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Published by Universitas Negeri Padang

ISSN : - EISSN : 23023546 DOI : -

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ENGLISH LANGUAGE AND LITERATURE: E- JOURNAL English Language and Literature Study Program of FBS UNP. Volume 1, Number 1, September 2012, ISSN 2302-3546. English Language and Literature Study Program journal is published three times a year (March, June, and September). It consits of scientific article and the result of reserach about language, literature and arts field.

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Articles 569 Documents

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Ecological Apocalypse in The Three Poems: We Think We Are Less Foolish, Crossing A City Highway, and Epithalamia Eko Wijaya; Delvi Wahyuni
English Language and Literature Vol 9, No 1 (2020)
Publisher : Universitas Negeri Padang

AbstractWijaya, Eko. 2020. Ecological Apocalypse in the Three Poems: We Think We Are Less Foolish, Crossing A City Highway, and Epithalamia. Thesis. English Department. Faculty of Languages and Arts. Universitas Negeri Padang. This thesis is the analysis of the three poems: We Think We Are Less Foolish, Crossing A City Highway, and Epithalamia. It explores the issue of ecological apocalypse which is done by people toward the nature. It is also intended to know the contribution of poetic elements: imagery, irony, and speaker in revealing the issue of ecological apocalypse. This analysis is related to the concept of eco-criticism by Garrard, McKusic, Barry, and Buell that is supported by the text-based and context-based interpretation. The result of this analysis shows about ecological apocalypse is a result of human intervention. They exploit and pollute the nature continuously just for their own advantages without concern about the sustainability of nature.Key words: apocalypse, human, nature, anthropocentrism, exploitation, pollution.

At The Crossroads of Identity in Mohsin Hamid’s Novel Exit West (2017) Asherly Randa; Leni Marlina
English Language and Literature Vol 9, No 1 (2020)
Publisher : Universitas Negeri Padang

This article is about the analysis of a novel Exit West (2017) by Mohsin Hamid. The problem of this analysis focuses on the issue of being at the crossroads of identity. The aim of analysis is to find out how far the characters Saeed and Nadia expose the issue of being at the crossroads of identity. This analysis involved fictional devices such as character, plot (conflict), and setting to reveal the issue of being at the crossroad of identity in the novel. The analysis deals with the concepts of hybridity by Homi K. Bhabha that is supported by the text and context based interpretation. The result of this analysis shows that the protagonists are a young man and a young woman who are faced with a condition that places them to be at their identity in being at the crossroads of identity. Thus, the character makes effort to assimilate and imitate to the new culture. These can be seen through their ways to blend with the society in attaining their identity.

An Analysis of Ecolexicon in Petatah Petitih of Minangkabaunese Wedding Ceremony Found in Lintau Buo Silvi Gusrani; Rusdi Noor Rosa
English Language and Literature Vol 9, No 1 (2020)
Publisher : Universitas Negeri Padang

This research breaks down about sorts of ecolexicon in pantun of petatah petitih in Minangkabaunese wedding ceremony found in Lintau Buo sub-area. The point of this research is to discover the ecolexicon in the wedding ceremony and its connection to the biological condition of the locale. This research used descriptive qualitative method. The aftereffect of this exploration shows that the most widely recognized sort of ecolexicon discovered is biotic lexicon with flora 10 data, at that point fauna lexicon 7 data and the latter is abiotic lexicon which discovered 10 data. The outcome shows that all ecolexcion utilized in the petatah petitih of the wedding ceremony are additionally found in the ecological environment of the locale.

Comparison of Figurative Language between Pop-Punk Songs Lyric by ”Paramore and Blink 182” Erin Diniati Diniati; Fitrawati Fitrawati
English Language and Literature Vol 6, No 2 (2017): Serie A
Publisher : Universitas Negeri Padang

Figurative language is way to express an idea or concept through the usage of language. The aimed of this study was to find types of figurative language and the differences of figurative language used in pop-punk song lyric by Paramore and Blink 182. This paper only focuses on four common types of figurative language proposed by GorysKeraf (2009) in order to create the easier analysis.There are metaphor, simile, personification and hyperbole. The result of this research was the writer found 13figurative languages in Paramore songs lyric and 18figurative languages in Blink 182 songs lyric. The types of figurative language in Paramore were: Metaphor (10), Simile (1), Personification (1) and Hyperbole (1), while the types of figurative language in Blink 182 were: Metaphor (13), Simile (3), Personification (2), and there was no Hyperbole form. Based on the result finding, it can be concluded that Paramore and blink 182 more dominantly used metaphor expression in their lyric. Then Blink 182 used more figuratives language and poetic languang in their lyric than Paramore,although both of these band come from different generation, it doesn’t influence or change their style in using figurative language in their lyric, both of these pop-punk songs always used metaphor dominantly in their lyric.

VERBAL HUMOR FOUND IN AJO BUSET SONGS AND NEDI GAMPO SONGS Yessi Mandasari Saragi; Hamzah Hamzah; Fitrawati Fitrawati
English Language and Literature Vol 7, No 1 (2018)
Publisher : Universitas Negeri Padang

Humor is a kind of communication phenomenon in which a person is able to see a funny side that can make him or her laugh. Verbal humor is a humor that expressed verbally. There are 8 types of verbal humor to analyze the verbal humor found in Ajo buset songs and Nedi gampo songs. The researcher used descriptive qualitative method. The data were collected by downloading Ajo buset and Nedi gampo songs, listen to them repeatedly, identifying and putting them on table. The data were also analyzed by classifying the data, analyzing the data, deciding the research findings, and drawing the conclusion. The result in this research there are 37 verbal humor found in Ajo buset songs: pun (31,58%), satire (7,88%), parody (2,63%), Anecdote (10,52%), Irony (10,52%), Sarcasm (13,16%), tall tale (21,01%) and 30 verbal humor found in Nedi gampo songs: pun (26,67%), satire (36,67%), sarcasm (23,33%), and tall tale (13,33%). Then, there are 3 differences found between Ajo buset songs and Nedi gampo songs. First, Ajo buset songs are more modern than Nedi gampo songs. Second, Ajo buset songs make people laugh without purposes, while Nedi gampo songs give social critics. Last, Ajo buset songs are used many exaggeration and Nedi gampo used exaggeration minimally.

MACROSTRUCTURES AND SUPERSTRUCTURES PATTERNS OF JOKOWI’S SPEECHES Anggini Pratiwi; Refnaldi Refnaldi
English Language and Literature Vol 7, No 4 (2018)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v7i4.102107

Presidential speech is one of the mushrooming issues nowadays. By applying different point of view in analyzing, the objective of this research was to figure out the patterns of Jokowi’s speeches in form of Macrostructure and Superstructure. The subjects of this research were 13 speeches in English and Indonesian. In addition, this research applied two levels in text analysis in Van Dijk’s Design, Macrostructure and Superstructure. The results of the research showed that the implementation of text analysis in Van Dijk’s Design was believed to be effective to improve the speeches. This research, in consequence, concerns with the study of critical discourse analysis in Text Analysis. This study was intended to analyze the transcription of Jokowi’s speeches. The text analysis was based on Van Dijk’s design in which the unit elements of the analysis are divided into three parts: macro-structure, superstructure and microstructure. The ones which have been analyzed in this paper are limited and focused only in; Macrostructure (Thematic) and Superstructure (Schematic). This research, thus, tries to examine on how speeches are structured and organized locally turn by turn. The result of the analysis revealed that several sentences in Jokowi’s speeches were less coherent in term of stating theme. Then, in superstructure, the scheme of the speech consisted of opening, content and closing.

OBTAINING MASCULINITY IN AYỌ̀BÁMI ADÉBÁYỌ̀’S NOVEL STAY WITH ME (2016) Arif Rahman; Kurnia Ningsih
English Language and Literature Vol 8, No 2 (2019)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v8i3.105631

This article about the analysis of a novel Stay With Me (2016) by Ayọ̀bámi Adébáyọ̀. The problem of this analysis focuses on the issue of obtaining masculinity. The aim of analyses is to find out how far the characters Akin and Dotun exposes the issue of obtaining masculinity. This analysis involved fictional devices such as character, plot (conflict), and setting to reveal the issue of obtaining masculinity in the novel. The analysis deals with the concepts of Patriarchy by Roger Horrocks that is supported by the text and context based interpretation. The result of this analysis shows that the protagonist are Nigerian men who attain his authority to obtain masculinity. Both characters become arrogant, compromised, and obsession. These can be seen by their cunning way to obtaining masculinity.

The Language Function in the Discourse Produced by Traditional Medicine Sellers Rahmatika Ananda; Hamzah Hamzah
English Language and Literature Vol 8, No 3 (2019)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v8i3.105456

AbstractThe purpose of this research is to investigate the language function from the discourse produced by traditional medicine sellers. The method used in this research is descriptive method. The data of this research were obtained from the discourse produced by five medicine sellers in different area. The data were analyzed by using Geoffery Leech (1974) theory. The finding divided into three types, they were informative, directive, and phatic function. In informative function also found four type of informative, they were giving opinion, advice, making announcement, and admonish. In directive function was found two types, they were command and request. Last was phatic function. Most of conversations had similar types of language function. However, findings showed that there were some types of language function were not found in each section of conversation produced by traditional medicine sellers. The language functions used by traditional medicine sellers were in line with the purpose of marketing, they were to inform, persuade, and remind the costumer about the product that sold.

THE VIOLATION OF CONVERSATIONAL MAXIMS FOUND IN POLITICAL CONVERSATION AT ROSI TALKSHOW Sri Septela Rahmi; Refnaldi Refnaldi; Delvi Wahyuni
English Language and Literature Vol 7, No 1 (2018)
Publisher : Universitas Negeri Padang

This study focuses on cooperative principle violation done by the interviewee in answering the question in Rosi Talkshow at Kompas TV using Grice’s theory. The objectives of study are to discover the type of conversational maxim violation and the reason the interviewee violate the maxims in talk show. The data is utterances between the interviewer and the interviewee taken from internet. This research was conducted by using descriptive method. The results of the study show that there are four maxims of the cooperative principle violated by the interviewee in answering the question at Rosi Talkshow. These maxims are: (1) maxim of quality (2) maxim of quantity, (3) maxim of relation, and (4) maxim of manner. The dominant maxim that is violated is maxim of quantity which occurred 18 times, whereas the other maxim such as maxim of relation occurred 14 times, maxim of quality 9 times and maxim of manner only occurred 6 times. The most dominant type of maxim violation is quantity because the speakers give information as much as possible to make it clear and to create good image with good words to get sympathy from audiences.

Segmental Phonemes of Minangkabaunese Language Spoken in Indropuro Dialect Peri Dani Putra; Hermawati Syarif; Leni Marlina
English Language and Literature Vol 7, No 4 (2018)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v7i4.101874

AbstractEven though Indropuro dialect is a variation of Minangkabau language, they both have basic difference such as in Segmental phoneme. Hence, this research investigates the segmental phonemes of Indropuro dialect in Pesisir Selatan and how it is different from standard Minangkabaunese. The aim of this research is the identification and the distribution of consonant, vowel, and diphthong sound. Descriptive method is used as the methodology of this reearch. In this research, the writer uses interview with talk face by face strategies to collect the data. The result of this research shows that there are 31 phonemes of Indropuro dialect. They are divided into 20 phonemes consonant; /p/, /b/, /t/, /d/, /č/, /ǰ/, /k/, /g/, /?/, /s/, /h/, /m/, /n/, /ῆ/, /ŋ/, /r/, /l/, /w/, /ɰ/, and /y/, 6 phonemes vowel; /a/, /i/, /u, /e/, /o/, and /ǝ/, and 5 diphthongs; /Ia/, /ay/, /aw, /ua/, and /uy/. Moreover, the distributions of consonant, vowel, and diphthong sounds have variant distribution. Some of the consonant and the vowel have complete distribution, but all diphthongs are incomplete distribution. It is different from standard Minangakbaunese, which has 32 phonemes; 20 consonants, 5 vowels, and 7 diphthongs. The result shows that there are differences of them. It is because Indropuro dialect is not fully the same with standard Minangkabaunese even though they are in the same langauge. Based on that fact, it can be concluded that the segmental phoneme of a dialect in Indropuro is not fully the same with the standard one.

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