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Kiryoku: Jurnal Studi Kejepangan
Published by Universitas Diponegoro
ISSN : -     EISSN : 25810960     DOI : -
Core Subject : Education,
Languange, Linguistic, Communication & Media
Arjuna Subject : -
Articles 334 Documents
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THE MARGINALIZATION EXPERIENCED BY THE SURVIVING SPECIAL ASSAULT PILOTS, ALSO KNOWN AS TOKUBETSU KOUGEKI, DURING WORLD WAR II. Nurita, Wayan
KIRYOKU Vol 8 (2024): Kiryoku: Jurnal Studi Kejepangan (Special Edition)
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v1i1.25-36

Abstract

Abstract 要約: 本稿では、第二次世界大戦中の特攻（特別攻撃）において戦死しなかった特攻隊員に対する周縁化について論じている。本研究において用いたデータは、特攻の使命を受けてその任務にあたった元特攻隊員へのインタビュー結果について、日本語で書かれ日本で出版された書籍に基づく文献調査により得たものである。加えて、自決を強いられるこの任務を遂行する前に特攻隊員らが胸の内を記した遺稿集等も分析した。研究方法としては、解釈的・質的・記述的研究方法を用いた。本研究に用いた理論は、グラムシのヘゲモニー論、バーカーのメディアに関する理論、フーコーの知と権力の理論である。データ収集においては、スギヨノによるデータ収集技術（文献・文書調査を含む）を用いた。データの分析結果から、特攻任務において戦死しなかった特攻隊員は極度の周縁化的扱いを受けたことがわかった。例えば、生きて帰還した特攻隊員は振武寮での幽閉、上官による叱咤、侮辱を受け、それを受けることによる精神的苦痛に見舞われた。振武寮での幽閉期間中、彼らは次の特攻で必ず死んで来るよう命じられていた。また、戦争中は特攻隊員を軍神と崇めていたにもかかわらず、日本の敗戦後は手の平を返したように、元特攻隊員を国賊だと罵る一般市民の目にも苛まれた。さらに、戦後において、自身が受勲した勲章の剥奪や、特攻隊員の家族が受け取った見舞金の返金を要請されるなどといった物理的圧迫も受けている。 
BLACK COMPANY AS SOCIAL PROBLEM IN JAPANESE FILM: A SOCIO-LITERARY AND READER RESPONSE ANALYSIS Mulyadi, S.Pd.,M.Hum., Budi; Rahwati, Wawat; Angela, Bella
KIRYOKU Vol 8, No 1 (2024): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v8i1.174-186

Abstract

This study examines the issue of black companies (buraku geisha) in two Japanese films: Burakku Gaisha ni Tsutometerundaga, Mou Ore wa Genkai Kamoshirenai (2009), and Chotto Ima Kara Shigoto wo Yamete Kuru (2017). Black companies are a social problem in Japanese society, where many companies exploit their employees by forcing them to work excessive hours for low wages. This has become a serious issue, leading to the phenomenon of karoshi, or death because of overwork. The research analyzes how the two films portray the black company issue and the perspectives of the characters in these films towards it.  This research also examines how Japanese society responds to the problem as depicted in the films. This qualitative research employs a combined approach of sociological literary and reader-response perspectives, focusing on the societal aspects of the film by examining the discourses related to social problems and the social itself. The result based on that analysis of the films and the application of the two perspectives shows that the characters’ views provide a reflective portrayal of the social issues currently faced by Japanese society
Pengaruh Digitalisasi dan Pandemi COVID-19 Terhadap Pembentukan Keterampilan Guru di Jepang Stahlumb, Frichicilia Grace; Iskandar, Kurniawaty
KIRYOKU Vol 8, No 1 (2024): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v8i1.103-116

Abstract

This paper examines how the COVID-19 pandemic has implications for the formation of Japanese teachers' skills related to digitalisation, as well as how the teaching and learning situation in Japan has changed as a result. The COVID-19 pandemic has indirectly forced teachers in Japan to adapt and change their teaching methods to students. Discussions on teacher certification and training in Japan, digitization of education in Japan, and the formation of teacher skills in Japan before and after the COVID-19 pandemic are used to explain how digitization was already introduced in education in Japan but was only massively implemented during the COVID-19 pandemic. The results of this study found that current teacher skills in Japan have undergone some changes in standards. The introduction of digitalization in education in Japan as well as the COVID-19 pandemic that entered Japan in 2020 indirectly changed the teaching standards of teachers in Japan. Nowadays, teachers in Japan are not only required to be proficient in teaching but also to act as practitioners in their teaching environment, thus indirectly changing the teaching and learning process in Japan.
Perwujudan Konsep On Pada Tokoh Frieren dan Heiter Dalam Anime Sousou No Frieren Karya Kanehito Yamada Indriani, Emilia Fortuna; Santoso, Budi
KIRYOKU Vol 8, No 2 (2024): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v8i2.60-71

Abstract

This study is intended to determine how the embodiment of the value of on, gimu, and giri in the characters Frieren and Heiter in the anime Sousou no Frieren by Kanehito Yamada. The author uses descriptive qualitative method. This research design uses literary anthropology, which leads to literary text research that examines literary reflections as cultural reflections.  The data source was taken from Muse Indonesia's Youtube channel video entitled "Frieren: Beyond Journey's End" on episode 1-2. Frieren receives more on, giri, and gimu than Heiter because Frieren does not understand the concept of gratitude. She has a cold personality and lacks the ability to understand how quickly time passes for humans. After understanding the concept, Frieren tried to repay the debt of gratitude she had not been able to do. Frieren is able to pay his debt or giri in a timely manner. Heiter understood the concept of on so he did not carry as much of the burden of the values of on, giri and gimu as Frieren. Frieren and Heiter both carried the gimu ko to Himmel. Heiter managed to complete his gimu because he really took care of Fern until the end of his life. Frieren, on the other hand, had done her gimu and continued her gimu as part of her life principles. It can be concluded through this anime, Japan still maintains the moral concepts of on, giri and gimu.
Analisis Budaya Jepang dalam Buku Goodbye, Things Hidup Minimalis Ala Orang Jepang Oleh Fumio Sasaki Hasibuan, Sekar Fatinah; Alfarisy, Fitri
KIRYOKU Vol 8, No 1 (2024): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v8i1.59-67

Abstract

Lifestyle is a set of behaviours that are meaningful to the individual and others at a particular time and place, including social relationships, consumption of goods, entertainment, and clothing. Minimalism is the act of reducing things to make room for the more important things in life. A minimalist lifestyle is influenced by a consumptive lifestyle by reducing the items owned. Japanese minimalism has a rich history and is linked to cultural and philosophical traditions. A minimalist lifestyle is characterised by anti-consumerist attitudes and behaviours. A minimalist lifestyle offers many wellbeing benefits, including happiness, life satisfaction, meaning, and better personal relationships. Practising a minimalist lifestyle can be manifested by problem-avoiding behaviours, being content with enough possessions, and thinking carefully before making new purchases. The benefits of living a minimalist lifestyle range from environmental sustainability to mental health. This research aims to understand how Fumio Sasaki represents Japanese culture through the theme of minimalism and identify the Japanese cultural values reflected in this book with a qualitative method by thoroughly describing the data obtained during the research process. This research uses a literature approach by referring to theories obtained from literature in the form of books and journals as the main source and the literature.
Penggunaan Kandoushi Kandou pada Kanal Youtube Naka Riisa Desu (Kajian Sosiolinguistik) Lia, Amalia Muflih; Yuni, Yuni Masrokhah
KIRYOKU Vol 8, No 2 (2024): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v8i2.1-10

Abstract

Kandoushi kandou merupakan ekspresi emosi atau kesan seperti bahagia, mengagumkan, terkejut, dan lain-lain dari pembicara. Tujuan dari penelitian ini adalah untuk mengetahui fungsi dan penggunaan kandoushi Kandou yang terdapat pada channel YouTube Naka Riisa Desu berdasarkan konteks situasi penutur sebagai kajian sosiolinguistik. Penelitian ini menggunakan metode deskriptif kualitatif dan pengumpulan data dilakukan dengan teknik katat. Data dari penelitian ini menunjukkan bahwa penggunaan kandoushi kandou di channel YouTube Naka Riisa Desu tahun 2020-2022 menggunakan teori Terada Takanao terdapat 50 data. Dari 50 data yang dikumpulkan, terdapat 6 jenis kandoushi kandou yang sering muncul dengan frekuensi berbeda. Frekuensi kumulatif setiap kandoushi kandou adalah: kandoushiえ(e) muncul 24; kandoushiええ(ee) muncul 17; kandoushiまあ(maa) muncul 2; kandoushiほら(hora) muncul 3; kandoushiいや(ya) muncul 2 kali; kandoushiなに(nani) muncul 2. Yang paling sering digunakan adalah kandoushi Kandou dalam bentuk kejutan seperti "e", dan "ee" ini menggambarkan bahwa orang lebih sering menggunakan kandoushi ketika mereka terkejut dan dalam situasi yang tidak terduga. 
Representation Uchi and Soto Concept in Japanese Social Deixis Arfianty, Rani; Mulyadi, Mulyadi
KIRYOKU Vol 8, No 1 (2024): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v8i1.1-11

Abstract

This study aims to describe the representations of uchi and soto in the textbook Marugoto: Japanese Language and Culture Intermediate 1 B1 recommended by The Japan Foundation using the context and deixis theory approach by (Levinson, 1983; Stassler, 1982). Also, the social deixis of Japanese is explained (Wetzel, 2011). Qualitative descriptive method is used for the presentation of data analysis. The results of this study found that the concepts of uchi and soto in Japanese society are closely related to the social deixis of Japanese. In the analysis it was found that social deixis is also closely related to the use of keigo (expression of respect) as well as the phrase yarimorai (give and take). The close relationship between social deixis and the concepts of uchi and soto illustrates the structural order of Japanese society's life which pays close attention to the position and social status of society when interacting and communicating with each other. By choosing the diction of the words used between the speaker and the interlocutor when communicating, it can be assessed whether both of them belong to the uchi or soto class. The results of this study also at the same time prove the statement of (Wetzel 2011). Marugoto's textbook: Japanese Language and Culture Intermediate 1 B1 presents an explanation of the use and context of how Japanese is actually used by the people by showing the concepts of uchi and soto
Gaya Bahasa dan Makna dalam Iklan Produk Glico pada Channel Youtube Glico Japan Trahutami, S.S., M. Hum, Sri Wahyu Istana -; Trahutami, S.S., M. Hum, Sri Wahyu Istana
KIRYOKU Vol 8, No 1 (2024): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v8i1.187-196

Abstract

This paper will study the comparison between of Language Style and Meaning in Glico Product Advertisements on the Glico Japan YouTube Channel." This research aims to: 1) To describe the language style used in advertisements on the Glico Japan YouTube Channel; 2) Describe the meanings contained in advertisements on the Glico Japan YouTube Channel. The research data were obtained from twenty-six Glico advertisements found on the Glico Japan YouTube channel. The data collection method in this thesis was simak method with catat technique. Then, using pilah unsur penentu to analyze the data. Meanwhile, informal method is used to presenting the results of the analysis. Based on the results of the analysis, it can be concluded that there are 16 instances of repetition language style; simile; metaphor; personification; hyperbole; and inversions. Meanwhile, for meanings, there are conceptual meanings, affective meanings, and connotative meanings.
Makna Lirik Lagu Phony 「フォニイ」 Karya Tsumiki Kajian Semiotika Riffaterre Hastuti, Nur; Hardini, Maulani Putri
KIRYOKU Vol 8, No 1 (2024): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v8i1.124-138

Abstract

This research aims to describe the meaning of the lyrics of the song "Phony 「フォニイ」" by Tsumiki sung by KAFU which was released on June 5, 2021. This research aims to understand more deeply the meaning of the lyrics of the song "Phony" by heuristic reading, hermeneutic reading, and searching for matrices, models, variants, and hypograms. This research is classified as qualitative research. The theory used is Rifattere's heuristic and hermeneutic reading theory. Based on the reading process through heuristic reading, hermeunistic reading, matrix, model, variant, and hypogram, the following results can be found; In the heuristic reading, the meaning of the lyrics of the song "Phony 「フォニイ」" Based on the heuristic reading, the song "Phony 「フォニイ」" is about a person who lives in a world full of falsehood with a fake flower parable. By living in a fake world, he is forced to live as a fake person until he loses his identity. His fake life slowly makes him feel hopeless and lose his happiness. In hermeunetics, there is a lack of continuity of expression in the form of substitution of meaning in the form of metaphor and simile. In the second stage of reading identification, the matrix in the lyrics of the song "Phony 「フォニイ」" is "fake happiness". The character in the song conveys that he cannot freely obtain sincere love or happiness. The model in the song lyrics is the depiction of fake happiness in the world with the metaphorical device「造花」zouka. The variants in the song are (1) a lie, (2) a world of antipathy, and (3) a fake. Based on the research results, the meaning of this song is someone who pretends to be happy.
Makna Tradisi Hatsumoude (初詣) Menurut Kepercayaan Shinto di Jepang Wahyuni, Dyah Arum Tri; Santoso, Budi
KIRYOKU Vol 8, No 2 (2024): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v8i2.72-84

Abstract

Hatsumōde is the tradition of visiting Buddhist or Shinto shrines at the beginning of the year in Japan. The tradition lasts for three days, starting at 00:00 on January 1 and ending at 23:59 on January 3. The purpose is to pray to the gods for good luck in the coming year. The purpose of this research is to understand the meaning of each stage, the tools used, and the decorations at the shrine during Hatsumōde. This research uses descriptive qualitative method with literature data collection technique. Data were obtained from YouTube videos, journals, websites, and personal documentation, which are related to Hatsumōde. The results of this study show that there are certain stages in Hatsumōde, which begin with “misogi” and end with taking omikuji. In Hatsumōde, Japanese people use a 5 yen coin that means “good fortune”.  There are also decorations at the shrine, namely shimenawa, shide, and ema.

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