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Pendhapa

pendhapa
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Published by Institut Seni Indonesia Surakarta

ISSN : 20868138 EISSN : 27457249 DOI : https://doi.org/10.33153

Core Subject : Humanities, Art, Social, Engineering,

Arts Humanities Civil Engineering, Building, Construction & Architecture Environmental Science Social Sciences

Jurnal Desain Interior, Seni dan Budaya adalah jurnal yang mempublikasikan wacana dan hasil penelitian berterkiat dengan desain, desain interior dan diskursus desain interior terhadap kajian seni dan budaya. Pendhapa dalam susunan rumah tradisional Jawa merupakan ruang terbuka untuk menerima tamu, tempat pertemuan, tempat pertunjukan. Pendhapa memiliki fungsi yang cukup kompleks yakni fungsi sakral maupun profan, ritual sekaligus seremonial, publik sekaligus privat, meleburnya bagian luar dan bagian dalam interior-arsitektur bangunan, bertemunya tamu dan tuan rumah. Pendhapa sebagai paseban, merupakan medium bagi bertemu, bertukarnya ide, pemikiran, gagasan, informasi, strategi maupun formulasi menyangkut banyak hal untuk kemaslahatan. Selaras dengan fungsi pendhapa yang strategis hadir Pendhapa: Jurnal Desain Interior, Seni dan Budaya terbit berkala setahun dua kali pada bulan Juni dan Desember sebagai media penyaluran dan publikasi ide, gagasan, inovasi, hasil penelitian para ilmuwan desainer dan desainer ilmuwan.

Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)

Articles 10 Documents

Search results for , issue "Vol 3, No 1 (2012)" : 10 Documents clear

OPTIMALISASI TENUN SARUNG GOYOR TRADISI SURAKARTA IMPLEMENTASINYA PADA INTERIOR SEBAGAI UPAYA PENGUATAN BUDAYA LOKAL Muh. Arif Jati Purnomo; Joko Budiwiyanto; FP Sri Wuryani
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

The study, entitled â€œThe Optimizing of Surakarta Traditional Batik, The Implementationin Tradition-Based Accessories as strengthening efforts Surakarta Local Culture in the Global Eraâ€ to analyze and embodies Surakarta traditional batik as one of the mainstays of traditional souvenirs can be adaptable to support regional tourism and strengthening the local culture in the globalization era. A problem in the study is the lack of optimal utilization Surakarta batik as the souvenirs objects of tourist destination. The Weak sensitivity of craftsmen to the cultural wealth of the archipelago in Surakarta, in particular batik, is seen as a serious problem in an effort to optimize the Surakarta traditional batik. Identification analysis of Surakarta batik used as the indicator of first year performance to find solutions maps of design offer. Experiments conducted in ISI Surakarta by involving the team with the craftsmen. The method used in the first year using the method of content analysis, observation, interviews, experimental design with hermeneutic approach supported by a design, proposed by social, cultural, and psychological approach. The location is done in Surakarta. Data sources include the results of the work, which is a typical batik in Surakarta, informants, cultural figure, craftsmen, the general public, and literature related to the problem. Data collection technique is the study of literature, observations, and interviews. The validity of the data by using triangulation data and the analysis is the interactive analysis model to see the meaning behind the work of design objects. In the analysis phase of design formulation will using SWOT analysis. The focus of the second year of activities such as experimentation, education and training of craftsmen, try out, exhibition and sale of works of accessories, evaluation, refinement and accessories design concept, formulation of recommendations.

DESAIN INTERIOR MUSEUM RADYAPUSTAKA Agung Purnomo; Basnendar Herryprilosadoso; Ranang Agung Sugihartono
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Interior Design Development Based Ergonomics to Radyapustaka Museum (Comfort and Security) as the Cultural Center, Information and Tourism Destination Surakarta done through the stages of research. The goal is to analyze and realize the convenient Â Interior of Â Radyapustaka Museum or visitors and managers, it also meets the security requirements for the collection of objects that are in it. The result will be the basis and provide direction for the development of interior design mentioned above.The first phase aims to identify interior Radyapustaka Museum. Experimental design will be implemented on campus involving a team of ISI Surakarta with faculty and students of Interior Design and other related parties. To explore the data in the form of artifacts, literature, and the informant conducted through observation, study of literature, interviews, and documentation. Experimental design is done by design approach and strengthened by evocative approach, educational, psychological and socio-cultural. Triangulation of data is selected as a tool to maintain the validity of the data, while the model is interactive analysis. Analysis conducted for the formulation of interior design Radyapustaka Museum. The second stage conducting the trial design through design embodies (experimental product) and its application (implementation design), evaluation, refinement and design concept formulation of recommendations.Results of the study indicate the stages there are some drawbacks of the current interior design museum collections including the arrangement of objects is generally not considered the aspect of convenience for visitors for example related to the circulation and visibility levels. Space organizations associated with building less Â for use as a museum. Vitrin that some of them do not have the function as it should. Most of the collection for groups not utilizing posters, illustrations, image or description (caption) well as visual communication medium to describe a collection of museum objects. Keywords: Museum, Radyapustaka, interior, comfort, safety

MUATAN ECO-DESIGN PADA LOMBA DESAIN FURNITUR JATENG TAHUN 2010 DAN 2011 Sumarno -
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Criteria on a design are reference or parameter of the success in a planning or designing. The criteria of the design competition of furniture products industry in Central Java consist of originality, ergonomic, environment friendly, market orientation, raw material efficiency, and the combination of alternative materials. The design criteria above, if they are grouped, will create rigid ecologic criteria domination, so that it can be categorized into an eco design planning and designing. This study tries to find out why the ecologic criteria are emphasized, and what kinds of design will become the winners and nominators. The point of view used in this study is ecologic and aesthetic study on the works of design competition. The sampling technique of this study is cluster sampling.The application of ecologic criteria in the design competition above is based on the global societyâ€™s demand on environment friendly products, and a consideration on the environment problems in Central Java. In determining the winners and the nominators, the juries more emphasize on the marketable aspects, whereas the environmental aspects have not got an appropriate portion. In doing the evaluation, the juries have done inconsistencies to the determined criteria. The design works of the finalists, in these design competition activities, have not fully applied the eco design principles. The application of environment friendly product design by the finalists generally is only on the finishing stage that is the using of finishing water base.Â Key words:Â eco design, design competition, and furniture industry

PERKEMBANGAN BENTUK DAN FUNGSI PATUNG LORO BLONYO DALAM MASYARAKAT DI SURAKARTA Ersnathan Budi Prasetyo
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

This study focuses on the shape and function development of Loro Blonyo statue including its application to other media within Surakartaâ€™s society.Â Â Â Â Â Â Â Â Â Â Â The data collection method of this research is observation, reference research and in-depth interview. This research concludes that the statue of Loro Blonyo is the symbol of couples â€“ Male and female, its manifest isÂ in the shape of sensible and insensible, which represent Dewi Sri and Sadana. This statue is considered sacred in Javanese mystical belief, as the figure symbol of the embryo of Javanese people. Loro Blonyo statue was marked of noble Javanese culture, so for the rural Javanese society which could not afford it, had transformed this statue into the symbol of brides in paddys (manten pari), pestle and mortar (alu-lumpang) and the sickle (ani-ani arit). The advancement in Loro Blonyo statue has experienced friction in shapes and function from scared to profane.Key words: Loro Blonyo, myth, sacred, profane.

KESINAMBUNGAN SENI RUPA INDONESIA (DITINJAU DARI BAHASA RUPA TRADISI) Sri Marwati
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Indonesia is a rich country with tradition cultural which heritaged from ancestral. As relics of the reliefs in some temples in Indonesia. We have the different character from other nations and the most important is the Indonesia human has features works of art that has existed since prehistoric times and the characteristic can still be found in the present. There is a continuity of the Indonesian art with the art of first ancestor. The characteristics include the Flat Time Space system (in Indonesian called Ruang Waktu Datar) that is different directions, different place, and different time. Many artists of Indonesia implementing this RWD system is realized or not, this is definitely RWD system is a system that has been done by the ancestors of Indonesia.Â Keyword: continity, fine art, tradition

An ECOLOGICAL FUNCTIONALISME ARCHITECTURE KARYA GLENN MURCUTT Harmilyanti Sulistyani
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Architecture as a cultural product is used to develop human welfare.Â Knowledge about the environment and climate are the uniqueness of Glenn Murcutt design. The choices of technology, material and the form show that he consistent to keep alive the natural resource. Modern material and technology selected to support his effort to optimizing the environment use in design.Deductive method is used to explore Ecological functionalism principal. Essay and article that contain about Glenn Murcutt vision and design are taken as a data source. The data indentified to catch the design concept. Graphic analyze are used to find the application in design, by this way ecological functionalism concept in Glenn Murcutt design will be found.Glenn Murcutt is applicative ecological functionalism concept in his design. He used special material with modern technology to optimize the environment potential.Â Topography and the climate characteristic is the base of design. Simple and aerodynamic forms are choosing as activity facility. The selected material and form do not just a part of structure but also a piece of the aesthetic.Â Key words: climate caracteristic, simple kurva, aerodynamic, modern technology.

KOMODIFIKASI DAKWAH DALAM RELIGIOTAINMENT DI STASIUN TELEVISI INDONESIA Fitri Murfianti
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Dakwah program on television lately increasingly prevalent. Television stations compete for dakwah program package as attractive as possible so that your viewers by showing cool and popular ustadz or ustadzah. By television, religion is an integral part of the individual and society become commodities for profit. The media as an institution experiencing contradictions of capitalist profit-oriented and capital accumulation, because the mass media should be market-oriented and sensitive to the dynamics of market competition. The media should strive to deliver compelling information products that have a market advantage. Impressions of religion, in this case the spiritual spray or dakwah on television, packaged in such a way as to meet the tastes of the market. Dakwah program is not monotonous and messages are easily digested into magnets that sold a preacher. The commodification of dakwah on television is then colored portrait Indonesian dakwah on television. It was the scene of commercialization, media owners (producers) saw market share against the interest of religion.Keyword: Dakwah, Commodification

CREATIVE CASE ELSIE DE Wolfe and FRANK LLOYD WRIGHT ON CENTURY 20 Sunarmi Sunarmi
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

This paper titled Creative Case Elsie de Wolfe and Frank Lloyd Wright 20th Century. This paper is the result of literature study to explore the question of how the role of the creative process Elsie de Wolfe and Frank Lloyd Wright, in the field of interior design in the 20th century and how the environmental factors that influence the creative process Elsie de Wolfe and Frank Lloyd Wright. The approach used to borrow theories of Sigmund Freud, about the social influences on personality characteristics.Discussion of the results show, in the 20th century two trends emerged in the case of the creative design process. The first, conducted by Elsie de Wolfe leads to a form of conservation is a growing trend since ancient times, who faithfully follow and build on the traditions of the past history and tradition only slightly developed. This conservative tendency leads to the improvement of the visual style of the surface treatment and decoration, colors and textures, fixtures and accessories. The second, conducted by Frank Lloyd Wright tendency which aims to encourage innovation and new discoveries, which leads to the front and the futuristic new. This approach can be said to be more radical. This approach looked at all aspects of interior design as a potential for experimentation and progress. This approach is directed to examine the forms of space, system-structural systems and construction of space, patterns of functional activity space, the use of new materials, new manufacturing processes, and other aspects of interior design that have a direct appeal, ie, walls, ceilings , flooring, furniture, and other objects. The final goal of this trend is the incorporation of all the above elements in order to achieve overall consistency of the design as a result of the new design. The case related to the creative, creative way someone can be summed up basically not escape the influence of inner experience and empirical experience. At the level of the inner experience of it driven by the demands of the environment when it should behave and act while living in an environment that will form the habit of a person who in the end became a personality. The attitude of a person or individual social representation called kepribadaian formed as influenced by social climate or social structures in the environment. The personality characteristics influenced the work of many designers or artists is basically a naturally occurring process. This suggests that social action is created on the basis of a personâ€™s personality or psychological processes that formed him based on the interpretation of other interpretations.Â Keywords: Creative, Personality, Character Work

ASPEK ERGONOMI DALAM DESAIN KAMAR MANDI MODERN Siti Badriyah
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Perhaps many of us who like to spend some time in the bathroom. In the midst of a crowded for some people, relaxing in the bathroom when the home office to be very enjoyable and a relaxation therapy activities. For that atmosphere of support and comfort is a factor that can not be dipisahkan.Salah a supporting factor is comfort ergonomic factors in the design of a bathroom is very important factor ergonomic comfort when his bathroom into a demand not just routine cleaning the body only. Ergonomics of human is a key part of a system (Human Integrated Design), it must be recognized correctly that the human factor will be the key determinant of success in the design of a modern bathroom that is functional, comfortable, pleasant and aestheticallyKeyword: ergonomic, bathroom

SENI DAN DESAIN SANG PRIMADONA,SENI KRIYA SANG PENYELAMAT Dharsono Dharsono
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

When emerging dichotomy in artÂ around 1970s, people who do art (perupa)Â in the tradition, are called the artist, meanwhileÂ people who do craft (pelaku) are called the craftsman or artisan. Especially painting gain a superior position, because the success of western artists in the seat as part of the painting,Â that reflect part of intellectuality,Â meanwhile craftsmanship is the only mechanical arts. Therefore, fine art becomes to aÂ marginalized craft and pure art become into the favorite of the timeFurther development, the emergence of trichotomy of art, design and craft (the 1980s), the more visible and tangible. Craft positions below, even debased or is inferior by fine art or design. Then became the belle of the design.But what is the reality?! ...... When Indonesiaâ€™s economic crisis in 1998, the craft is thrown down, craft-hall was thrown into marginal, in reality it is an important role to create jobs and even contributed to significant improvements in the economic wheel moving on layer, Even with the collapse of the capital-intensive, it sparked the birth of entrepreneurs to move the craft-based industries such as in Jepara, Cirebon, Surakarta. Even fine art became the savior.Â Keywords : art, design, fine art, Futuristic University.

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Sumarno

Contact Email sumarnoisi.ska05@gmail.com

Phone +628174129542

Journal Mail Official pendhapa@isi-ska.ac.id

Editorial Address Jl. Ki Hadjar Dewantara 19, Surakarta, Jawa Tengah, Indonesia 57126

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Sumarno

Contact Email
sumarnoisi.ska05@gmail.com

Phone
+628174129542

Journal Mail Official
pendhapa@isi-ska.ac.id

Editorial Address
Jl. Ki Hadjar Dewantara 19, Surakarta, Jawa Tengah, Indonesia 57126

Location
Kota surakarta,

Jawa tengah

INDONESIA