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Capture : Jurnal Seni Media Rekam
Published by Institut Seni Indonesia Surakarta
ISSN : 2086308X     EISSN : 2338428X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Arjuna Subject : -
Articles 406 Documents
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MEMPERTEMUKAN HIPER-REALITAS DAN REFRACTIONS OF DURÉÉ : Pembacaan Multi-NaratifVisual dalam Film Simone dan Film Inception Rosa, Dien Vidia
Capture : Jurnal Seni Media Rekam Vol. 8 No. 2 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v8i2.2041

Abstract

Film realities emerged in multifacet.Two interesting concepts that were tried to be presented in the article were hypereality and refraction of duréé. Both were consequences of digitalization that refered to the rose of virtual space and beyond subject's consciousness.Both also effected audiens consciousness positioning to reality which was appeared. The encounter of those concepts was discussed in images power discourse. By using Barthes's semiology method tocrack and decode visual narative element of film, reality exploration was seen as signs playing and images ideology.Keywords : Hiper-realitas,refractions of duréé,multi-naratif visual film
TELEVISI KAMPUS : Siasat Evolusi Kebudayaan Menjawab Perkembangan Zaman Suryanto, Hari
Capture : Jurnal Seni Media Rekam Vol. 8 No. 2 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v8i2.2043

Abstract

The campus television is a strategic forum for education and mutual relationships within the six institutes of the arts in Indonesia organised under the BKS-PTSI (Badan Koordinasi Seni PerguruanTinggi Seni Indonesia).The purpose of the forum is to support the education of art and culture and also to promote values of the local wisdom using the streaming tv portal platform for the campus community and the general public. This strategy is to response the development of media and communication technology in Indonesia.Keywords : Campus television,forum,education,art and culture
PEMBINGKAIAN GAMBAR BERITA DI METROTV DAN RCTI MENJELANG PILKADA DKI JAKARTA 2017 Zairiyah, Ulfa Aci; Sjafi'i, Achmad
Capture : Jurnal Seni Media Rekam Vol. 8 No. 2 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v8i2.2045

Abstract

Framing images is one way used by MetroTV and RCTI in proclaiming Elections of DKI Jakarta. The goal is to build the public opinion.This study was conducted to find out the news ahead of Jakarta elections framed by Metro TV and RCTI.This research uses Gamson and Modigliani framing analysis model. The research method used is descriptive qualitative with sample impressions dated 5-13 October 2016.The technique of taking data using purposive samplingwhich is reinforced by observation and literature study.Data analysis used is interactive model of Miles and Huberman which is divided into three components, namely data reduction, data presentation, and conclusion and verification.The results show that Metro TV and RCTI do framing news images with impressive support and anti-support on shooting techniques.The shooting techniques include image size, image taking angle, image composition, and camera movement.MetroTV and RCTI proved to override the principle of journalism (cover both side) on news ahead of Elections DKI Jakarta.Keywords: Framing, news images,MetroTV,RCTI,and DKI Elections.
VISUALISASI BUDAYA LOKAL KARAPAN SAPI PADA PROGRAM ACARA NEGERI INDONESIA EPISODE SAPI MADURA Priaska, Zharfian Raditya; Atmaja, Nur Rahmat Ardi Candra Dwi
Capture : Jurnal Seni Media Rekam Vol. 8 No. 2 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v8i2.2047

Abstract

The visualization of local culture of cow karapan in Madura Cattle episode is found in the analysis of shooting technique which includes image size,shooting angle,and camera movement. The type of research used is descriptive qualitative. Data obtained through observation and literature study. Data analysis techniques consist of several stages that take place interactively,namely: data reduction, data presentation, and withdrawal of conclusions and verification.The results of this study indicate the dominance of taking a medium shot image size that gives the impression closer to the activity of individuals and groups between humans and animals related to the local culture of karapan sapi.While the dominance of the use of eye level image shooting angle has the impression of similarity in the sense that cows are treated just like humans.The use of panning camera movement dominance gives the impression of following the activity of the object.Keywords:Visualization,TVRI Jawa Timur, camera technique, Karapan Sapi.
PROSES KREATIF EDDIE CAHYONO DALAM PENCIPTAAN FILM SITI Nugroho, Widhi; Adji, Titus Soepono; Wastiwi S, Sri
Capture : Jurnal Seni Media Rekam Vol. 8 No. 2 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v8i2.2049

Abstract

The Siti film directed by Eddie Cahyono deserves to be appreciated as a work of long fiction films by creative production. Evidently, the film funded with a budget under 150 million rupiah, able to deliver it into the nomination of film festivals, even this film is able to win awards in a number of prestigious film festivals in various countries. It can not be separated from the creative work of Eddie Cahyono as a scriptwriter and director at the filmThis creative work isdue to his role as a meticulous person,looking deeply,appreciating the role of women,elevating her dignity and then transferring it in a film. Siti is a reflection of women living in confinement, debt induced,taking care of families and husbands paralyzed by sea accidents as fishermen.Siti just want to be free and independent of it all, it is a statement to be conveyed Eddie Cahyonothrough this film.The stages in reviewing this creativity include Eddie Cahyono's work steps in writing film scenarios that include the process of finding ideas, themes, story settings, story conflicts to the whole siti movie scenario,while to examine the directing process including the preproduction process (script breakdown, casting, reading, rehearsal), production process (shooting in the field) and post-production process through the mise en scene in the Siti film.Keywords: Siti film,creativity,scriptwriter,and director
EKSPLORASI VISUAL SITU CANGKUANG DALAM FOTOGRAFI SENI Aziz, Abdul; Felix, John; Sonia, Candy Reggi
Capture : Jurnal Seni Media Rekam Vol. 9 No. 1 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v9i1.2052

Abstract

The facilities and services provided by photographic technology have made it easier for people to photograph. So photography is no longer a strange thing in the society. Photography has been able to replace manual illustrations, with its many advantages, such as the similarities and details of the objects it records. Photography is also necessary as a means of communication and photographic messages can also be a means of expression. When photography enters the arts, photography can provide dimensions that touch technical aesthetic aspects, as well as conceptual and thematic discourses. Exploration Situ Cangkuang will be the choice of visual objects Researchers in the creation of artistic photography. This is a form of aesthetic expression of researchers to make a real contribution to the awakening of art treasures that touch the aspect of tourism. The research method used is the qualitative descriptive method. In this method, the researcher performs a visualization and a photographic display supported by a subjective observation result.Keywords: Photography, art, visual, and Situ Cangkuang
FILM YASMINE : STRATEGI FILM BRUNEI MENEMBUS PASAR INDONESIA Ananda, Dhimas Aryo Vipha
Capture : Jurnal Seni Media Rekam Vol. 9 No. 1 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v9i1.2053

Abstract

Yasmine was an experimental project of Brunei International movie. The movie premiere on 21 August 2014 release to 5 screens (as there are only 5 cinemas) in Brunei and 80 screens in Indonesia, so it was described as the renaissance of Brunei cinemas after 46 years of long sleep. Taking Silat martial arts as background theme for the story. Yasmine movie actually not entirely a trial attempt. There was faith in it, that this movie will be a success because it chose a very typical story. As it was done in Cinderella story that being adopted to Pretty Woman film (1990). Yasmine movie team must be fully aware that the choice of blending romance and martial arts together is always invites many audiences. Deliberately penetrate the Indonesian market was not without strategy, the goals was to brought back film industry as one of creative industry in Brunei along with brings Brunei image go international through Indonesia. Keywords: Yasmine Movie, Strategy, Brunei, Indonesia
FILM A MAN SPACE: (FILM TANPA PEREMPUAN) Afandi, Haekal Ridho; Ali, Matius
Capture : Jurnal Seni Media Rekam Vol. 9 No. 1 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v9i1.2054

Abstract

A Man Space is a short fiction film that adopts masculine and feminism in a human body, which tells of a family consists of a father and three sons without a woman in the house. All was gone smoothly before there is occurs a problem where the father wanted to replace their mother figure. The film’s problems are not only the father wants to get married again, but also the problems that arise in the community. A man was called as a man because of what? The third child’s question to his father because he was the last son and still searching for his identity while his old brothers already have different characters each other though in the one house and no one could finish this problems only respond with a man way. Without a woman, a man can do what he wants.Keywords: A Man Space, without woman, masculine, and feminine
KONSTRUKSI GENDER LAKI-LAKI HOMOSEKSUAL DALAM SERIAL TELEVISI QUEER AS FOLK Primiani, Nurrahma; Zakaria, Mumuh Muhsin; Priyatna, Aquarini
Capture : Jurnal Seni Media Rekam Vol. 9 No. 1 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v9i1.2055

Abstract

This study entitled “Gender Construction on Homosexual Men in Television Series ‘Queer as Folk’” investigates how gender on homosexual men is portrayed and constructed in various scenes and dialogues depicted in the television series. By taking the discourse of [homo]sexual practice and fashion, homosexual men are shown to have different gender roles on each occasion. It is performed by them to survive, both in their homosexual community and in [hetero]normative neighborhood. This article argues that homosexual men at the same time are shown to perform by following two different standards. The data used in this study are textual and visual data (screenshots) captured from the series. After analyzing the data, this study finds non-normative gender views performed by homosexual men which tied and related to [hetero]normative gender roles.Key words: Homosexual, gender, heteronormativity, and Queer As Folk
BUDAYA INDONESIA DALAM MOCKUMENTARY “MALAM MINGGU MIKO 2” KOMPAS TV Rohma, Naafi Nur; Sjafi’i, Achmad
Capture : Jurnal Seni Media Rekam Vol. 9 No. 1 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v9i1.2056

Abstract

The serial program of comedy “Malam Minggu Miko 2” the story of ‘Malam Baru Miko’ which is broadcasted by Kompas TV is a program which shows in mockumentary format. It is a format of television broadcasting program which contains of fictive story filmed similarly to documentary format that its roles have realistic characters and reflect current real life. This study considers television device as a text. Employing semiotic approach of Charles Sanders Peirce, relating three main components: representamen, object, and interpretant. This study investigates the significances of Indonesian cultural marks emerged on the text. Limitation of the Indonesian cultural marks emerged includes politeness, regards, greetings, smiles, respects, hospitalities, gotong royong (mutual helps), and slametan (traditional feast). The result of this study shows that some marks considered as Indonesian culture are found in some frames of pictures from the serial program of comedy “Malam Minggu Miko 2” the story of ‘Malam Baru Miko’ broadcasted by Kompas TV. Keywords: Culture, Indonesia, mockumentary, and semiotics

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