Texture : Art and Culture Journal
Texture art and culture journal, memuat artikel hasil penelitian ilmiah dalam spektrum penciptaan dan pengkajian seni rupa dan budaya. Lokus seni rupa berfokus pada praktik artistik dalam beragam medium ungkap, baik dua dimensi, tiga dimensi, hingga ragam praktik seni intermedia. Budaya dilihat dalam konteks praksis, berikut ragam produk budaya visual yang tumbuh dan berkembang di masyarakat. Kajian terkait seni rupa dan budaya dalam jurnal ini menggunakan pendekatan kritis dalam perspektif keilmuan interdisipliner.
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138 Documents
<![CDATA[PENCIPTAAN KARYA SENI INSTALASI DENGAN SUMBER IDE SELF INJURY ]]>
<![CDATA[rahmadewi, ridha]]>;
<![CDATA[Purwantoro, Agus]]>
<![CDATA[ Texture: Visual Art and Culture Journal Vol. 7 No. 1 (2024) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v7i1.3405
<![CDATA[Thisfinalprojectistheresultofexperience,andanassessmentofseveralreferences asaformofinterpretationofsocialphenomenaregardingself-injury,thenprocessed and created in the form of installation art. The creation of these works of art aims to inspire people, especially parents, to pay more attention to parenting and education fortheirchildren.Theauthorusesassemblingtechniquesintheprocessoflovingthe work, by liking or combining various objects to create a new unity. By realizing the ideaofself-defeatingperceptionsfromtheauthor'spointofview,itishopedthatthese works of art can not only be enjoyed by art observers, but can also be a source of inspiration and new understanding to the community about how a habit and the application of wrong student patterns can affect personality. a child in a worse direction.]]>
<![CDATA[PERANCANGAN MOTIF TEKSTIL UNTUK KEMEJA KASUAL DENGAN SUMBER IDE TOKOH WAYANG BIMA ]]>
<![CDATA[Ikhsani, Trinurseto]]>
<![CDATA[ Texture: Visual Art and Culture Journal Vol. 7 No. 1 (2024) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v7i1.3945
<![CDATA[This artistic research is carried out to develop motif designs with digital print techniques which will be directed by exploring visual motifs with the source of the Bima puppet character idea to be developed towards more creative and innovative designs.This design uses a design approach that goes through three main processes, namely; the process of exploration, termination, and extraction (Palgunadi. 2007).The results of this development succeeded in creating 6 designs with an illustrative and modern visual style. The application of this development is directed at casual shirts for men with an age range of 17-25 years, taking into account the selection of appropriate colors and compositions so as to produce creative and innovative products that have characteristics and updates in terms of design.This development resulted in a new design display that bridged textile motifs with today's casual shirt products. By using digital processing techniques, this development can produce designs that consider more realistic and imaginative visual results but do not eliminate the philosophical essence of the motif itself]]>
<![CDATA[PERANCANGAN PERPUSTAKAAN UMUM KOTA MALANG DENGAN GAYA MID CENTURY MODERN ]]>
<![CDATA[syahputri, leonie aaliyah]]>;
<![CDATA[Indarto]]>
<![CDATA[ Texture: Visual Art and Culture Journal Vol. 7 No. 1 (2024) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v7i1.5723
<![CDATA[Public libraries play an important role with a functional approach, namely the library as a container that can be a source of information in terms of improving intellectual abilities and literacy abilities.The enthusiasm of the Malang city people who come to visit the Malang city public library is very high to provide quality human resources. The community's mastery of literacy is very important. The Malang City public library design method is based on field studies or literature studies as basic materials through a design process which includes three stages, namely input, analysis and output. Designing a public library with a Mid Century Modern style will be able to create an appearance that is more modern, functional, and conducive to the desired atmosphere and goals by using ergonomic and anthropometric approaches which will later standardize the size and shape of the interior.]]>
<![CDATA[DAYA HIDUP IDENTITAS LOKAL CANDI CANGKUANG DI KAMPUNG PULO GARUT JAWA BARAT ]]>
<![CDATA[-, Prima Yustana]]>;
<![CDATA[Sunarmi]]>;
<![CDATA[Soewarlan, Santoso]]>
<![CDATA[ Texture: Visual Art and Culture Journal Vol. 7 No. 1 (2024) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v7i1.5738
<![CDATA[Cangkuang Temple is a very unique temple, its uniqueness is found in several elements contained in the name, form and location of the temple. In discussing this article, it is necessary to use an approach that is by the material object and the existing formal object, the material object is discussed using an aesthetic approach while the formal object uses a source interview approach and sees the relevance of the notion of vitality by Dwi Marianto, this approach is used to look deeper into what potential is contained in Cangkuang Temple, Garut, West Java, tourism potential is the main potential supported by its location on a small islandthatcanonlybeaccessedusingbamboorafts.Theresearchmethodusesadescriptive qualitative method based on the potential existence of three exciting things: temples, tombs or tombstones, and traditional villages. The three elements have a solid connection because untilnowthetraditionalvillageorcommonlycalledKampungPulostillmaintainstheprinciples instilled byits ancestors who are familiarly called Mbah Dalem Arif Muhammad]]>
<![CDATA[VISUALISASI LIRIK LAGU“SENANDUNG” NONARIA DALAM SENI GRAFIS ]]>
<![CDATA[Putri, Kinanti]]>;
<![CDATA[Kurniawati, Dyah Yuni]]>
<![CDATA[ Texture: Visual Art and Culture Journal Vol. 7 No. 1 (2024) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v7i1.5831
<![CDATA[This article is an expression and visualization of the author's imagination toward the song NonaRia into the form of a high-print graphic artwork. NonaRia is a female duo music group from Indonesia that debuted in 2012 with the genre of jazz swing music. NonaRia's songs have simple and witty lyrics but have deep meanings. Each song has its own magnetic power that seeps into the soul and is engraved in the listener's memory. The interpretationofthemeaningofthelyricsofthesongcontainedinthelyricsof thesong"Senandung"byNonaRiarepresentsadeepsenseofgratitude.The result of thisstudyisto analyze thegraphic elements andthemeaningofthe lyrics of NonaRia's songs into the form of high-print graphic art creations.]]>
<![CDATA[PERANCANGAN PROTOTYPE WEB APP SISTEM LAYANAN PEMESANAN DAN INFORMAS CAR WASH DI SOLO ]]>
<![CDATA[Zamzami, Abdullah Ibrahim]]>;
<![CDATA[Rahman, Yanuar]]>;
<![CDATA[Dwija Putra, I Dewa Alit]]>
<![CDATA[ Texture: Visual Art and Culture Journal Vol. 7 No. 1 (2024) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v7i1.5930
<![CDATA[The populationoftwo-wheeledand four-wheeled vehicles in Indonesia willreach more than 141 million units in 2021, encouraging the growth of the car wash industry. The challenge of customer queues in small areas was highlighted, sparking the idea of a technology-based solution. Through a design thinking approach,awebappfororderingcarwashinformationwasdesignedtoovercome the problem of limited land area and insufficient human resources. Using Figma indesigning userinterfaces (UI) prioritizes harmonious layout elements,contrast, and clear typography.Prototype testing is carried out to ensure the solution meets user needs. The literature review includes Design Thinking, User Interface (UI), User Experience (UX), User Flow, Figma, and Usability Testing. It is hoped that implementing this WebApp can increase car wash operational efficiency,reduce customer queues, and provide a better customer experience.]]>
<![CDATA[PERISTIWA GERBONG MAUT BONDOWOSO SEBAGAI SUMBER IDE KEKARYAAN KARYA SENI LUKIS ]]>
<![CDATA[Bawon, Mohammad Imam]]>;
<![CDATA[Rusputranto, Albertus]]>
<![CDATA[ Texture: Visual Art and Culture Journal Vol. 7 No. 1 (2024) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v7i1.5931
<![CDATA[This artistic research entitled “The Death Carriage Incident in Bondowoso as a Source of Ideas for Painting Works” is a response to my experience of hearing and reading the historical story of the Bondowoso people’s struggle. The death carriage incident is a sad story of the Bondowoso people’s struggle with their fighters. The story of the mass arrests carried out by the Dutch aggressors against the people and fighters of Bondowoso, to the point that the prisons in Bondowoso were no longer able to accommodate the prisoners. As a result, the Dutch army transferred prisoners using trains (three goods cars to transport the prisoners) from Bondowoso station to Surabaya station which then led to a tragedy known as the Bondowoso death carriage incident. The purpose of this creative research is to create works of painting that originate from the Bondowoso death carriage incident. This paper will explain the concept of creation, method of creation, process of creation and description of the works of painting that were created. The concept of the creation of this final assignment expresses the depiction or scene of the events of the Bondowoso death carriage incident, with the depiction obtained from my imagination based on the data obtained. The emergence of imagination or images in my mind became the starting point for the emergence of creative ideas which were then expressed in romanticism-style paintings. The method of creating the work refers to Francisco Goya's method of creation. The method consists of three stages, namely: the first stage, collecting sources of ideas or information; the second stage, developing initial ideas by describing what is obtained from information or personal experience, and combining the data received with imagination; the third stage, visualizing ideas and imagination into the media. This artistic research produces romanticism-style paintings using a combination of acrylic and oil paints on canvas media.]]>
<![CDATA[REPRESENTASI BADUT PADA KARYA SENILUKIS BUDI “UBRUX” HARYONO ]]>
<![CDATA[Harun, Hamdan]]>;
<![CDATA[Adisukma, Wisnu]]>
<![CDATA[ Texture: Visual Art and Culture Journal Vol. 7 No. 1 (2024) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v7i1.6083
<![CDATA[The process of creating Budi'spainting"Ubrux"emphasizes that social reality is the main basis for the inspiration for its creation.Direct involvement with social,political and cultural issues is reflected in the themes raised in his work, such as the figure of the clown which is used as a critique of the abuse of power by government officials. This research uses a descriptive qualitative approach with in-depth interview methods, observation and document analysis. The analysis was carried out by applying StuartHall's theory of representation,especially the encoding and decoding approach, to understand how the meaning in Budi's work "Ubrux" is produced and received by the audience.This study reveals the complexity of visual messages through symbols such as clown faces,haircolor,and facial expressions.The representational analysis approach makes it possible to explore the symbolic meaning and social context in these works,enriching our understanding of the social,political and cultural criticism conveyed by Budi "Ubrux" through the clown theme]]>
<![CDATA[ANALISIS PERSEPSI GENDER PADA ANAK MELALUI PRAKTIK SENI GRAFIS BERSAMA KOMUNITAS YUK BELAJAR SENI (YBS) ]]>
<![CDATA[Rohmah, Nurtaria]]>;
<![CDATA[Adrianto, Aditya Eko]]>
<![CDATA[ Texture: Visual Art and Culture Journal Vol. 7 No. 1 (2024) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v7i1.6106
<![CDATA[This study aims to explore gender perceptions in children's graphic art practices based on observations of their family environment through the YBS community at SD Negeri 02 Gentungan using a contextual approach. Data were collected through graphic artworks and interviews, employing high print techniques with eva foam matrices, where children selected 8professionsassociatedwithmasculinityandfemininity.Thefindingsrevealthat10-year-old children have recognized their gender roles, reflected in their choice of professions aligned withtheirgender.However,thereareindicationsofpotentialsubversionofgendernorms,as someboys choseprofessions,like acookand a tailor. These findingssupport Judith Butler's view that gender identity and roles are formed through the repetition of observed actions, demonstrating how familial and social contexts shape children's gender identity and career choices in line with the concept of gender performativity]]>
<![CDATA[TOKOH BIMA PADA LAKON DEWA RUCI SEBAGAI IDE PENCIPTAAN MOTIF BATIK WAYANG UNTUK FUNGSI HIASAN DINDING ]]>
<![CDATA[Insyafi, Mohammad Edo]]>;
<![CDATA[Affanti, Tiwi Bina]]>
<![CDATA[ TEXTURE Art and Culture Journal Vol. 7 No. 2 (2024) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v7i2.2967
<![CDATA[The Dewa Ruci puppet play is one of the traditional wayang stories rich in values and teachings about achieving the perfection of life. This creation aims to revive moral values of virtue and nobility by reinterpreting the visuals from the Dewa Ruci story into wall decorations. The artwork creation employs Gustami's three-phase, six-step craft-making method, consisting of exploration, design, and realization phases. The resulting works serve as a medium of expression through batik painting techniques designed for premium wall decoration products. These artworks, created on marsoto canvas, exude expressive and abstract qualities, offering a fresh visual sensation, differentiation, and innovation.]]>
