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Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Published by Institut Seni Indonesia Padang Panjang
ISSN : 14121662     EISSN : 25802208     DOI : http://dx.doi.org/10.26887/ekspresi
Core Subject : Humanities, Art,
Arts Humanities
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni welcomes full research articles in the area of Visual Art and Performing Art. Scope areas are: related to Art and Culture, Creative Process and conceptual research in visual art and Performing Art.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 297 Documents
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Cultural Meaning and Values of the Beriuk Tinjal Dance at the Rengganis Art Studio Balqis, Lale Alia; Malarsih, Malarsih; Sinaga, Syahrul Syah
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 26, No 2 (2024): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v26i2.4957

Abstract

The Beriuk Tinjal dance is a traditional performing art from Lombok, West Nusa Tenggara, preserved through the Rengganis Art Studio. This study aims to explore the philosophical meanings and cultural values embedded in the Beriuk Tinjal dance and to assess the strategic role of the art studio in sustaining this heritage amidst globalization. Using a qualitative approach with methods including observation, interviews, and literature review, this research uncovers that the dance embodies the Sasak community's core values, such as unity, harmony, and respect for ancestors. Each dance movement holds symbolic meaning, reflecting the cycles of human life, environmental stewardship, and spiritual devotion. Moreover, the Rengganis Art Studio acts as a guardian of tradition by integrating moral education and cultural identity into its training programs for younger generations. This study highlights the dance's dual role as an aesthetic and educational medium, providing insights into the interplay between art and cultural sustainability. The findings underscore the importance of community-based initiatives in preserving traditional arts while adapting to modern challenges. These results contribute to broader discussions on cultural preservation and the revitalization of intangible heritage in contemporary society
Religious And Cultural Tourism Objects In Sigando Village: A Perspective Of Power Relations And Conflict Theory H, Afrizal; Rahmatika, Aulia
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 26, No 2 (2024): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v26i2.4821

Abstract

This study aims a title “Objek Wisata Religi dan Budaya Kelurahan Sigando: Perspektif Relasi Kuasa dan Teori Konflik” to investigate the power relations and various conflicts that arise from the determination of Sigando Village as a Cultural and Religious Village. This determination often involves various parties, such as local government, local communities, and other stakeholders. Through a power analysis approach, this study will explore the dynamics of power that underlie the determination process, including the interaction between the government and local communities, and its implications for the identity and sustainability of local culture. The study uses a qualitative approach with case studies, this study will analyze the dynamics of interactions between various related parties, including local government, local communities, and tourism actors. Observation, interview, and document analysis methods will be used to collect relevant data. This study is expected to provide a better understanding of the complexity of power relations in the context of determining tourism and cultural destinations at the local level. The findings of this study are expected to provide a deeper understanding of how power is reproduced and maintained in the context of determining tourism and cultural destinations, as well as its implications for the development and empowerment of local communities.
A Study on the Colors of Traditional Blongket Weaving Fabric at Griya Kain Tuan Kentang, Palembang City Febiola, Natasya Anggia; Yuliarma, Yuliarma
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 26, No 2 (2024): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v26i2.4853

Abstract

Each woven product from various regions has its own uniqueness, because it comes from a different source of ideas. One example is Blongket weaving, which has unique characteristics. The most prominent feature in this study is the type of color and color combination in the Blongket woven fabric which is processed with a limar technique that makes a variety of colors. Until now, the uniqueness of the type of color and the combination of colors with the process of being smeared has not been widely known by the public in general. This study aims to study the types of colors and color combinations in Blongket weaving in Griya Kain Tuan Kentang. This research method uses a qualitative research method that requires informants, with data collection techniques namely interviews, observations, and documentation. The results of this study found 1) The types of colors in model 1 fabric were found in 5 colors including purple, white, green, gold, and brown. On the model 2 fabric, 5 colors were found including blue, pink, yellow, dark blue, and green. On the model 3 fabric, 6 colors were found including green, brown, dark blue, blue, purple, and white. 2) Color combinations in this study found tetrad color combinations
The Aesthetics of Kaia Dance in the Socio-Cultural Context of the Laban Community, Salido, Pesisir Selatan Irdawati, Irdawati
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 26, No 2 (2024): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v26i2.4841

Abstract

This study aims to explore the aesthetics of the Kaia Dance in the socio-cultural context of the Laban community, Kenagarian Salido, IV Jurai District, Pesisir Selatan Regency, West Sumatra. The method employed is a qualitative approach with analytical description, where all data, both written and field data, are described and analyzed according to the research problem. The aesthetic theories of A.A.M. Djelantik and Deni Junaedi are used to examine the issues, while Y. Sumandyo Hadi's perspective is applied to analyze the dance form. Kaia Dance is a traditional dance that has evolved in the Laban community, Kenagarian Salido. It embodies aesthetic elements reflecting the struggle to provide for one's family and draws inspiration from the surrounding nature and local conditions. This study provides new insights into understanding the Kaia Dance as a complex medium of expression, not only in terms of its movements but also in its rich social symbolism and local aesthetic values. The aesthetic values in Kaia Dance can be observed through three aspects: aesthetic object, aesthetic subject, and aesthetic value
Makyong Muda Dance at The Ledang Balai Studio, Tanjung Pinang Hendra, Doni Febri; Irdawati, Irdawati
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 26, No 2 (2024): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v26i2.4004

Abstract

Kesenian Melayu yang cukup tua di Kepulauan Riau dulunya hampir punah atau istilahnya tidak ditemu kenali, namun terdapat seorang maestro memiliki tekad yang luar biasa, dilestarikan dan dipertahankan hingga saat ini. Jenis dan metode terkait observasi objek penelitian Tari MakYong muda, Ledang Balai, Kepulauan Riau, menggunakan metode kualitatif, dengan pendekatan ilmu etnografi. mendeskripsikan ke dalam teori yang saling berkaitan. wawancara narasumber, serta mempelajari gerak tari dan mendengar tutur bahasa. Kelengkapan lain dalam proses pengambilan data juga disertakan dalam pendokumentasian berbentuk foto dan video tari. MakYong muda merupakan sebuah tari yang dilingkupi dengan seni teater. yang juga tertuju pada sebuah seni lakon satu kesenian Melayu ialah Tari Makyong Muda, berlokasi di Sanggar Ledang Balai, Kota Tanjung Pinang, Provinsi Kepulauan Riau diciptakan dan dikembangkan oleh Said Parman yang memiliki nama panggung Tuan Habieb. Tari MakYong muda merupakan seni teater tradisional Melayu yang menggabungkan drama, tari, musik, dan naskah cerita. Pertunjukan ini melibatkan pemain profesional dengan pakaian dan properti sesuai peran, serta dua versi cerita yang mencerminkan kisah istana dan rakyat. MakYong muda kini mengalami modernisasi, namun tetap mempertahankan elemen tradisional seperti topeng dan struktur lakon
The Application of Encaustic Technique in the Creation of LIMBOSIS Figurative Sculpture Artworks Kholisoh, Siti Nur; Supriatna, Supriatna; Racmadi, Gustiyan
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 26, No 2 (2024): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v26i2.4814

Abstract

This study explores the use of the encaustic technique in creating sculpture art themed around the quarter-life crisis. The encaustic technique, which involves the application of hot wax on figures made of wire and polyurethane, was chosen for its flexibility and ability to create rich textures and visual dimensions. This research aims to investigate how the encaustic technique can capture and convey the emotional and psychological complexities experienced by individuals in the age range of 20–30 years, often referred to as the quarter-life crisis phase. The artwork titled LIMBOSIS was created using the encaustic technique through an experimental approach involving wax, polyurethane, wire, and digital elements. The results demonstrate that the encaustic technique is effective in expressing complex emotional nuances and provides aesthetic depth to art installations. Traditionally used in painting, this technique has been successfully adapted to contemporary sculpture. These findings make a significant contribution to the development of contemporary art, particularly in the context of creating works that explore psychological and social issues
Utilization Of Surian Wood Shavings Waste Extract on Prima Mori Cotton Dyeing Results with Tunjung Mordant Wijaya, Nadiva
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 26, No 2 (2024): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v26i2.4832

Abstract

This research is motivated as an effort made to obtain environmentally friendly textile dyes by utilizing surian wood shavings waste extract. The purpose of this study is to describe the color name (hue), color evenness, and color fastness to washing of surian wood shavings waste dyeing results on prime cotton. Experimental research uses primary data. Data collection using questionnaires from 15 panelists. Data were analyzed using the Mann Whitney Test using SPSS version 26. The results of the color name of the dyeing without mordant 87% Dark Salmon Pink code #D78D68 color evenness is very even, the results of color fastness without mordant 1 wash 73% color slightly changed, 2 washes 53% color slightly changed, and 3 washes 47% color slightly changed. The results of the tunjung mordant color 80% Gray code #574F4C color evenness is even, the results of the tunjung mordant color fastness 1 wash 80% the color changes slightly, 2 washes 67% the color changes slightly, 3 washes 60% the color changes slightly. The results of the Mann Whitney Test for color evenness were obtained .389> 0.05, Ho was accepted indicating that there was no significant difference in color evenness in the results of dyeing surian wood shavings waste extract on prima cotton mori. While color fastness obtained .547 > 0.05, Ho is accepted indicating that there is no significant difference in color fastness.
Peirce's Semiotic Analysis Of The New Halal Indonesia Logo Patriansah, Mukhsin; Nurhawa, Adevia; Kuncoro, M.Septian Adi
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 26, No 2 (2024): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v26i1.4104

Abstract

Since it was inaugurated on March 1 2022, Indonesia's new halal logo has attracted a lot of controversy. This is inseparable from the visual appearance of the logo which is very strong in Javanese culture by taking the shape of a mountain and a lurik surjan motif as the big idea. However, the signs and meanings in them are still conventional in accordance with Islamic values such as the value of divinity, faith and devotion, as well as the value of tolerance. On the other hand, the new Indonesian halal logo design is able to represent the halal and haram rules and laws themselves based on Islamic law. This research uses Peirce's semiotic approach with the boundaries of signs as objects, namely icons, indices and symbols. The method used is a qualitative research method with an interpretive analysis approach. From the results of the research carried out, there is a new marking system through observation and analysis carried out in the form of signs of Allah's pronunciation and the shape of the mosque dome. Overall, the visual appearance of the new Indonesian halal logo meets the design principles of being simpler, timeless, elegant, unique and attractive, proportional and relevant. In this way, the visual identity of the halal logo can make it easier for Muslims to recognize and identify halal products that are suitable for consumption. 
Exploration of Songket Batik: Production Process and Cultural Values at Rumah Batik Tarancak, Solok City Sari, Macita; Suci, Puji Hujria
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 26, No 2 (2024): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v26i2.4883

Abstract

Batik is one of Indonesia’s cultural heritages that holds high artistic value, particularly in its motifs and philosophical meanings. An innovative development in West Sumatra is the creation of batik songket, a fusion of batik art and the traditional Minangkabau songket weaving. This study focuses on the production process of batik songket at Rumah Batik Tarancak in Solok City, a pioneer in producing batik on songket fabrics in the region. This innovation not only enriches local cultural heritage but also supports the local economy by enhancing the quality of products that can compete in the broader market. This research was conducted using a qualitative descriptive method through direct observation, interviews, and documentation at Rumah Batik Tarancak. The findings reveal that the batik songket production process employs traditional manual weaving tools (ATBM) and uses both natural and synthetic dyes. The motifs are inspired by Minangkabau culture, embodying symbolic and aesthetic meanings. This innovation is expected to help preserve the heritage of batik and songket while raising awareness about the importance of maintaining cultural traditions.
Representation of Women in Paintings From The Private Collection of OHD Museum, Magelang Novandana, Muhamad Rio
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 26, No 2 (2024): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v26i2.4813

Abstract

Penulisan ini didasari atas ketertarikan penulis terhadap karya seni yang terpajang di Museum OHD Magelang. Dari sekian banyaknya lukisan, penggambaran mengenai perempuan sangat terlihat jelas perbedaan penggambarannya. Sudut pandang pelukis memang menjadi salah satu tumpuan dari bagaimana karya lukis tersebut akhirnya dibuat. Perbedaan tersebut dapat terlihat sebagai bagaimana objektifikasi perempuan dilihat dalam sudut pandang pelukis, yang tentunya keduanya saling bertolak belakang, karena adanya interpretasi yang berbeda tersebut penulis tertarik untuk menuangkannya, menggabungkan sudut pandang pelukis dan penikmat seni. Metode yang digunakan dalam penelitian ini yaitu kualitatif deskriptif dengan teori studi kasus. Hasilnya, dari enam lukisan yang diambil tiga merepresentasikan permepuan sebagai objek keindahan. Penggambarannya menyajikan keanggunan, keteduhan, kecantikan wanita yang bisa dinikmati keindahannya dalam goresan kuas yang lembut, dengan warna yang cenderung pucat. Semenntara di sisi lain penggambaran perempuan sebagai objek erotisme terlihat dari bagaimana lukisan dibuat dengan menampilkan tubuh wanita secara vulgar, tidak memakai baju, dan menunjukan area yang terbilang sensitif, penggambarannya sebagai perempuan sebagai objek seksual, gairah dan nafsu. Dari adanya pembahasan tersebut disimpulkan bagaimana pandangan laki-laki saat melihat wanita sebagai dua objek yang berbeda, wanita sebagai unsur keteduhan dan keindahan, disisi lain wanita sebagai objek seksualitas dan nafsu.

Page 27 of 30 | Total Record : 297

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