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INDONESIA
Jurnal Sendratasik
Published by Universitas Negeri Padang
ISSN : -     EISSN : 23023201     DOI : 10.24036
Core Subject : Science, Education, Art, Social,
Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences
Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 820 Documents
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Proses Belajar dalam Rangka Pewarisan Calempong Oguang Sialang Kecamatan Kapur IX Kabupaten Lima Puluh Kota Pano Pio Putra; Marzam Marzam
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.116856

Abstract

The type of research conducted is qualitative research with descriptive methods. The types of data used in this study are in the form of primary data and secondary data, and make the researcher the main instrument of research assisted by supporting instruments such as; stationery, photo camera and digital camera. Data collection techniques were carried out through observation, interviews, documentation and literature studies. The steps in analyzing the data are done by reducing the data, presenting the data, drawing conclusions and verifying the data. The results showed that the effort to inherit the art of Calempong Oguang Sialang was an open system involving the government participating in maintaining and teaching it to the younger generation. The stages of teaching carried out include; 1) the implementation of prayer; 2) introduction to the tools used; 3) song introduction; 4) the appearance of Calempong Oguang Sialang by the eldest, and; 5) Individuals are taught one by one different musical instruments. The efforts that have been made have been welcomed by the whole community. Because according to them Calempong Oguang Sialang must be preserved so that it doesn't become extinct and just abandoned.
Analisis Teknik Bermain Musik Gendang Beleq Sanggar Terune Jaye Lombok Timur Ridwan Markarma; Zaiful Zaiful; Nurfitri Nurfitri; Nahlah Nahlah
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.118343

Abstract

This research aim to introduce the technique of playing traditional musical instruments of Gendang Beleq especially young people and adolescents as an effort to preserve and love traditional music in East Lombok. The method used is a descriptive  research method with a qualitative approach. For determination the subject of research, the technique used is purposive sampling. Then in data collection techniques, research uses observation, interviews and documentation. As traditional Lombok music, Gendang Beleq is played in groups. In order for the resulting musical instrument to sound beautiful and harmonious, the cohesiveness in playing Gendang Beleq music is a very important part to pay attention to. Therefore, the expected goal by introducing the technique of playing the traditional music of Gendang Beleq is so that this traditional art can be maintained and enjoyed by the community, especially for the people of Lombok. 
Strategi Pembelajaran Menggunakan Aplikasi Edmodo Dalam Pembelajaran Seni Tari Kelas X Jurusan TOI (Teknik Otomasi Industri) Di SMK SMTI Padang Bunga Rahmadillah; Yuliasma Yuliasma
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.118264

Abstract

This study aims to identify and describe the strategies used in learning dance using the Edmodo application in class X majoring in TOI at SMK SMTI Padang. This research is a type of qualitative research with a descriptive analysis approach. The resource person for this research was Ms Rafvita Asmil S.Pd. and class X students majoring in TOI at SMK SMTI Padang totalling 38 people using primary and secondary data types. Data collection techniques used in this study using literature study techniques, interviews, observation, and documentation. The data analysis technique in this study is to identify the data, classify the data, clarify the data, analyze the data and conclude the data. The results of this study are the Edmodo application which is a medium to carry out the learning process has weaknesses, so that cultural arts teachers have limitations in implementing dance learning strategies, this can be seen from the lack of enthusiasm of students in the learning process, lack of student response in the learning process, lack of appearing questions from the learning process by students, limited learning interactions.
Penyajian Teknik Bernyanyi pada Lagu Le violette Karya Alessandro Scarlatti Priska Juli Kristine Giawa; Ance Juliet Panggabean; Agustina Helena Samosir
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.120073

Abstract

This study discusses the presentation of singing techniques in the song Le violette by Alessandro Scarlatti. The singing techniques used in singing the song are posture, breathing, sound production, articulation, intonation, resonance, and dynamics. The author also discusses the characteristics of the song. The distinctive feature of the music that the author brings is the solo vocal work which connects with the expression of falling in love with someone. The author applies it repeatedly until it can be done for quite a long time so that the mastery of Le violette's songs is really mature both in terms of song mastery and mentally, and is ready to be performed. 
Struktur Indang Tigo Sandiang di Kecamatan Patamuan Kabupaten Padang Pariaman Sitinur Fazura; Nerosti Nerosti
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.118425

Abstract

This study aims to describe and analyze the structure of Tigo Sandiang's Indang in Patamuan District, Padang Pariaman Regency. This type of qualitative research using descriptive analytical method. Instruments in the researcher's own research using supporting instruments such as writing equipment, photo cameras, and mobile phones. The types of data used are primary data and secondary data. Data collection techniques used are literature studies, observation, interviews, and documentation. Data analysis techniques are carried out by collecting data, reducing data, displaying data, and drawing conclusions/verification. The results of this study indicate that the structure of Indang Tigo Sandiang consists of 3 Indang groups, namely Indang in Patamuan District, VII Koto Sungai Sarik, and Lubuk Alung. Each group performed alternately at different times but still in a triangular formation. The third group of Indang discussed the theme of overseas people returning home together after the outbreak of the covid 19 virus. The distinctive feature of Indang Tigo Sandiang is singing while moving, with the same six patterns of movement in the three Indang groups and has twelve kinds of movements in Patamuan and Subdistricts. LubukAlung. However, there are eleven kinds of motion in District VII Koto Sungai Sarik, because the motion in Indang Tigo Sandiang is determined by one of the attractors, namely the artisan or the person who transfers the motion, in which the movement can be reversed. Each group has dance elements, namely movement, creator, top design, dramatic design, group composition, theme, music, fashion make-up and props. Based on these dance elements, it can be seen that these elements are interrelated and related to each other.
Analisis Musikal dan Teknik Permainan Biola Minuet Karya Luigi Boccherini Lanang Riyadi; Yensharti Yensharti
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.119245

Abstract

This study analyzes the musicological Minuet by Luigi Boccherini which focuses on the analysis of rhythm, melody, form and structure of the work. This research includes qualitative research with a content analysis approach. Data were collected through literature study, observation, labor and documentation. Based on the results of the study, it was found that the minuet by Luigi Boccherini was written in 48 bars, using 3 major strokes starting with 3/4 time signature. The form of the work consists of two macro parts (large) A consists of 4 forming characters, 3 phrases and 14 motifs and B consists of 5 forming characters, 3 phrases and 10 motifs. The work is processed through the formation of motifs with their own characters and developed by literal repetition, ascending sequences, descending sequences and repetitions with variations. In addition, it was found the use of acciaccatura ornamentation in the formation of motif 1 with a combination of the use of syncopation and trill rhythms, shifting the basic notes (modulation) to the a minor scale of part A in character 4. The shifting of basic notes to 2 sharp at the beginning of part B with a characteristic use staccato signs. 
Pelaksanaan Pembelajaran Seni Budaya Melalui Tatap Muka Terbatas di SMAS Salafiyah Babussalam Muhassar Sidiq; Robby Ferdian
SENDRATASIK UNP Vol 12, No 1 (2023)
Publisher : FBS Padang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i1.121040

Abstract

This study aims to find out how forms of implementation of cultural arts learning through limited face-to-face meetings and find the best solutions in overcoming problems in new learning methods. This type of research is qualitative research with a case study method. The research instrument is the researcher concerned and with the help supported by supporting instruments which include tools for taking pictures or photos (cameras), file or data storage tools (flash drives), and stationery. The data in this study there are primary data and secondary data. Interviews, literature studies, and observations are activities carried out in data collection techniques. The steps to analyze the data are data reduction, data presentation and conclusion. Based on what was obtained, the research showed that the process of learning arts and culture through limited face-to-face sessions in class XI IPS SMAS Salafiyah Babussalam was quite good. Even though there are limitations in learning media, the teacher teaches music learning material to follow the flow, where the teacher provides music material using a gradual way to adjust the level of a student's capacity to receive material even though the learning time is relatively short. However, there are obstacles that make it difficult to achieve the final results or learning objectives properly due to the lack of learning time, as well as the unavailability of musical instruments to support the practical learning process, so the teacher only uses the lecture method during material delivery. However, learning outcomes are not too bad because students' interest in learning and students' desire to explore the material is very high even though the learning is monotonous, when viewed from the results obtained based on daily test activities which are quite good.
Koreografi Tari Pasambahan Sanggar Nan Gombang di Painan Kabupaten Pesisir Selatan Triwana Triwana; Susmiarti Susmiarti
SENDRATASIK UNP Vol 12, No 1 (2023)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i1.119951

Abstract

This study aims to reveal and describe the Choreography of pasambahan dance in Sanggar Nan Gombang in Painan, Pesisir Selatan Regency. This type of research is qualitative research with descriptive methods. This research instrument is the researcher himself and is assisted by supporting instruments such as stationery, books, cellphones, digital cameras. The data in this study used primary data and secondary data. Data collection techniques are carried out by means of literature studies, observations, interviews, documentation. The steps of analyzing data are data collection, data reduction, data presentation and drawing conclusions. The results showed that pasambahan dance consists of choreographic elements which include themes, movements, upper design, floor design, music design, dramatic design, process, equipment, and group choreography. The theme of pasambahan dance is welcoming distinguished guests. The movements of the Pasambahan dance consist of 24 kinds of movements. In the upper design listed from the Pasambahan dance, it is more dominant to use angular, horizontal, low, and vertical upper designs. In this Pasambahan dance floor design, it is developed from a straight line, curved and left oblong. Pasambahan dance music design uses musical instruments such as Talempong, Bansi, Gandang, Violin, Saluang, and Guitar Bass. The dramatic design of Pasambahan dance has an atmosphere of excitement of a host who welcomes guests who come to visit. The process of this Pasambahan dance starts from the idea possessed by the choreographer and is expressed in the form of motion that exists in the elements of choreography, as well as the property of carano that is used more predominantly in unison interactions. 
Pelestarian Ronggiang Pasaman Bersama Grup Ranah Sialang di Nagari Ujung Gading Kecamatan Lembah Melintang Kabupaten Pasaman Barat Diana Yosmadia; Darmawati Darmawati
SENDRATASIK UNP Vol 12, No 1 (2023)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i1.121391

Abstract

This research is an effort to preserve Ronggiang Pasaman with the Ranah Sialang group in Lembah Melintang District, Ujung Gading Nagari, West Pasaman Regency. This type of research is qualitative research using descriptive methods. The research instrument was the researcher herself and assisted by supporting instruments such as stationery, flash drives and cameras. The data in this study uses primary data and secondary data. Data collection techniques were carried out by means of literature study, observation, interviews and documentation. The steps to analyze the data are data reduction and data presentation. The results showed that the conservation efforts carried out by researchers were to increase the number of actors in Ujung Gading village, Melintang valley sub-district, West Pasaman district by collaborating with the chairman, dancers from the Ranah Sialang group and the community, the form of collaboration carried out by researchers was socializing related to conservation activities this. Ronggiang Pasaman art already has successors to maintain its existence from traditional arts. It can be proven by the development in terms of the quantity of actors (dancers), in Ronggiang Pasaman Art as many as 10 people, on the other hand, the goal of preservation efforts is so that Ronggiang Pasaman art can continue to develop among young people so that people know that they have a traditional dance that should be proud of and there needs to be an effort to preserve Ronggiang Pasaman Art in the Ujung Gading district, Lembah Melintang sub-district, West Pasaman district.
Pengembangan Tari Kuda Kepang di Nagari Kurnia Selatan Kecamatan Sungai Rumbai Kabupaten Dharmasraya Nickse Dwi Setya Primadona; Afifah Asriati
SENDRATASIK UNP Vol 12, No 1 (2023)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i1.120422

Abstract

This study aims to reveal and describe the Development of Braid Horse Dance in Nagari Kurnia Selatan, Sungai Rumbai District, Dharmasraya Regency. This type of research is qualitative research with descriptive methods. The research instrument is the researcher himself and is assisted by supporting instruments such as stationery and cameras. The data in this study used primary data and secondary data. Data collection techniques are carried out by means of literature studies, observations and documentation. The steps to analyze the data are to collect the data, describe the data and infer the data. The results showed that the development of the Braid Horse Dance in South Nagari Kurnia can be seen from the movement, floor pattern, accompaniment music, makeup and clothing, the time and place of the performance. The Braid Horse Dance at Sanggar Ngesti Laras Tirto Kencono has been passed down for generations to 4 generations. The development of Kuda Kepang dance in Nagari Kurnia Selatan which was originally only performed at Wetonan  events or selamatan events that occurred from 9 or 10 times a year but can now be performed at various events such as weddings, circumcisions, nagari events and Dharmasraya Regency birthday events.

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