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Capture : Jurnal Seni Media Rekam
Published by Institut Seni Indonesia Surakarta
ISSN : 2086308X     EISSN : 2338428X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Arjuna Subject : -
Articles 406 Documents
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Time Loop Plot Structure Pattern in the Films Edge of Tomorrow (2014), Happy Death Day (2017) and Palm Springs (2020) Nugroho, Agustinus Dwi; Ridwan, M. Alif Wijaya
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5645

Abstract

Exploration of plot development patterns in narrative structure can be seen from the Time Loop Plot which is used in several films in a very unique way. This plot pattern emphasizes a character trapped in space and time that repeats itself continuously. This qualitative research uses an observational approach that focuses on observing Time Loop Plot patterns and connecting them with three different genre variants, namely Edge of Tomorrow (action-science fiction), Happy Death Day (thriller-horror), and Palm Spring (roman-comedy). This research aims to obtain an overview of the narrative structure pattern "Time Loop Plot" which can be applied in various genres through a visual element approach, as well as looking for a storytelling motif in the application of this plot development pattern in each different genre, using the approach of narrative theory and aesthetics. The results of this research reveal a pattern which shows that the time loop plot pattern is character-driven by the main character. The relationship with genre shows a pattern that differences in genre in the application of time loop plots will result in differences in the development of tone and mood in the film. ​Keywords: narrative, plot, time loop, genre
Pingit Film: A Problematic Expression of the Distortion of Javanese Traditional Wedding Traditions Pahlevi, Riza; Wiranegara, IGP
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5012

Abstract

Pingit Film is the manifestation of the tradition of ‘pingit’ that has been adapted and/or eroded by modernization. This work is created in addition to being an entertainment medium, it also contains messages that ‘pingit’ that is not in accordance with the existing standards will make the purpose blurred. The process of creating this film combines the concepts of realism and surrealism. This combination is intended to give a clear limit to the character’s mind. The audience is invited not only to watch and listen, but also to feel what is in the mind of the character, indecision, doubt, overthinking, negative thinking because of the things he has just experienced. This experience poured into the form of sound and images, in this context is lighting and color grading. This work is certainly a form of contribution to the treasures of science and art.
Depiction of Culture in The Film Tenggelamnya Kapal Van Der Wijck Dewi, Puti Andam; Aswoyo, Joko; Putri, Eggy Triana
Capture : Jurnal Seni Media Rekam Vol. 14 No. 3 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i3.4126

Abstract

This study aims to examine cultural values portrayed through the mise en scène in the film. One film explored for its cultural background is ‘Tenggelamnya Kapal Van Der Wijck', which showcases Minangkabau culture. This film is adapted from Buya Hamka's novel of the same title. The mise en scène elements played an important role in shaping the audience's understanding of the story, which was conveyed through the use of cultural elements such as houses, everyday clothes, and property. This study used a qualitative method of media text analysis and utilized a purposive sampling technique. The results show a distinct clothing gap between characters, indicating disparities within the Minang community, including the disadvantaged or lower middle class. This critique highlights the overlap in the depiction of Minangkabau culture in the film ‘Tenggelamnya Kapal Van Der Wijck’, examining it through the lens of mise-en-scène. Keywords: culture, film, Tenggelamnya Kapal Van Der Wijck  
The Narrative Elements of Islamic Resistance to Terrorism Issues in The Movie Bulan Terbelah Di Langit Amerika Safira, Deina; Kurniawan, Donie Fadjar; Al-Hamzi, Ali Mohammed Saleh; Yudhitya, Roudlotul Jannati Rochnadia Noorva
Capture : Jurnal Seni Media Rekam Vol. 14 No. 3 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i3.4174

Abstract

The film Bulan Terbelah di Langit Amerika, which raises the issue of terrorism related to Islam, received a good response from Indonesian audiences. This research aims to identify the narrative elements, including plot, storyline, characters, and character functions, concerning the Islamic resistance against the issue of terrorism depicted in the film Bulan Terbelah di Langit Amerika. This research employed qualitative research methods to determine the meaning behind a phenomenon. Data for this research were collected through the observation of the film Bulan Terbelah di Langit Amerika. The results of this study indicate that the narrative elements in the film, encompassing plot, storyline, characters, and character functions, effectively portray Islamic resistance to the issue of terrorism. The analysis of the plot storyline in the seven key scenes demonstrates the issue of terrorism and Islamic resistance, which is depicted through dialogue, facial expressions, and body gestures of the movie players. The results of this study can motivate young filmmakers who want to produce Islamic-themed films with a different perspective. Keywords: narrative, terrorism issue, Islam, Bulan Terbelah di Langit Amerika.
Photography as Visual Communication Media in MSME Product Promotion Hidayat, Taopik; Sari, Maya Purnama
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.4305

Abstract

Micro, Small, and Medium Enterprise (MSME) are one of the key sectors supporting Indonesia's economy. This study aims to analyze the role of photography as a medium of visual communication in the promotion of MSME products. The research employs a qualitative descriptive method, with the object of study focusing on product photographs uploaded on the social media platform Instagram. The results indicate that photography serves as an effective tool for creating compelling visual representations in the promotion process of MSME products. Attractive product visuals through photography can increase consumer interest and broaden audience reach. Consequently, utilizing photography in promotional strategies enhances marketing effectiveness and supports MSMEs in building product image and competitiveness in the digital marketplace.
Youtube Independent Music Video Artist: Learning, Production and Exhibition in Digital Space Rozi, Romdhi Fatkhur; Ida, Rachmah; Irawanto, Budi
Capture : Jurnal Seni Media Rekam Vol. 14 No. 3 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i3.4657

Abstract

Music videos by independent musicians represent a new portrait of the music industry in the digital era. This article tries to look at how YouTube has influenced the learning patterns, production patterns, and performance patterns of music content creators in the digital space. A review of the literature in this study connects art, technology, and the media. The research method used is a case study with the object of two independent music channels, Jember on YouTube. The data was obtained through creator interviews and observations of independent music channels, as well as library studies, which were then tested for validity by triangulation of sources. Qualitative data analysis is done descriptively. The findings reveal how content creators start their channels, gain popularity, interact with subscribers, and promote their music careers through YouTube. There was a rather fundamental paradigm shift in the concept of amateur musicians and professional musicians as YouTube became a digital space to be counted on for sharing artwork. Advanced research is recommended to focus on the influence of the YouTube platform on culture, capital economic issues, economy sharing, its exposure to the audience, and its function as a source of learning. Keywords: YouTube; digital learning; production; exhibition; space
Remediation of Sexual Violence of The New Order Regime in The Film of Seperti Dendam Rindu Harus Dibayar Tuntas Indriani, Laillia Dhiah
Capture : Jurnal Seni Media Rekam Vol. 14 No. 3 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i3.4882

Abstract

Sexual violence has become a hot topic of discussion recently. However, it didn’t just happen; sexual violence has roots in a long history in Indonesia. Every regime has its narrative of sexual violence, and the New Order regime is no exception. The New Order, often labeled as a military and violent regime, could not detach itself from the "sexual violence" issue. The sexual violence that characterized the New Order regime was depicted in realistically in the film "Seperti Dendam Rindu Harus Dibayar Tuntas," which was adapted from a novel with the same title. This research tried to dismantle the practice of sexual violence in the New Order regime, which was remedied in the film "Seperti Dendam Rindu Harus Dibayar Tuntas." It also examined how it related to the initial narrative contained in the novel and reality. The type of descriptive qualitative research used. The theoretical framework used was the remediation concept. Data were collected through a literature review and documentation, then further analyzed using Alan McKee's textual analysis technique. The results of this study show that not only women but also men undergo sexual violence. Additionally, The remediated film focuses more on the trauma of victims of sexual violence, both women and men. Keywords: New Order, sexual violence, novels, films.
Design Short Movie “Nggabrul” as a Theraupeutic Medium for Children Post Covid-19 Pandemic Wibowo, Philipus Nugroho Hari; N, Elara Karla; S, Surya Farid
Capture : Jurnal Seni Media Rekam Vol. 14 No. 3 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i3.4936

Abstract

This study discusses the design of a short film titled Nggabrul as one of the media used as therapy for primary school children. The COVID-19 pandemic has caused parents to worry about their children's education and eventually help them do their homework. The purpose of this design is to produce a film with a cinematic therapy approach by taking the theme of current life phenomena. Cinema therapy can be said to be the use of movies or watching activities to manage medical health, mental health, and life management. The design method used refers to the stages of creative design proposed by Graham Wallas, consisting of (a) preparation, (b) incubation, (c) illumination, and (d) verification. The result is a simple storytelling package. With the choice of angles of the online learning process in the era of COVID-19 as well as the proper cinematographic techniques, the Nggabrul film becomes one of the right therapeutic media for children to face the new normal era and provide moral teachings of honesty. The results of this design are expected to inspire the filmmaker to produce films that respond to the latest phenomena in society. Keywords: short movie, Nggabrul, cinema therapy, COVID-19 pandemic, Graham Wallas
Visualization of Classical Ballet Dance Movements of Swan Lake in Photography Work Pitaloka, Dea Putri; Prasetyo, Andry
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.4965

Abstract

Classical Ballet dance is the most formal style of ballet, attached to traditional ballet techniques. The story of Swan Lake, which is more than two centuries old, but still interesting, is still popular today around the world. The purpose of creating works as a means of introducing and learning about the techniques and meanings and messages contained in ballet dance to a wide audience, especially the positive values contained in it. The method of creation uses the technique of photo studio. The creation of this work presents photographic works on Swan Lake ballet dance that tell and describe in each movement as a means of understanding and learning for a wide audience.
Afro-Asian Film Festival III: Women’s Knowledge and Imagination in Film Sovereignity Siagian, Bunga Pratiwi; Kurnia, Lilawati
Capture : Jurnal Seni Media Rekam Vol. 14 No. 3 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i3.5014

Abstract

This article examines the third edition of the Afro-Asian Film Festival (AAF), held in Jakarta in 1964. A series of film festivals that serve as a container of meetings between newly independent and still colonized nations to articulate the political expressions of the third world. The festival was studied with a qualitative-descriptive approach. Analysis of his research data through textual and contextual reading of available archival material, such as film plays, delegation speeches, communiques, and newspaper coverage, involving theoretical ideas of Peripheral Marxism. There are two findings, firstly, showing the ideological contribution of the left that makes FFAA III more radical than the previous two editions of the FFAA. Secondly, a textual analysis of the two winning films shows the role of FFAA III in giving space to issues and knowledge generated by women. FFAA III articulates anti-colonial third-world political expressions as well as anti-imperialist leftist thinking based on the objective everyday realities of third-world people, which in this paper appear in the percolation of women living in feudal cultures. The findings of this research are useful in enriching knowledge of the history of film in the era of independence and adding to the spirit of nationalism. Keywords: Afro-Asia Film Festival; Indonesian; women studies; leftist ideology

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