Patrawidya: Seri Penerbitan Penelitian Sejarah dan Budaya
The Patrawidya appears in a dark gray cover with a papyrus manuscript. The Patrawidya Journal is published three times a year in April, August and December. The study of the Patrawidya Journal article is on the family of history and culture. The Patrawidya name came from a combination of two words "patra" and "widya", derived from Sanskrit, and became an absorption word in Old Javanese. the word "patra" is derived from the word "pattra", from the root of the term pat = float, which is then interpreted by the wings of birds; fur, leaves; flower leaf; fragrant plants fragrant; leaves used for writing; letter; document; thin metal or gold leaf. The word "widya" comes from the word "vidya", from the root vid = know, which then means "science". Patrawidya is defined as "a sheet containing science" ISSN 1411-5239 (print) ISSN 2598-4209 (online).
Articles
149 Documents
<![CDATA[BERJUANG DENGAN MELODI: MUSIK BANYUWANGIAN SEBAGAI MEDIA REVITALISASI IDENTITAS USING ]]>
<![CDATA[Endrayadi, Eko Crys]]>;
<![CDATA[Nawiyanto]]>
<![CDATA[ Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 20 No. 3 (2019): Desember ]]>
Publisher : <![CDATA[Balai Pelestarian Kebudayaan Wilayah X ]]>
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DOI: 10.52829/pw.456
<![CDATA[This paper discusses the Using community’s effort to fight for its identity through Banyuwangian music by employing the historical method. Banyuwangian music is a form of cultural expression and identity symbols of Using community. The involvement of the Banyuwangi artists in Lekra organization that led to the arrest of the artists and the prohibition of Banyuwangian music at the beginning of the New Order, at once have formed a negative image of Using community. Through Banyuwangian music, Using artists seek to put an element of creativity and modernity in musical genre, thus becoming social media and culture to fight for Using identity. A harmonious blend of ecological and cultural elements in the Banyuwangian musical elements have led to the emergence of various Banyuwangianmusic genres that are acceptable to society at large and become the identity revival era of Using parallel with other communities. Banyuwangian music is very interesting to study because of the practice of music of ethnic groups in relation to the national level to represent local interests in the realm of culture. Local popular music rarely crosses the ethno-linguistic boundaries. However, the Banyuwangian music could break down the barriers of subaltern and become the media of Using community in achieving an equal identity.]]>
<![CDATA[PERIODISASI PERKUMPULAN PERUPA DI INDONESIA SEJAK 1930 HINGGA 2000AN ]]>
<![CDATA[Atmadiredja, Genardi]]>
<![CDATA[ Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 20 No. 3 (2019): Desember ]]>
Publisher : <![CDATA[Balai Pelestarian Kebudayaan Wilayah X ]]>
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DOI: 10.52829/pw.457
<![CDATA[In the history of the development of Indonesian art, many associations of artists are known to emerge as times change. This association of artists has a tendency and intention to work collectively in accordance with the times. Through a historical approach, this study tries to look at the periodization of artist associations in Indonesia based on the sociohistorical context underlying them. This study uses literature studies with a historical approach. In this study the periodization of artist associations in Indonesia was based on the development of the Sanento Yuliman version of painting. This study shows 4 (four) stages of the development of artist associations in the Indonesian art scene, including: periods of natural scenery and realism, periods of propaganda and associations of artists, abstractperiods and new art, and periods of association of contemporary artists.]]>
<![CDATA[MIGRASI PENDUDUK DAN PEMBENTUKAN HIBRIDITAS BUDAYA KULINER TRADISIONAL PENGKANG ]]>
<![CDATA[Humaedi, M. Alie]]>;
<![CDATA[Purwaningsih, Sri Sunarti]]>
<![CDATA[ Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 20 No. 3 (2019): Desember ]]>
Publisher : <![CDATA[Balai Pelestarian Kebudayaan Wilayah X ]]>
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DOI: 10.52829/pw.458
<![CDATA[The phenomenon of population migration has been going on for a long time on socio-economic or power factors. The formation of distribution production and kinship networks due to the marriage of various tribes occurred in migration centers, including cultural hybridity. One form of cultural hybridity is the practice of traditional culinary production of pengkang in Mempawah. The problem is how the character of hybridity in creative production of pengkang culinary is done along with cultural encounters due to the migration patterns of several ethnic groups. This ethnographic research is based on the disclosure of the culinary pioneer family profile through in-depth interviews and participation observation of various hybridity phenomena. This study succeeded in finding a correlation between migration of people from various ethnic groups: Malay, Bugis, Madura, and Chinese in kinship networks and the formation of traditional culinary hybridity characters of pengkang. This culinary hybridity can be seen in the taste, producting or presentation of pengkang packaged from the Malay tradition, reinforced by the adaptation of taste and choice of ingredients known in the traditions of the Chinese, Madurese, and Bugis communities.]]>
<![CDATA[SURAT-SURAT PERJANJIAN TANAH NAGARA AGUNG KARATON NGAYOGYAKARTA TAHUN 1827-1831: SEBUAH KAJIAN FILOLOGI HISTORIS ]]>
<![CDATA[Agusta, Rendra]]>
<![CDATA[ Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 20 No. 3 (2019): Desember ]]>
Publisher : <![CDATA[Balai Pelestarian Kebudayaan Wilayah X ]]>
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DOI: 10.52829/pw.459
<![CDATA[The agreement to divide the Mataram region after the Giyanti agreement still leaves a long problem, especially in areas outside the capital. After the Java war in 1830, areas in the Yogyakarta and Surakarta regions were reorganized by the Dutch East Indies government commissioner. The division gave birth to several derivative agreements, one of which was related to land agreements. The research was a textual study of Pengetan Kagungan Dalem Siti Dhusun from Karaton Surakarta. This research was conducted because this manuscript is a single manuscript or codex unicus which became the basis for the study of the Kraton Surakarta in 19th century. This paper also stores data related to rural ecology in terms of structure, area and tax burden. The research uses the philological method to present text descriptions and editions. Then use content analysis to reveal the contents of the land agreement. This manuscript contains the results of the land ratification of treaties Dutch government related to the management of the Nagara Agung agreed by Sultan Hamengkubuwono V in Yogyakarta and Sunan Pakubuwono VII in Surakarta.]]>
<![CDATA[PERKEMBANGAN KOTA KECIL MUNTILAN KABUPATEN MAGELANG ]]>
<![CDATA[Ritohardoyo, Su]]>
<![CDATA[ Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 20 No. 3 (2019): Desember ]]>
Publisher : <![CDATA[Balai Pelestarian Kebudayaan Wilayah X ]]>
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DOI: 10.52829/pw.463
<![CDATA[Gaps still become common condition in small-scale city development studies that so far has less attention. Therefore, this research is aimed to analyze the history of the development of small cities and regional economies; contribution of location factors and their relationship with the development. The study was conducted in the small town of Muntilan, Magelang Regency, Central Java Province using a secondary data analysis research method. The unit of analysis is a census researched village. Data analysis used were quantitative and qualitative techniques.]]>
<![CDATA[MUATAN SOSIAL, POLITIK, DAN BUDAYA KANDHA DAN SINDHENAN TARI BEDHAYA SEMANG DALAM NASKAH SERAT KANDHA BEDHAYA SRIMPI ]]>
<![CDATA[Adji, Fransisca Tjandrasih]]>
<![CDATA[ Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 20 No. 3 (2019): Desember ]]>
Publisher : <![CDATA[Balai Pelestarian Kebudayaan Wilayah X ]]>
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DOI: 10.52829/pw.464
<![CDATA[Bedhaya dance is a classical dance that is very old and is the original art of kingdoms in Java. As a dance genre, bedhaya is placed as one of the most important arts in the Yogyakarta Palace. In the bedhaya dance, the important element to make it easier to know the story is in the kandha and the sindhenan. Kandha and sindhenan become mediations for the audience to understand the context of the bedhaya dance. as far as the author is concerned, the kandha and the sindhenan of bedhaya dance has never been discussed by observers of bedhaya dance. The things that are widely discussed are the choreography and symbolic meaning of the bedhaya dance. The Serat Kandha Bedhaya Srimpi is one of manuscript of the KHP Widya Budaya, Ngayogyakarta Hadiningrat Palace (with the text code W.7-B 24). That is the only manuscript that appeared in the period of Hamengku Buwana V which contained the bedhaya dance and which can still be read. In this manuscript there are kandha and the sindhenan of the Bedhaya Semang dance, which are different from the kandha and the sindhenan of the Bedhaya Semang dance in several other texts. To see the difference, an intertextual approach is used. The difference between the kandha and the sindhenan of Bedhaya Semang dance relates to the ideology of Hamengku Buwana V. Thus, through the kandha and the sindhenan of the Bedhaya Semang dance in the text W.7-B 24, the ideology of Hamengku Buwana V can be understood.]]>
<![CDATA[Pengelolaan Arsip Sejarah Kasultanan dan Kadipaten sebagai Perwujudan Keistimewaan Yogyakarta Urusan Kebudayaan ]]>
<![CDATA[Ramadhan, Ndaru]]>
<![CDATA[ Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 25 No. 1 (2024) ]]>
Publisher : <![CDATA[Balai Pelestarian Kebudayaan Wilayah X ]]>
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DOI: 10.52829/pw.467
<![CDATA[Penelitian ini bertujuan untuk mengetahui dan menganalisis bagaimana pengelolaan arsip sejarah Kasultanan dan Kadipaten dilakukan dan peran DPAD DIY dalam pengelolaan arsip sejarah Kasultanan dan Kadipaten. Metode penelitian yang digunakan adalah metode kualitatif dengan pendekatan deskriptif. Teknik pengumpulan data meliputi observasi, wawancara, dan dokumentasi. Teknik analisis data yang digunakan adalah reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa pengelolaan arsip sejarah Kasultanan sebagai perwujudan keistimewaan kebudayaan Yogyakarta di KHP Widya Budaya terkait pelestarian telah dilakukan secara mandiri, sedangkan pengelolaan arsip Kadipaten masih difasilitasi oleh DPAD DIY. Peran DPAD DIY adalah memfasilitasi pengelolaan arsip dan sumber daya manusia. Berdasarkan penelitian tersebut diharapkan Kasultanan, Kadipaten, dan DPAD DIY dapat bersinergi untuk mewujudkan keistimewaan kebudayaan Yogyakarta melalui pelestarian arsip-arsip bernilai sejarah yang ada di Kasultanan dan Kadipaten.]]>
<![CDATA[Cunggrang Inscription Site in Pasuruan Regency as a History Learning Source ]]>
<![CDATA[Maulana, Wildhan Ichzha]]>;
<![CDATA[Wijayanti, Finna]]>;
<![CDATA[Fathurrahman, Fathurrahman]]>;
<![CDATA[Fitriana, Imelda]]>;
<![CDATA[Khairunnisa, Khairunnisa]]>
<![CDATA[ Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 25 No. 1 (2024) ]]>
Publisher : <![CDATA[Balai Pelestarian Kebudayaan Wilayah X ]]>
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DOI: 10.52829/pw.471
<![CDATA[The purpose of this research is to analyze the potential and suitability of the Cunggrang Inscription as a history learning resource for high school students. This research uses the historical method which 4 stages, heuristics, verification, interpretation, and historiography based on a philological approach. The results showed that the Cunggrang Inscription has relevance to the basic competencies and indicators of class X senior high school history subjects that focus on social, cultural, religious, and government aspects during the Medang Kingdom period of East Java. The information contained in the Cunggrang Inscription helps students know several aspects of learning material on the history of the Medang Kingdom civilization (1) the division of government administrative areas; (2) the formation of special autonomous regions; (3) the structure of government bureaucracy; (4) the ancient Javanese dating system; and (5) Mount Penanggungan as an ancient Hindu spiritual landscape. Through the use of the potential of the Cunggrang Inscription, it can support teachers to create contextual and interesting history learning, so students’ understanding of the history of Hindu civilization, especially during the Medang Kingdom, becomes more comprehensive.]]>
<![CDATA[Patriotisme dalam Foto Majalah Merdeka Edisi Enam Boelan Indonesia Merdeka, 1946 ]]>
<![CDATA[Wardhana, Adi Putra Surya]]>
<![CDATA[ Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 25 No. 1 (2024) ]]>
Publisher : <![CDATA[Balai Pelestarian Kebudayaan Wilayah X ]]>
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DOI: 10.52829/pw.472
<![CDATA[Penelitian ini bertujuan untuk mengisi kekosongan kajian tentang narasi patriotisme dan wacana kemerdekaan 100% dalam foto majalah Merdeka edisi enam bulan Indonesia merdeka pada 1946. Beberapa permasalahan yang dikaji dalam penelitian ini adalah kon-disi foto jurnalistik masa awal revolusi, bentuk-bentuk narasi patriotisme dan wacana kemerdekaan 100% serta tujuan menyebarluaskan wacana tersebut dalam foto majalah Merdeka edisi enam bulan Indonesia merdeka. Penelitian ini menggunakan metode ana-lisis konten kualitatif dengan pendekatan sejarah untuk menganalisis foto jurnalistik. Hasil penelitian menunjukkan bahwa foto jurnalistik masa awal kemerdekaan mengalami banyak hambatan dan tantangan. Merdeka menjadi media massa yang mampu menerbit-kan foto jurnalistik. Majalah Merdeka menjadi media untuk menyebarluaskan narasi pat-riotisme dan wacana kemerdekaan 100% yang terkandung dalam foto jurnalistik. Dengan demikian, tujuan foto jurnalistik Majalah Merdeka adalah membangun spirit patriotik pembaca, memvisualisaikan perjuangan seluruh elemen bangsa, mengomunikasikan peran pemerintah pusat, dan mencitrakan relasi harmonis antara pemerintah pusat dengan militer Indonesia demi mewujudkan kemerdekaan 100%.]]>
<![CDATA[Surat Kabar Borneo Barat Shinbun Berbasis Digital History sebagai Sumber Belajar Sejarah ]]>
<![CDATA[Yafi, Reyhan Ainun]]>;
<![CDATA[Maulana, Wildan Ichzha]]>;
<![CDATA[Yuliantri, Rhoma Dwi Aria]]>
<![CDATA[ Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 25 No. 1 (2024) ]]>
Publisher : <![CDATA[Balai Pelestarian Kebudayaan Wilayah X ]]>
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DOI: 10.52829/pw.475
<![CDATA[Sejauh ini surat kabar Borneo Barat Shinbun berbasis digital history masih belum dimanfaatkan secara optimal sebagai sumber pembelajaran sejarah oleh mayoritas guru sejarah di Kalimantan Barat, sebab adanya keterbatasan pemahaman mereka mengenai akses digital dari sumber teks tersebut. Adapun metode penelitian termasuk dalam kualitatif deskriptif dengan model studi kasus, sedangkan untuk tahapan pengumpulan data didasarkan pada observasi langsung, wawancara secara mendalam, serta dokumentasi dengan meninjau berbagai dokumen yang memiliki relevansi dengan topik penelitian. Adapun hasil penelitian ini menunjukkan bahwa (1) surat kabar Borneo Barat Shinbun ini sangat relevan dengan kompetensi dasar (3.5 & 4.5) untuk mata pelajaran sejarah wajib, kemudian (3.9 & 4.9) untuk mata pelajaran sejarah peminatan sebagai sumber pembelajaran sejarah. (2) Guru sejarah di Pontianak dan Kubu Raya belum mengoptimalisasikan surat kabar Borneo Barat Shinbun yang tersedia di laman digital collection Universitas Leiden. (3) Untuk mengenalkan surat kabar Borneo Barat Shinbun berbasis digital history secara luas kepada guru sejarah dapat dilakukan melalui pengadaan sosialisasi bertajuk forum group discussion.]]>
