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Texture : Art and Culture Journal
Published by Institut Seni Indonesia Surakarta
ISSN : 2655676     EISSN : 26556758     DOI : 10.33153
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Texture art and culture journal, memuat artikel hasil penelitian ilmiah dalam spektrum penciptaan dan pengkajian seni rupa dan budaya. Lokus seni rupa berfokus pada praktik artistik dalam beragam medium ungkap, baik dua dimensi, tiga dimensi, hingga ragam praktik seni intermedia. Budaya dilihat dalam konteks praksis, berikut ragam produk budaya visual yang tumbuh dan berkembang di masyarakat. Kajian terkait seni rupa dan budaya dalam jurnal ini menggunakan pendekatan kritis dalam perspektif keilmuan interdisipliner.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 160 Documents
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Application Of Traditional Javanese Ornaments In Historic Buildings: A Case Study of Ndalem Kalitan In Surakarta Salim; Amin Sulistiyowati; Heriyanto Atmojo
Texture : Art And Culture Journal Vol. 9 No. 1 (2026)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v9i1.7805

Abstract

Ndalem Kalitan in Surakarta is a historic building rich in cultural and historical value, reflected in the carved ornaments that adorn the doors, windows, pillars, and interior elements. This study aims to identify the form, meaning, and historical value of the ornaments and carvings on Ndalem Kalitan and analyze their potential as a source for historical learning. The study employed a qualitative descriptive method, collecting data through observation, documentation, and interviews with informants familiar with the history of Ndalem Kalitan and traditional Javanese carving. Data analysis was conducted through data reduction, data presentation, and conclusion drawing. The results indicate that the carvings on Ndalem Kalitan contain historical values ​​related to the Javanese philosophy of life, symbols of social status, and the influence of cultural acculturation. These values ​​are relevant as a learning resource, particularly for local ornaments, to foster awareness and appreciation for regional cultural heritage.
Alternative Process of Film Soup In Creation of Experimental Photography Works Setyo Tohari Catyuriyanto; FX. Purwastya Pratmajaya; Abullah Rozak
Texture : Art And Culture Journal Vol. 9 No. 1 (2026)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v9i1.7902

Abstract

The purpose of this research is to create experimental photography works with alternative soup film processes. The target to be achieved in this research is to show that in creating experimental photography works with alternative soup film processes can produce scratches and spots of color composition that have an expressive impression. The steps that will be taken in creating this work are observation, brainstorming, exploration, experimentation and presentation of the work. This research can be used as a learning medium in the form of information on the stages of creating experimental photography works with the output of textbooks and journal articles.
Fabric Material Infographic Illustration Design for Branding and Client Presentations at PT Kreasi Busana Indonesia Pascal Lazuardi
Texture : Art And Culture Journal Vol. 9 No. 1 (2026)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v9i1.8161

Abstract

This study aims to understand the characteristics and textures of various types of fabrics and how these properties influence client expectations and the production workflow within a garment-manufacturing (convection) environment. Commonly used materials such as rayon, rib, velvet, and soft denim exhibit different behaviors during both the initial and final stages of production, particularly in terms of shape stability, shifting tendencies, and handling requirements. Through literature review, interviews with business owners, supervisors, and cutting operators, as well as direct field observations, this research identifies key factors that affect the final garment quality. The findings indicate that a solid understanding of fabric texture and fiber structure is essential for minimizing cutting errors, increasing material efficiency, and maintaining product consistency. The results of this study are expected to serve as a reference for garment-industry practitioners in optimizing production processes through material-based
3D Design of Batak Facial Figures as a Representation of Nusantara Cultural Identity in Visual Communication Design Muhammad Nikel Alfathir
Texture : Art And Culture Journal Vol. 9 No. 1 (2026)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v9i1.8162

Abstract

This research discusses the design of 3D Batak ethnic facial figures as a representation of Indonesian cultural identity in the context of Visual Communication Design. The process of creating a work is carried out through several stages, namely documentation, observation, work review, interviews, literature study, and design experiments. Documentation and observation produced data regarding the morphological characteristics of the Batak face, such as a firm jaw, high cheekbones, wider nose, and brown skin color. The study of cultural elements, such as ulos and rope head accessories, provided a strong visual foundation to apply to the character designs. Studying 3D stylized works from other artists becomes a reference in understanding how cultural elements can be adapted into modern visuals. Through modeling experiments using Blender, 3D characters were then built using a stylized approach that still maintains the uniqueness of Batak culture. The final results show that 3D facial figures can be a media for cultural representation that is informative, aesthetic, and relevant to today's visual design needs. It is hoped that this work will expand the use of 3D technology in preserving and spreading the cultural identity of the archipelago
Justisia Half Marathon Poster Design with a Retro Style M Rifky Ramadhanu
Texture : Art And Culture Journal Vol. 9 No. 1 (2026)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v9i1.8205

Abstract

The rapid growth of running culture in recent years has transformed half-marathon events into more than just sporting activities. They have become part of an urban lifestyle associated with health, self-expression, and social engagement. This trend has encouraged event organizers to establish strong visual identities to attract participants. Justisia Half Marathon is a running event that emphasizes the values of sportsmanship and justice. However, its promotional media still require a more engaging visual approach that aligns with the preferences of Generation Z audiences.This study aims to design a promotional poster for Justisia Half Marathon using a retro visual approach as a communication strategy to enhance promotional appeal and strengthen event identity. The research employs the Design Thinking method, consisting of empathize, define, ideate, prototype, and testing stages. Data were collected through observation of sports poster design trends, literature review on visual communication design, and interviews with potential participants.The design results indicate that the application of retro visual elements, including bold typography, contrasting color schemes, visual textures, and photographic manipulation techniques, produces a communicative poster with a strong visual character. Beyond functioning as an informational medium, the poster also contributes to establishing a distinctive and memorable brand identity for the Justisia Half Marathon event.
UI/UX Design of Mobile Application Based on Deaf Culture Illustrations at Difabis Coffee & Tea Wanda Ayu Azzahra; Muhammad Fauzi
Texture : Art And Culture Journal Vol. 9 No. 1 (2026)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v9i1.8216

Abstract

Difabis Coffee & Tea is a cafe that employs Deaf Baristas and hearing volunteers and sells food and drinks. This study aims to create a mobile application based on Deaf Cultural Illustrations at Difabis Coffee & Tea, which supports communication through Deaf Cultural Illustrations using BISINDO Sign Language. Deaf Cultural Illustrations are facial images that show the values and character traits of Deaf Baristas. Deaf Cultural Illustrations function as important visual elements in mobile application design to clearly display the character of Deaf Baristas. The main focus in the UI/UX Design of Mobile Applications Based on Deaf Cultural Illustrations at Difabis Coffee & Tea using BISINDO Sign Language is applied on the Onboarding, Select Language, Login, Forgot Password, OTP Verification, until Success pages, to provide BISINDO Sign Language vocabulary for deaf users and hearing customers. The method used in this study is Design Thinking, which has four main steps: Empathize, Define, Ideate, Prototype, and Testing. The UI/UX Design Process for Mobile Applications Based on Deaf Culture Illustrations at Difabis Coffee & Tea was carried out through the Empathize Stage (User Understanding), Define Stage (Problem Formulation), and Prototype Creation.
Designing A Cultural Exploration Game of North Sumatra in The Digital World Anggit Prayoga Dwiputra
Texture : Art And Culture Journal Vol. 9 No. 1 (2026)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v9i1.8229

Abstract

This study aims to design a cultural exploration game of North Sumatra as a medium for cultural introduction and preservation in the digital world. The game is developed by incorporating local cultural elements such as traditional houses, traditional clothing, arts, music, and local wisdom values, which are presented through an interactive digital experience. This approach is expected to increase the interest of younger generations in regional culture through a medium that is closely related to their daily lives. The research method includes a literature review on North Sumatran culture and game design theories, observation of culture-based digital educational media, and the process of designing visual assets and game mechanics. The results indicate that the integration of cultural elements into visual design, exploration flow, and gameplay systems plays a significant role in creating an engaging and educational gaming experience. This research is expected to serve as a reference for game developers and creative industry practitioners in developing culture-based digital media as a tool for cultural education and preservation in the digital era
Interior Design Alternative of Bank Indonesia Library in Surabaya Afif Zufan Maulana; Indarto Indarto
Texture : Art And Culture Journal Vol. 9 No. 1 (2026)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v9i1.8278

Abstract

The Bank Indonesia Library in Surabaya plays an important role in supporting access to information and education for the people of Surabaya. However, interior design is currently less supportive in doing effectiveness due to less attractive interiors and limited facilities and technology. This design aims to create an alternative to the interior design of Bank Indonesia libraries that are able to increase functional value, and support reading activities. This design makes an alternative interior design of the Bank Indonesia Library, for the creation of an ergonomic, safe and comfortable space that can increase visits to the library and increase the reading interest of the people of Surabaya. In addition, the Bank Indonesia Library applies a modern mid-century style which is expected to provide a new atmosphere, and is combined with clover motifs as the local cultural identity of the city of Surabaya. The results of this design can produce an alternative library interior design that can combine functional aspects with the preservation of historical and cultural values. With this alternative design, it is hoped that the Bank Indonesia Library in Surabaya can become a more comfortable, safe, and aesthetically attractive facility that is displayed and can meet the needs of visitors while preserving cultural heritage.
Recontextualization of Aesthetics Barongan: A Case Study of Barongan Works by Andre Saputra in the Transmigrant Community of Nibung, Musi Rawas Utara Nafissatul Aminin; Gayuh Styono
Texture : Art And Culture Journal Vol. 9 No. 1 (2026)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v9i1.8299

Abstract

Barongan is a form of traditional performing art rooted in ritual practices and belief systems, particularly within Javanese and Balinese traditions. Along with social change and cultural mobility, this art form has undergone transformation when practiced within transmigrant communities. This study aims to analyze the recontextualization of Barongan aesthetics in the works of Andre Saputra in Sumber Sari Village, Nibung District, North Musi Rawas Utara Regency, South Sumatra. The research employs a qualitative approach with an art ethnography strategy to examine the relationship between the artist’s creative process, the visual characteristics of the artwork, and the socio-cultural context of the transmigrant community. Data were collected through observation, in-depth interviews, documentation, and literature review, and analyzed using the Miles and Huberman model with a symbolic-aesthetic approach based on Monroe Beardsley’s theory of aesthetics, which includes unity, complexity, and intensity. The findings reveal that Andre Saputra’s Barongan works represent a process of cultural adaptation that integrates Javanese Barongan visual traditions with the local socio-cultural context of transmigrant society. The artworks demonstrate strong aesthetic qualities through coherent visual composition, intricate ornamental details, and intense expressive character. Furthermore, Barongan has undergone a recontextualization of function from a ritual medium into a form of popular performance art that serves both as entertainment and as a cultural commodity within the creative economy. Thus, Barongan in transmigrant settings functions not only as cultural heritage but also as a form of urban art that reflects cultural identity, artistic creativity, and the social dynamics of contemporary society
The Effectiveness of Video Media as a Promotion Tool for the YESS Program among Gen Z Ifani Maharani Fuada
Texture : Art And Culture Journal Vol. 9 No. 1 (2026)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v9i1.8320

Abstract

The crisis of farmer succession in Indonesia is becoming increasingly prominent as Generation Z’s interest in the agricultural sector declines. The Youth Entrepreneurship and Employment Support Services (YESS) program was launched as a strategic initiative to address this issue; however, awareness of this program among the younger generation remains very low. This study aims to design a promotional video for the YESS Program that can effectively reach and capture the interest of Generation Z. The design method is based on the three main elements proposed by Zeisel (1981)—imaging, presenting, and testing—with primary data collected through interviews and questionnaires. The promotional video is designed in a semi-cinematic style, featuring a five-second opening hook and incorporating social proof in the form of participant testimonials. The strength of this approach lies in its ability to translate the macro-level issue of farmer regeneration into a visual narrative that resonates with the daily lives of Generation Z. The study’s conclusion affirms that the resulting promotional video prototype serves as an appropriate communication tool to bridge the information gap between the YESS Program and its target audience.

Page 16 of 16 | Total Record : 160

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