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Texture : Art and Culture Journal
Published by Institut Seni Indonesia Surakarta
ISSN : 2655676     EISSN : 26556758     DOI : 10.33153
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Texture art and culture journal, memuat artikel hasil penelitian ilmiah dalam spektrum penciptaan dan pengkajian seni rupa dan budaya. Lokus seni rupa berfokus pada praktik artistik dalam beragam medium ungkap, baik dua dimensi, tiga dimensi, hingga ragam praktik seni intermedia. Budaya dilihat dalam konteks praksis, berikut ragam produk budaya visual yang tumbuh dan berkembang di masyarakat. Kajian terkait seni rupa dan budaya dalam jurnal ini menggunakan pendekatan kritis dalam perspektif keilmuan interdisipliner.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 150 Documents
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Development Of Landmark Signage Design for Semarang City “Sebaru (Semarang Hebat Baru)” Using Atumics Method Rahmasari, Erisa Adyati; Yanuarsari , Dzuha Hening; Setiawan, Agus
TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v8i2.6445

Abstract

Semarang city landmark is one of the symbols of the city which can be in the form of a building which is one of the unique characteristics of the city of Semarang. Landmarks can be in the form of architectural buildings that are distinctive and able to provide aesthetics of space and good views of the city. Landmarks can also be used to attract the interest of tourists visiting the city. The results of observations and questionnaire studies that have been carried out by researchers at this time show that the landmarks of the city of Semarang do not really show the characteristics of the city of Semarang. Architectural buildings and arts in the city of Semarang became the inspiration for the development of landmark designs in the city of Semarang. The purpose of this design is to develop an existing landmark signage design based on the results of research and research conducted. The method for analysis in this design uses the ATUMICS method. The output or final result in the development of this landmark signage design is used as a reference material in the development of landmark signage designs in Semarang City. The benefits of this design are as a development of the characteristics of the city of Semarang as well as a support in the development of tourism in the city of Semarang.
Representation Of Urban Lifestyle in The Form of a Large Electric Scooter Design SANTOSO, Akmal Fadhlurrahman; Sardjana, Narhendrha Putra
TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v8i2.6465

Abstract

This research explores electric scooters in urban environments in Indonesia, with a focus on adapting technology and design to dense urban conditions. Electric scooters offer eco-friendly mobility solutions amid challenges such as congestion and diverse road infrastructure. Through qualitative research methods, this study assesses the preferences of urban users towards the dimensions, features, and design of electric scooters. The results of the interviews show that scooters with large dimensions, features such as delivery boxes, and efficient lights are highly desirable for comfort and safety in cities. Modern casual designs are also preferred because they are practical for everyday use. This research highlights the need for further development to create a more e-scooter-friendly urban environment, as well as the importance of design that is responsive to the needs of urban users.
Character Design for Sadewa Krama Cinta Sejati Webcomic Istiqomah, Restifar Amalia; Aji, Restu Ismoyo; Setiawan, Bayu
TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v8i2.6524

Abstract

This article discusses the design of the main characters of the webcomic Sadewa Krama: Cinta Sejati published on the LINE Webtoon Kanvas platform. This design aims to increase the awareness of individuals aged 16-24 years old towards wayang culture. Wayang is an Indonesian culture that must be preserved. However, as time goes by, the art of wayang has experienced a process of decline due to development of the era. This is due to the language element of the puppet performance which uses the Regional Language (Javanese) and the performance time is at night. Through descriptive qualitative research methods (interviews, observations, and questionnaires) to collect and analyze data as visual concepts. It was revealed that respondents from the questionnaire tended to prefer staying up late to play gadgets. The phenomenon of the development of this era requires wayang to adapt. Hence, there is a need to transfer of mediums to adapt one medium to another. In accordance with this, the right media to communicate the story is a webcomic that can also be accessed through gadgets. Not stopping there, a story that has relevance to the problems of today's teenagers is needed. Problems that they face, for example, the formation of behavior and the search for compatibility with themselves and the environment. Lakon carangan Sadewa Krama is considered to have relevance to these problems. The character design in the webcomic is realized by adapting wayang kulit characters, combined with wayang wong, then represented in a semi-realist/semi-cartoon drawing style.
Medallion Relief as A Source of Ideas for Creating Artworks Utilising Wood Waste Yuliana, Tri; Meilinda, Vina; Rohmawati, Fauziah Dwi
TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v8i2.7039

Abstract

The concept of local culture and environmentalism is a genre of art and art practice that seeks to introduce, maintain, preserve and revive the love of culture and the environment. This is because in recent times local culture has been displaced by modernisation, and the love for the environment has declined. So that an effort is needed to regenerate the love of local culture and the environment. The purpose of this research is to create artworks with the theme of local culture and environment-based, namely medallion reliefs and wood waste. Artworks with the theme of local culture and waste utilisation are one of the efforts to introduce, maintain and preserve local culture and the environment through art. The research method uses Arts based Research which is an arts-based research with the principle of adapting art creativity to social research with an artistic practice approach, because both are holistic and dynamic involving reflection, description, problem formulation and problem solving, as well as the ability to identify and explain intuition and creativity in the research process. Artistic practice uses a three-stage experimental sequence, namely: exploration stage, design stage, and realisation stage. The results of this research show that wood waste has high potential to be utilised as an alternative medium for art creation. The result of this creative process is a medallion-themed collage artwork that is environmentally friendly and affordable.
Designing A Typeface Inspired by The Embunbekhangkat Motif of The Alas Tribe, Southeast Aceh Firman; Yuliarni, Yuliarni; Akmal, Ahmad
TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v8i2.7056

Abstract

This research aims to design a decorative typeface inspired by the Embunbekhangkat motif of the Alas tribe in Southeast Aceh, as an effort to preserve local culture and strengthen regional visual identity. The study applies a qualitative creation method including literature study, observation, interview, and visual analysis using the 5W+1H approach. The resulting typeface, named ‘Mesikhat,’ was designed through ideation, stylization, digitization, and application stages. The typeface is categorized as a display font with decorative features while maintaining legibility, readability, and clarity. The final result is a digital typeface in OTF and TTF formats applicable in various media such as posters, packaging, and cultural merchandise, supporting the promotion of Southeast Aceh’s cultural identity.
The Rhetoric of the Imagery of Muhammad Marzuki's (Zuk) Painting with the Theme of Human Arrogance Uploaded on Instagram Account Eni Sukaesih, Aizza Nur Layli; Ponco Anggoro, Albertus Rusputranto
TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v8i2.7107

Abstract

This study discusses the rhetoric of the image of Muhammad Marzuki's (Zuk) painting with the theme of human arrogance uploaded on his Instagram account. Zuk's painting that comes with a caption provides evidence that artwork can trigger self-reflective appreciation, because of the rhetoric (strong visual language) in the visuals and captions. The purpose of this study is to explain the background of the creation of Zuk's paintings, explain the visuality of Zuk's paintings with the theme of human arrogance, and explain the rhetoric of the image of Zuk's paintings with the theme of human arrogance. This Final Project examines the rhetoric of the image of Zuk's paintings with the theme of human arrogance uploaded on his Instagram account from the perspective of Roland Barthes' rhetorical theory of imagery using the semiotic analysis method. The researcher found that the rhetoric of Zuk's work was formed because Zuk's paintings have visual elements that are relevant to appreciation, simplicity of technique and form, and captions written in simple and relaxed language. The text in the caption relays the visual meaning of the photo, so that the message and meaning become stronger. The results of the study show that there is rhetoric (strong visual language) in the photographs of Zuk's paintings and the captions that accompany them.
Analysis of Nonlinear Narrative Structure in Building Dramatic Scenes in Jatuh Cinta Seperti di Film-Film Andika, Oktora Candra; Kurniawan, SS, M.Si., M.Hum, Donie Fadjar
TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v8i2.7156

Abstract

This study discusses how non-linear narrative structure is used to construct dramatic scenes in the film Jatuh Cinta Seperti di Film-Film. The purpose of this study is to analyze how the non-linear narrative structure contributes to four dramatic elements: conflict, suspense, curiosity, and surprise. This research uses a qualitative descriptive method to examine each scene in detail. The data were analyzed using narrative analysis techniques, including plot, time sequence, characters, conflict, goal, setting, and theme. The findings show that 27 scenes in the film display a non-linear narrative pattern, where scenes are arranged non-chronologically and often blend reality with imagination. This narrative approach effectively creates dramatic tension and emotional depth throughout the film. The presence of interconnected dramatic elements in each act strengthens the overall narrative and drives the story forward with emotional resonance.
Rhetoric And Visual Metaphor Of “Aku Kartini” In A Context of Sculpture and Activism Prasetya, Laras Shinta; Marwanto, Aries Budi
TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v8i2.7301

Abstract

This research aims to analyze the visual rhetoric elements and visual metaphors contained in Aku Kartini sculpture and connect them with the theme of activism. The statue titled Aku Kartini is one of the works from the Kartini series created by Budi Santoso, with the theme of activism as the object of this research. The sculpture presents another version of Kartini, an Indonesian heroine who is famous for her slogan “out of darkness comes light”. The research method used is descriptive qualitative, to collect data and explain the phenomenon of Aku Kartini sculpture, using Sonya K. Foss' rhetoric theory and Lakoff and Johnson's metaphor theory to explain the phenomenon of Aku Kartini sculpture in terms of rhetoric and metaphor. The research results show that the Aku Kartini sculpture possesses visual rhetoric characteristics, and its metaphorical meaning is closely related to the theme of activism presented during the exhibition.
Roland Barthes' Semiotic Analysis of Visual Symbols on the website haveaniesday.com: Myth and Ideology Digital Design Mutiara Ramadhani; Muhammad Tegar Saputra; Muhammad Fauzi
TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v8i2.7637

Abstract

The objective of this research is to deconstruct the mechanisms by which the website's visual design constructs and conveys meaning, utilizing the semiotic framework developed by Roland Barthes. This inquiry specifically investigates how visual symbols operate beyond their overt messages to reproduce and reinforce values that are widely accepted as given. Adopting a qualitative interpretative method, the study applies Barthes' critical semiotic analysis across three levels of meaning: denotation, connotation, and myth. Results show that the figure of a bespectacled owl functions as a signifier for the intelligent "digital native." Furthermore, a "DIY" poster promotes ideologies related to technological libertarianism and neoliberal economics, whereas a "Space Available" billboard serves as a veiled critique of digital commercialization. On a mythological level, the website perpetuates the narratives of "technological solutionism" and "meritocracy," thereby obscuring the diverse realities of access to technology. Ultimately, this research posits that contemporary visual design employs advanced semiotic tactics to naturalize dominant ideologies, presenting them as unquestionable truths.
Representation of Raden Saleh’s Painting the Arrest of Prince Diponegoro in Interactive Digital Educational Media OKTAVIA, JESSIKA
TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v8i2.7689

Abstract

Raden Saleh’s painting The Arrest of Prince Diponegoro is one of the most significant works in Indonesian art history, valued not only for its aesthetic qualities but also for its symbolic resistance to colonialism. This study aims to examine how the cultural and historical values embedded in the painting can be re-presented through interactive digital education in the form of a game. The research employed a qualitative method through literature review, visual observation, and interviews with art practitioners and digital media users. The findings reveal that interactive media enables artworks to be experienced not merely as static visuals but through participatory mechanisms such as exploration, object interaction, and digital narratives. Therefore, digital adaptation through gaming can serve as an educational tool aligned with technological development while enhancing public appreciation of Indonesian art and history.

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