Capture : Jurnal Seni Media Rekam
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Articles
406 Documents
<![CDATA[FOTOGRAFI URBAN LANDSCAPE DENGAN MENGGUNAKAN KAMERA LOMO ]]>
<![CDATA[Rahmad, Cito Yasuki]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
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DOI: 10.33153/capture.v2i1.523
<![CDATA[Urban landscape photography is not a new thing in photography. It’s similar with temple or street photography, only that the objects in focus are in urban regions. By using lomography camera the urban landscapes are caputered in special manners that new, extraordinary images appear. They are like unnatural colour, fish eye effects, and others.Keywords: Urban landscape, Lomography]]>
<![CDATA[EFEKTIVITAS PELESTARIAN DAN PENGEMBANGAN KESENIAN DAN KEBUDAYAAN DAERAH (JAWA) MELALUI MEDIA TELEVISI LOKAL “JOGJA TV†YOGYAKARTA ]]>
<![CDATA[DA, NRA. Candra]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
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DOI: 10.33153/capture.v2i1.525
<![CDATA[Local television station as one form of public broadcast media have the same role in organizing the national private television broadcasts, such as in Jakarta. Although the majority of the material broadcast was inspired by various aspects of life in the area, sometimes some of the programs broadcast before it is seeded and got a good response and interest by the audience watching it. One example is a special broadcast program material lifting of traditional art forms and cultures that are sometimes presented with a more varied format. Such as local television, Jogja TV, has now become an expectation, especially for people who are in the range of broadcasting (public areas) as one of the effective media to contribute to developing the arts and culture while preserving valuable areas of Yogyakarta (Java). As a Special Region is expected to achieve a dynamic society and high culture, so as to develop the basis that there is a tradition of innovation in all spheres of social life of art and culture, economics, and science and technology as a form of community life in dynamic city as YogyakartaKeywords: local art, local culture, preservation and development, local television, Jogja TV.]]>
<![CDATA[VISUALISASI TEKNIK KOLASE DALAM FOTOGRAFI EKSPRESI GURAT KARAT ]]>
<![CDATA[Laras, Ketut Gura Arta]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
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DOI: 10.33153/capture.v2i1.527
<![CDATA[The selection of photography work object was not always in the beautiful shape. The uniqueness of an object could become its own attraction and inspiration in creating the photography work. The expression of the composition and visualization in a work art became the characteristic of the artist himself. Gurat Karat was a concept of photography work art which explored the shape, texture and color of the rust of metal, especially in the rust of iron. We could explore the simple items in our surrounding which were not longer used and already broken. The iron which was rusted had its own uniqueness and attraction to observe. The change of the characteristic and the shape was v ery contrast. Before being rusted, the surface of the iron would be smooth, but after being rusted, the surface would be rough and the color would change. It was a result of rusting process of the iron itself. The phenomenon eventually stimulated the researcher to take the rust theme of the iron as an object in this photography work art creation. In arranging this photography work, the researcher used esthetic theory of Monroe Beardsley which listed three basic esthetic charac teristics as follow: unity, intensity and complexity. The visual work in 3D display created the image of space and dimension in this work. Colase technique was used in creating this work by combining 2D photography work and the object in the original item in the photography work itself, or using the construction which was suitable with the stuck object which was adjusted with the weight of that object. In a display, this work was not only enjoyed by the sense of sight but also the sense of touch since the texture in this work art could be touch.Keywords : Expressie Photography, Rust, and Collage]]>
<![CDATA[PRAKTIK PENANDAAN DALAM IKLAN ]]>
<![CDATA[Murtono, Taufik]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
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DOI: 10.33153/capture.v2i1.541
<![CDATA[Visual signing at advertisement is a meaning attaching effort, considering almost all of the advertised products did not have specific value. A number of products can be replaced by other brand within same category. Usually, in marketing communications world, this kind of product has a lot of competitors. Having no differentiation causing the product has no meaning in the consumers’ mind. The situation leads the product to get a sign from outside of itself.Keywords: advertisement, sign, meaning, practice]]>
<![CDATA[ANALISIS PENERIMAAN KHALAYAK DESA PONGGOL KECAMATAN GRABAG KABUPATEN MAGELANG TERHADAP PROGRAM ACARA GENDU-GENDU ROSO DI TELEVISI KOMUNITAS GRABAG TV ]]>
<![CDATA[Yulita, Reni Diyah]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
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DOI: 10.33153/capture.v2i1.547
<![CDATA[Grabag TV merupakan salah satu televisi komunitas yang telah beroperasi di Indonesia. Berdiri pada tahun 2004 di Kecamatan Grabag, Kabupaten Magelang, Jawa Tengah. Televisi ini bersifat non komersial. Salah satu program acara yang ditayangkan adalah Gendu-Gendu Roso. Acara ini merupakan dialog interaktif yang bertujuan sebagai ruang untuk menampung aspirasi masy arakat Grabag. Masalah ini kemudian difokuskan pada bagaimana penerimaan masyarakat terhadap program acara Gendu-Gendu Roso sebagai media penyalur aspirasi masyarakat yang sesuai dengan tujuan dan idealisme lembaga penyiaran Indonesia. Tujuan dari penelitian ini agar pembaca mampu memahami bagaimana penerimaan khalayak terhadap program acara yang ditayangkan di televisi komunitas dan faktor-faktor apa yang mempengaruhi penerimaan khalayak tersebut. Skripsi ini menggunakan metode kualitatif. Pendekatan yang digunakan adalah reception analysis/ analisis penerimaan. Pendekatan ini digunakan dengan tujuan untuk mengetahui bagaimana khalayak menerima isi pesan yang disampaikan oleh media dilihat dari berbagai faktor kontekstual yang ikut mempengaruhi. Penerimaan khalayak akan diperoleh berdasarkan proses panjang yang kemudian menjadi pengalaman berharga dalam diri khalayak dan membentuk pola pikir dan cara pandang yang berbeda-beda. Hasil penelitian ini menunjukkan bahwa penerimaan masyarakat terhadap acara Gendu-Gendu Roso dalam mempertahankan kebebasan berbicara masuk dalam kategori resepsi dominant dimana masyarakat sepakat bahwa acara tersebut mampu menjadi wadah penyalur aspirasi, begitu pula penerimaan khalayak terhadap penggunaan setting acara juga masuk dalam resepsi dominant. Sementara itu penerimaan khalayak terhadap informasi masuk dalam resepsi dominant dan negotiated. Pembahasan terakhir tentang penggunaan bahasa daerah dalam acara tersebut diperoleh hasil bahwa penerimaan khalayak masuk dalam resepsi dominant, negotiated dan oppositional. Bagi masyarakat yang masuk dalam kategori oppositional berarti bahwa penggunaan bahasa daerah tersebut tidak dapat diterima dengan baik. Penerimaan masyarakat terhadap program acara yang ditayangkan di televisi komunitas tidak lah sama. Hal tersebut dipengaruhi oleh berbagai faktor dalam kehidupan sehari-hari seperti latar belakang sosial, pekerjaan, umur, jenis kelamin dan lingkungan tempat tinggal khalayak.Kata kunci: reception analysis, khalayak aktif, televisi komunitas, positioning khalayak.]]>
<![CDATA[Scene From The Birth Of Venus: Kajian Karya Fotografi ]]>
<![CDATA[Locita, Agra]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 2 No. 2 (2011) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
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DOI: 10.33153/capture.v2i2.553
<![CDATA[Scene From The Birth Of Venus is a photographic artwork that created in 1949. The artwork was the result of collaboration between Salvador Dali and two photographers, Baron George Hoyningen-Huene and George Platt Lynes. They created Birth of Venus differently with first painting whom created by Bottocelli Sandro. He depicted the goddess Venus graceful and shy, but it recreated by Salvador Dali in an imaginative photographic artwork. In Scene From The Birth Of Venus, the goddess Venus depicted as half human and fish. Two creations in different way but still in the birth of the goddess Venus theme. Key words: photography, painting, imaginative]]>
<![CDATA[Dokumenter Animasi: Sebuah Kritik Wacana Visual ]]>
<![CDATA[Adi, Anggar Erdhina]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 2 No. 2 (2011) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
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DOI: 10.33153/capture.v2i2.555
<![CDATA[Animation documentary is a contemporary phenomen, it come together with reality and film naration, eventhough the value of reality does not fixed. By psychoanalisis approach, this article try to explore the value of ideology as visual image representation about reality. Debating of visual image does not as reality representation, and it can be minimalized by understanding of visual metaphore which used by animation documentary filmmaker.Key words : film, documentary, animation, psychoanalysis, and ideology    ]]>
<![CDATA[Pesan Dalam Foto Brassai Berjudul Bijou Of The Montmatre Cabarets ]]>
<![CDATA[Astiti, Anin]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 2 No. 2 (2011) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
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DOI: 10.33153/capture.v2i2.557
<![CDATA[Brassai works titled "Bijou" of the Montmartre cabarets is very interesting theory revealed by semiotics. The photo is one of the works in the project Brassai Paris by Night is doing to document Paris at night. On the work found several signs that can be described with particular semiotic theory of semiotics Barthes. "Bijou" of the Montmartre cabarets is a representation of the nightlife in Paris which is illustrated by the figure of an old woman who works as an entertainer with a background in a nightclub atmosphere. The visual expression achieved with the proper use of photographic techniques by Barthes either through the use of natural light and a standard lens. Key words: photography, sign, semiotica]]>
<![CDATA[Desain Kemasan Sebagai Strategi Branding Produk Cokelat Bali ]]>
<![CDATA[Sari, Ni Luh Desi In Diana]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 2 No. 2 (2011) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
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DOI: 10.33153/capture.v2i2.601
<![CDATA[Efforts to make Balinese chocolate products of IKM sector as souvenirs for tourists require branding strategy to improve the image of the product in the minds of the target audience. Branding strategies conducted through designing of logo as a brand identity, packaging design as a media product appeal and POP (Point of Purchase) as a means of product promotion. The creative concept refers to the main idea of "Balinese Chocolate", by processing one of the potentials local Balinese culture in the form of Prada textiles and woven fabrics Pegeringsingan, which is applied to the packaging as a visual element to construct the attractiveness of Balinese chocolates.  Keywords: Branding, Strategies, Balinese, Chocolate, Textile]]>
<![CDATA[Antropomorfisme Dalam Kesenian Indonesia ]]>
<![CDATA[Sugihartono, Ranang Agung]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 2 No. 2 (2011) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
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DOI: 10.33153/capture.v2i2.609
<![CDATA[Anthropomorphism in arts has been known since the prehistoric period and developed in all over the world, including the primitive arts in the Borneo and Papua hinterland. During the Indonesia-Hindu culture, anthropomorphism was used to represent the character of ‘extraordinary’ in the old fables and serves as a medium of religious. While anthropomorphism in modern Indonesian arts today can be found in the form of comics, movies, and television soap operas although anthropomorphic shape still not as extraordinary as Indonesian-Hindu arts earlier. Key word: anthropomorphism, arts, Indonesia]]>
