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Gondang: Jurnal Seni dan Budaya

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Published by Universitas Negeri Medan

ISSN : 25990594 EISSN : 25990543 DOI : https://doi.org/10.24114/gondang.v8i1

Core Subject : Humanities, Art,

Arts Humanities

Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.

Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)

Articles 215 Documents

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Representasi Tokoh Pewayangan Purwa Pandawa Gagrag Surakarta Penina Inten Maharani; Birmanti Setia Utami; Jasson Prestiliano
Gondang: Jurnal Seni dan Budaya Vol 3, No 2 (2019): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2019
Publisher : Universitas Negeri Medan

The trend of initiating art design carrying wayang as the theme, is an attempt initiated by young generation that is worth-appreciated. However, the process of at design-making itself mostly does not genuinely pay attention to the essentials that each wayang figure has. Omitting or replacing one of the elements of Wayang Purwa could possibly change the values of wayang itself. This study is conducted to arrange a representative figure of Wayang Purwa, which is, Pandawa gagrak Surakarta as the principle of the design making without excluding the meanings and identities of the character. The method used in this study is qualitative, obtained from various references, such as; books, articles, and journals related to the Pandawa gagrak Surakarta figure, and interview with Bambang Suwarno, as a puppeteer as well as a leather wayang crafter. The result of this research is a reference of the Pandawa Lima and Gatotkaca figures design, as mostly used in various media.

Tari Troen U Laôt: Identitas Masyarakat Pesisir Pidie Provinsi Aceh Yusri Yusuf; Yanti Heriyawati; Magfhirah Murni Bintang; Saniman Andi Kafri
Gondang: Jurnal Seni dan Budaya Vol 5, No 1 (2021): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2021
Publisher : Universitas Negeri Medan

Tarian Troen U Laôt merupakan cerminan masyarakat Pesisir Pidie Aceh dalam pola hidup dan perilaku masyarakatnya, yang dominan bermata pencaharian sebagai nelayan. Tari ini diadopsi dari prosesi menangkap ikan di laut dengan cara menjaring, yang dilakukan bersama-sama, menjadi pola-pola gerak yang tersusun diringi syair, sholawat, dan zikir. Masyarakat Pesisir Pidie menjadikan tarian ini bagian dari kehidupan mereka, yang terlihat pada aktivitas nelayan terlihat dalam struktur penyajian berkaitan dengan susunan, bentuk, pengolahan elemen tari, pengolahan gerak, ruang, waktu, dan isi.berisi pesan Dari penyajian Tari Troen U Laôt.Penelitian ini bersifat deskriftif kualitatif dengan menggunakan pendekatan etnokoreologi, dengan menggunakan pendekatan dari ilmu lain dalam melihat aspek- penyajian tari yang berkaitan dengan kehidupan masyarakat nelayan, sehingga menjadi ciri dari masyarakatnya. Dalampenelitian ini digunakan teori bentuk oleh Soedarsono, estetika Djenlantik sebagai analisis dalam melihat bentuk penyajian tari berkaitan dengan filosofi keindahan tari bedasar latar belakang masyarakatnya, dan pendekatan sejarah, melihat keberadaan tari Troen U Laôt. Tujuan penelitian ini adalah untuk mengetahui tentang tari Trouen U laot Sebagai iedntitas masyarakat Aceh khususnya masyrakat pidie. Hasil penelitian menjelaskan, beberapa hal tersebut tergambar dari kebiasan masyarakat saat melakukan aktivitas dilaut, gotong royong, diiringi oleh tiga orang pemusik dengan menggunakan alat musik rapai, serune kale, dan geundrang. Tarian ini dibentuk dari bagian, yaitu: (1) Babakan Mukayoeh (2) Babakan Mulinggang; (3) Babakan Mukayoeh, (4) Pouget Pukat (5) Babakan Tarek Pukat.

Kajian Bentuk dan Makna Lagu “Aut Boi Nian” pada Film Toba Dreams Irma Pratiwi Samosir; Pulumun Ginting; Wiflihani Wiflihani
Gondang: Jurnal Seni dan Budaya Vol 3, No 2 (2019): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2019
Publisher : Universitas Negeri Medan

The purpose of this research is to know the form of Aut Boi Nian songs, to know the meaning contained in the lyrics of Aut Boi Nian songs, to know the relevance of Aut Boi Nian songs with Toba Dreams movie scenes. The theory used in this research is the theory of study that explains the definition of the study or describes a detailed. Theory of music is a cultural activity that is very familiar with human life. Theory of form is a complete scheme or arrangement of several phrases, the theory of meaning that uses the theory of semiotics. The method in this research is descriptive qualitative method where the data is examined through data collection in the form of beam notation, scientific papers, expert opinions, and electronics (Video) whose material is based on the topic of this research. This study choose the location at the Music Laboratory, Building A 2nd Floor of the Faculty of Languages and Arts State University of Medan. In this study the authors did not use the population but directly took samples of the song lyrics Aut Boi Nian and Toba Dreams movie pieces. Based on the results of research conducted it can be seen that the form of the song from Aut Boi Nian is a two-part song form that is A-A '-B-B’. Form A consists of the question phrase and answer phrase, the form A 'consists of the question phrase and answer phrase. Form B consists of the question phrase and answer phrase, the form B 'consists of the question phrase and answer phrase. The meaning contained in the Aut Boi Nian songs is telling of a love story that is too love a woman who ultimately choose another man because of economic factors. The relevance of Aut Boi Nian songs with Toba Dreams movie scenes is not too related to all the scenes in the movie but only in some scenes only.

Pembelajaran Tari Topeng Mochi Melalui Metode Mind Mapping Untuk Meningkatkan Pemahaman Budaya Riana Rosa Prastika; Juju Masunah; Tati Narawati
Gondang: Jurnal Seni dan Budaya Vol 5, No 1 (2021): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2021
Publisher : Universitas Negeri Medan

This study aims to improve the ability to understand culture through the Mochi Mask dance. The research method used experimental. The research sample of students of the Sagara dance studio, Sukabumi city. Data collection techniques using a questionnaire. Data analysis techniques using nonparametric statistics. Mochi mask is a type of dance that develops in the city of Sukabumi. This dance is inspired by the culinary culture of the city of Sukabumi, namely Mochi. Sanggar Sagara is one that provides material for Mochi Mask dance using the Mind Mapping method. This method is a treatment to improve the ability to understand culture. The results showed an increase in the ability to understand culture. This is indicated by the average pretest results of 66.00. and the post test results of 87.50. Based on the research results, it can be concluded that the mind mapping method can improve the ability to understand culture. It is suggested that other studios can use the mind mapping method to improve their ability to understand culture.

Kelas Gitar Akustik Berbasis Pembelajaran Kooperatif Riyan Hidayatullah; Prisma Tejapermana
Gondang: Jurnal Seni dan Budaya Vol 4, No 2 (2020): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2020
Publisher : Universitas Negeri Medan

This article examines learning acoustic guitar in formal schools employing cooperative learning design. The problem is focused on students’ perceptions of the difficulty of interpreting theory, teacher mastery of music theory, and the learning methods used. This study aims to describe the cooperative learning method implemented in acoustic guitar classes at schools (N = 30). Data were collected through observation, interviews, and documentation to be analyzed qualitatively using an interactive model (Miles et al., 2014). The guitar learning process is carried out in groups by breaking the home group and the expert group. Music material in group interaction is in the form of theory and practice. Based on observations of students’ musical abilities, there is an increase in knowledge of music theory and practice in guitar classes. Students receive the highest score on the aspects of sound accuracy, chord progression to the song, and the time expended learning the song. This study concludes that learning acoustic guitar applying cooperative learning methods is effective in enhancing students’ musical understanding through appreciation and creation. Appreciative attitude turns out as a manifestation of a positive response affective.

Aransemen Vokal Sebagai Identitas O.K Congrock 17 di Semarang Fauziah Zahrotul; Abdul Rachman
Gondang: Jurnal Seni dan Budaya Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020
Publisher : Universitas Negeri Medan

O. K Congrock 17 merupakan Orkes Kroncong kreatif di Semarang yang memberikan sajian yang berbeda dari grup musik keroncong lainnya. O. K Congrock 17 menginovasi musik keroncong salah satunya dengan membuat aransemen vokal pada setiap penampilannya. Penelitian ini bertujuan untuk mengetahui bagaimanakan aransemen vokal yang menjadi identitas O. K Congrock 17 sebagai sebuah orkes keroncong kreatif di kota Semarang. Penelitian ini menggunakan metode deskriptif kualitatif dengan pengumpulan data melalui observasi, wawancara, dokumentasi dan studi pustaka. Hasil penelitian menunjukan bahwa Congrock 17 adalah grup musik keroncong yang memiliki identitas sebagai grup musik keroncong yang menampilkan format musik yang menarik karena disertai dengan aransemen vokal yang dinyanyikan dalam bentuk vokal grup. Aransemen vokalnya berupa (1) Pembagian suara menjadi tiga suara atau triad, (2) Teknik Cannon, dan (3) Penambahan lirik. Dari temuan tersebut dapat disimpulkan bahwa aransemen vokal menjadi identitas O. K Congrock 17 untuk mereduksi anggapan mengenai kesan musik keroncong yang tidak kekinian dan tidak cocok bagi kalangan remaja khususnya di Semarang.

Penerapan Model Treffinger Berbasis Lingkungan dalam Pembelajaran Seni Tari untuk Meningkatkan Karakter Kreatif Siswa Vitria Mega Utami; Trianti Nugraheni
Gondang: Jurnal Seni dan Budaya Vol 3, No 2 (2019): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2019
Publisher : Universitas Negeri Medan

The purpose of this research was to develop the students' creative characters in fluency, flexibility, originality, elaboration and redefinition through dance learning using Treffinger-surrounding based- method. The subject of the research was students of XI social 4 of SMAN 8 CRB. In the process, the surrounding was used as the stimulus of the dance creation as the real product that shown the character development of students' creativity. The learning method that was being implemented in four meetings was based on the steps of Treffinger method that is basic tool, practice woth process, and working with real problem.the method that was used in this research was exprimental research with the paradigm of quantitative. The result of this research proved that there was the increase of students' score by comparing the pre-test and post-test results. The average of pretest was 64 and after the treatment the posttest result was 82. Beside that, the value of t-account for every indicators on creative characters was bigger than t-table. Thus the hypothesis of this research that the treffinger-surrounding based method could increase the students' creative characters, can be accepted.

Kajian Proporsi Wajah Wayang Potehi Perempuan di Gudo, Jombang dengan Proporsi Rasio Emas Hasprita Restiamangastuti Boru Mangunsong; Djuli Djatiprambudi
Gondang: Jurnal Seni dan Budaya Vol 5, No 1 (2021): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2021
Publisher : Universitas Negeri Medan

Since long time ago, people of the archipelago have interacted with various foreign nations and it led to the integration of local cultures and migrant cultures and resulting some new cultures. One of them is Potehi Puppet, a puppetry originated from China then developed in Java. The purpose of this study is to find out and describe a face proportion of female character of Potehi Puppet in Gudo, Jombang. The method that used is quantitative research by measuring some female characters of Potehi Puppet using Golden Proportion theory and calculate the mean of the measuring result also interview to the chairman, Toni and puppeteer of Hok Ho An (Potehi group in Gudo), Sonny and direct observation. Golden Proportion theory is not used to judge but used as tool to find out the mean of face proportion measuring. The result showed that there is an acculturation between Chinese and Javanese culture in visual, language, story, character and their characteristics and the artists behind Potehi Puppet. Potehi Puppet characters are distinguished majority by symbols on their clothes and accessories especially female characters. Some characteristics of female Potehi Puppet that Toni’s engravers made which quite different with female Potehi Puppet that made in China. It shows that artists background (Javanese) influences their Potehi Puppet work.

Minat Siswa Sekolah Menengah Atas dalam Mengikuti Jong Batak Art Festival IV di Taman Budaya Sumatera Utara Erfinaika Siringoringo; Uyuni Widiastuti; Lamhot Basani Sihombing
Gondang: Jurnal Seni dan Budaya Vol 3, No 1 (2019): Gondang: Jurnal Seni dan Budaya, Juni 2019
Publisher : Universitas Negeri Medan

This study aims to determine the interest of YP high school students. HKBP Sidorame in following Jong Batak Art Festival IV in the North Sumatra Cultural Park and the factors that influenced the interest of YP High School students. HKBP Sidorame in following Jong Batak Art Festival IV in North Sumatra Cultural Park. The theory used in this study is the theory of interest, kinds of interests, influencing factors, jong batak which explains the feeling of being more like and feeling interested in something or activity, without being told. Basically, interest is the acceptance of a relationship between yourself and something outside of yourself, the stronger or nearer the relationship, the greater the interest. The method in this study is mixed methods. Data collection is based on library studies, observation, and documentation. The sample in this study were students of class XII IPS 1 totaling 32 people. Based on the results of the research conducted, it can be seen that the use of questionnaires as research instruments shows that students are interested in participating in the Jong Batak Art Festival IV but have not reached the highest level in the assessment category, which is Very Interested.

Kreativitas Tri Broto Wibisono sebagai Seniman Tari Jawa Timur Endang Kumala Ratih; Setyo Yanuartuti
Gondang: Jurnal Seni dan Budaya Vol 4, No 2 (2020): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2020
Publisher : Universitas Negeri Medan

The discussion in this study examines the creativity of Tri Broto Wibisono who is one of the traditional dance artists in East Java. The aim of the research is to explore the process that Tri Broto Wibisono does in making a dance work so that he is able to come up with his own dance style. This study uses a descriptive analysis method that describes the creative process of Tri Broto Wibisono in making a dance work and elaborates with Sigmund Freud's psychoanalytic theory. In this research, Tri Broto Wibisono in his creative process carried out several stages, namely nyantrik (studying local dance artists), deepening the material, interpreting traditions, and new interpretations. The conclusion from the creative process of Tri Broto Wibisono is that in creating a dance, a stimulus from outside and inside is needed which will lead to an idea which is then continued by expressing it into creativity and producing a dance work that gives rise to the Tri Broto Wibisono style.

Page 6 of 22 | Total Record : 215

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Home Page

OAI Link

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Contact Name Panji Suroso

Contact Email panjisuroso@unimed.ac.id

Phone +6285173022012

Journal Mail Official gondang@unimed.ac.id

Editorial Address Program Studi Pendidikan Musik, Fakultas Bahasa dan Seni, Universitas Negeri Medan Jl.Willem Iskandar Ps. V, Medan Estate.

Location Kota medan, Sumatera utara INDONESIA

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Contact Name
Panji Suroso

Contact Email
panjisuroso@unimed.ac.id

Phone
+6285173022012

Journal Mail Official
gondang@unimed.ac.id

Editorial Address
Program Studi Pendidikan Musik, Fakultas Bahasa dan Seni, Universitas Negeri Medan Jl.Willem Iskandar Ps. V, Medan Estate.

Location
Kota medan,

Sumatera utara

INDONESIA