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Contact Name
Hengki Armez Hidayat
Contact Email
hengkiarmez@fbs.unp.ac.id
Phone
+6281363124849
Journal Mail Official
sendratasikfbsunp21@gmail.com
Editorial Address
Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171
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Kota padang,
Sumatera barat
INDONESIA
Jurnal Sendratasik
ISSN : -     EISSN : 23023201     DOI : 10.24036
Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya
Articles 33 Documents
Search results for , issue "Vol 7, No 2 (2018)" : 33 Documents clear
MENINGKATKAN HASIL BELAJAR TARI TRADISIONAL MELALUI STRATEGI COOPERATIVE LEARNING DI KELAS X IPA 3 DI SMA NEGERI 1 KOTA SOLOK Jasmi Fanella; Yuliasma Yuliasma; Zora Iriani
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (947.189 KB) | DOI: 10.24036/jsu.v7i1.100569

Abstract

AbstractThis article aimed to explain and describe the Improvement of Student Learning Outcomes of Traditional Dance by using the Cooperative Learning Method in class X IPA 3 SMA Negeri 1 Solok. The type of this research was Classroom Action Research. The flow of this study was conducted in 2 cycles, namely cycle I and cycle II. The research instrument was obtained from written tests and practice tests. The types of data in this research were primary data and secondary data. Data collection techniques were done through written tests and practice tests, document studies and observations. The results of this study showed that the use of Cooperative Learning methods in learning art and culture, especially dance in class X IPA 3 SMA Negeri 1Solok could improve the learning outcomes. In the first cycle, there was no significant increase in student learning outcomes. After continuing in the second cycle using the Cooperative Learning method, it was found that that student learning outcomes increased. This was proved by the learning outcomes of class X IPA 3 students in the first cycle of student learning outcomes with an average of 76.04 and cycle II with an average score of 83.84. Thus, there has been an improvement in learning outcomes of dance art using Cooperative Learning methods and targets has been achieved successfully as well.Keywords:           Learning Outcomes, Traditional Dance, Cooperative Learning
BENTUK PENYAJIAN TALEMPONG PACIK DALAM ACARA BABAKO DI KOTA PAINAN KABUPATEN PESISIR SELATAN Gema Umanda; Jagar Lumbantoruan; Irdhan Epria Darma Putra
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (851.333 KB) | DOI: 10.24036/jsu.v7i2.102843

Abstract

AbstractThis article aimed to describe the presentation of talempong pacik in Painan, Pesisir Selatan district seen at the babako event. The approach of this research used descriptive analysis method. The results of the study found that there were 3 procession stages at the Babako event: a) Balimau, b) Maasok Kumayan and c) having meal together. The presentation of talempong pacik at babako event is performed as a form of procession. It is as an accompaniment of bako picking up the bride (anak daro) and the groom (marapulai). Talempong pacik is begun with the bride-groom parade to the bride's house. Next, it is continued by the babako procession and then the parade goes back to the bride’s house. Talempong pacik is showed to the public as a performance. The meaning of the talempong pacik is a symbol of happiness for the bride and groom's family and it is a manifestation of Painan people’s love for traditional arts, especially talempong pacik.Keywords: The Form, Talempong Pacik, Babako Event.
BENTUK PENYAJIAN TARI BAROMBAI DALAM UPACARA TURUN KA SAWAH DI NAGARI PADANG LAWEH KECAMATAN KOTO VII KABUPATEN SIJUNJUNG Rahmadhani Amelia; Fuji Astuti; Darmawati Darmawati
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (800.071 KB) | DOI: 10.24036/jsu.v7i1.100530

Abstract

Abstract This study was aimed to describe performance of Barombai dance on Turun ka sawah ceremony in Nagari Padang Laweh Kecamatan Koto VII Kabupaten Sijunjung. Type of this study was qualitative with analytic descriptive mthod. The study object was performance of Barombai dance on Turun ka sawah ceremony in Nagari Padang Laweh Kecamatan Koto VII Kabupaten Sijunjung with data were both primary and secondary. Instrument used in this study was the researcher. Technique of data collection were done by using library research, observation, interview and documentation. Furthermore, data were analyized accurately and selected as needed and it’s relation with the posed problem. Result of this study showed that performance of Barombai dance was combination of imitation motion activities at farmland namely mancangku (mencangkul), mambuek luluak (membuat lumpur), mancampak (membuang), manyimbua (menyiram), malunyah (menginjak), manjapuik baniah (menjemput benih), batanam/ ma atu (menanam), basiang (menyiang) dan mananti padi tobiek (menunggu padi masak). Iringan musik tari Barombai dari talempong pacik dan gendang serta dendang yang khas “dadoi”. Performance of this dance was performed at farmland by using floor pattern of linear progression that were using horizontal and circle. Costume which was used namely baju kurung, kain sarung and takuluak which used on a head. Music of this dance used talempong pacik, gendang and unique dendang “dadoi”  Keywords: Performance, Barombai Dance, Turun ka Sawah Ceremony
PELAKSANAAN ENSAMBEL MUSIK TRADISI DALAM EKSTRA KURIKULER SMP NEGERI 7 MUARO SIJUNJUNG Ramadhan Andy Nugraha; Wimbrayardi Wimbrayardi; Syeilendra Syeilendra
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (824.029 KB) | DOI: 10.24036/jsu.v7i1.100576

Abstract

 Abstract This article aims to describe the implementation of Extracurricular Ensambel Music tradition in SMP Negeri 7 Muaro Sijunjung. This study uses qualitative methods with the descriptive approach. Research instrument this is penelitia own and assisted researchers with supporting instruments such as stationery, camera and tape rekorder. Data were collected by means of field observations, interviews, documentation, and support the process of photoshoot for research. Data analysis was done by collecting primary data and secondary data. The results showed that extracurricular activities most traditions of music in SMP Negeri 7 Muaro Sijunjung. Basic exercises on the implementation of music traditions including exercise melody talempong, basic exercises accompanist talempong, companion or basic exercises, basic exercises gandang tambua, gandang katindik basic exercises and basic exercises Bansi. Factors restricting extracurricular music tradition is far, far less adequate transport, and monitoring facilities are lacking, while supporting factor is the support from parents, principals, teachers, the child's interest to follow extracurricular music tradition is very high, and motivation. Keywords: implementation, Ensambel Music tradition, Extracurricular
SANGGAR TUAH SAKATO DALAM INDUSTRI SENI PERTUNJUKAN DI KOTA PADANG :TINJAUAN MANAJEMEN SENI PERTUNJUKAN Muhammad Trio Idha; Desfiarni Desfiarni; Darmawati Darmawati
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (795.786 KB) | DOI: 10.24036/jsu.v7i1.100536

Abstract

Abstract This article aimed to describe the Performing Arts Management at Tuah Sakato Studio.This research was qualitative research with descriptive type. This research was conducted at Tuah Sakato Studio in Padang City. The object of the study was the studio of Tuah Sakato in Padang City. The techniques of data collection were interviews, documentation and direct observation in the field. Meanwhile, the analysis of the data used in this study was interpretation technique. The results of the study showed that the management of Tuah Sakato Studio had a planning by making programs that would be carried out and implemented, with preparation of equipment and training. The organizing of the studio had been organized by making the management structure in the form of lines. The organizing also determined the duties and authorities of the board. The movement was done by carrying out the provision of motivation, guidance and mobilizing on the stated goals. Internal supervision was carried out directly or indirectly. In the other hand, external supervision was done with evaluation of activities. Tuah Sakato studio also had a production house consisting of dance, music, Malam Bainai, and babako. Marketing management of Tuah Sakato studio also followed the current development of times. Tuah Sakato studio was already registered in tourism office and cooperated with the office. Of the two management chosen by Sanggar Tuah Sakato, both of them revealed Democracy. Keywords:          Sanggar Tuah Sakato, Of The Performing Arts: Performing Arts Management Review
PEMBELAJARAN BERNYANYI PADA MATA PELAJARAN SENI BUDAYA DI SMA NEGERI 3 KOTA SOLOK Hanafi Riska; Jagar Lumbantoruan
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (847.391 KB) | DOI: 10.24036/jsu.v7i2.102848

Abstract

Abstract This article aims to describe the Implementation of Singing Learning in Cultural Arts subjects at SMA Negeri 3 Kota Solok. Type of the research was qualitative research with descriptive analysis method. The object of research was teachers and 11th grade students of MIA 2. The main instrument in the research was the researcher and researcher was assisted with supporting instruments such as stationery and photo cameras. Data collection was done through observation, interviews, documentation and literature review. The steps taken in analyzing data were collecting data, identifying data, classifying data and describing data. The results showed that singing learning activities at SMA Negeri 3 Kota Solok ran smoothly but had not yet reached the KKM standard. It is caused by there were still many students who had not mastered intonation, articulation, frequency, breathing, posture, and expression. Thus, it could be concluded that students’s singing ability at SMA Negeri 3 Solok especially clss XI MIA 2 was not significantly improved since the students’ participation was not yet maximal. Keywords: Learning, Singing, Art and Culture
RONGGENG DI NAGARI UJUNG GADING KECAMATAN LEMBAH MALINTANG KABUPATEN PASAMAN Mailizar Mailizar; Erfan Erfan; Yos Sudarman
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (806.975 KB) | DOI: 10.24036/jsu.v7i1.100584

Abstract

Abstract This article aims to describe the Ronggeng in Nagari Ujung Gading Kecamatan Lembah Malintang Kabupaten Pasaman. This type of research is qualitative research with descriptive analysis approach. With this type of approach and research, key informant researcher himself, and another informant has a very important role in the collection of data and information for the study. Engineering data collection studies namely librarianship, plus interviews and observations and photo shoots. Data processing with identify, classify, analyse, describe the return of primary and secondary research data collected. Research results can be explained that such ronggend West Pasaman ronggeng art that is on the tip of ivory, Nagari is an art that is considered original ronggeng by local mnasyarakat. Ronggeng is still performed in the various activities of the nagari (which pioneered the young) as well as in the activities of alek nagari with ceremonial purposes and societal. These are presented in the form of Ronggen dances accompanied by music and pantun. In his musical accompaniment, ronggeng using instruments violin, drums, tambourines, and bottles. Ronggeng is the traditional art at West Pasaman which needs to be passed down from generation to generation. Keywords: Ronggeng
EKSISTENSI KELOMPOK MUSIK GAMAT MANDAYU SANGGAR SENI PELANGI RANAH MINANG DI KOTA PADANG Jimmy Ferdian; Wimbrayardi Wimbrayardi; Irdhan Epria Darma Putra
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (802.737 KB) | DOI: 10.24036/jsu.v7i1.100570

Abstract

Abstract This article aims to find out and describe the existence of the Gamat Mandayu Musik group Pelangi Ranah Minang Art Studio in Padang City, seen from users and functions. This research is a qualitative research with descriptive analysis method. The results showed that the gamat mandayu music group still existed with limited training grounds and lack of government attention. Lack of public attention and government increasingly eliminate the existence of gamad music in the city of Padang. For that, gamad music in Padang City still exists, the role of the City government is needed to maintain this cultural heritage. The functions found in gamat music arts are: (1) emotional disclosure function, (2) aesthetic comprehension function, (3) entertainment function, (4) communication function, (5) physical reaction function. Keywords:  Existence, Gamat Mandayu, Pelangi Ranah Minang Art Studio
PELAKSANAAN PEMBELAJARAN SENI BUDAYA (ANSAMBLE MUSIK SEDERHANA) DI SMP NEGERI 1 PAINAN Ade Syukri Kurniawan; Tulus Handra Kadir; Harisnal Hadi
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1085.102 KB) | DOI: 10.24036/jsu.v7i2.102846

Abstract

ABSTRACTThis study aims to describe the implementation of Culture Arts learning (Simple Ensemble Music) at seven grade students of Senior High School 1 Painan. This research was a descriptive study through a qualitative approach that describes all findings in the field. Techniques of data collection used were library research, observation, interviews and documentation. The results of this study indicate that in Culture Arts learning (Simple Ensemble Music) at seven grade students of Senior High School 1 Painan is very well. It can be seen from the making of learning devices, syllabus and lesson plan designed and created by the culture arts teachers and the level of students' skills. From this, it can be seen that in learning culture arts (simple ensembles music) on competency standards that refer to the curriculum for appreciating and expressing, cultural arts teachers are able to provide material to students based on the material determined and the time allocation that has been previously designed. The second is that students are able to take lessons from beginning to end and apply well-adjusted / self-adjustments that can be seen from how students are able to create a new musical arrangement. Keywords: Implementation of Learning, Well Adjusted self-adjustments.
PELATIHAN PENGEMBANGAN DIRI SENI TARI DI SMA NEGERI 1 BATANG ANAI Aziza Safitri M; Zora Iriani; Desfiarni Desfiarni
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (792.698 KB) | DOI: 10.24036/jsu.v7i1.100531

Abstract

AbstractThis research aimed to reveal and describe the training of self-development dance arts at SMA N 1 Batang Anai. The type of this research was qualitative research with descriptive method analysis. The research object was female students of SMA N 1 Batang Anai at grade XI IPS 1, XI IPS 2, XI IPS 3, XI IPS 4 and XI IPS 5 in even semester (January-June) academic year 2017/2018 who joined self-development. The instrument used in this research was the researcher itself. The types of data in this study were the primary and secondary data. The technique of data collection was done by documents study, observation, interview, and documentation. The result of the research showed that the training of self-development in the dance arts ran well. Although the students’ interest in dancing was very low which only 12 from 21 students who registered. Those 12 female students who attended the training had a good ability in dance since they practiced dance, they focused and were serious. Moreover, they were also able to perform Pasambahan dance and performed it on school event namely Art Performance in SMA N 2 Batang Anai that was held on Saturday, 30th June 2018. Keywords: Training, Self-Improvement, Dance

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