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INDONESIA
Jurnal Rupa
Published by Universitas Telkom
ISSN : 25031627     EISSN : 25031066     DOI : -
Core Subject : Art,
Arts
JURNAL RUPA is a peer-reviewed academic journal to provide a platform for an interdisciplinary forum in the area of visual arts. This journal welcomes submissions from artists, makers, designers, researchers, historians, and other writers in the field of visual arts. This journal is published two times a year by Telkom University.
Arjuna Subject : -
Articles 128 Documents
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Klasifikasi Ilustrasi Decoupage Tas Rotan Khas Bali Sebagai Informasi Perkembangan Desain Industri Jessica Yonatia
JURNAL RUPA Vol 5 No 1 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Bali is one of tourism destination that have various and fascinating tourist objects, such as nature, culinary, culture and Bali’s signature handicrafts. Rattan bags made with Ate wood as main material is one of Bali’s signature handicraft that is currently popular because of it’s interesting shape and the using of unique material. The popularity of Balinese rattan bags increases since both local and foreign fashion bloggers often post the bags as ootd (outfit of the day) in their social media. Some Balinese masons did some innovation to elevate the visual aesthetic of the bags through adding decoupage technique illustrations. Data collection method that applied is structured interviews with Bali local craftmen, observation and study literature, in a year and a half period. Qualitative research method applied to reach the goal of the research, which is to review the development of illustration designs on Balinese rattan bags during late of 2017 until middle of 2019, by the choosing of visual object (flora and fauna) that most shown, colour majority and visual design composition, and the relation of those visual elements with Balinese traditional elements.
Estetika Visual Sampul Album Grup Musik Folk di Indonesia Syarip Hidayat; Maha Fadillah Rachman
JURNAL RUPA Vol 5 No 2 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i2.2740

Abstract

The development of indie music in Indonesia, which continues to create works of music, express their idealism and expression through songs, disseminating it to the general audience of Indonesian music listeners. The role of graphic design is important in make an image and identity of a musical work, especially in a music album. Folk music in various forms in the cover of his album. This questioned how the actual characteristics of a folk music as outlined in the visuals of an album cover. Visual artwork is used as promotional needs, such as in album covers, posters, merchandise. Visual aesthetics on the cover of folk music albums in Indonesia from the results of the analysis of several album cover design works that were released in different years namely Nowhere to Go in 2009, Roekmana's Repertoire in 2013, and Broken Growing Missing Change in 2016. Difference in years this release has different concepts, references, and music. Analysis found in the visual works of folk music album covers features illustrations that illustrate visuals about the story and the contents of the album that differentiate it from other genre music groups that provide visual photos of the personnel or visuals that do not adequately describe the contents of the album. Visual a folk music cover will indirectly describe and tell the music, the contents of the song, as well as the atmosphere that was delivered by the music groups. Keywords: Visual Aesthetics, Folk Music, Album Cover, graphic design
Proses Komunikasi Para Perancang Cover Album Musik Independen di Kota Bandung Pada Era 1990-an dan Era 2000-an Idhar Resmadi; Syarip Hidayat
JURNAL RUPA Vol 5 No 1 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i1.2654

Abstract

The city of Bandung has a long history in the development of independent music. This city since the 1990s, gave birth to many independent albums that enliven the Indonesian music industry until recently. Album covers could serve as a vessel to see the development of the visual style of the music subculture. Album cover illustrations have a substantial role as one of the communication media between musicians and listeners (the public). Thus, the role of the album cover designer become central in the independent music subculture. Inevitably, it is important to reassess how the illustrators of album cover music coverings carry out the creative process and the communication process. This study uses qualitative research to determine the context of designing an independent music album cover and its communication aspects. The results of this study are expected to reveal the visualization and influence of communication in the depth between the album designer or illustrator with the independent music subculture in the 1990s and 2000s.
Cover volume 5 no 1 Editorial Team Jurnal Rupa
JURNAL RUPA Vol 5 No 1 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i1.3548

Abstract

Studi Gaya Desain Eklektik pada Interior Sagoo Kitchen di Bandung Lisa Levina Jonatan; Stella Sondang
JURNAL RUPA Vol 5 No 2 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i2.1404

Abstract

In the current global culture continues to run with the concept of modernism that form follows function and formalism, there are some people who choose a lifestyle that is the opposite of postmodernism. Meaning of postmodernism is so diverse that the key concepts necessary to identify, one eclecticism. Eclecticism concept is translated into the term double-coding or double meanings (both directions) where the realization of aesthetic language idioms associated with the new aesthetic.The approach is made to the object of study, Sagoo Restaurant in analyzing the meaning of philosophy and the visual design of interior space.
Menelusuri Estetika dalam Karakter-Karakter Joker Lingga Agung; Mohammad Isa Pramana Koesoemadinata; Patra Aditia
JURNAL RUPA Vol 5 No 1 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i1.2929

Abstract

Budaya popular seringkali dianggap sebagai hiburan semata. Pandangan tersebut kurang tepat karena, budaya popular sebetulnya dapat membantu pemahaman kita terhadap dinamika kebudayaan menjadi lebih utuh lagi. Di dalam budaya popular terdapat relasi antar nilai yang sangat kompleks. Seperti halnya estetika. Estetika dalam konteks ini merupakan nilai, dan nilai dalam pandangan Foucault dihasilkan dari perkelidanan kekuasaan dan pengetahuan. Karakter-karakter Joker merupakan sebentuk diskursus yang dihasilkan dari perkelidanan tersebut. Dalam penelitian ini, kami menemukan bahwa karakter-karakter Joker ini merupakan sebuah diskontinuitas yang berusaha untuk menelikung diskursus yang lebih mapan. Akan tetapi dalam prosesnya selalu ‘dijegal’ oleh diskursus yang telah mapan tersebut. Dari kelima Joker yang kami telaah, adalah Joker Heath Ledger dan Joaquin Phoenix yang secara signifikan melahirkan diskontinuitas yang berpengaruh cukup signifikan.
Kajian Karya 'Hama Memberkati' dengan Teori Kematian Metanarasi Zefanya Silva
JURNAL RUPA Vol 5 No 2 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i2.2923

Abstract

Postmodern is an era after the Modern Era that is marked with some amount of transformations in science, literature, and arts. Every work of art, by many ways, must have contained some postmodern concepts. This writings will specifically talk about Natasha Tontey’s work titled ‘Pest to Power’ and will uncover every postmodern concepts and theories that are used in the artwork. This research will use qualitative methods with data from books, journals, magazines, and articles from the internet that contain postmodern concepts and the work ‘Pest to Power’. In conclusion, this research shows that ‘Pest to Power’ adopts the death of metanarratives concept as the artwork’s base and it expresses rejection towards absolute anthropocentrism. ‘Pest to Power’ also uses camp and simulacra concepts.
Analisis Tanda Dalam Karya Seni Grafis Reza Sastra Wijaya Kajian Semiotika Peirce Mukhsin Patriansah; Reza Sastra Wijaya
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.3737

Abstract

The form of art is a representation of a reality. In representing this reality, an artist tries to restructure signs or even create new signs. The expression poured into the medium of art is a novelty and has never been formulated at all through existing codes, thus creating a new discourse. With all his abilities, the artist creates new signs in his work by associating an object with another object based on generally accepted rules (conventions). In this study, the author uses Peirce's semiotic theory to analyze the sign system in Reza Sastra Wijaya's graphic art. Contextually, the correlation of the sign system contained in this work with the title of the work, namely "the fraudulent method" and the subject matter or main idea of ??the case of "bribery" can be interpreted that with "bribes or kickbacks" everything can be achieved and achieved without following the rules. -Rules that apply by convention. This symbolic message is what the artists want to convey through this graphic art work which is associated with the game of chess, which is a game of fighting tactics and strategies in achieving a victory. This study aims to provide knowledge to academicians about the study of semiotics, so that they can find out how the sign system is presented in art and design works.
Inovasi Kerajinan Serat Paku Hata (Lygodium circinatum) Khas Citumang, Jawa Barat Fajar Ciptandi; Rachmah Firstriani; Sisca Dewi
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.3062

Abstract

In Citumang Village of Pangandaran Regency in West Java, Hata ferns (Lygodium circinatum) plants thrive. Citumang people use the abundance of this plant to make handicraft products such as bags, hats, and wall hangings. However, the products made by Hata ferns craftsmen at Citumang do not yet have their characteristics, so often, their bags are said to be the same as crafts in Bali and Lombok. That is due to the lack of development in design, colors, and techniques of the Citumang Hata ferns handicraft products. Experiments on natural coloring, structural design, and motif composition designs were carried out to enhance the characteristics of the handicraft,. Thus Hata ferns craftsmen at Citumang can innovate by applying the experiment to bag products. The experiment finally succeeded in showing the characteristics of Hata ferns handicraft products with makes it more aesthetic. This experiment also helped develop creativity and add insight into the craftsmen at Citumang.
Motif Tenun Sebagai Bentuk Bahasa Rupa Dari Masyarakat Suku Mbojo di Bima Nusa Tenggara Barat Erri Fajarriny Suwandi; Yan yan Sunarya
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.3727

Abstract

One of the characteristics of Bima City lies in its handicrafts, namely woven fabrics made by the Mbojo Tribe for generations. The motifs that are often used are motifs with images of flowers, leaves, or lines. Each motif has its meaning and is a form of message used by the people of the Bima kingdom before they knew writing. Over time, the meaning of inherited motifs has shifted. The shift is marked by modern weavers who do not know the meaning. With this phenomenon, the knowledge passed down by previous generations will stop at the current weaver's so that the cultural values ??contained are non-existent and even difficult to translate. The primary study analyzes the Bima weaving motif by exploring the four main motifs to find their meaning. The research was conducted using a qualitative method. In this method, data collection was supported by a literature study, then field observations and interviews to determine the overall motive to comply with applicable regulations. The qualitative approach is followed by a more profound analysis using the theory of visual language forms. The purpose of this study is to provide a reference to the weavers of the Mbojo Tribe to find out the meaning of the motifs contained in the Bima weaving to preserve the Bima culture.

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