Fesyen Perspektif
esyen Perspektif merupakan Jurnal yang dikelola oleh program studi Pendidikan Tata Busana, sebagai tempat yang mewadahi berbagai hasil karya ilmiah mahasiswa dan pengajar di lingkungan Prodi Pendidikan Tata Busana Departemen PKK FPTK UPI. Terbit dua kali setahun pada bulan April dan Oktober, berisi tulisan yang diangkat dari hasil penelitian, gagasan konseptual, aplikasi teori dan kajian analitis kritis di bidang fesyen (mode busana, pembuatan busana, desain busana, tekstil, kriya tekstil, dan tata rias). Fesyen Persfektif menampilkan hasil kajian yang membuktikan bahwa fashion sebagai kebutuhan utama manusia mengalami perkembangan dan perubahan. Kecenderungan perubahannya meliputi berbagai aspek yang melingkupi kehidupan manusia. Pelaku fashion khususnya para akademisi bidang fashion memberikan perhatianya dengan mengkaji kreatifitas, aspek fungsional dan aspek estetik dari fashion.
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91 Documents
<![CDATA[PENGEMBANGAN MULTIMEDIA INTERAKTIF PEMBELAJARAN TEKNIK MENGGAMBAR PROPORSI ILUSTRASI DESAIN TUBUH WANITA ]]>
<![CDATA[Rita Nurjanah]]>;
<![CDATA[Mila Karmila]]>
<![CDATA[ Fesyen Perspektif Vol 8, No 1 (2017): Fesyen Perspektif ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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<![CDATA[Computer technology can support the learning process in the delivery of materials, methods and instructional media. In the learning process required media are able to attract the interest and motivation of learners in learning, one of them with interactive multimedia. This research aims to design and develop instructional media that are tailored to the needs of learners. Instructional media design illustration drawing techniques proportion of the female body is still conventional and this is the rationale for conducting research, interactive multimedia development will be an alternative to facilitate the learning process for students. The method used in this research is method of Research and Development (RD). Design and development of media made through the first phase, a preliminary study, examines the theory and analysis of learning activities. The second phase, to develop media with interactive multimedia. The third phase, to test or validate interactive multimedia instructional design illustration drawing techniques proportion of the female body. The results of the validation by subject matter experts to get the average value of a feasibility percentage of 98.9%, by multimedia specialists earn an average percentage of 90.6% viability and users get an average percentage of 92.7% viability. Based on the feasibility of the results of validation standard interactive multimedia learning drawing techniques proportions of a woman's body design illustrations included into the category of valid and fit for use.]]>
<![CDATA[KONTRIBUSI HASIL BELAJAR PELATIHAN “MENJAHIT” TERHADAP KESIAPAN KERJA DI KONFEKSI ]]>
<![CDATA[Liza Putri Renata]]>;
<![CDATA[Mally Maeliah]]>
<![CDATA[ Fesyen Perspektif Vol 5 (2015): Fesyen Perspektif ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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<![CDATA[Tailoring a training program sewing skills given to the former drug abusers aged 14 s.d 26 years as a provision back in the community and competence within the scope of expertise sewing (dressmaking). This study aimed to obtain data on the contribution of learning outcomes Tailoring Training to work in the garment readiness. The method used is descriptive analytic data collection tool using tests and questionnaires. The population in this study are alumni of the Social Rehabilitation Center Pamardi Putera (BRSPP) force in 2013 with the total sample, totaling 26 people. The results showed that the learning outcomes Tailoring Training in general are at sufficient criteria, based on the knowledge that in terms of materials knowledge, knowledge of sewing machines, techniques to correct the interference on the machine, sewing skills and safety. Conclusions from the study showed that the contribution of learning outcomes Tailoring Training to work in the garment readiness on citizens to learn generally in sufficient criteria.]]>
<![CDATA[PEMBUATAN ALAT EVALUASI PEMBELAJARAN PIYAMA PRIA ]]>
<![CDATA[Endah Perina]]>;
<![CDATA[Astuti Astuti]]>
<![CDATA[ Fesyen Perspektif Vol 7, No 2 (2016): Fesyen Perspektif ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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<![CDATA[Preliminary studies were performed on some vocational training institutes (LPK) obtained information that hasn’t been assessment guidelines for assessing man pajamas products. This study aims to produce a learning evaluation instrument that can be used as a standard / reference in assessing the learning outcomes of students in the form of man pajamas products. The learning evaluation instrument of man pajamas is the assessment format of man pajamas products which arranged in detail, and there are criterias for the assessment parts of man pajamas products. The method used in this study through the stages of introduction study, making of learning evaluation instrument, validity test and the revision stage. The feasibility of the use of learning evaluation instrument is known from the validity of the test results from matter experts and evaluation expert. The test results showed that the validity of the learning evaluation instrument of man pajamas which has been made are included in category "feasible" to be used by the average percentage of 100% of the matter experts and 94.58% of the evaluation expert. The learning evaluation instrument of man pajamas has been made this expected to become the standard reference (standard) in assessing student learning outcomes are man pajamas products at various institutions / agencies and educational training.]]>
<![CDATA[KONTRIBUSI HASIL BELAJAR MEMBUAT POLA KEBAYA TERHADAP KESIAPAN MENJADI PATTERN MAKER DI BUTIK ]]>
<![CDATA[Anke Resty Septiany]]>;
<![CDATA[Astuti Astuti]]>
<![CDATA[ Fesyen Perspektif Vol 3, No 2 (2013): Fesyen Perspektif ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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<![CDATA[Penelitian ini mengkaji tentang kontribusi hasil belajar membuat pola kebaya terhadap kesiapan menjadi pattern maker di butik. Tujuan untuk mengetahui hasil belajar membuat pola kebaya jawa, sunda, encim, dan betawi di tinjau dari pengetahuan dan keterampilan terhadap kesiapan menjadi pattern maker di butik. Metode yang digunakan dalam penelitian ini adalah metode deskriptif analitik dengan alat pengumpul data berupa skala penilaian. Sampel yang digunakan yaitu sampel total sebanyak 32 orang. Hasil penelitian menunjukan bahwa hasil belajar membuat pola kebaya pada kompetensi pengertian kebaya, faham gambar, analisis model, cara mengukur, tanda – tanda pola dan pecah pola berada dalam kategori tinggi dan memberikan kontribusi positif dan signifikan terhadap kesiapan menjadi pattern maker di butik. Simpulan menunjukan bahwa peserta didik sudah menguasai pembuatan pola kebaya sunda, kebaya jawa, kebaya encim, dan kebaya betawi terhadap kesiapan menjadi pattern maker di butik.]]>
<![CDATA[PENERAPAN HASIL BELAJAR DESAIN TEKSTIL PADA PRAKTEK PEMBUATAN ANYAMAN TAPESTRI ]]>
<![CDATA[Citra Ayu Widianingsih]]>;
<![CDATA[Supandi Supandi]]>
<![CDATA[ Fesyen Perspektif Vol 6, No 1 (2016): Fesyen Perspektif ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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<![CDATA[This research inspect about implementation of learning outcomes textile as a knowledge skill practice of making woven tapestry. The purpose of this research is to obtain data about learning outcomes textile review by basic knowledge of design motives, types of tapestries, tools and materials and implementation to practice of making woven tapestry. Research methods used is descriptive method that uses quantitative strategy. Samples used total sample amounted to 34 people. Means of collecting data using quesionnaires. Conclusions of this study indicate that implementation of learning outcomes “textile design” in terms of implementation to practice of tapestries, tools and materials and making of woven tapestry on textile engineering student class of 2011, most of the student are able to apply the material in the manufacture of woven textile design tapestry well.]]>
<![CDATA[BUSANA PESTA SORE DENGAN LEKAPAN BORDIR KUPU-KUPU MORPHO BIRU ]]>
<![CDATA[Risa Robiani Divani Achmad]]>;
<![CDATA[Marlina Marlina]]>
<![CDATA[ Fesyen Perspektif Vol 8, No 2 (2017): Fesyen Perspektif ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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<![CDATA[Blue Menealous Morpho is more than one butterfly with a sparkling wing sides and a large ocelli line at the base of the postdical area. This butterfly is a neotropical, found mostly in central America, Mexico and South Amerika, including, Brazil, Costa Rico and Venezuela. Blue morpho butterfly model became an inspiration to be used as a garniture in the evening party dress. Party dress is a special dress that is used for the occasion of the party and has special characteristics ranging from design to various kinds of garniture to complement a beautiful and luxurious impression on the party dress. Characteristics of morpho butterfly became an inspiration for the party dress garniture which is realized, using embroidery techniques, that added with a paste sequin decoration that will complement a luxurious impression on the party dress. This scientific work is prepared using experimental methods. The authors designed it to realize the party dress with a silhouette that is given with the technique embroidery morpho blue butterfly.]]>
<![CDATA[PESONA DRAPERI PADA IMPERIAL PERIOD ROME STYLE ]]>
<![CDATA[Citra Ayu W]]>;
<![CDATA[Katiah Katiah]]>
<![CDATA[ Fesyen Perspektif Vol 1, No 1 (2012): Fesyen Perspektif ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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<![CDATA[Penulisan kertas kerja ini dilatar belakangi oleh gaya busana Imperial Period Rome Style yang dikembangkan menjadi lebih modern dan dapat digunakan pada masa kini. Tujuan yang ingin dicapai yaitu memperkenalkan dan mengembangkan busana gaya Imperial Period Rome Style, memperkenalkan dan mengembangkan hiasan Draperi, dan meningkatkan kreatifitas penulis dalam mendesain busana gaya Imperial Period Rome Style dengan hiasan Draperi pada busana yang digunakan untuk kesempatan foto Pre Wedding. Manfaat dari pembuatan kertas kerja ini yaitu menambah wawasan tentang gaya busana , penulis dapat mendesain busana gaya Imperial Period Rome Style untuk busana yang digunakan pada kesempatan foto pre wedding,serta penulis dapat membuat hasil karya nyata berupa busana gaya Imperial Period Rome Style dengan hiasan Strook untuk busana yang digunakan pada kesempatan foto pre wedding. Busana gaya Imperial Period Rome Style adalah busana untuk kaum wanita yang berkembang pada masa kekaisaran Romawi Kuno, yaitu busana yang menggunakan draperi pada hampir seluruh bagian busana. Draperi berasal dari bahasa perancis yang berarti lilitan kain yang jatuh menjuntai. Penggunaan draperi mulai digunakan oleh kaum wanita pada era Romawi dan Yunani Kuno. Foto pre wedding adalah foto sebelum pernikahan yang diabadikan oleh calon mempelai pengantin.Gaya Imperial Period Rome Style dapat dieksplorasiuntuk kesempatan foto pre wedding.]]>
<![CDATA[SURFACE CORDING APLLICATIONS IN AWARD GOWN ]]>
<![CDATA[Liza Putri Renata]]>;
<![CDATA[Pipin Tresna P]]>
<![CDATA[ Fesyen Perspektif Vol 4 (2014): Fesyen Perspektif ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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<![CDATA[Perkembangan dunia fashion tidak lepas dari perkembangan mode busana di masyarakat. Mode busana yang yang sedang berkembang dan tengah digandrungi yaitu busana untuk kesempatan award. Mode busana award pada umumnya menjadi trand setter dalam dunia fashion. Penampilan busana award agar terlihat mewah bisa dilakukan dengan menerapkan garniture busana. Salah satu garniture yang dapat diterapkan untuk memperindah busana award yaitu menggunakan teknik aplikasi berbahan dasar tali atau sengkelit yang disebut surface cording. Pada kesempatan Seminar Tata Busana ini penulis menggunakan aplikasi surface cording sebagai unsur dekoratif utama pada busana. Keistimewaan teknik ini dapat dilihat dari keindahan motifnya dan keunikan teknik pembuatannya sehingga menjadi sebuah karya busana sebagai pengembangan busana award.]]>
<![CDATA[EKSPLORASI STRUKTUR GUNUNG ES (ICEBERG) PADA BUSANA PESTA SORE DENGAN TEKNIK RUFFLES ]]>
<![CDATA[Shofura Azhar Nabila]]>;
<![CDATA[Feny Puspitasari]]>
<![CDATA[ Fesyen Perspektif Vol 8, No 1 (2017): Fesyen Perspektif ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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<![CDATA[The iceberg (Iceberg) is a large chunk of freshwater ice that has been split from glaciers or ice shelf and floating open water. Since density (density) of ice is lower than sea water, generally 90% of the volume of icebergs is below sea level. Ruffle is a wrinkled or pleated cloth wider than the frills generating floating waves attached to the fabric that produces dimensions and waves on the decorated part also can be combined with many piles and cut in various ways and sizes, including ruffle into fabric manipulation techniques. Because of the uniqueness of the iceberg form the authors are inspired to apply the form of an iceberg characterized by a smaller volume above the sea surface ie the peak and the greater volume of iceberg beneath the surface of the sea against the exploration of party fashions with ruffle techniques. The purpose of designing fashion products at this fashion seminar is to meet one of the tasks of seminars education education courses and also has experience in applying the beauty of the iceberg threatened to melt because of the earth warming of party dress with ruffle techniques. The method used is a project based learning consisting of several stages, including finding sources of ideas, searching the literature, and conducting experiments that began from the making of moodboard, fashion design, and the manufacture of fashion products. The expected findings of this design are the successful application of icebergs to the exploration of party fashions with ruffle techniques.]]>
<![CDATA[MOTIF BATIK CIREUNDEU PADA COCKTAIL DRESS ]]>
<![CDATA[Tia Windari]]>;
<![CDATA[Supandi Supandi]]>
<![CDATA[ Fesyen Perspektif Vol 1, No 1 (2012): Fesyen Perspektif ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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<![CDATA[Motif Batik Cireundeu muncul dari aspirasi beberapa seniman Cimahi yang peduli terhadap perkembangan budaya tradisional di kota Cimahi, setelah itu mulai dilakukan upaya menjaga dan melestarikan batik Cimahi. Batik Cimahi memiliki lima motif yaitu motif anyaman bambu, motif lereng kujang, motif Cireundeu, motif Curug Cimahi dan motif Pusdik TNI. Motif Cireundeu adalah motif daun singkong, motif ini terinspirasi dari kampung Cireundeu yang terdapat banyak pohon singkong. Batik Cireundeu dapat dieksplorasik menjadi bahan gaun pembuatan cocktail dress yaitu busana yang berasal dari Amerika dan populer di awal tahun 1920-an saat diadakan acara cocktail party atau untuk acara makan malam. Motif batik Cireundeu pada cocktail dress ini sudah dapat menjadi materi tugas pada Seminar Pendidikan Tata Busana berupa gaun sebatas lutut atau lebih dengan potongan memamerkan pundak serta lengan atas, gaun ini dibuat dari bahan mewah, juga dapat dihias dengan bordir atau hiasan dekoratif lainnya. Agar karya ilmiah ini diharapkan memberikan kontribusi terhadap peningkatan pelestarian artefak Indonesia khususnya kain tradisional yang dilakukan oleh seorang desainer busana yang kreatif.]]>
