cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Panji Suroso
Contact Email
panjisuroso@unimed.ac.id
Phone
+6285173022012
Journal Mail Official
gondang@unimed.ac.id
Editorial Address
Program Studi Pendidikan Musik, Fakultas Bahasa dan Seni, Universitas Negeri Medan Jl.Willem Iskandar Ps. V, Medan Estate.
Location
Kota medan,
Sumatera utara
INDONESIA
Gondang: Jurnal Seni dan Budaya
Published by Universitas Negeri Medan
ISSN : 25990594     EISSN : 25990543     DOI : https://doi.org/10.24114/gondang.v8i1
Core Subject : Humanities, Art,
Arts Humanities
Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 215 Documents
 2   3   4   5   6 
Eksistensi Pertunjukan Musik Burdah Hary Murcahyanto; Yuspianal Imtihan; Mohzana Mohzana; Muhammad Kadafi
Gondang: Jurnal Seni dan Budaya Vol 5, No 1 (2021): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2021
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (469.176 KB) | DOI: 10.24114/gondang.v5i1.23135

Abstract

This paper is based on the results of research aimed at describing the existence and development of Burdah music performances in Lombok Timur The type of research used descriptive qualitatively using methods with the object of study is the Burdah music. The location of this research is in Rempung Village, Pringgasela District, Lombok Timur Regency. The target of the study in this study is the existence of Burdah music performances. Data is collected through observation data collection techniques, interviews and documentation. Data analysis techniques are performed with data reduction steps, data presentation and data verification. The results of this study showed that the factors that support the existence of Burdah music consists of good management, has a complete organizational structure with managerial system, solid in achieving the goal of using an educational system, has a characteristic that maintains a sense of solidarity between members and management and has a lot of performance experience both formal and non-formal. The conclusion of this paper is that the existence of Burdah music is strongly influenced by management factors, solidarity, characteristics and performance experience.
Rebu dalam Sistem Kekerabatan Etnis Batak Karo di Desa Lingga Kecamatan Simpang Empat Kabupaten Karo Jepri Andi Sinuraya; Waston Malau
Gondang: Jurnal Seni dan Budaya Vol 3, No 1 (2019): Gondang: Jurnal Seni dan Budaya, Juni 2019
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (939.737 KB) | DOI: 10.24114/gondang.v3i1.13018

Abstract

Penelitian ini bertujuan untuk mengetahui pemahaman masyarakat etnis Karo terhadap adat rebu, bentuk hubungan sungkan (Avoidance Relationship) dan penyebab lunturnya adat istiadat rebu pada masyarakat etnis Karo di Desa Lingga. Penelitian ini dilakukan dengan pendekatan kualitatif. Data diperoleh penulis melalui studi pustaka, wawancara dan dokumentasi. Jumlah sampel dalam penelitian ini adalah sebanyak 9 orang yang terdiri dari Kepala Desa Lingga, Sekretaris Desa, pemuka Agama, pemuda, budayawan dan warga desa Lingga. Berdasarkan data yang telah diperoleh oleh penulis, disimpulkan bahwa hampir seluruh masyarakat yang tinggal di Desa Lingga memahami adat rebu dan sebagian besar masyarakat masih menjalankan adat rebu tersebut. Bentuk hubungan sungkan (avoidance relationship) atau yang pada adat suku Karo disebut rebu merupakan bentuk aturan bersikap atau berprilaku antara mertua dan menantu dan sebaliknya (kela – mami dan mama – permain), antara hubungan ­yang berbeda jenis kelamin namun tidak kandung (turangku). Penyebab lunturnya nilai-nilai adat pantang (rebu) dalam lingkup kekerabatan pada masyarakat desa Lingga disebabkan oleh perubahan dan tuntutan zaman yang memaksa masyarakat yang terlibat dalam sistem kekerabatan Karo untuk lebih menekankan nilai kemanusiaan dari pada nilai adat istiadat maupun Agama. 
Peningkatan Apresiasi Tari Nusantara Melalui Model Blended Learning di Sekolah Menengah Pertama Rusnia Yanti; Juju Masunah
Gondang: Jurnal Seni dan Budaya Vol 5, No 1 (2021): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2021
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (545.144 KB) | DOI: 10.24114/gondang.v5i1.19323

Abstract

This research is aimed to improve knowledge, attitude, skill and appreciation of Nusantara Dances. It is conducted by Action Research method which is developed by Kemmis & McTaggart. The data were collected by questionnaire and analysed by Mix method which is developed by Creswell. The sample of this research is the 8th grade students of Public Junior High School 2 Kotabaru. Knowledge, attitude and skill of appreciation of Nusantara dances is important to be delivered to junior high school student as one of provision effort to nusantara culture, especially dances. The Learning of Nusantara Dances Appreciation is implemented through two cycles. Each cycle has four meetings. Before the intervention action of first cycle, there is a Pre-test. And then the final post test result of first Cycle shows that there is improvement result compared to the pre-test result. More over the post test result of second cycle is imporoved too compared to the post test result of the first cycle, even it has reached the set out target. In conclusion according to the result of the research, Blended learning model is effective to be used on improving the appreciation of Nusantara Dances. Thus, Art & Culture Teacher at school is suggested to use this blended learning model.
Transformasi Lagu “Kacang Dari” ke Dalam Chamber Music Komang Wira Adhi Mahardika; Hendra Santosa; Ni Wayan Ardini
Gondang: Jurnal Seni dan Budaya Vol 4, No 2 (2020): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (504.881 KB) | DOI: 10.24114/gondang.v4i2.18258

Abstract

This article aims to reveal the transformation process of a traditional lullaby entitled Kacang Dari into chamber music so that the song can rise from the of extinction. The problems discussed in this article are focused on the rapid development of technology that has indirectly made the legacy of traditions, especially traditional songs, increasingly abandoned. One of the traditional songs that is on the verge of extinction is Kacang Dari. Kacang Dari is a traditional song originating from Pujungan Village, Pupuan, Tabanan-Bali. This song is a lullaby that is rarely sung now, even very few children in Pujungan Village know about the song Kacang Dari. In order to approach this problem, the researcher uses the theory of transformation and composition theory to represent the song into a new form, namely chamber music. In this transformation process the researcher uses the creation method which refers to the method offered by Alma Hawkins consisting of the exploration, improvisation, and formation stage. This creation concludes that a traditional song that is getting extinct and not sung by the song can be picked up and transformed into a new form so that it can maintain its existence and attract the public's interest to be able to re-enjoy the song.
Perkembangan Tari Turak di Kabupaten Musi Rawas dan Kabupaten Rejang Lebong Ira Miyarni Sustianingsih; Risa Marta Yati
Gondang: Jurnal Seni dan Budaya Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (398.505 KB) | DOI: 10.24114/gondang.v4i1.17137

Abstract

This study aims to describe and analyze the development of turak dance in Musi Rawas Regency, South Sumatra Province and Rejang Lebong Regency Bengkulu Province. The research method used is a qualitative method with a descriptive-analytical approach. The results of the study describe that turak dance is an authentic traditional dance originating from the Terawas area in Musi Rawas and Lembak districts in Rejang Lebong Regency. The name of this turak dance comes from turak which means bamboo. The bamboo weapon used as dance property during the independence war was filled with chillies with the aim of paralyzing the vision of Dutch soldiers who wanted to return to power. At present the development of turak dance in the two regencies is different, in which the creation of dance turak is mostly performed in the Musi Rawas area so that it gives birth to fan fan and scarf shawls. Meanwhile in Lembak, Rejang Lebong Regency, turak dance has not changed as in the Musi Rawas area.
Vokal Tradisi Batak Toba “Andung” Stevanie Lumbangaol; Uus Karwati; Diah Latifah
Gondang: Jurnal Seni dan Budaya Vol 3, No 1 (2019): Gondang: Jurnal Seni dan Budaya, Juni 2019
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (861.848 KB) | DOI: 10.24114/gondang.v3i1.13182

Abstract

In the current era of globalization, learning is often associated with local wisdom. The local cultural base is indeed very important, because national character is formed from cultural roots. Therefore many have raised local culture and wisdom as a basis for learning. Likewise, in the Music Education Study Program, one course is presented, namely Vocal Tradition of the Archipelago, in which there is material in the Toba Batak Tradition Vocal, Andung. Through this course, "Andung" is taught, so that the traditional vowels return and the young generation is able to appreciate them. Based on this background it is necessary to do research on the existence of Andung in the present, with the aim of reintroducing Andung as a vocal of the Toba Batak tradition. This article is a small part of the research on the development of vocal learning media for the "Andung" Toba Batak tradition. Data collection about Andung, carried out by documentation techniques, surveys and interviews. Interviewees consisted of three people, two pangandung people, one cultural observer. The data obtained are andung mabalu, andung matean ina, andung tilahaon.
Barong Using: Optimalisasi Seni Pertunjukan Barong Sebagai Obyek Pariwisata Budaya Using Tahun 1996-2018 Muhammad Agung Pramono Putro; Bambang Soepeno; Rully Putri Nirmala Puji
Gondang: Jurnal Seni dan Budaya Vol 3, No 2 (2019): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2019
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (63.365 KB) | DOI: 10.24114/gondang.v3i2.13248

Abstract

Seni pertunjukan barong Using merupakan seni pertunjukan asli masyarakat Using. Barong Using digunakan sebagai keperluan sakral untuk ritual bersih desa. Ritual dilaksanakan 2 kali dalam setahun. Ritual Ider Bumi tanggal 2 Syawal dan ritual selamatan desa bulan dulhijah. Perkembangan budaya membawa seni pertunjukan barong berfungsi sebagai kebutuhan sakral dan profan. Terdapat upaya-upaya mengoptimalisasikan seni pertunjukan barong oleh pemanfaatan pariwisata. Permasalahan yang terdapat dalam penelitian ini terkait membahas (1) sejarah seni pertunjukan Barong Kemiren yang didalamnya mengkaji prosesi ritual dengan nilai-nilai sosial budaya; dan (2) upaya optimalisasi seni pertunjukan barong kemiren masyarakat Using tahun 1996-2018 sebagai pemanfaatan pariwisata. Metode penelitian yang digunakan yakni metode penelitian sejarah dengan menggunakanya pendekatan antropologi budaya untuk mengkaji perubahan secara budaya serta menggunakan teori fungsionalisme struktural untuk menganalisis pergeseran fungsi barong secara sosial sebagai dampak pariwisata. Hasil pembahasan ini, optimalisasi akan seni pertunjukan barong dikemas dalam keterkaitan lima pilar penyangga pengembangan pariwisata dan industri kreatif yakni, negara, pelaku seni dan ritual, masyarakat pendukung, industri, dan pemuka agama. Pilar-pilar ini bisa memberikan masukan yang tepat sehingga memunculkan respons yang baik dari kalangan pengusaha, birokrat, praktisi budaya, dan pelaku seni tradisi dan ritual. Kini seni pertunjukan barong mengalami banyak perubahan mulai dari struktur pertunjukan dan selingan-selingan yang menyertai.
Estetika Visual Kriya Keramik Berornamen Wayang Khas Bali I Wayan Mudra; I Gede Mugi Raharja; I Wayan Sukarya
Gondang: Jurnal Seni dan Budaya Vol 5, No 1 (2021): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2021
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (913.22 KB) | DOI: 10.24114/gondang.v5i1.21036

Abstract

The Balinese puppets in the traditional paintings as a cultural heritage has inspired Balinese craftsmen created ceramic works of aesthetic value. The efforts these craftsmen can be read as resistance to entry the ceramic works from outside and the production of the ceramic art in Indonesia that ignore Indonesian characters. This study aims to discuss the aesthetics of visuals ceramic works that apply Balinese puppets ornaments. The data collection method by observation and documentation. The results showed that the aesthetics of the ceramic craft products with Balinese puppets ornaments seen from unity, harmony, symmetry, balance, and contrast are quite good, although not yet optimal. Besides, the visual aesthetics of the ceramic works have not displayed good complexity, so the beauty that obtained was not optimal. The visual aesthetic assessment of this work was subjective in nature, so it was possible that there will be different judgments. The conclusion that aesthetics can be achieved by elevating the cultural traditions of the past and at the same time as a form of appreciation for that culture and become a differentiator amid the rise of Chinese ceramics in Indonesia.
Kajian Struktur Pertunjukan Tari Gandhong di Desa Bangun Kecamatan Munjungan Kabupaten Trenggalek Femilia Kristian Arum Sari; Setyo Yanuartuti
Gondang: Jurnal Seni dan Budaya Vol 4, No 2 (2020): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (717.312 KB) | DOI: 10.24114/gondang.v4i2.20127

Abstract

Gandhong Dance is a dance that was created for the ritual procession at a ritual ceremony performed at Coban Wono Asri which is located in Bangun Village, Munjungan District, Trenggalek Regency. The focus of the problem in this paper is that Gandhong Dance has a performance structure that is unique and different from the others, so this paper aims to examine more deeply the performance structure of Gandhong Dance. In order to approach this problem, Ben Suharto's translation of Jackquline Smith (1985) is used as a theoretical reference, that the structure is a form consisting of forms and forming elements that are interrelated according to its function and are inseparable in a unified form. Data were collected through observation, interviews and documentation and were analyzed using a qualitative approach. This study concludes that Gandhong Dance, in one package of this Gandhong Dance performance there is a separate sub-theme in which there are only small themes forming the sub-theme.
Book Review Suyadi San. Semiotika Teater Bangsawan. Yogyakarta: Penerbit Ombak, 2018. ix + 148 halaman. ISBN: 602-258-496-5 Alan Darmawan
Gondang: Jurnal Seni dan Budaya Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (22.219 KB) | DOI: 10.24114/gondang.v4i1.18011

Abstract

Buku ini menyajikan hasil dari upaya akademik dan praktik dalam meneliti dan mementaskan Teater Bangsawan (h. 3). Sebagai peneliti sastra dan penggiat teater, Suyadi San menyatakan usaha ini menjadi “awal dimulainya mempertahankan“ dan meneruskan “warisan budaya abad ke sembilan belas“ tersebut (h. 131; 137). Semiotika Teater Bangsawan mendeskripsikan isi dan bentuk Teater Bangsawan, yang Suyadi San klaim sebagai icon Sumatra Utara, untuk mengenalkan warisan budaya ini kepada generasi muda. 

Page 4 of 22 | Total Record : 215

 2   3   4   5   6 

Filter by Year

2017 2025


Reset
Filter By Issues
All Issue Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025 Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023 Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023 Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022 Vol 6, No 1 (2022): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2022 Vol 5, No 2 (2021): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2021 Vol 5, No 1 (2021): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2021 Vol 4, No 2 (2020): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2020 Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020 Vol 3, No 2 (2019): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2019 Vol 3, No 1 (2019): Gondang: Jurnal Seni dan Budaya, Juni 2019 Vol 2, No 2 (2018): Gondang: Jurnal Seni dan Budaya, Desember 2018 Vol 2, No 1 (2018): Gondang: Jurnal Seni dan Budaya, Juni 2018 Vol 1, No 2 (2017): Gondang: Jurnal Seni dan Budaya, Desember 2017 Vol 1, No 1 (2017): Gondang: Jurnal Seni dan Budaya, Juni 2017 More Issue