDDHA DI SUMATERA DAN JAWA DALAM KONTEKS MAHAYANA VAJRAYANA DITINJAU DARI TATA MASSA, TATA RUANG, SOSOK, DAN ORNAMENTASI Kukuh, Ravi; P. Herwindo, Rahadhian
Riset Arsitektur (RISA) Vol 8 No 04 (2024): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i04.8588.423-441

Abstract

Abstract - Buddhist architecture in Sumatra and Java still needs to be studied further in relation to the study of relations because Buddhist architecture does not have books or buildings that serve as guidelines for Buddhist architecture in Indonesia. The Buddhist schools that have spread in Indonesia, namely Mahayana and Vajrayana, have long ago had roots in Hindu teachings which can be seen again from the spread of architecture that occurred in Indonesia. This research was conducted to determine the relationship between Buddhist temples in Sumatra and Buddhist temples in Java. Analysis regarding the similarities and differences between several temples in Sumatra and Java can produce influencing factors. Comparative qualitative research was conducted to find out the differences and similarities between Buddhist temples in Sumatra and Java by conducting a juxtaposition study, after which the analysis was given what factors were thought to influence the similarities and differences obtained. It was concluded that there are similarities and differences between the two architectures of Sumatran Buddhist temples and Ancient Mataram Buddhists, similarities are possible because Sumatran temples have a closeness or resemblance to the architectural style of Central Javanese temples which can be seen in the application of different temple architectural elements. adapted to the Sumatran temples. The difference also explains that there is a closeness of the architectural style that is implemented according to local wisdom or based on local genius which influences the differences. So based on the descriptive qualitative analysis, it is evident that there are similarities and differences in the juxtaposition study that connects the architectural elements of the temples that are the object of research. Keywords: candi architecture, Buddha, Sumatra, architectural elements
KAJIAN DESAIN BANDARA INDONESIA: KENUSANTARAAN DITINJAU DARI POLA RUANG, SOSOK, DAN ORNAMENTASI Andrew Darsono, Antonio; Prijotomo, Josef
Riset Arsitektur (RISA) Vol 9 No 01 (2025): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v9i01.8935.1-20

Abstract

Abstract - The airport is a form of representation of the entry gate of a nation that is present as the first greeterfor users of air transportation modes, both domestic and international users. The representation of the gatesymbolizes the identity and image of a nation. Indonesian airports carry an important message about theidentity of a nation which is reflected through the architectural form of the airport. The airport was designed notonly as a fulfillment of the facilities of a region or even a country, but more than that, the airport is nowdesigned by placing ef orts to create a visual character that shows architectural styles both from the west to theeast of the Republic of Indonesia. This style reflects the potential of arts and culture, tourism, and local wisdom.The development of Indonesian architecture from the past to the present has resulted in transformationsof forms that are constantly adapting, Nusantara Architecture has emerged as an "other" science in viewingarchitecture. Nusantara architecture develops, transforms, and goes global, not imitating the past or existingones, while respecting the architecture of the past. The definition of Nusantara Architecture used is based onNusantara Architecture by Prof. Josef Prijotomo.Airports in Indonesia on an international scale no longer represent the city, but represent the face ofIndonesia. Terminal 3 of Soekarno Hatta International Airport, I Gusti Ngurah Rai International Airport, andSultan Hasanuddin International Airport have the highest number of users in Indonesia and play an importantrole as representatives of Indonesia. A descriptivequalitative-comparative comparison is made to see how the archipelagic aspects based on the definition ofArchipelago Architecture are applied to the three study object airports. So that it can be seen how thetransformation of Archipelago architectural knowledge has been attached to the design of airports in Indonesia.This study was conducted to find out how the process of updating archipelago architecture in airport buildingsin Indonesia, whether airports in Indonesia can reflect their Nusantara through spatial patterns, figures, andornamentation.Key Words: Airport, Nusantara Architecture, Visual Character, Spatial form, Shape, Ornamentation
SEKUENS SPASIAL PADA GALERI SENI NUART SCULPTURE PARK, BANDUNG Hanin Ayudhiya, Athaya; Aly, Sudianto
Riset Arsitektur (RISA) Vol 9 No 01 (2025): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v9i01.8936.21 - 38

Abstract

Abstract - A series of spatial arrangements that create a continuous path so that it has a starting and endingpoint can be referred to as a spatial sequence in architecture. The series of plots that play a role in conveyingthe concepts of art, culture, and nature in the NuArt Sculpture Park art gallery attracts the attention of theauthor to dig deeper into sequential experiences and their formation. This study aims to discuss the spatialsequences present in architecture through elaboration regarding the architectural elements that also shape andinfluence the spatial sequences in NuArt Sculpture Park.The type of approach used is descriptive qualitative research, where researchers will conduct aliterature study related to spatial sequences in architecture and its constituent elements in the form of bothphysical and non-physical elements which are then used as a basis for analyzing data. Then the data resultingfrom the qualitative analysis will be compiled and described narratively. The analysis process on the object ofstudy is then focused on elaborating existing paths and sketching at certain points to analyze the elements andtypes of spatial sequences that exist in NuArt Sculpture Park.From the research that has been done, it is concluded that this art gallery has spatial sequence formingelements as an ef ort to realize the main goals and concepts of NuArt Sculpture Park so that visitors get acomplete experience. Based on the relationship between music and architecture, the grooves in NuArt SculpturePark are bound by a unified sequence consisting of an intro, verse, chorus, bridge, and outro. Meanwhile, whenviewed from the spatial sequences in architecture, the types of sequences formed in NuArt Sculpture Park arelong sequences and short sequences.Key Words: spatial sequences, art gallery, NuArt Sculpture Park
ATMOSFER RUANG PADA STUDIO D-ASSOCIATES Hadini Zaenudin, Nabila; S. Wijayaputri, Caecilia
Riset Arsitektur (RISA) Vol 9 No 01 (2025): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v9i01.8937.39-57

Abstract

Abstract- The hustle and bustle of Jakarta, the capital city, has resulted in high levels of stress among itsresidents. In 2021, Jakarta ranked 9th in the world as the city with the highest stress levels according to VAAY.Amidst the chaos of Jakarta as a metropolitan city, author who works at d-associates architect, felt that thepresence of their studio seemed detached from the exhaustion often associated with the city's crowded andformal buildings. The dissimilarity in the quality of space atmosphere between the noisy exterior and the calminterior space is evident in the d-associates studio located in the bustling area of Kemang. Based on theaforementioned issues, the research question arises about how do the elements shaping the space atmosphereaffect the emotions of users in the d-associates studio. It is hoped that this research will enhance understandingatmosphere of interior spaces in architecture and their influence on user emotions, as well as cultivate spatialawareness to appreciate architectural spaces in a more systematic and structured manner. This bureau wasfounded by Gregorius Supie Yolodi and Maria Rosantina in 2001, and in 2016, they successfully designed andbuilt their own studio located at Jalan Bangka XI A no. 7B, Kemang, South Jakarta. The initial concept of thisbuilding was to create an informal and flexible office, which is the opposite of the typically rigid and formaloffice typology. This research aims to understand the process of creating the space atmosphere that form in thed-associates studio through these elements, as well as comprehend the influence of the space atmosphere onuser emotions within the studio. The research consists of two stages, the first stage involves collecting physicaldata through observation and photographs to analyze the spatial physicality composed by the architects. Thesecond stage entails collecting mental data by conducting interviews with the architects and distributingquestionnaires to users to assess the perceived atmospheric qualities and their influence on emotions. The spaceatmosphere in the d-associates studio are quite diverse and are experienced in different spaces and times. Theelements shaping the atmosphere, particularly lighting and materials, have a significant influence on the spaceatmosphere and emotions experienced by users in this studio. About 75% of users perceive that the lighting inthe space significantly affects their emotions through the space atmosphere, and 68.8% of users believe that theselected materials have an influence on the space atmosphere and emotions they feel. Satisfaction is the mostcommon emotion experienced in the d-associates studio, with 60% of users experiencing low-intensity positiveemotions. Almost every space is capable of evoking positive emotions in users, except for the architecture studiospace. The architecture studio space shows significant changes in emotions, with positive emotions in themorning and afternoon but negative emotions at night. This is due to inadequate lighting during the nighttime.Therefore, it can be concluded that user emotions are closely related to the perceived atmosphere of the spacethrough sensory perception. An space atmosphere that supports activities will trigger positive emotions, whilean unsuitable atmosphere can lead to negative emotions.Key Words: studio d-associates, space atmosphere, emotion, Kemang Jakarta
PENGARUH DESAIN BUKAAN CAHAYA TERHADAP KENYAMANAN VISUAL DI WHEELS COFFEE ROASTERS RIAU BANDUNG Kusnadi, Daniel; Dewi Pangestu, Mira
Riset Arsitektur (RISA) Vol 9 No 01 (2025): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v9i01.8938.58-77

Abstract

Abstract - Daylighting is one of the important aspects in architecture. Daylighting in cafes or restaurants can provide various benefits, including creating a comfortable and pleasant atmosphere for visitors and helping to reduce energy costs. However, excessive brightness can cause glare and become a problem that disrupts the comfort of customers and employees. Insufficient daylight can also affect visual comfort, making objects less clear and causing contrast between the workspace and the openings. Generally, natural light enters the room through side openings such as windows. However, natural light often struggles to penetrate the room due to nearby buildings or the bulky shape of the building, hence the use of overhead openings such as skylights. Wheels Coffee Roasters Riau Bandung is one of the cafes in the city of Bandung. Wheels Coffee Roaster has two indoor spaces with very different characteristics of daylighting. The first indoor space is the dining and bar area in the atrium, with top lighting in the form of a combination of skylights and clerestory. In addition to being a source of daylight, the skylight also serve as a distinctive feature of this cafe and support the micro-tropical concept used in its interior design. The second indoor space is the dining area adjacent to the atrium, which has two side openings, namely openings facing the atrium and the outside. The research conducted is descriptive-evaluative with a quantitative-qualitative approach. The research areas include the space below the atrium skylight, which serves as the dining and bar area, and the space adjacent to the atrium, which serves as the dining area. Simulation of sunlight movement on the building is used to determine the research time. In addition, simulations are used to collect data and evaluate the quantity and quality of existing natural lighting. Simulations are also used to optimize the study object. This research resulted in several conclusions. First, the visual comfort of the dining and ba area has not been achieved in terms of daylighting quality due to disruptive glare that is intolerable. Second, the visual comfort of the dining area adjacent to the atrium has not been achieved in terms of quantity and quality of daylighting because the illuminance does not meet the standards, and there is contrast when looking towards both side openings. Changing the type of translucent glass for the skylights and clear glass for the clerestory with a glass 50% significantly reduces glare in the dining and bar area in the atrium, although some glare still persists at certain times and is intolerable. Changing the shading elements and dimensions of the openings facing the outside can improve illuminance and reduce contrast ratios in the dining area adjacent to the atrium. Keywords: café, daylighting, visual comfort, opening design
STUDI RELASI ARSITEKTUR CANDI MAJAPAHIT PADA BANGUNAN PURA DI BALI SELATAN Richard Adithya, Keithdavin; Prajudi Herwindo, Rahadhian
Riset Arsitektur (RISA) Vol 9 No 01 (2025): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v9i01.8939.78-97

Abstract

Abstrak - Candi dan pura adalah bangunan yang difungsikan sebagai tempat bersembahyang, perbedaan kedua bangunan ini terletak pada penggunaannya pada saat ini. Candi identik dengan tempat pemujaan bagi leluhur dan menjadi tempat penyimpanan abu bangsawan namun saat ini tidak aktif digunakan, Pura di Bali menjadi tempat yang masih aktif digunakan masyarakat untuk bersembahyang. Melihat kesetaraan fungsi antara candi dan pura, lebih jauh lagi dapat ditinjau dari konteks historis terhadap perkembangan keduanya. Berdasarkan konteks sejarah, Bali dikuasai oleh kerajaan Majapahit dan
EVALUASI PELESTARIAN ARSITEKTUR POS BLOC JAKARTA Padraic Harianto, Jose; S.Sombu, Alwin
Riset Arsitektur (RISA) Vol 9 No 01 (2025): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v9i01.8940.98-114

Abstract

Abstract -Jakarta has many historical buildings that become cultural heritage, one of them is the Jakarta Bloc Post Building.The Post Bloc Jakarta Building as a class A cultural heritage building is currently experiencing a significant change in function , therefore it needs to be further investigated how the impact of the current transition of function on the preservation of its architecture in terms of aspects of form and construction. This study utilizes a descriptive analysis - evaluative methodology. The construction aspect of the Pos Bloc Jakarta building involving alterations in its present function has maintained its authenticity, whereas the form aspect has undergone several modifications. Through the replacement of doors and windows on the facade and the addition of extensions to the right wing mass, significant changes have been made to the building's mass and facade. As an adaptation to present functions, the building's form has also changed significantly, with retail space added to the main hall, the layout of the right and left wing masses changed, as well as various door and window features. According to the findings of these adjustments, which were analyzed using the conservatory guidelines, some significant changes to the architectural components of doors, windows on the facade, and internal space were not permitted under the preservation law. The evaluation results have suggested preservation actions on aspects of shape and construction that still retain their original characteristics.Reconstruction actions of doors and windows on the facade to restore the original character and characteristics of the building facade. Adaptation action on building interior as a form of adjustment to its current function. Keywords : Conservation , Form , Function , Construction , Pos bloc Jakarta
PENGARUH DESAIN RUANG TERHADAP KONDISI ALIRAN UDARA DALAM UPAYA PRESERVASI KARYA SENI RUPA PADA MUSEUM GALERI NASIONAL INDONESIA Hendrico, Bartholomeus; Enggar Sari, Wulani
Jurnal Riset Arsitektur Vol 9 No 02 (2025): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v9i02.9203.115-132

Abstract

Abstract - Preservation efforts can be done through active or passive mechanisms to safeguard and preserve. The existence of the environment in the gallery space, which includes features of humidity, temperature, and airflow, has a great influence on the preservation factor for works of art, where this matter influences the sustainability of the existence of works of art that are stored. Fine arts museums in Indonesia are frequently found to be lax in their efforts to conserve what should have become normal practice, perhaps causing damage to existing pieces of art. This study employs quantitative and experimental methods, including Autodesk CFD simulation trials that generate a description of the existing condition of the study object and its relationship to the influence of work of art preservation, as well as simulation trials of the influence of existing design developments that are aligned and compared with work preservation theory guidelines. art. Field observations and literature searches were used to acquire data. Data are organized according to research variables, which include features of artwork preservation in museum settings, humidity-temperature-air flow, artwork preservation support systems, and space design development. The analytical technique employs distribution simulation in conjunction with the idea of guidelines for the preservation of works of art, as well as simulations for optimizing the design of interstitial spaces, which aid research in developing scope for better preservation. The research found that the performance of the design of the layout of the museum space might influence the existence of the gallery space's climatic conditions, which affect aspects of preservation efforts and the condition of the works of art in it. The architecture of the museum's spatial organization must be able to prevent as much of the impact of the external climate as possible and establish stable indoor circumstances so that climate changes do not occur, undermining efforts to preserve pieces of art. It was discovered that the optimum design of the implementation of the interstitial space or airlock can be a solution to the preservation effort problem, and has been shown to be capable of producing climatic conditions in interior spaces or structures that tend to fall and are in a constant or stable state. The overall implementation of the inter-room design can reduce the presence of airflow by 99.54% and the temperature by 2.04 'C, decrease airflow and temperature from the outer enclosure to the airlock lobby by -83.67% and -4.62%, internal airlock space by -98.26% and -5.25%, and museum space by -99.54% and -5.79% Keywords: Preservation, works of art, humidity, temperature, airflow, spatial, arrangement, constant
PENGARUH WARNA MERAH DAN TEKSTUR TERHADAP PERSEPSI TERMAL SECARA ADAPTIF Angeline Hardiyani, Vania; Enggar Sari , Wulani
Jurnal Riset Arsitektur Vol 9 No 02 (2025): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v9i02.9204.133-151

Abstract

Abstract - Buildings are designed to accommodate activities and protect users from the surrounding environment climate. Thermal comfort is adaptively influenced by physical conditions and human thermal perception. Adaptivity is defined as the capacity or ability of the building to maintain its comfort by responding to changes. Adaptivity is not only seen from the physical conditions alone, but also from the thermal perception associated with human physiology and psychology. Thermal perception can be explored through changes in color and texture accordingly. The purpose of this research is to find out the most effective red color and material texture for the design of learning spaces, so that it can be applied to other architectural designs. The research used an experimental method with a quantitative approach through a Virtual Reality test model. The test model is in the form of a Parahyangan Catholic University Architecture studio room that is adaptively developed in the fields of walls, floors, and ceilings based on color and texture theory. Data collection of thermal perception in the form of thermal judgment and thermal sensation is done using a questionnaire validated by a sweat content test kit. The data were then processed using the ANOVA statistical method to determine the correlation relationship that occurs based on the theory of thermal perception. This study shows that thermal perception is formed by thermal sensation and thermal judgment. Both have a strong relationship with an inverse linear direction. Virtual Reality simulation with a red color model supported by wood texture is stated to have the most influence on the thermal perception of respondents. Keywords: thermal perception, penliatai, thermal judgment, studio space

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