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Gondang: Jurnal Seni dan Budaya
Published by Universitas Negeri Medan
ISSN : 25990594     EISSN : 25990543     DOI : https://doi.org/10.24114/gondang.v8i1
Core Subject : Humanities, Art,
Arts Humanities
Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 215 Documents
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Pengembangan Model Internalisasi Nilai Kesenian Dongkrek Guna Meningkatkan Ketahanan Budaya Siswa SMA Kabupaten Madiun Muhammad Hanif; Yudi Hartono; Anjar Mukti Wibowo
Gondang: Jurnal Seni dan Budaya Vol 3, No 2 (2019): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2019
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1006.979 KB) | DOI: 10.24114/gondang.v3i2.14252

Abstract

Penelitian ini bertujuan untuk menganalisis dan mendeskrisikan nilai-nilai Kesenian Dongkrek dan merumuskan model internalisasinya yang tepat guna meningkatkan ketahanan budaya pada siswa SMA Kabupaten Madiun. Subyek penelitiannya adalah seniman Dongkrek, guru, dan siswa kelas X SMA Kabupaten Madiun. Penelitian ini dilaksanakan tahun 2018-2019 dengan menggunakan metode R&D. Prosedur pengembangan model internalisasi nilai yang digunakan mengadaptasi model pengembangan Gall, Gall, dan Borg. Model yang dikembangkan dianalisis dengan kriteria teoritis (penilaian ahli dan praktisi) dan kriteria secara praktis (hasil pengujian terbatas dan luas). Teknik pengujiannya menggunakan model single one shot case study dan analisis keefektivitasannya menggunakan statistik deskriptif. Hasil penelitian menggambarkan bahwa Kesenian Dongkrek mengandung nilai-nilai keutamaan dan berpotensi sebagai sumber memperkokoh ketahanan nasional dengan Model Nampe. Model Nampe secara teoritis layak digunakan untuk meningkatkan ketahanan budaya. Model ini secara praktis juga menunjukkan hasil positif dan lebih efektif dalam menginternalisasi nilai kesenian Dongkrek dalam meningkatkan ketahanan budaya siswa SMA Kabupaten Madiun.
Penggunaan Media Audiovisual dalam Pengajaran Musik Wiflihani Wiflihani
Gondang: Jurnal Seni dan Budaya Vol 5, No 1 (2021): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2021
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (719.985 KB) | DOI: 10.24114/gondang.v5i1.24421

Abstract

This article aims to explain the use of audiovisual media in learning music. To carry out teaching through audiovisual media, it is necessary to prepare a learning unit, choose the correct audiovisual media and adjust it to a musical instrument or teaching topic, to know the duration of the audiovisual media, which must be adjusted to the lesson hours. To prepare students, they are given a general explanation of the contents of the learning video, then they play back and prepare the equipment for a smooth learning experience. Follow-up: After watching a film or video, the teacher also did examples of playing music, thinking, and asking questions to students to find out how well the students understood the material.
Sinkretisme pada Pertunjukan Seni Gamelan Koromong Kampung Cikubang Rancakalong Kabupaten Sumedang Rony Hidayat Sutisna; Dadang Suganda; Reiza D Dienaputra; Bucky Wibawa Karya Guna
Gondang: Jurnal Seni dan Budaya Vol 3, No 1 (2019): Gondang: Jurnal Seni dan Budaya, Juni 2019
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (49.898 KB) | DOI: 10.24114/gondang.v3i1.12789

Abstract

Tujuan artikel ini mendiskusikan tentang simbol-simbol sinkretisme dalam pertunjukan seni gamelan koromong yang berada di wilayah Kampung Cikubang Kabupaten Sumedang Jawa Barat. Melalui pendekatan desain riset kualitatif dengan metode studi kasus terhadap gejala atau fenomena yang terdapat pada seni gamelan koromong ini, dapat disimpulkan bahwa acara rutin yang dilaksanakan tiap tanggal 14 Maulud pada tahun Islam ini menunjukan adanya perpaduan antara konteks Sunda, Islam, dan Hindu. Konteks Sundanya tercermin dalam gambaran simbol-simbol peribadatan dengan pola-pola tertentu yang menyiratkan kuatnya kepercayaan terhadap sesuatu yang bersifat transendental. Dalam kegiatan yang sama, diyakini pula bahwa penanggalan Islam yang di pakai sekaligus memperingati kelahiran Nabi Muhammad SAW. Hal lainnya yang mewarnai proses sinkretisme dalam upacara ritual ini yaitu pemahaman terhadap animisme dan dinamisme dalam ajaran Hindu seperti mempercayai kekuatan benda dan hubungan dengan nenek moyang (karuhun). 
Eksistensi Karya Seniman Minangkabau Syofyani Yusaf Kemala Dwina Putri; Tati Narawati; Trianti Nugraheni
Gondang: Jurnal Seni dan Budaya Vol 5, No 1 (2021): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2021
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v5i1.19413

Abstract

This study intend to analyze the creations of Syofyani Yusaf dance. Study methods using the phenomenological method. Data collection techniques using questionnaires and interviews. The study subject is Syofyani Yusaf. Data analysis techniques using evaluative descriptive. Syofyani Yusaf is one of the prominent artist from West Sumatera. At present there are around 20 dances created. These dances have been studied through dance studio, formal school, and study programs in art colleges. The results of an analysis of Syofyani’s dance shows; (1)  the dances theme originaly come from the life of the Minang cultures; (2) Preservation of dance creations is carried out through culture exchange programs and culture knowledge. The results of the study can be concluded that dance creations by Sofyani Yusaf are sill performed and studied by the people not only from the Minang tribe but also another tribes. It is recommended that teachers in formal and non-formal schools become agents of culture exchange programs and culture knowledge.
Mitis dan Ontologi sebagai Kekayaan Kajian Seni Tari Hasprina Resmaniar Boru Mangoensong; Setyo Yanuartuti
Gondang: Jurnal Seni dan Budaya Vol 4, No 2 (2020): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1702.956 KB) | DOI: 10.24114/gondang.v4i2.18317

Abstract

Human has their own way to resolve their life problem and to adapt with their environment according to their knowledge and culture. People's culture with mythical paradigm about tales and myths are often used as life guidance that need to be applied. They blend themselves in environment and actualize it in ritual and arts. Society with ontology paradigm consider myths as an entertainment, not to be applied in life. They lean on science to explain anything in life, also in arts. These two paradigms spread in some area, villagers and urban society. This distinction of perception produce an argue over which culture and arts are better. Based on this issue, this article aims to inspire mythical community and ontology to use experience capital, knowledge, thoughts, and their culture as substance to study art, to be specific dance art. Each culture has the same material, the only thing that differentiate is the form which is not realized by the community.Also in arts, whether it involves feel or using scientific techniques can be regarded as the property of arts studies.
Kajian Organologi Alat Musik Saluang Pauh Buatan Zulmasdi di Kota Padang Try Wahyu Purnomo; Sri Mustika Aulia
Gondang: Jurnal Seni dan Budaya Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (868.158 KB) | DOI: 10.24114/gondang.v4i1.17768

Abstract

This paper discusses the materials, manufacturing methods and techniques used in making the Saluang Pauh instrument (Zulmasdi version). This study uses a qualitative approach that is descriptive, where the researcher can explain the process of making Saluang Pauh with the study of organology as a basis for analyzing the object. The results of the research refer to the technical theory of organology which includes measurement instruments, descriptions, depictions with scales or photographs, methods or techniques for making and analyzing the sound produced. The conclusion of this research can be seen that in making Saluang Pauh, Zulmasdi uses traditional techniques (in terms of cutting materials, making, measuring and drying instruments) combined with modern techniques (using digital media such as the tuning of the instrument tone) to produce innovative traditional instruments that in accordance with the development of the supporting community
I Gusti Anglurah Panji Sakti: Sebuah Interpretasi dalam Musik Jazz Ade Surya Firdaus; Hendra Santosa; Ni Wayan Ardini
Gondang: Jurnal Seni dan Budaya Vol 3, No 2 (2019): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2019
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1279.554 KB) | DOI: 10.24114/gondang.v3i2.13843

Abstract

Interpretation of I Gusti Anglurah Panji Sakti is a title of musical composition that interprets or reinterprets the figure of King Panji Sakti who has smart characters, courageous, sympathetic, accommodating, and always close to his subordinates and thick with the Patriotism nature of anti-hegemony, anti-imperialism and anti monopoly in a jazz composition. In the process of its creation, it was motivated by an interest in the figure of Panji Sakti as a King who deserved to be a role model, because of his nationalist and patriotic character which according to the composer was very good in build character of the nation, evident from his living history in speech stories and folklore, through this work the composer also hopes to contribute in reviving the Panji Sakti figure to theother people. This article aims to provide an overview of the process of transforming the figure of King Panji Sakti into jazz music. The process of transformation into jazz music is done by the method of creation from exploration which begins with the study of literature on the history of Panji Sakti and research.in the improvisation step, the composer imagine to find suitable motives to implementing the figure of Panji Sakti and design it so that it becomes the main melodies in this work, then rests on Pono Banoe's opinion about the elements of music namely melody, rhythm and harmony the creator explored the main melody with chords and rhythm which was deemed suitable for this work so that it became a complete musical composition, after which this work was copied into musical notes, and the result is music compositions with a tempo of 100 and beats 4/4, 5 / 4, and 7/4 with key centers G / 1 # (one sharp) and song forms AI, AII, B, and AIII, at the forming step the composer determines the instrument, and chooses supporting musicians who will help in the process of this music.
Fenomena Sawah sebagai Dasar Penciptaan Karya Tari Pamatang Yan Stevenson; Wardi Metro
Gondang: Jurnal Seni dan Budaya Vol 5, No 1 (2021): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2021
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (976.102 KB) | DOI: 10.24114/gondang.v5i1.21098

Abstract

Pamatang diartikan juga bagaimana kehati-hatian dalam berjalan di sawah baik yang searah ataupun yang berlawanan arah. Konsep Karya Tari pada ide dasarnya, dikemukanakan dalam pamatang adalah bagaimana kita menjadikan batasan pengarapan yang akan dicapai dan kehati-hatian dalam menjalankan kehidupan. Pemikiran dalam berkarya yang berangkat dalam artian pamatang merupakan suatu hal yang harus dijalankan dengan baik, kehati-hatian dalam menjalankan pola hidup di tengah masyarakat, jika kita tidak berhati-hati dalam berjalan dipematang maka kita akan tergelincir dan masuk kedalam sawah. Perkembangan dalam menentukan ide garap karya tari pamatang berdasarkan dari filosofis pamatang itu sendiri, sebuah batasan wilayah yang akan ditanam dan kehati-hatian dalam berjalan dipematang. Pemikiran ide kreatif dalam melahirkan bentuk karya seni tentu akan berbeda-beda pada setiap orang yang akan menafsirkannya. Pengkarya disini menampilkan dengan dua orang penari untuk menampilkan karya tari pamatang, dua orang penari menyimbolkan dua laras kepemimpinan di Minangkabau yaitu Bodi Chaniago dan Koto Piliang yang keduanya memilki aturan tertentu dalam menjalankan tata pemerintahannya. Artinya kepimpinan dalam karya pamatang ini kehati-hatian dalam bertindak dan mengambil keputusan yang tepat, karena berdampak kepada kaumnya.
Tinjauan Visual Promosi Pariwisata untuk Pengembangan Budaya Betawi di Jakarta Ariani Kusumo Wardhani; Edi Chandra; Muhammad rafi Agustina
Gondang: Jurnal Seni dan Budaya Vol 4, No 2 (2020): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1033.728 KB) | DOI: 10.24114/gondang.v4i2.19751

Abstract

The purpose of this study is to analyze the Betawi Culture promotional media that has been carried out by the DKI Jakarta Provincial Tourism and Culture Office and to find out the visualization needed for the development of Betawi Culture promotion in the future. A review of the existing Betawi Culture promotional media was carried out to analyze tourism promotion media through a visual review that has been carried out by the DKI Jakarta Provincial Tourism and Culture Office in developing Betawi culture for tourism promotion. The problem is focused on the Betawi tribe, which is the original ethnic group of the people of Jakarta. In order to approach this problem, a visual theory reference is used to analyze the promotional media that has been carried out by the Ministry of Tourism and Culture of DKI Jakarta. The data were collected by conducting a survey of respondents and interviews. Furthermore, descriptive qualitative analysis was carried out using visual media theory. Based on the results of the research, it shows that the Jakarta City Government Tourism and Culture Office has carried out tourism promotion activities by conducting promotions in print and digital media
Cingciripit: Permainan Anak-Anak Sunda dalam Pembelajaran Tari Ria Sabaria
Gondang: Jurnal Seni dan Budaya Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (370.444 KB) | DOI: 10.24114/gondang.v4i1.18039

Abstract

One type of traditional children’s games originating from West Java is the Cingciripit Kaulinan. It is a children’s game that has many benefits for cognitive and gross motor development. This study aims to make observations objectively that reveal various findings from several existing data and describe them systematically. Facts and characteristics of objects and subjects, in this case, the children’s game examined in the field, are analyzed and described appropriately into one form of description in a written report. The study was conducted at Padasuka State Elementary School in Bandung, West Java. This study was conducted in August-October 2019. It employed a theoretical and methodological approach. Understanding phenomenology seeks to open hermeneutic meanings starting from Lingua (language) to philosophical interpretations of the work. This study implemented a descriptive research method with a qualitative approach. The results of the study found that there are meanings and values of Cingciripit on the meaning of the song, the meaning of the motion, and the value in the game. The dance elements in Cingciripit include motion, space, and time.

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