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Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Published by Institut Seni Indonesia Padang Panjang
ISSN : 14121662     EISSN : 25802208     DOI : http://dx.doi.org/10.26887/ekspresi
Core Subject : Humanities, Art,
Arts Humanities
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni welcomes full research articles in the area of Visual Art and Performing Art. Scope areas are: related to Art and Culture, Creative Process and conceptual research in visual art and Performing Art.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 297 Documents
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The Narration of Symbolic Animalistic Metaphors in Indonesian Contemporary Painting Meilinda, Vina
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 1 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i1.5447

Abstract

This research aims to describe the symbolic narrative of animalistic metaphors in Indonesian contemporary painting as a medium of criticism of the socio-political dynamics in Indonesia. The method used in this research is qualitative with Paul Recouer's Hermeneutic approach that interprets animalistic symbols through layers of literal meaning. The data in the research shows the meaning of the animalistic metaphor in painting that presents visual symbols resulting from the creative expression of artists, including Djoko Pekik, Gatot Indrajati, and Suraji. The animalistic metaphor in Indonesian contemporary painting is one of the symbolic aspects of the similarity of human nature or political rulers with the nature of animals that are considered to have savage, wild, greedy and have no conscience. Each artist has his own way of delivering criticism through painting by using historical dramatization, humor, and satire. The animalistic metaphors in these works are coupled with the selection of titles that lead to a parody. The animalistic metaphor is told visually narrative, expressing the artist's expression of anxiety and criticism that is able to bridge the aesthetic experience and critical reflection on the reality of Indonesia's current socio-political condition.
The Architectural Style of Asserayah Al-Hasyimiyah Palace Using a Pragmatic Semiotic Approach Satria, Hengki; Yeyendra, Yeyendra; Basrin, Taymiyah
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 1 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i1.5442

Abstract

Penelitian ini mengkaji gaya arsitektur Istana Asserayah Al-Hasyimiah (Istana Siak) menggunakan pendekatan semiotika pragmatik. Dibangun antara tahun 1890 hingga 1899, istana ini menggabungkan arsitektur lokal Melayu dengan pengaruh gaya Indische Empire dan neo-klasik. Melalui observasi, wawancara, dan analisis dokumen, ditemukan bahwa tata ruang simetris istana mencerminkan harmoni budaya Melayu, sementara elemen seperti lengkung lancip, lengkung tapal kuda, dan desain berbentuk perahu memiliki makna simbolis. Lengkung lancip melambangkan spiritualitas Islam, lengkung tapal kuda mencerminkan modernitas dan keterhubungan, sedangkan bentuk perahu melambangkan perjalanan hidup manusia. Posisi istana yang menghadap Sungai Siak mencerminkan kepercayaan kosmologis masyarakat Melayu tentang hubungan antara manusia, alam, dan Tuhan. Selain keindahan arsitekturnya, Istana Siak juga berfungsi sebagai pusat pemerintahan, kebudayaan, dan tempat tinggal keluarga kerajaan. Penggunaan material lokal seperti kayu solid menegaskan identitas Melayu sekaligus memberikan kenyamanan. Penelitian ini menyimpulkan bahwa Istana Siak bukan hanya bangunan fungsional, tetapi juga simbol budaya yang kaya akan nilai sejarah dan makna. Penelitian lanjutan disarankan menggunakan teknologi digital atau membandingkan dengan bangunan serupa untuk memahami lebih jauh dinamika arsitektur transisi di Indonesi.
Community Engagement: Optimalisasi Kualitas Tekstil Huyula Eco Craft Melalui Teknik Gesek Godhong Inovatif Sutantamanas, Hasna; Naini, Ulin; Hasmah, Hasmah
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 1 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i1.4933

Abstract

Penelitian ini bertujuan untuk meningkatkan kualitas produk tekstil UMKM Huyula Eco Craft melalui penerapan teknik gesek godhong dengan kombinasi pewarna sintetis serta pengunci warna waterglass dan garam kasar. Teknik gesek godhong dipilih karena mampu menciptakan motif unik dengan warna lebih cerah dibandingkan metode ecoprint tradisional. Penelitian menggunakan metode kualitatif dengan pengumpulan data melalui eksperimen dan wawancara. Eksperimen dilakukan secara mandiri dan bersama perajin untuk mengevaluasi dampak pewarna dan pengunci warna terhadap kualitas hasil tekstil. Hasil penelitian menunjukkan bahwa penggunaan pewarna sintetis yang diracik khusus menghasilkan warna lebih cerah dan bervariasi. Waterglass sebagai pengunci warna memberikan hasil warna yang cerah, tetapi membuat tekstur kain sedikit kasar. Sebaliknya, penggunaan garam kasar menghasilkan warna yang lebih tahan lama dengan tekstur kain yang lebih halus. Teknik gesek godhong juga memberikan inovasi motif yang meningkatkan daya tarik estetika tekstil.Kesimpulannya, teknik gesek godhong dengan kombinasi pewarna sintetis dan pengunci warna garam kasar memberikan hasil terbaik dari segi warna, tekstur, dan estetika, serta berpotensi meningkatkan daya saing produk tekstil UMKM Huyula Eco Craft. Temuan ini direkomendasikan untuk diadopsi sebagai strategi inovasi produk tekstil oleh UMKM serupa.
Pengaruh Mordan Tawas, Kapur Tohor dan Tunjung Terhadap Hasil Ecoprint Daun Bidara Laut (Ziziphus mauritiana L) pada Bahan Rayon Twill dengan Teknik Hammering Farida, Farida; Novrita, Sri Zulfia; Ernawati, Ernawati; Pradana, Samuel Martin
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.6063

Abstract

This research is motivated by the development of ecoprint using natural materials so as to reduce the use of harmful synthetic substances. The purpose of this study is to describe the color name, clarity of the motif shape and color resistance to washing with soap produced from ecoprint of bidara laut leaves on rayon twill material with hammering technique using alum, calcium oxide and tunjung mordants. This research is an experimental research with the object of research rayon twill fabric given a motif of bidara laut leaves. The type of data in this study is primary data sourced from questionnaires. The data analysis technique uses the Friedman K-Related Sample test with SPSS version 30.0. The results of ecoprint without mordant, with alum, calcium oxide and tunjung mordant produce various colors. The results of the clarity of the motif shape without mordant is clear, alum mordant is clear, calcium oxide mordant is clear and tunjung mordant is quite clear. The results of color resistance to washing with soap without mordant changed, the alum changed slightly, the calcium oxide changed and the tunjung changed, the results of the Friedman K-Related Sample test from the clarity of the leaf motif shape were 0.001 <0.05. Meanwhile, the color fastness to washing with soap is 0.000 < 0.05. From these data, it can be concluded that there is a significant effect due to the use of alum, calcium oxide, and tunjung mordants on the clarity of the motif shape and color fastness to washing with soap produced from the ecoprint
Effect of Alum, Iron Sulfate, and Quicklime Mordants on the Ecoprint Quality of Loropetalum chinense Leaves on Satin Fabric Using the Hapazome Technique Savitri, Revi; Adriani, Adriani
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.6052

Abstract

This study was motivated by the use of pitaloka leaves (Loropetalum chinense) to create patterns using the hapazome technique with the help of mordants and fixatives. The purpose of this study is to describe the color names, clarity of motif shapes, and washfastness of the results of the hapazome ecoprint technique using pitaloka leaves on Roberto fabric. This study is an experimental study with Roberto fabric as the research object, which was given motifs using the ecoprint technique. The type of data in this study was primary data sourced from questionnaires filled out by 15 panelists. The data analysis technique in this study used ANOVA and was analyzed with the Friedman K-Related Sample test. Ecoprint results without mordant, alum mordant, tunjung, and pure lime produced a variety of colors. The results of the clarity of the ecoprint motif using pitaloka leaves (Loropetalum chinense) on Roberto fabric without mordant showed that 67% of panelists stated that it was clear, with alum mordant 53% of panelists stated that it was very clear, with tunjung mordant 40% stated that it was clear, and with pure lime mordant 40% stated that it was clear. The results of the Friedman k-related test for color fastness to washing using alum mordant were 0.001 < 0.05, meaning there was a significant difference, using alum mordant was 0.022 < 0.05, meaning there was a significant difference, and using pure lime mordant was 0.234 > 0.05, meaning there was no significant difference from the ecoprint results of pitaloka leaves.
The Effect of Satin Fabric Thickness on Bustier Construction Quality Using the Helen Joseph Armstrong Method Alifia, Arma; Yusmerita, Yusmerita
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.5885

Abstract

The bustier is a women’s upper garment designed with a tight fit to conform to the body’s contours, particularly around the bust, waist, and hips. Historically, the bustier was originally used as an undergarment; however, along with the evolution of fashion trends, its design has been modified so that it can also be worn as outerwear, serving to shape the body silhouette for a more proportional appearance. The accuracy of the pattern, sewing technique, and material selection are crucial elements that influence the quality of the final bustier product. Among the fabric characteristics that significantly affect garment construction, fabric thickness is a key factor. The research aimed to analyze the differences in bustier outcomes made using satin fabrics of different thickness levels—emerald satin (thin), Roberto satin (medium), and bridal satin (thick)—employing the Helen Joseph Armstrong pattern on a mannequin of size M. The methodological approach adopted was experimental, with the independent variable being the thickness of the satin fabric and the dependent variable being the quality of the bustier result. Data were collected through observation sheets evaluated by three expert designers and seventeen trained panelists. The data analysis technique applied involved hypothesis testing using the K-Related test. The findings revealed that the thickness of the satin fabric significantly affects the quality of the bustier. The bustier made from bridal satin achieved the highest average score, namely 84.45% (categorized as very good). Therefore, it can be concluded that the thicker the satin fabric structure, the better the quality of the final bustier result
Visualizing the Incantatory Power of the Sijundai Ritual: A Reinterpretation of Magical Phenomena through the Dance Work Migrasi Magis Jaya Putra, Ariefin Alham; Anugraha, Fattahul; Ananda, Zulfikar Rizki; Suaida, Suaida
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.4801

Abstract

Migrasi Magis is a research-based dance creation that reinterprets the Sijundai magical phenomenon in Minangkabau culture. The ritual involves the use of spells and saluang music believed to possess supernatural power that psychologically and physically affects victims. Through observation, exploration, improvisation, formation, and evaluation, the artist transforms elements of space, time, energy, and property into visual symbols of the spell’s potency. The reinterpretation approach transforms this spiritual practice into an artistic expression through dance theatre, marked by dramatic tension, symbolism, and emotional intensity. The work embodies magical aesthetics derived from traditional rituals while portraying human desires, vengeance, and remorse. Migrasi Magis demonstrates how dance serves as a reflective space for social, spiritual, and psychological phenomena within Minangkabau society. Field data were collected through interviews with shamans, performance observations, and literature review, strengthening conceptual validity, aesthetic choices, and cultural context. This work illustrates that performing arts can negotiate tradition and modernity through contextual artistic interpretation
Aesthetics of the Babuai Dance and the Transformation of Tradition at the Singo Barantai Traditional Arts Institute, Padang Nofa, Yosi; Yuliarni, Yuliarni; Harun, Afrizal; Asril, Asril; Pramayoza, Dede
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.5886

Abstract

Babuai dance is one of the traditional Minangkabau dances that developed at the Singo Barantai Padang Traditional Arts School. This dance is one of the unique traditional dances. Because the movements of this dance depict agility, softness, firmness and sharpness. In every movement is full of accents (movement jerks) besides that there is also acceleration and deceleration. This dance is used for body exercise for a silat athlete before they carry out silat training. The object of this research uses Dance as its formal object, "Babuai Dance" as its material object. This research uses a qualitative method with a descriptive analytical approach. This research was conducted at a silat school, namely the Singo Barantai Padang City Traditional Arts School, which is located in Lubuk Leetah, Kuranji District, Padang. Singo Barantai Traditional Arts College is one of the non-formal educational institutions engaged in the field of arts and culture, where the activities or materials taught at this College include traditional martial arts with the SilekPauh flow, randai, traditional dance, traditional Minangkabau music, and traditional pasambahan speeches. This journal examines the tradition of challenging change in the study of dance aesthetics. Babuai dance is viewed using aesthetic studies with the aim of revealing and exploring in depth everything related to the beauty of the Babuai Dance and changes in the development of the babuai dance at the Singo Barantai Traditional Arts College. In this study, the author was actively involved in the Singo Barantai Traditional Arts College, namely as a participant observer, which means that the author directly enters and is involved in the membership of the Singo Barantai College
Management of Performing Arts in the Wayang Orang Ngesti Pandowo Performances in Semarang Cahyaningrum, Anita Putri; Kusumastuti, Eny
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.5797

Abstract

Penelitian ini bertujuan untuk mendeskripsikan manajemen seni pertunjukan pada pergelaran Wayang Orang Ngesti Pandowo di Semarang. Metode yang digunakan adalah kualitatif deskriptif dengan pendekatan fenomenologi, melalui observasi dan wawancara. Hasil penelitian menunjukkan bahwa sistem manajemen yang diterapkan bersifat hibrid, menggabungkan nilai tradisional dan prinsip manajemen modern. Lima fungsi manajemen (perencanaan, pengorganisasian, pengarahan, pelaksanaan, dan pengawasan) dijalankan secara kolektif dan berbasis komunitas. Faktor pendukung utama antara lain dedikasi seniman, dukungan pemerintah, dan pemanfaatan media digital. Namun, tantangan yang dihadapi mencakup regenerasi seniman, dokumentasi administrasi, dan promosi digital yang belum optimal. Penelitian ini merekomendasikan penguatan kapasitas manajerial dan strategi pelestarian berbasis teknologi agar kelompok seni ini mampu beradaptasi dan berkelanjutan di era modern.Kata Kunci; manajemen seni pertunjukan, wayang orang, Ngesti Pandowo, budaya tradisional, Semarang
Resistance to Patriarchy in Minangkabau Cinema Prakarti DB, Vicia Dwi; Fitri, Dynia
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.5911

Abstract

This study examines forms of resistance to patriarchy in Minangkabau-themed cinema through an analysis of two films, Tenggelamnya Kapal Van der Wijck and Surau dan Silek. Although Minangkabau society is widely recognized for its matrilineal kinship system, social practices and cinematic representations continue to reflect strong patriarchal values, particularly in regulating gender relations, marriage, and female honor. This research employs a descriptive qualitative approach using film text analysis, visual observation, and literature review. The analysis is grounded in Stuart Hall’s theory of representation and feminist film theory, with particular attention to patriarchy and the concept of the male gaze. The findings indicate that women’s resistance in Minangkabau cinema is rarely portrayed in overt or confrontational forms; instead, it emerges through symbolic, emotional, and moral expressions embedded in narrative structures, characterization, and visual strategies. Women are represented as ethical subjects who negotiate their identities amid the pressures of tradition, religion, and modernity. Consequently, Minangkabau cinema functions as a cultural space that both reflects and critiques the paradox between matrilineal ideology and patriarchal practice within Minangkabau society.

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