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Sabda: Jurnal Kajian Kebudayaan

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Published by Universitas Diponegoro

ISSN : - EISSN : 25491628 DOI : -

Core Subject : Education,

Education

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Articles 219 Documents

10 11 12 13 14

TANAH ULAYAT SEBAGAI SIMBOL EKSISTENSI ADAT-ISTIADAT: Studi Kasus tentang Konflik Tanah Ulayat di Perbatasan Republik Indonesia (RI) dan Republik Demokratik Timor Leste (RDTL) Segmen Bijael Sunan/Oelnasi Elpius Kalembang
Sabda: Jurnal Kajian Kebudayaan Vol 13, No 1: 2018
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Border Conflict between RI-RDTL Bijaelsunan/Oelnasi Segment in Manusasi Village is a claim on Ulayat Land. Various settlement efforts have been made but have not satisfied the two conflicting groups, the division of zones into the disputed area, raises new problems, for without considering the ownership of customary land, such as the local customary agreement. This study aims to analyze the conflicts, resolutions that have been implemented and formulate the conflict resolution model of RI-RDTL border. The method used in this research is descriptive qualitative with explorative approach. This study provides a model of social capital based conflict resolution that is through Baefeto-Baemone local wisdom, between the two conflicting groups. Reconciliation based on local wisdom means reconciliation is based on an accurate understanding of border history, and is based on traditional adat speeches and traditional speeches that have supernatural powers. The medium used in actualizing Baefeto baemone reconciliation through the rites that accompany the season cycle. These moments make it possible to greet each other, build the dialogues as described in the above season cycle rituals, including when gathered in traditional ceremonial events. In the process it is not allowed any coercion or political interests and with a sense of kinship (baefeto baemone) to reconciliation of conscience.

TRADISI NGUTANG DI PASAR TRADISIONAL (Studi di Pasar Tradisional Gunungpati) Baidhowi, Baidhowi
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 1: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

The traditional market is an important place in the life of the Java community. For society, the market not only as a meeting place for sellers and buyers, but also as a forum for social interaction and representation of traditional values indicated by market actors (traders, buyers and banks thithil / renten). The actors in offering their goods prioritizing personal approach and familial / social networking. Established market atmosphere is not just a formal relationship of buying and selling between sellers and buyers, but more than that, that they greet each other and chat. So for the people shopping at a crowded market and not too clean it into the enjoyment of life of its own. Capital constraints for traders to be one of a phenomenon that is addressed to "ngutang". On the other hand not a few traders in traditional markets by way of its trading strategy are debted. What is interesting how the tradition owe both by traders and buyers as well to whom they debt.This is Qualitative research with phenomenological approach. Collect data with interview techniques. The results showed that the tradition of debt for the traditional market actors Gunungpati done with some motive or model. First group owe a shopper to traders in the market. In this group, in fact the buyer does not merely want to owe. Debt settlement, the traders wait for repayment by the buyer. The second group, the debt carried by traders to moneylenders / bank thithil. Capital constraints often encourage traders to seek additional capital. Their interest in debt to loan sharks, although the excess returns occur because of several motives, among other things, increase business capital, join friends / tempted by the offer attractive, need urgent funds for other purposes. While the model of the solution is the moneylenders who seized merchandise, no patient by giving time. Instead models of debt repayment by merchants a variety of characters, there is the discipline to pay any bank thithil paramedics came. There are â€œendoâ€/ evoid with unsold merchandise reason. Finally been booked to trust banks thithil real customers also remedy immediately pay off, not rare bicker.

SALAT DALAM TRADISI ISLAM KEJAWEN Khalim, Samidi
Sabda: Jurnal Kajian Kebudayaan Vol 6, No 1: 2011
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Islam Kejawen here is meant as Islam as practiced in the Kingdom of Java. A reflection of Islam Kejawen can be seen in the works of literature written by the kingdom poets. This paper raises thoughts of Kraton Surakarta poet, Ngabehi Sastrawijaya, who lived during the reign of Paku Buwana III and Paku Buwana IV. The works of Sastrawijaya analyzed are Suluk Sajatining Salat and Suluk Salat Sarengat Tarekat Hakekat Makripat stored in the library of the Kingdom of Surakarta Museum, Museum Sasana Pustaka. This article analyzes the text to reveal both the meaning and function of the suluk for Islam Kejawen practice.

PERAN BUDAYA BOBATU DALAM PENGELOLAAN SUMBERDAYA KELAUTAN DI DISTRIK DEMTA, JAYAPURA, PAPUA Wally, Yusuf
Sabda: Jurnal Kajian Kebudayaan Vol 6, No 1: 2011
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

This paper discusses the values of local wisdom Bobatu and its role in adaptive management of marine resources in the District of Demta. A problem in this connection includes the management of marine resources applied in Indonesia and the centralized nature of the alleged to be one factor affecting the depletion of coastal resources. Supervision and enforcement seem to be weak because of the vast territory, therefore we need an approach to effective management and efficient as well as small scale fisheries management by using the values of local wisdom in the District of Demta in Jayapura in Papua province.

THE SYMBOL OF LIFE BASED ON WILLIAM CARLOS WILLIAMS’S POEM, "SPRING AND ALL" THROUGH STILISTIC VIEW Jumino Jumino
Sabda: Jurnal Kajian Kebudayaan Vol 12, No 2: 2017
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

"Spring and All" poem talks about life around us as a simple daily experience, describing the turn of the winter to the coming of the next season, spring. Human life is always changing. Not always happy, symbolized by winter but also not forever suffering, symbolized by spring. Natural suffering is usually a test to achieve happiness. Williams changes his choice of words between two parts of the poem to give the reader a different feeling in the poem that provides a contrast to the ideas of life and death. Through "Spring and All", Williams wants to show the reader how the ideas of life and death can be seen through the transition from winter to spring. He uses dreary imagery (winter) to show sorrow and death, then uses imagery (spring) to live life and hope. Thus, if people think positively, there will be opportunities to improve in the future.

SISTEM SOSIAL-BUDAYA DI INDONESIA Kistanto, Nurdien H.
Sabda: Jurnal Kajian Kebudayaan Vol 3, No 2: 2008
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Human creature and culture together build a socio-cultural life, patterned and systematically referred to a socio-cultural system. Systematization through adjustments with the socio-cultural thoughts and practices in norms, ideas, values, aesthetics, tradition, all of which can be realized through cultural elements, at one time was the cultural content. Socio-cultural systems can be understood as the bowl of developing cultural elements as the embodiment of cultural contents which are intertwined. Five Indonesian socio-cultural systems, which are formed by cultural background and experiences from period to period, can be considered as the fruits of civilization and nation experiences perpetually moving and growing.

Pelestarian Dan Pengembangan Keanekaragaman Seni Nusantara Bahasan tentang Memajukan Pendidikan dan Menguatkan Karakter Tjetjep Rohendi Rohidi
Sabda: Jurnal Kajian Kebudayaan Vol 14, No 1: 2019
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Three important cases need to be raised to begin this article. First, it is the issue of advancing education and strengthening culture. The issue should be seen as awareness to understand arts in various archipelago as a whole system, namely regarding human’s behaviour and values and natural-physical and socio-cultural environmental resources; that is, an eco-cultural system. This basic understanding becomes the starting point for carrying out activities or praxis in dealing with the changes which occur. Second, the effort of inheritance in its form as the preservation and development of this culture which refers to the awareness of artistic diversity which needs to be maintained as a system that gives freedom in unity and integrity. Third, art is a cultural element that is sensitive to differences, and becomes a flexible means of bridging differences; it becomes a means of appreciation of the refined inner space to overcome violence, hatred, pride, and greed. In brief, what is discussed in this paper comprises (1) art in Indonesia in the context of the archipelago culture; (2) socio-cultural changes and their implications in the development of art in Indonesia; and (3) inheritance efforts as an educational process which needs to be done. The problem is thoroughly tried to be discussed through an eco-cultural perspective, namely by putting the parts of the problem as a whole system which is interconnected among humans, values, and their environment in the micro and macro environment.

KEARIFAN LOKAL DALAM PENGELOLAAN SUMBER DAYA PESISIR DAN LAUT Hukum Adat Laot dan Lembaga Panglima Laot di Nanggroe Aceh Darussalam Puspita, Maya
Sabda: Jurnal Kajian Kebudayaan Vol 3, No 2: 2008
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

The fisherman communities of Aceh Nangroe Darussalam has been aware to manage their potential resources, their coast and seas for centuries equipped with local indigenous values tradition and culture, so-called â€žtraditional wisdom.â€Ÿ The traditional wisdom implied in this region includes the authority ground of Panglima Laot, fishing time determination and the system of marine management cooperated with local government. The sanction is also applied as a consequence of its violation. They respect the nature a lot and believe if they â€œtreatâ€ the nature wisely and gently, it will give them something in return. They well manage between the local indigenous values tradition and culture and management of coastal and marine resources in order to maintain the sustainability of the resources. Primarily, after the tsunami, the fishermen society became more cautious and aware to preserve the ocean along with the resources.

RITUAL PERANG DALAM KEBUDAYAAN SUKU DAYAK Hanifi, Muhammad Luthfan
Sabda: Jurnal Kajian Kebudayaan Vol 11, No 2: 2016
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

This paper is concerned with the rituals of Dayak tribe that are performed before, during, and after a war. Dayak tribe is one of many tribes in Indonesia that is very conservative towards their cultural tradition. The rituals were conserved until Tumbang Anoi treaty in 1894. The rituals are rarely performed as Dayak tribe tries to avoid war with other Dayak tribes since Dayak has 405 clans or other tribes. Before Tumbang Anoi treaty, Dayak tribe was active in performing the rituals as there were wars among their clans or against colonialist. After Tumbang Anoi treaty, Dayak is rarely involved in war except they feel that their pride or tradition is humiliated. Nowadays, the rituals which consist of ceremonies, dances, and headhunting or Kayau are only performed as guests reception except the headhunting part

AKULTURASI DALAM ARSITEKTUR RUMAH TINGGAL LASEM : Studi Kasus Rumah Liem King Siok M. Maria Sudarwani; Edi Purwanto; Siti Rukhayah
Sabda: Jurnal Kajian Kebudayaan Vol 13, No 2: 2018
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Lasem was called “La Petit Chinois” or “Small China” because there were Chinese community settlements consisting of old Chinese-style houses. Lasem was a large port city since the time of the Majapahit Kingdom until the Dutch colonialism encouraged cultural acculturation. Lasem batik is one of the results of acculturation of Javanese and Chinese culture and has been a noble outfit since King Lasem I ruled (1350-1375). Cultural acculturation forms a distinctive cultural identity that is an important part of coastal culture. Therefore the uniqueness of cultural acculturation in Lasem is interesting to study. The purpose of this study was to obtain an overview of Chinese residential architecture in Lasem Chinatown and Chinese culture in Lasem, so as to enrich local theories about the meaning behind the architecture of Chinese houses in Lasem. This research method uses the rationalistic paradigm with a qualitative approach. Cultural acculturation influences local architecture through variety, pattern of space, and order, so that the result of mixing culture will form a new image of local society (Fauzy, 2012). The culture acculturation has influenced the spatial layout and details of the residential houses of the Chinese community so as to produce a unique form of architecture.

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