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INDONESIA
Gelar : Jurnal Seni Budaya
Published by Institut Seni Indonesia Surakarta
ISSN : 14109700     EISSN : 26559153     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Gelar focuses on theoretical and empirical research in the Arts and Culture.
Arjuna Subject : -
Articles 426 Documents
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Governance of flagship events in Surakarta City case studies of Solo International Performing Arts (SIPA), Solo Batik Carnival (SBC), and Solo Keroncong Festival (SKF) Irawati Kusumorasri; Nanik Sri Prihatini; Bambang Sunarto
Gelar : Jurnal Seni Budaya Vol 21, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.4348

Abstract

The implementation of cultural events or festivals is part of efforts to revitalize the tourism sector in Surakarta City. The cultural event has succeeded in becoming a means of tourism development. The possibilities are present and have given birth to a performance program. The most significant event activities include Solo International Performing Arts (SIPA), Solo Batik  Carnival (SBC), and Solo Keroncong Festival (SKF). This research aims to know the governance principles for organizing a good festival or cultural event. Hopefully, understanding the principles of governance to make SIPA, SBC, and SKF become the flagship event in Surakarta city will serve as managerial knowledge useful in developing festivals and cultural events. It is important to study the management of SIPA, SBC, and SKF to find out the characteristics of leading event management so that they are included in the leading criteria. Research produces theoretical solutions, so that festival management has an adaptive and applicable management system for organizing events. The findings will be useful as a reference for other cultural events in the city of Solo. The research uses explanatory methods to find and create concepts that clarify SIPA, SBC, and SKF into three flagship events. Implementing this event is successful because it uses the combined governance between modern management and traditional management. For this reason, the results of this study have significant meaning because they can at least serve as a model in the organization of festivals and cultural events in other places
Developing an engaging and effective mascot design for promoting alternative energy source awareness Devi Kurniawati Homan; Nixie Carissa Sondang Silitonga; Jonata Witabora
Gelar : Jurnal Seni Budaya Vol 21, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.5056

Abstract

Alternative energy sources are one of the solutions that can help address the issues of the energy crisis and global climate change. Indonesia has joined other countries in pursuing the implementation of a net-zero emissions policy by 2050. Due to Indonesia's geographic location, which is situated across the equator, the country can benefit from the use of alternative solar energy. According to data from the Ministry of Energy and Mineral Resources, Indonesia's potential solar energy capacity can reach around 4.8 KWh/m2, equivalent to 112.000 GWp, but currently, only about 10MWp is being utilized. This number highlights the need for Indonesia to develop a strategic plan for harnessing its solar energy resources. Visual communication design can play a significant role in the success of this transition. One highly effective form of visual communication is the use of a mascot. A mascot serves as a storyteller; it is memorable and embodies the core values of what it represents. It is a powerful tool for conveying messages to the audience. The creation of this mascot aims to engage the masses in the adoption of alternative energy sources and plays a crucial role in appealing to the emotional aspect of the audience, influencing their decision-making process regarding energy sources. This research focuses on the creative process of designing the mascot's visual representation. Using a three-step design research approach, we have identified the visual elements necessary to develop the mascot's shape, form, color, and characteristics. The resulting mascot design symbolizes a brighter future for energy consumption. It's important to note that this research exclusively addresses the visual aspect of the mascot. Further studies are required to assess the mascot's effectiveness across different forms of media serving specific purposes.
Design concept analysis of educational toys to stimulate early childhood fine motor development Nurul Fitriana Bahri; Ica Ramawisari; Sheila Andita Putri
Gelar : Jurnal Seni Budaya Vol 21, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.5058

Abstract

The early years of a child's life are widely acknowledged as a critical period for growth and development, encompassing significant advancements in their physical, cognitive, and emotional aspects. While development encompasses many different areas, fine motor skills are the cornerstone of a child's capacity to interact with their environment and attain significant achievements. This research discusses educational toys to stimulate fine motor development in early childhood. This research uses the theory of Palgunadi about design aspects, which are functional, aesthetic, and security of the product. This research aims to produce several alternative component designs that can be placed on a busy board to stimulate children's fine motor development. This research uses qualitative methods with data collection techniques through observation, interviews, and literature studies. The design method used in this research is SCAMPER. The results of this research are several alternative components of educational toy design that can be implemented on busy boards in order to optimize early childhood fine motor development. This research presents a comprehensive analysis of the design concept that underlies an educational toy to stimulate fine motor development in early children. The proposed toy provides a distinctive and captivating learning experience that effectively targets multiple aspects of fine motor skill development. This pioneering design contributes to the burgeoning collection of educational toys that are intentionally fashioned to foster skill-building in early children.
Fostering creativity and cultural bonds: revitalizing kasab crafts through arts education and community engagement in West Aceh, Indonesia Lindawati Lindawati; Muh Fakhrihun Naam; Ismawan Ismawan; Tri Supadmi
Gelar : Jurnal Seni Budaya Vol 21, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.5108

Abstract

This study aims to examine the school's efforts in introducing and preserving Kasab in West Aceh through art education and community collaboration. Kasab is gold thread embroidery on velvet cloth which is widely used in Acehnese weddings as a cultural product. Kasab was introduced to art education at the West Aceh High School through arts and culture subjects. This study used a qualitative approach. The research was conducted in five high schools in West Aceh District, Indonesia. Data collection techniques were carried out through interviews with students, teachers who teach arts and culture, and Kasab craftsmen. In addition, observations were also conducted to observe the collaborative learning process of the community and teachers, as well as literature studies on community collaboration and art education in the field of crafts. The results of the study show that collaborative art education in schools and communities regarding the introduction and process of making Kasab crafts is taught in the fine arts course, which begins with making decorative motifs. Next, the Kasab crafts were embroidered with gold thread. Students and teachers performed field studies at the Kasab craftsmen's place to observe the process of making Kasab. Later on, the students practice making Kasab at school, guided by the teacher and Kasab craftsmen. This activity is very important to be performed in every high school as an effort to preserve the Kasab craft in the West Aceh district.
The impact of diaphragmatic breathing on the endurance of contemporary dancers at the Institut Seni Budaya Indonesia Aceh: model-based experimental design Sabri Gusmail; Prasika Dewi Nugra; Syahrizal Syahrizal
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.4530

Abstract

Managing dance movement elements is crucial for maintaining endurance and movement quality. The purpose of this study was to investigate the effects of applying diaphragmatic breathing on dancer endurance. The study employed a mixed-methods approach with an exploratory sequential design. The first phase, qualitative in nature, aimed to formulate hypotheses concerning the endurance issues faced by dancers in choreography courses. The second phase tested these hypotheses through experiments, incorporating control variables between two groups: Group 1, trained in dance movements using diaphragmatic breathing, and Group 2, solely trained in movements. The experiment took place at the Indonesian Institute of Cultural Arts in Aceh, with six female dancers enrolled in choreography classes randomly divided into two groups. None of the participants had prior experience with diaphragmatic breathing techniques while dancing. The study utilized a sphygmomanometer and oximetry for measurement. The endurance test involved dancing to a metronome for 5 minutes at tempos of 100, 110, and 120 without interruption. The results indicated that the respiratory frequency of dancers using diaphragmatic breathing was more stable compared to the group that did not employ this technique. These findings suggest that incorporating diaphragmatic breathing alternately while dancing can serve as a recommendation for maintaining dancers' endurance, particularly for students at the Indonesian Institute of Cultural Arts in Aceh.
An exploration of participants’ views and experiences of cultural museums and their challenges Jufri Dabamona; Samsudin Arifin Dabamona
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.4686

Abstract

Cultural museums have always been considered guardians of culture, promoting the core concepts of cultural preservation and conservation. This paper delves into the challenges faced by two cultural museums from various perspectives and examines the transformation of museums in supporting Papuan culture through values centered on conservation and preservation, as gleaned from the experiences and views of the participants. This study is qualitative research that employs an interpretive strategy, with participants including museum personnel, cultural agencies in Papua Province, academics, and teachers from Cenderawasih University. Data were collected through in-depth interviews, field observations, and literature studies. The study identified three themes: (1) Collection and space management, (2) Museum image, and (3) Capacity building and moral responsibility of human resources. To enhance cultural services, the study suggests that museums in Papua need to focus on strengthening collection management, enhancing visitor convenience, and providing increased staff support in the cultural field.
Empowering the potential of local cultural wisdom in the packaging of performing arts: a force for forming community identity in the Kampung Seni Edas Bogor City Trimulyani Nurjatisari; Tati Narawati; Trianti Nugraheni; Lanang Riyadi
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.4734

Abstract

Foreign culture has become a significant polemic for today's millennials, leading to a tendency to overlook their nation's identity and the robust cultural potential inherent in their own country. This article seeks to enhance the potential of local cultural wisdom in the packaging of art as a force for shaping community identity. A qualitative approach is employed to provide a detailed and careful description of the art packaging methods in Kampung Seni Edas. Data were collected through interviews, observations, and documentation, with the research conducted in Kampung Seni Edas, Bogor City. Data validity was ensured through source triangulation and informant review techniques. Data analysis utilized interactive techniques involving data reduction, data display, and verification steps. The results underscore the necessity of elevating the potential of local wisdom in Kampung Seni Edas as an alternative model for empowerment and art packaging, contributing to character building and community identity, ultimately facilitating preservation through innovative performing arts. The implication is that the millennial generation needs to recognize, understand, and study culture as an essential achievement that must be embraced by millennials as the successors of the nation.
Production and exchange of meaning in instagram beauty influencer visual content in Indonesia: a social semiotic analysis Ariani Kusumo Wardhani; Hanisa Hassan; Irfandi Musnur
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.4748

Abstract

The development of technology aligns with the evolution of information media, which is increasingly dynamic in contemporary times. Instagram serves as a social media platform employed by beauty influencers to disseminate information pertaining to beauty. Visual content showcasing diverse beauty reviews captivates a substantial female audience, resulting in millions of followers on Instagram. This study aims to interpret the conveyed meanings by Indonesian female beauty influencers, such as Tasya Farasya, Kesha Ratuliu, and Hanggini. The qualitative methodology employs social semiotic theory to extract meanings embedded in the text or discourse presented by each influencer, considering social and cultural perspectives. This research adopts a constructivist paradigm, emphasizing the production and exchange of meanings. The study analyzes the meaning behind the messages conveyed by each beauty influencer on social media. The images portrayed by Tasya Farasya, Kesha Ratuliu, and Hanggini exhibit distinct representations both interactively and compositionally. The interactive metaphoric function is evident in the endurance of their image, showcased through visually appealing content on Instagram photos. This results in the creation of a multimodal visual composition in the photos.
The paradigm concept of Javanese’ Anak Polah Bapa Kepradhah in the story of Murwakala: Lévi-Strauss structuralism Sarwo Edi Wardana
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.4901

Abstract

Indonesia harbors diverse oral traditions, with a particular focus on Javanese traditions. Studies on oral traditions, especially those related to geguritan (poems), stories, and songs, often lean towards aesthetic analyses. However, there remains untapped potential for exploration, such as the exploration of local cultural elements underlying the contradictions in folklore. This article aims to elucidate these contradictions and delineate the paradigmatic concept of “anak polah bapa kepradhah” within the narrative of “Murwakala.” Conducted as a descriptive-qualitative study, this research employs Lévi-Strauss structuralism as a framework for interpreting, mapping and attributing meaning to empirical paradigms embedded in societal concepts. The objective is to address the contradictions and logical patterns inherent in society. Data for this study are derived from the observation of Javanese oral traditions related to wong sukerta. These observations are then juxtaposed with the narrative of “Murwakala,” as presented in the wayang performance of the ruwatan tradition, with a specific focus on the Javanese “anak polah bapa kepradhah” concept/value. The depth of meaning is further explored through the use of tables and diagrams. From a Lévi-Straussian perspective, it can be concluded that “Murwakala” and its associated value concept serve as logical tools capable of mapping paradigms, deciphering empirical contradictions (related to family relationships and power), and representing these dynamics in the cultural products and thoughts of Javanese society, both historically and in the contemporary context.
Children's theater performance "Buta Grana Ireng" reinterpretation of Sudamala story in Demping Village Bagong Pujiono; Handriyotopo Handriyotopo; Catur Nugroho; Tatik Harpawati; Delfin Febriansyah; Dela Cahyaning Permata; Arieska Wulandari
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.5044

Abstract

Demping, as a tourist village located in Karanganyar Regency, Central Java, has a variety of exciting tourism potential, both natural and religious. The lives of people who are predominantly Hindu still adhere to customs and various activities of religious traditions that are in synergy with their natural beauty. One thing that attracts attention is the public's trust in Sudamala's story. Sudamala tells the story of Durga, ugly and evil until she becomes the beautiful and kind Goddess Uma. Starting from this story, this research attempts to develop it into a children's theater performance by highlighting the values of the Sudamala story. The approach used is a deconstruction perspective from "sanggit" reinterpretation, namely, re-understanding the meanings contained in the story of the Sudamala text with a new meaning. Through this analysis, we can understand in depth the contents of Sudamala's literary works, which are then worked out skillfully in the theatrical work of Buta Grana Ireng children. In the end, the reinterpretation of sanggit in the theatrical performance of the Buta Grana Ireng children was generally able to increase the appreciation of the new theatrical work from the reinterpretation of the Sudamala story at the Sukuh temple and became a new performance work in the Demping Tourism Village.

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