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INDONESIA
Gelar : Jurnal Seni Budaya
Published by Institut Seni Indonesia Surakarta
ISSN : 14109700     EISSN : 26559153     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Gelar focuses on theoretical and empirical research in the Arts and Culture.
Arjuna Subject : -
Articles 426 Documents
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The analysis of music composition learning of HL Music diploma program students in the international baccalaureate curriculum using Jean Piaget’s theory of cognitive development Gunita Putri, Vinsensia; Mulyanto, Mulyanto; Widiastuti, Endang
Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i2.6104

Abstract

This study uses a qualitative case study method with three HL music students in the International Baccalaureate (IB) Diploma Programme. It aims to analyze the creative process of students who selected HL music out of interest but lacked prior musical theory or skills. The focus is on the Contemporary Music Maker HL Only assessment, where students produce a music composition. The composition process is analyzed using Jean Piaget's cognitive theory, particularly the stages of assimilation (integrating prior knowledge), accommodation (adapting to new knowledge), and equilibrium (balancing the two). The findings show that Piaget’s cognitive stages effectively guide students through the creative process. The quality of equilibrium each student achieves is reflected in their IB scores, demonstrating their ability to integrate and apply new knowledge. This study underscores the relevance of Piaget's cognitive theory as a foundation for developing creative skills in music education. It highlights the importance of understanding cognitive stages to support student learning in music composition. Further research is recommended to explore its application across different educational levels and cultural contexts.
The potential of onomatopoeia from Javanese culture as assets for visual work creation Mataram, Sayid; Ranu Wicaksono, Arif; Irfan Ismail, Anugrah; Ardhianto, Peter
Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i2.6196

Abstract

Onomatopoeia is one of the visual elements in graphic design works. Cultural diversity in Indonesia has the potential to produce domestic onomatopoeia. Antawacana is one of the speech cultural activities of natural sound mimesis in Javanese society. It is the speech and sounds performed by Dalang of Wayang Purwa (puppeteers of shadow puppet performance). This research examines the potential of Indonesian domestic onomatopoeia, especially Javanese, which comes from the speech of puppeteers as an asset to support the increase in potential and productivity in the field of graphic design. This research converts audio into visual items to develop Indonesian domestic onomatopoeia based on the domestic cultural asset of Antawacana. This research interprets sound into visuals by using Antawacana as the basis for visualization. The variety of sounds in Antawacana itself results from Dalang’s interpretation. This research contributes to the Indonesian creative industry by providing visual assets based on Antawacana. These assets can assist the communication process in other creative works. In addition, along with technological developments, the potential of onomatopoeia as a domestic cultural asset can be developed into an artificial intelligence asset in online graphic design creation platforms.
Cultural identity of Beji Village Community in Onggoloco Folktale: ethnographic study of literary anthropology Rahmah, Annisa Fatati; Wulandari, Yosi
Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i2.6251

Abstract

Globalization and the pressures of urban life have resulted in a cultural identity crisis. This study aims to describe the cultural identity of the Beji Village community in the Onggoloco Folktale by analyzing cultural elements (religion, knowledge systems, arts, and livelihoods) through a study of literary anthropology with an ethnographic approach. This type of research uses a qualitative descriptive method. This research was conducted in May-June 2024 in Beji Village, Ngawen, Gunung Kidul, Special Region of Yogyakarta. Data collection through participant observation, interviews, and documentation. Interview data collection using the purposive sampling method with five respondents who are forest and cultural conservation figures. The results of the research found the cultural identity of the Beji Village community in the Onggoloco folktale, namely belief in ancestors, having knowledge of nature conservation, preserving the arts, and making a living as farmers. The Onggoloco folktale strengthens the cultural identity of the Beji Village community by teaching people to always preserve culture. This research contributes to the development of literary anthropology theory. The practical aspect of this research is used as a learning resource in schools related to folklore. Further research is needed that is of a developmental or in-depth nature.
Enhancing community economies through legal protection models of traditional knowledge and cultural expressions: a study on Indonesia's communal intellectual property framework Widiarsa, Anang Pratama; Mayasari, Hanita
Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i2.6256

Abstract

This research investigates the impact of legal protection models for Traditional Knowledge and Traditional Cultural Expressions (TKTCE) on the economic development of communities in Indonesia. It emphasizes the government's role in regulating TKTCE as an integral component of communal intellectual property (CIP) that can be effectively integrated into the national development framework. The study employs a juridical-normative approach, utilizing both primary and secondary legal materials, which were collected through comprehensive literature reviews and analyzed descriptively and qualitatively. This research highlights significant gaps in the current regulatory framework, particularly the inadequacies in international conventions that have led to economic losses for Indonesia. The findings indicate that the government's recent initiatives, including Government Regulation Number 56 of 2022, aim to enhance protective measures for TKTCE, thereby fostering a creative ecosystem that benefits local communities. This research is crucial as it addresses the intersection of legal protection, cultural expression, and economic improvement, providing insights into how effective legal frameworks can empower communities and preserve cultural heritage.
Silat pangean: maintaining togetherness and respect in the Panggak Adat procession in Kota Baru Village, Riau Province Musrin, Musrin; Erawati , Yahyar; Idawati , Idawati; Syefriani , Syefriani
Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i2.6544

Abstract

Silat Pangean is an art form that features martial arts movements. Silat Pangean has an important role in various traditional ceremonies, especially in Kota Baru Village, Riau Province. Silat Pangean is inseparable in the procession of Panggak Adat where Silat Pangean becomes part of the custom in Kota Baru Village which becomes one unit.  Silat Pangean is performed early in the Panggak Adat procession which aims to welcome the arrival of the groom as a form of friendship between the two parties. The function of the fighter after the silat performance is over is to guard the bride and groom while the Panggak Adat is taking place. This research aims to find out how the series of Silat Pangean performances in the procession of traditional wedding Panggak in Kota Baru Village, Riau Province. The method used is a qualitative approach with data collection techniques through observation, interviews, and documentation. The results showed that Pangean Silat in Kota Baru Village is not only a martial art, but also an entertainment silat that has an important role in the Panggak Adat procession in Kota Baru Village. The form of Silat Pangean performance is seen from several elements such as clothing, musical accompaniment, audience, stage and players. This research is expected to contribute to the development of cultural studies and local traditions, as well as increase awareness of the importance of preserving cultural heritage in Indonesia, especially in Riau Province.
Modern Indonesian theater in the 1980s: A criticism of the aesthetic hegemony of the new order Novianto, Wahyu; Guntur , Guntur; Faruk , Faruk; Simatupang , G.R. Lono L.
Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i2.6589

Abstract

This article discusses the practices and discourse of modern Indonesian theater in the 1980s as a form of resistance to the aesthetic hegemony of the New Order. For 32 years, under the government of Soeharto, freedom of expression was increasingly suppressed, including in the art of theater. Various forms of resistance emerged from theater groups, through practices and discourse that wished to seize the dominance of the New Order’s aesthetic ideology. This research aims to reveal how modern Indonesian theater functioned as a tool of counter-hegemony through the practices and discourse it developed. The research approach uses a critical paradigm with a qualitative method. The primary data are documentation of theater performances from the 1980s and the secondary data are taken from literature about the New Order and mass media articles. A dialogical analysis was carried out to discuss the various data and to explore the relationship between art and efforts to build a counter-hegemony. The research results show that modern Indonesian theater used artistic strategies such as symbolism, humor, and exploration of local traditions to convey criticism, and developed an alternative discourse that challenged the domination of noble (adiluhung) aesthetics. The study concludes that the practices and discourse of modern Indonesian theater in the 1980s reflected a process of negotiation between tradition and modernity, aesthetics and politics, and became a space for symbolic resistance to the New Order system. Through fluid, innovative art forms, theater functioned as a medium of social awareness and a tool of change amidst the constraints of the authoritarian regime.
Representation of guardian spirits through dayak motifs: a visual language analysis of rumah betang murals in West Kalimantan Della Maharani, Utin; Prilosadoso, Basnendar Herry
Gelar: Jurnal Seni Budaya Vol. 23 No. 1 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v23i1.6484

Abstract

This research explores the symbolic visual language of guardian spirit motifs depicted in the mural of Rumah Betang, located in Jalan Sutoyo, Pontianak, West Kalimantan. The mural features visual representations of ancestral guardian spirits, the hornbill (enggang), and the serpent (Nabau), which are central to Dayak cosmology and spiritual beliefs. Using a qualitative descriptive approach and visual language theory by Primadi Tabrani, the study analyzes the content (wimba), visual strategy (way of wimba), and expression structure of the mural. Field observation and interviews with Dayak cultural actors support the interpretation of visual elements and their symbolic functions. The guardian spirit is positioned at the top to signify spiritual authority; the hornbill at the center represents a divine messenger; and the Nabau at the base reflects foundational protection. Tendrils and spirals serve to connect these figures, symbolizing the cycle of life and balance between natural and spiritual realms. This research contributes to a deeper understanding of how visual art encodes cultural narratives, spiritual structures, and protective symbolism within the Dayak community.
Vertical and panoramic views: a new vocabulary of drone shots in cinematography Noor, Firdaus; Widyastutieningrum, Sri Rochana; Sutrisno , Mudji; Ajidarma , Seno Gumira
Gelar: Jurnal Seni Budaya Vol. 23 No. 1 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v23i1.6513

Abstract

This study aims to reveal how drones have entered the language of film, which essentially means how drones can contribute to new vocabulary in cinematography, especially regarding the type of shot in camera angles and framing. This study uses a qualitative approach with a post-phenomenological descriptive analysis method developed by Don Ihde. The data presented are moving image documentation produced by drone technology in twelve documentary films from the Ekspedisi Indonesia Biru series, each lasting approximately 50 minutes. The observation results of the number of drone shots analyzed in this study totaled 193 (one hundred ninety-three). The analysis process was then compared using Bordwell, Thompson, and Mascelli's theory to conceptualize film vocabulary as formal and stylistic techniques used in drone cinematography in the twelve documentary films of Ekspedisi Biru Indonesia. Two important findings were identified based on indicators not found in the basic rules, vocabulary, and cinematographic language practices that have become industry standards. First, two new words were found in the drone camera angle variable: Vertical and Panoramic. Second, in the framing variable based on size and distance, drone cinematography language still refers to cinematographic grammar practices established in a global consensus. The striking difference lies in the height of the camera position, which has become a distinctive visual style of drone cinematography. Further research is needed to develop drone technology to realize new linguistic efforts, particularly from the perspective of camera movement, which challenges the dominance of existing film language. In the future, drone technology will incorporate more advanced artificial intelligence algorithms to enhance real-time camera movement maneuvers and add non-human factors such as energy efficiency, collision avoidance, flight restrictions, and bandwidth improvement.
Analysis of the Briak-Briuk Sepanggul (BBS) concept in the practice of Balinese music by Penabuh Ardana, I Ketut; Palupi, Warananingtyas; Horta, Carlos Miguel de Fonseca
Gelar: Jurnal Seni Budaya Vol. 23 No. 1 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v23i1.6571

Abstract

Briak-Briuk Sepanggul (BBS) is a concept of traditional Balinese music that used to be a reference for Penabuh. Today, a generation of young Penabuh no longer use it, likely due to a shift in social interaction from a collective work culture to a more individualistic tendency. In the past, the Penabuh were active in various social activities. This activity strengthens social ties and fosters a spirit of togetherness in music. In contrast, today's generation of Penabuh tends not to engage in such social interactions, so many are unaware of the importance of BBS in music practice. It impacts the decline in performance quality shown because it does not display the dynamics, sound integrity, sound balance, cohesiveness, and cohesiveness of expression characteristic of implementing BBS. This research aims to describe applying the BBS concept in Balinese music as a foothold for building quality music practices based on the value of togetherness. Three Balinese music ensembles that use the BBS concept are the subject of this case study, which gathers data through literature reviews, interviews, and in-depth interpretive analysis. This study demonstrates that the BBS philosophy is based on humanist principles like equality, cooperation, and unity. This value is applied in non-art and artistic activities, which influence each other. Humanist values in non-art activities have been proven to improve art quality, namely Balinese music performances. These findings strengthen the study of the sociology of karawitan and make an important contribution to the development of Balinese karawitan science.
Development of sensory-based inclusive vocational modules in graphic design: a case study of neurodivergent learners in a vocational training institution Nurfarina, Anne; Herdiana, Firli
Gelar: Jurnal Seni Budaya Vol. 23 No. 1 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v23i1.6602

Abstract

The purpose of this study is to develop a sensor-based vocational learning module that is appropriate for neurodivergent individuals, such as those with autism, as well as those who are enrolled in the LPK ATC Widyatama Program Desain Grafis. This module integrates sensor-based learning strategies and natural stimulation to increase students' understanding and engagement. Drawing from Ayres' theory of sensor integration, Vygotsky's theory of sociocultural education, and TPACK's work ethics, this module aims to improve cognitive, affective, and psychomotor learning. This study employs a qualitative case study methodology based on Design Thinking principles, which helps students understand the learning context. Interviews, artifact analysis, and observation are used to assess the learning process and results. The study's findings indicate that individualized sensory stimulation, such as visual references from movies, television shows, and video games, helps consumers develop ideas into products' graphic design. Among the things that are discussed are individual accommodations and the improvement of the instructional environment. This study offers a starting point for vocational education with recommendations for more comprehensive sensor integration.

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