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Program Studi Pendidikan Musik, Fakultas Bahasa dan Seni, Universitas Negeri Medan Jl.Willem Iskandar Ps. V, Medan Estate.
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Gondang: Jurnal Seni dan Budaya
Published by Universitas Negeri Medan
ISSN : 25990594     EISSN : 25990543     DOI : https://doi.org/10.24114/gondang.v8i1
Core Subject : Humanities, Art,
Arts Humanities
Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 215 Documents
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Revitalisasi Kebudayaan Melalui Pertunjukan Sawat Untuk Membangun Moderasi Beragama Iga Ayu Intan Candra
Gondang: Jurnal Seni dan Budaya Vol 6, No 1 (2022): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i1.33322

Abstract

Revitalisasi kebudayaan sebagai upaya menghidupkan kembali budaya yang telah punah atau mengembangkan budaya lokal untuk menemukan potensi serta melestarikan keberadaannya di Maluku dilakukan melalui pelatihan dan pertunjukan Sawat sebagai local wisdom. Penelitian ini mengkaji beberapa aspek-aspek seni yaitu proses revitalisasi  Sawat mahasiswa IAIN Ambon sebagai wujud revitalisasi budaya dan fungsi pertunjukan Sawat dalam membangun nilai moderasi  beragama di IAIN Ambon. Penelitian ini merupakan penelitian deskriptif kualitatif yang mendeskripsikan hasil observasi pada pertunjukan Sawat yang dilakukan mahasiswa IAIN Ambon berdasarkan unsur-unsur seni didalamnya dan nilai yang terbangun sebagai upaya revitalisasi budaya. Pengumpulan data penelitian menggunakan teknik observasi partisipasi. Peneliti melakukan pengamatan terhadap proses latihan dan proses pertunjukan yang dipersiapkan mahasiswa IAIN Ambon dan berpartisipasi dalam proses sampai dengan terjadinya pertunjukan. Pertunjukan Sawat dalam proses revitalisasi kebudayaan terbukti mampu membangun moderasi beragama melalui fungsinya sebagai seni pertunjukan yaitu pembawa atau penyampai  nilai moderasi beragama melalui proses interaksi sosial. Konsep kelembutan dan kerjasama dalam seni diharapkan menjauhkan mahasiswa dari pemikiran ekstrimisme yang saling membeda-bedakan. Sikap moderat dalam Islam berupa toleransi terhadap perbedaan dan keterbukaan menerima keberagaman dapat tumbuh jika individu dapat menerima sesamanya melalui proses sosial.
Application of Four-Hands Piano Virtual Learning Videos for Learning to Read Basic Level Block Notation Nadine Rizkita; Yudi Sukmayadi
Gondang: Jurnal Seni dan Budaya Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i2.37464

Abstract

Learning media can be said as a tool in the learning process, with everything that can be used to stimulate the thoughts, feelings, attention and abilities or skills of students so that it can encourage the learning process. The material presented must be systematically and psychologically designed in order to prepare effective instruction. This article discusses learning to read piano instrument block notes using a virtual four-handed piano learning video that can be easily accessed and studied individually. However, the success of the four-handed virtual piano learning video in learning piano block notation has various aspects that must be considered so that the music-making features available in the video can be used effectively. This article aims to discuss the level of student satisfaction in the use of four hands virtual piano learning videos, identify obstacles in learning, provide feedback and important information for learning improvement. This research uses descriptive analysis method. Involving three course students who already understand reading block notation, in the Borg and Gall method, this product testing is in stage 1, where the subjects involved are still in small scope. The results of this test show some of the advantages and disadvantages of learning videos, both in terms of audio, visual, material, material delivery techniques, to the level of students' understanding of the material.
Eksistensi Tari Rentak Kudo Sebagai Pertahanan Budaya Masyarakat Desa Tanjung Kerinci Novita Hidayani; Pramutomo Pramutomo
Gondang: Jurnal Seni dan Budaya Vol 6, No 1 (2022): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i1.34233

Abstract

Penelitian ini bertujuan untuk mengungkapkan fenomena terkait keberadaan Tari Rentak Kudo sebagai identitas serta warisan budaya tradisional. Sikap, pola pikir serta karakteristik masyarakat Kerinci sebagai cerminan dari corak kehidupan sosial budayanya. Kehadiran Tari Rentak Kudo di setiap acara pernikahan memberikan peranan penting bagi masyarakat, adanya kebanggaan tersendiri jika tari tersebut hadir. Dengan bentuk tari yang sederhana dan spontanitas, sehingga menjadi daya tarik bagi masyarakat setempat maupun rantauan untuk mempertahankan dan pengembangkan budayanya. Penelitian ini menggunakan penerapan etnografi, pendekatan ini untuk menjelaskan tentang kehidupan sosial budaya sebagai penyatuan antara kesenian dengan kehidupan sosial yang tidak bisa dipisahkan oleh kehidupan masyarakat pendukungnya. Maka hasil dalam penelitian ini di lakukan karena melihat fenomena sosial terhadap perkembangan Tari Rentak Kudo di acara pernikahan yang masih eksis. Maka adapun faktor yang mempengaruhi kelangsungan hidup tari berupa guna, fungsi, strategi serta upaya yang dilakukan masyarakat dan pemerintah menjadi Tari Rentak Kudo sebagai warisan budaya. 
Preservation Of Art Culture As A Form Of Enhancing The Identity Of The Cireundeu Community As A Sunda Indigenous Ethnic Group Michellina Agatha; Aldian Ramadhan; Annida Thian; Anissa Lestari Kadiyono
Gondang: Jurnal Seni dan Budaya Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i2.33051

Abstract

Sundanese culture is a national heritage that must be preserved as an ethnic group feature in Indonesia. However, as time goes on, a growing number of young people are losing their knowledge of the history, culture, and traditions that constitute the foundation of Indonesian identity. The target of this research is the Sundanese people in Cimahi City, West Java. This research intends to raise the awareness of the people in the Cireundeu Community about the preservation of Sundanese art which has the potential to become a richness of tranditions as identity, characteristics, revenue sources and economic productivity, and others. The undertaking consisted of observing the Angklung Buncis and Karinding art activities. In its implementation, this study obtained data from the community and also art figures from West Java. The research was carried out by employing a qualitative method with triangulation techniques. The primary data was obtained from experts in the field of art, while secondary data was acquired from literature reviews. The findings of this study aim to conserve Sundanese arts, particularly angklung buncis and karinding, which have a significant and valuable impacts on the society. The people of Cireundeu can demonstrate that the preservation of traditional arts in the face of modernization has its own beauty and provides economic prosperity, as well as fosters a greater sense of cultural pride in society.
Violin Teaching in Sanggar Merah Putih: Case Study of Budi Yuntono's Teaching Style Hery Budiawan; Nurul Ulfa Aulia
Gondang: Jurnal Seni dan Budaya Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i2.35692

Abstract

The purpose of this study is to find out how the teaching style used by Sanggar Merah Putih. The uniqueness of this sanggar is that it uses traditional teaching on musical instruments originating from the western, namely the violin. The research method used is a qualitative research method with a case study approach. The data search method for this study, researchers made observations, literature studies, documentation, and also interviews to several speakers including sanggar teachers and students at Sanggar Merah Putih which were carried out offline and also online. The results obtained in this study, Sanggar Merah Putih applied several methods, namely oral methods, demonstrations, and imitations in its teaching. sanggar also applies the technique of memorizing the notation of songs instead of reading the notation. Teachers use number notation and also solmization in their teaching, instead of using block note scores as in the teaching of violin instruments in general. With teaching techniques and methods like this, it is able to make children faster to master their musical instruments. Sanggar Merah Putih plays many songs from various genres, ranging from traditional songs, Country, Irish, Pop, and others.
Local Waste Management as an Effort Increasing the Productivity of Fine Art Works Osberth Sinaga; Azmi Azmi; Dionisius Sihombing
Gondang: Jurnal Seni dan Budaya Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i2.40911

Abstract

This research wants to examine how the management of the creation of works of art made from organic waste (wood and marine biota) in Jaring Halus Village, North Sumatra. The method used in this study was the method of creation with an experimental model by utilizing waste as a model for creating works of art. The research was conducted in Jaring Halus Village, Langkat, North Sumatra. The stages in this research begin with identifying internal and external potentials. The internal potential is the location and organic waste such as waste wood and marine biota and the like. Furthermore, the external potential was the community's ability to explore the aesthetic power of waste to become an expression of works of art; in this case, presentations and design workshops are held through design simulations and references. The next step was selecting the quality of the waste wood, which includes elements of shape, structure, texture, and size. Based on the results of the research conducted, it can be concluded that some of the research findings are as follows: 1) the steps taken include: Planning, Mapping of waste locations, Mapping types of waste in categories, Understanding design as a material for creating works of art, Process of assembling forms works of art, the process of refining, the Process of presenting works of art. 2). In managing the creation of works of art by utilizing organic waste (wood and marine biota), we have produced several new prototypes of works of art made from organic waste. 3) Using creative methods based on adaptive and connotative patterns greatly encourages the creation of more significant and productive works of art.
Moral Message Of Nature's Sustainability: Semiotic Analysis Of Alam Menyapa On Audio-Visual Music Composition Junita Batubara; Emmi Simangunsong; Kamaluddin Sigalingging; Ance Juliet Panggabean
Gondang: Jurnal Seni dan Budaya Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i2.41405

Abstract

Alam Menyapa is a musical composition which is a blend of Western and traditional music from various countries. The idea for Alam Menyapa came from the composition Song of the Birds, which was once used as therapeutic music for drug-affected patients, at the Mutiara Abadi Foundation in Binjai City. One of the uniqueness of Alam Menyapa is the adoption of natural sounds, such as the sounds of various birds, the sound of river water, the sound of wind blowing, and other animal sounds, which are then digitally combined with various musical instruments. The method used is descriptive qualitative, collecting data with literature, observation, interviews and documentation. The data analysis technique used is interactive analysis from Milles and Hubermann. The results of this study indicate that Alam Menyapa has a simple musical concept which includes: 1) The musical instruments used are a blend of Western and traditional music through digital music, 2) Musical elements; playing rhythmic patterns that complement each other, simple melodies with simple dynamic signs 3) Forms of presentation through recordings of natural sounds included in digital music and audio-visual. 4) The symbolic meaning of balanced natural life, 5) The aesthetic expression of harmony and simple chords, and 6) The educational value contained is that the sounds of nature can be applied to digital music with simple melodies and harmonies. The theory of meaning or symbols used by the author in conducting research is the theory of Roland Barthes. The result of the research is an analysis of Indonesian music composition with the aim that more and more works by Indonesian composers will be introduced to the world through analysis.
Study Of Music Performance The Orches Group Pancaran Senja Melayu Village Batu Besar Nongsa Batam Rivaldi Ihsan
Gondang: Jurnal Seni dan Budaya Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i2.39435

Abstract

The study of musical performances in this study focuses on the musical performance itself. Where music performance events are present through two important roles, namely musicians and audiences who are the center when the music performance takes place. The success of a musical performance is through a procession of intense rehearsals, ongoing performances, and evaluations after musical performances. This study is a qualitative analytic description of the Pancaran Senja Malay Orchestra music group at Kampung Melayu Batu Besar Nongsa Batam. The research methods are field observations, interviews, literature studies, and participant observers. The results of the research are; that the success of the Pancaran Senja Malay Orchestra music performance until now has gone through the stages of the rehearsal process, show flight hours, and performance evaluation for the progress of the Pancaran Senja Malay Orchestra. This procession was born through discussion and agreement among fellow musicians, so that the continuity and survival of the Pancaran Senja Malay Orchestra music group was established.
The Development Of Makyong Acting Training Method For Environment Of Traditional Theater Courses Ilham Rifandi
Gondang: Jurnal Seni dan Budaya Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i2.38003

Abstract

This study aims to develop a Makyong acting training method based on the Malay tradition for enrichment in the North Sumatra Traditional Theater course at the UNIMED Performing Arts Study Program. In particular, this study aims to: (1) be able to interpret Malay advice as spiritual values; (2) identifying Malay dance techniques to prepare for body movements; (3) Identifying the Malay pantun tradition as the improvisational power of makyong actors. This study was designed with a research and development approach. This research was followed up by developing methods and applying methods in training and performances. In analyzing the data the author uses qualitative analysis techniques. As a reference in preparing the training model, the author uses the folklore approach, actor dramaturgical theory from Eugenio Barba and Asrul Sani's postcolonial acting approach as a reference in developing acting training methods.
Culture Ministry Meeting G20 Cultural Carnival as an Introduction to the Value of Borobudur Temple Relief Rio Fernandez Tamba
Gondang: Jurnal Seni dan Budaya Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i2.40186

Abstract

The implementation of the Cultural Carnival at the 2022 G20 Culture Ministers Meeting Series was carried out by taking values from the Jataka of the Borobudur Temple. Not from the implementation of the Cultural Carnival using 20 Jataka reliefs by combining dances, costumes, props, and ogoh-ogoh to be performed. Jataka reliefs is a medium to introduce and instill the value of Jataka reliefs in everyday life. This study uses an approach of processing research data in a descriptive way to explain how to instill the value of the temple's jataka reliefs in implementing the G20 Cultural Carnival. Implementing the CMM G20 Cultural Carnival can be carried out well by presenting performances from 20 villages in Borobudur District using performances in the Cultural Carnival. The results of this study explain the planting of values from the Jataka Reliefs of Borobudur Temple in implementing the production of the Cultural Carnival. This activity gains a positive perspective from character by developing the abilities of local communities and increasing creativity so that it becomes a new type of art that instills value from the Jataka reliefs of Borobudur Temple. The values depicted from each of the fable reliefs of Borobudur Temple are expected to become cultural icons of the community in welcoming tourists visiting Borobudur Temple, Central Java, Indonesia.

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