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INDONESIA
Texture : Art and Culture Journal
Published by Institut Seni Indonesia Surakarta
ISSN : 2655676     EISSN : 26556758     DOI : 10.33153
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Texture art and culture journal, memuat artikel hasil penelitian ilmiah dalam spektrum penciptaan dan pengkajian seni rupa dan budaya. Lokus seni rupa berfokus pada praktik artistik dalam beragam medium ungkap, baik dua dimensi, tiga dimensi, hingga ragam praktik seni intermedia. Budaya dilihat dalam konteks praksis, berikut ragam produk budaya visual yang tumbuh dan berkembang di masyarakat. Kajian terkait seni rupa dan budaya dalam jurnal ini menggunakan pendekatan kritis dalam perspektif keilmuan interdisipliner.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 138 Documents
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CANGKEMAN SEBAGAI SUMBER IDE DALAM KARYA SENI LUKIS Pratama, Kurnia Aji; Purwantoro, Agus
TEXTURE Art and Culture Journal Vol. 7 No. 2 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i2.3389

Abstract

This article reveals the idea of painting using acrylic paint on canvas, which is inspired by the increasingly worrying conditions in the surrounding environment. The problem discussed is regarding the description of cangkeman, cangkeman is one of the expressions to convey opinions, feelings, and circumstances at that time. So far, many parties do not know how to express their feelings. Cangkeman has many roles in people's lives, namely positive roles and negative roles. This painting has a texture that is created spontaneously with acrylic paint strokes using a brush and palette knife. Cangkeman provides an overview of the expression of a person's heart so that in this final project cangkeman becomes the source of ideas for creating paintings because it has meaning, meaning of life.
PERANCANGAN MEDIA ILUSTRASI 2D PADA DAMPAK FEAR OF MISSING OUT Pagi, Akalili Mentari; Fauzi, Muhammad
TEXTURE Art and Culture Journal Vol. 7 No. 2 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i2.6136

Abstract

Social media provide some content that we always looking for rather than conventional media. Nowadays, social media could be a freedom of speech media and expression platform. However, social media can also have negative impacts, such as contributing to mental health problems and the development of fear of missing out on illness (FOMO). FOMO, or Fear of Missing Out, is a sensation of anxiety or worry that arises when someone feels unaware of or excluded from important information, events, experiences, trends, and so on. Social media exacerbates the severity of FOMO. Individuals with FOMO disorder constantly experience feelings of inadequacy in their lives, causing them to constantly scroll through social media platforms and compare their own experiences to those of others. Animation is the process of manipulating static figures to create the illusion of movement. Currently, animation has emerged as a promotional medium that is very effective, visually attractive and easy to understand. Illustration refers to the act of embellishing, interpreting, or visually explaining a text, concept, or process, with the aim of incorporating it into printed and digitally produced media
PROSES KREATIF PENCIPTAAN ART FURNITURE KARYA BARATA SENA Effendi, Salma Yusria; Supriyadi , Slamet; Hartono , Lili
TEXTURE Art and Culture Journal Vol. 7 No. 2 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i2.6137

Abstract

This research aims to (1) understand the creation of Barata Sena's art furniture through the lens of Victor Papanek's Function Theory, and (2) explore the artistic values of Barata Sena's art furniture. This study is a qualitative descriptive research. The data sources for this study include the informant (Barata Sena), events (the process of creating art furniture), and documents (articles on Barata Sena’s art furniture and photographs of the furniture pieces). Data collection was conducted through interviews, observations, and document analysis. The results of this research reveal that Barata Sena is a creative figure, and his creative process aligns with Victor Papanek's Function Theory. The ideas and concepts behind his art furniture, such as the floating table concept and the scarf bench, are inspired by elements from the artist’s surroundings. Both pieces are produced for the upper-middle-class market, particularly art gallery owners both domestically and internationally. Both works incorporate three elements of visual art: color, space, and texture, as well as the principles of visual art, including unity, balance, simplicity, and center of interest. Additionally, both works carry specific meanings relevant to human life.
“IN PAIN” HISTORY OF DENTAL DISEASE DALAM KARYA FOTOGRAFI STILL LIFE Sarsono, Nurmanita; Wahyudi, Johan Ies
TEXTURE Art and Culture Journal Vol. 7 No. 2 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i2.6140

Abstract

“IN PAIN” History of Dental Disease in photography is the idea of ​​the final project to represent the history of toothache experienced by the artist. Through the medium of still life photography, the creation of this work will raise objects related to toothache. Still-life photography is usually made in a studio setting where the artist uses the right composition and lighting to display the shape, show the surface quality of the object, build a mood, and draw the audience's attention to certain elements, by using Ferdinand de Saussure’s semiotic approach in selecting objects so that they can be present symbolically, conveying a strong narrative and message for the connoisseur of the work. The choice of presentation of the work uses a still-life photography approach with artificial light techniques to visualize events. Artificial light is used to freely adjust the direction of incoming light and which parts need to be illuminated. The artist uses a softbox and studio strobe light as lighting tools because they are easy to move and maneuver. Softboxes are used to shoot several works that require smooth and even lighting, so the resulting shadows look relatively soft and even. Meanwhile, studio strobe light is used in shooting several works that require hard or strong lighting, so that the resulting shadows also look relatively strong and clear to maximize the texture and dimensions of the object.
STRATEGI EFISIENSI WAKTU DALAM PROSES PEMBUATAN FILM DI BALIK RAUT SUNYI Dewi, Septi Sari; Citra Dewi Utami
TEXTURE Art and Culture Journal Vol. 7 No. 2 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i2.6144

Abstract

Film Di Balik Raut Sunyi addresses mental health issues arising from the writer's concern over the lack of awareness and support for these issues, particularly social anxiety disorder. In the film Di Balik Rraut Sunyi this issue is portrayed through the story of a clown named Brian who appears to be fine when he is in character but suffers from social anxiety when he is himself. The production of the film Di Balik Raut Sunyi was managed using a time efficiency strategy, with the writer taking on the role of producer. The producer plays a crucial role in the filmmaking process, which involves script development, pre-production, production, and post- production. The time efficiency strategy was implemented during the pre-production phase by combining the Pre-Production Meeting (PPM) with other stages such as reading, recce, wardrobe and makeup fitting. Additionally, this strategy was used to plan the shooting days and schedule based on the scene breakdown in the script. The combination of these processes demonstrates that a time efficiency strategy can be applied to maximize the filmmaking process within a limited timeframe.
KOMODIFIKASI BUDAYA LOKAL DALAM MEDIA PROMOSI KESEHATAN Dewi, Alit Kumala
TEXTURE Art and Culture Journal Vol. 7 No. 2 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i2.6148

Abstract

When associated with commodification, advertising significantly impacts everything by turning it into a commodity-oriented to profit or having economic value. Cultural commodification is a change in part or almost all parts of culture to make it more commercial and have a high selling value, with the main aim of attracting the public's interest as consumers. This research aims to understand and comprehensively describe the commodification of local culture in health promotion media. The object of study is local Balinese cultural wisdom, especially in the health sector. This research uses qualitative methods which can be interpreted as researchers describing research results descriptively, using observation data collection methods, literature studies, interviews, and online data search methods. The research results show that local Balinese cultural wisdom, including Balinese traditional medicine, Balinese spiritual traditions, and Balinese traditional medicinal products, has been identified as having been commodified. This can be known as changes or shifts in form, function, and meaning. At first, it was humanitarian-oriented, and there was a shift towards being profitable, although it cannot be generalized, some sacred traditions slowly became profane, and exclusive knowledge and skills that have local wisdom value can be possessed and learned through promotional courses and training
IMAJINASI DISTOPIA SEBAGAI IDE PENCIPTAAN KARYA SENI GRAFIS Yustiana, Salsabilla; Mahendrapati, Alexander Nawangseto
TEXTURE Art and Culture Journal Vol. 7 No. 2 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i2.6161

Abstract

Dystopia is a literary genre that tells a story of a place where everything is very bad. Dystopia has several characteristics such as dehumanization and totalitarianism. Dystopia provides another perspective in dealing with various social phenomena or problems. This is called defamiliarization so it is considered important to be raised into a work. The stages of the process of creating this Final Assignment work are based on David Campbell's creative method formulation, namely, 1.) Preparation, 2.) Concentration, 3.) Incubation, 4.) Illumination (AHA!), 5.) Verification/Production. The technique used to realize the work is the printing technique in etching-aquatint with the form of landscape imagery. These works are a response to the author's experience in the form of reading activities and watching films which resulted in a series of graphic art works which are a series of dystopian stories that are intended to be conveyed to the public so that they can think critically and are expected to provide a new perspective in dealing with social phenomena related to dystopia.
KAJIAN TIGA RUANG PSIKIS LACAN PADA NARATIF FILM IVANNA (2022) KARYA KIMO STAMBOEL Sari, Annisa Rachmatika; Wati, Wahyu Utami
TEXTURE Art and Culture Journal Vol. 7 No. 2 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i2.6220

Abstract

Jacques Lacan divides the human psychic area or subject into three parts, namely The Real, The Imaginary, and The Symbolic. In The Ivanna by Kimo Stamboel, Ivanna passes through these three rooms as a ghost who is looking for her head. The Ivanna tells about the terror of the ghost of Ivanna, who suffered a tragic death because she was killed by Japanese soldiers. This research uses a qualitative descriptive method that processes selected scenes in the film Ivanna for analysis to find three psychic spaces that Ivanna passes through as a head-seeking ghost. The Real is experienced when Ivanna's ghostly body is destroyed, thrown in a well, and burned. Ivanna experienced The Imaginary when Ambar saw a projection on the wall regarding Ivanna's past. Ambar, who can translate the meaning of the projections on the wall, finds Ivanna's demands, in the form of bodily integrity. Meanwhile, Ivanna goes through The Symbolic while hunting for the heads of people living in a nursing home. Ivanna got her wish, but because the head she took did not match her wishes, she continued hunting for new heads
STUDI ELEMEN PEMBENTUK RUANG PADA INTERIOR LIWAN MASJID BESAR AL-MUBAROK NGANJUK Wibowo, Dymas Alameelas; Badriyah, Siti
TEXTURE Art and Culture Journal Vol. 7 No. 2 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i2.6226

Abstract

Al-Mubarok Great Mosque is one of the mosques in Nganjuk Regency. The mosque was built in 1812 AD by K.R.T. SosroKoesoemo I or KanjengJimat. The facade of the mosque, which was previously characterised by Javanese style, has changed as a result of restoration. To protect its authenticity, the mosque is designated as a cultural heritage, covering the core building including the liwan room (the main room for worship) in the interior. The diversity of Javanese, Hindu-Buddhist and Chinese cultural patterns in the liwan interior design is a unique feature that is interesting to study. The study of Space Forming Elements in the Liwan Interior of Al-Mubarok Great Mosque in Nganjuk Regency is aresearch that aims to find out the design and space forming elements of the liwan interior of this mosque. This research uses an interior design approach. The research method used is descriptive qualitative. The source of research data is the results of interviews from sources, observation, or field studies, as well as documents and archives. Data validity uses data triangulation techniques from various literature sources. This research uses an interactive analysis model, with data presentation in the form of image descriptions or schemes, narratives, and tables to support the narrative. The results of this study present the suitability of the composition of interior elements to the theme and style as well as the details of the elements that form the interior space of the Al-Mubarok Great Mosque liwan which is functional and has aesthetic value according to the rules of interior design.
The Role of Local Governments in Conserving Cultural Ornaments: A Case Study of Banten and Cirebon Mosques SUKARWO, WIRAWAN; MUNTAZORI, AHMAD FAIZ; WULANDARI
TEXTURE Art and Culture Journal Vol. 8 No. 1 (2025)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v8i1.6162

Abstract

Globalization is a phenomenon that cannot be avoided. The openness of information and communication today makes the intrusion of foreign cultures increasingly unavoidable. Local culture based on community and tradition is threatened to slowly disappear. On the other hand, the spirit of Muslims to worship is increasingly globally oriented. For example, the current trend of building mosques with Middle Eastern ornament designs in Indonesia. Conservation of local culture can be effectively achieved through the design of mosque ornaments that apply local cultural ornamental motifs. This research is a descriptive qualitative type with a case study approach. Data collection in this research uses observation and literature study methods. The objects that became case studies in this research were iconic mosques in Banten and Cirebon. The conclusion of this research is the crucial role of the local government in bridging local cultural conservation efforts with the spirit of religiosity of Muslims.

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