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Jurnal Sendratasik
Published by Universitas Negeri Padang
ISSN : -     EISSN : 23023201     DOI : 10.24036
Core Subject : Science, Education, Art, Social,
Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences
Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 820 Documents
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Analisis Gerak Tari Rangguk Desa Seberang Kecamatan Pesisir Bukit Kota Sungai Penuh Niken Audia Ulfa; Desfiarni Desfiarni
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.118262

Abstract

This study aims to describe and analyze the motions of the Rangguk Dance in terms of the aspects of space, time, and energy. This type of research is qualitative research with a descriptive analysis method. Data collection techniques were carried out through literature studies, observations or observations, interviews, and documentation. The steps to analyze the data are data collection, data reduction, data presentation, and drawing conclusions. The study's results show that the motion of the Rangguk Dance in Seberang Village can be viewed from space, time, and energy. In the spatial aspect of the Rangguk dance, there are ten horizontal lines, six curved lines, and two diagonal lines, so the horizontal lines are dominant, which means that the Rangguk dance has a calm and balanced impression. The volume of the movement of the Rangguk Dance is 14 large volumes and four small volumes, so the dominant volume is the large volume which means it describes enthusiasm. The facing direction in the Rangguk Dance movement is 13 forward and three right diagonals, so the dominant facing direction is towards the front. Meanwhile, the focus of view is on the dominant activity of the Rangguk Dance going forward. The time aspect of the Rangguk Dance is more dominant in the medium tempo with a repetitive rhythm from beginning to end (repetitive) according to the drum accompaniment and the rhymes sung. In the energy aspect of the Rangguk Dance movement, in terms of intensity, there is a lot of integrity in each dance movement which is carried out repeatedly from start to finish, while the dominant pressure is many. Some movements have accents, then the quality that appears is also dominantly strong so that the Ragguk Dance seems enthusiastic and embodies the direction that makes the Rangguk Dance come alive.
Analisis Bentuk dan Makna Lagu Tondi Tondikku Karya Herbet Aruan yang Dinyanyikan Style Voice Elvita Uli Purba; Emmi Simangunsong; Kamalluddin Sigalingging
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.119603

Abstract

This article discusses the analysis of the form and meaning of the song Tondi Tondikku by Herbet Aruan which is sung by Style Voice. The method used in this research is descriptive qualitative method. The song Tondi Tondikku was composed in 2019 by Herbet Aruan and sung by Style Voice. The results obtained in this study are the song Tondi Tondikku has an intro, main melody and ending. Tondi Tondikku's song was performed with piano instruments, soprano saxophone, electric guitar, bass guitar, drums, violin with 4/4 rhythm and with adagio tempo. Tondi Tondikku's song is Binary Form which is a two-part song form. The song Tondi Tondikku has a deep meaning for parents. The meaning contained in the song Tondi Tondikku tells about the expression of feelings of love and affection of parents for their children and illustrates that the father is the first man seen by his daughter and he is the first to lose his daughter if he later finds a mate and lives with his husband 
Pembelajaran Seni Budaya (Pianika) Menggunakan Media Audio Visual di Kelas VIII-2 SMPN 7 Binjai Provinsi Sumatera Utara Guido Efran Simanjuntak; Harisnal Hadi
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.116601

Abstract

The purpose of this study is to describe the implementation of Pianika practice learning using audiovisual media in class VIII-2 at SMPN 7 Binjai. Type of qualitative research with descriptive methods. Research instruments are researchers themselves and are assisted by supporting instruments such as stationery and cameras. Data collection techniques are carried out utilizing library studies, observations, interviews, and documentation. The steps of analyzing data are identifying data, classifying data, and inferring data. The results showed that the implementation of Pianika learning using audiovisuals in class VIII-2 went very well, although the Pianika learning process using audiovisuals face-to-face was attended by 50% of students in class VIII-2. It is stated very well because the results of learning to play Pianika in class VIII-2 exceed the KKM value of 72. With a 100% percentage of grades students get a score above KKM or the lowest score of 75 with a percentage of 80% grades that get a score above 75 in class VIII-2 junior high school N 7 Binjai.
Pembelajaran Musik Ansambel di Kelas VII MTSN 03 Kota Padang Yoga Saputra; Tulus Handra Kadir
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.119609

Abstract

The purpose of this lesson is for students to understand concepts and types and be able to play ensemble music. This type of research is qualitative descriptive research. The types of data used in this research are primary and secondary data. Data collection techniques were carried out through observation, interviews, documentation, and literature study. The stages of data analysis are data classification, data purification, data analysis, data description, and data inference. Based on the results of this study, it was revealed that in meetings I, II, III, and IV, the process of implementing learning, on average, students already understood the basic concepts of ensemble music. Still, some students did not understand the types of ensemble music, and examples of ensemble music could not be classified. Students already know how to play the recorder  well, although a few students have not mastered how to play the recorder  with ascending and descending techniques. However, overall, the ensemble music learning in class VII MTsN 03 Padang City is good. 
Analisis Lagu "Selamat Ulang Tahun" Karya Jamrud Robby Gautama; Yos Sudarman
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.117550

Abstract

The purpose of this study was to describe the song Happy Birthday by analyzing the form and relationship of the musical elements contained in it. This study used a qualitative type of research with a content analysis approach. The research instrument used was in the form of song analysis notes, literature study, song literacy on the internet, and re-transcription of songs that the researchers did themselves. The technique of data analysis is to dissect each of the musical elements in the song separately, see the role of each element in each other, and how the musical elements are recombined in an interrelated relationship. made with a time signature of 4/4 using the basic note on the A Major scale and with a tempo of MM = 120 or 120 beats per minute, is a song that begins with the 3 beat opmat technique before entering the first beat in the initial barometer of the song. With all the elements that have been notated and analyzed, this causes the use of motifs and tones in the melody and chord accompaniment, including a simple type. When the melody of the song combines with the text that is straightforward and firm, there is an impression that the song is quite simple but more masculine. With the combination of melody and harmony in the text, with the firmness of the lyrics, this song is easily accepted by music listeners of all ages and backgrounds. So that researchers can prove that the use of musical elements in the song is closely related to the popular Happy Birthday song in the community.
Penggunaan Aplikasi Emaze Sebagai Media Pembelajaran Seni Budaya di SMA Pembangunan Laboratorium UNP Alif Multahul Risna; Susmiarti Susmiarti
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.118194

Abstract

This study aims to describe the use of the Emaze Application as a Learning Medium for Cultural Arts (Dance) at the UNP Laboratory Development High School. This type of research is qualitative research using applied descriptive methods. This research instrument is the researcher himself and is assisted by supporting instruments such as stationery and cameras. The data type uses primary data and secondary data. Data collection techniques are carried out by means of observation, interviews and documentation. The steps of analyzing data are data classification, data clarification, analyzing data, describing data and inferring data. The results showed that the use of the Emaze application as a medium for learning cultural arts (dance) in class X of the UNP Laboratory Development High School is very helpful for educators in delivering material to students more structured and interesting. Students' learning motivation increases with the 3D view and other advantages of the Emaze application. This can be seen from the results of student practice exams that are very satisfactory and achieve learning objectives in accordance with the syllabus and rpp. Teachers really appreciate the use of the Emaze application and are excited to learn to use the Emaze application in order to be able to use it when teaching and students like and are even interested in using the Emaze application again during learning using the discussion method. However, not all students expressed this, there are also those who are opposed to the above statement but the number who support the use of the Emaze application is very far from those who do not support it.
Analisis Gerak Tari Piriang Rantak Kudo di Pauh IX Lapau Munggu Kecamatan Kuranji Kota Padang Lapeni Pebria Maibur; Herlinda Mansyur
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i3.117651

Abstract

This research aims to describe and analyze the analysis of Tari Piriang Rantak Kudo movements in Pauh IX Lapau Munggu Kuranji District of Padang City. This type of research is qualitative research with descriptive methods. The object of this research is Tari Piriang Rantak Kudo in Pauh IX Lapau Munggu Kuranji District, Padang City. This research instrument is the researcher himself using stationery and cameras. The types of data used are primary data and secondary data. Data collection techniques include library studies, observations, interviews, and documentation. The steps of this data analysis technique are data collection, data reduction, data presentation, and data verification/conclusion. The results of this study showed that piriang Rantak Kudo dance motion analysis was seen from the aspect of space, elements of time, and energy characteristics. Parts of space have five components, namely line, volume, direction, level, and focus of view. The time aspect has two elements, namely tempo and rhythm. Meanwhile, the power aspect has three components: intensity, pressure, and quality. In the movement piriang Rantak Kudo dance has 9 varieties, namely having 9 movements, namely: 1)the movement of the leader; 2)the movement of the balimau; 3)the movement of bakirok; 4)the movement of sauak sabalah; 5)the movement of ramo-ramo bagaluik; 6)the movement of kirok langkah alai; 7)the movement of langkah alai, 8)the movement of ramo-ramo bagaluik langkah gantuang; 9)closing motion. This aspect of space, time, and energy is essential in motion. Because of the element of space, time, and power, dancers can find out the energy expended in the movement of Tari Piriang Rantak Kudo.
Proses Koreografi Tari Piring Rampak Baayun Sanggar Rantiang Tagok di Kota Padang Febby Armila; Afifah Asriati
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.118787

Abstract

This research is useful for revealing and explaining the choreography of the Piriang Rampak Baayun Dance at the Rantiang Tagok Studio in Padang City. This research uses qualitative methods and is also driven by documentation and uses primary and secondary information. Steps to analyze information and prove information. The research shows the choreography process of the Piring Rampak Baayun dance at Sanggar Rantiang Tagok beginning with the findings of exploration, improvisation, and composition ideas. After finding ideas and ideas from the Piring Rampak Baayun dance, the choreographer thinks about the image of the dance that will be created. Exploration thought of a movement that describes a gadih nan tageh like a Minang tribal girl. Furthermore, improvisation was carried out by the choreographer when creating the Piring Rampak Baayun dance, which was an experiment with the form of movement of a dancer and various new movements with the creativity of the dance stylist. The improv session is combined with an assessment session to sort and choose which moves are suitable for the dance theme. Composition session, arrange or arrange the parts in such a way that each other is interconnected and together form a unified whole.
Bentuk Penyajian Kesenian Ronggiang di Jorong Rantau Panjang Kecamatan Sasak Ranah Pasisia Yulia Mairoza; Syeilendra Syeilendra
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.114348

Abstract

Ronggiang is a traditional performing art found in the Sasak Ranah Pasisia community, West Pasaman Regency. The theoretical basis for the form of presentation from Djelantik. This type of qualitative research with descriptive analysis approach. Data collection techniques through observation, interviews, literature study and documentation. Data analysis is to classify primary and secondary data then arranged systematically and concluded. The results of the study are to describe the supporting elements of the Ronggiang performance such as: artists, musical instruments, songs, costumes/makeup, venues and audiences. So the form of presenting Ronggiang at a wedding ceremony is in the form of a performing arts of music, song, and dance as well as other elements in a single unit in traditional performances in the Sasak Ranah Pasisia community.
Musik Kompang dalam Penciptaan Komposisi Musik “Kompangku” Hamzaini Hamzaini; Yesriva Nursyam; Aan Nursyam; Ricky Warman Putra; Jhori Andela
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.121097

Abstract

The musical of composition "Kompangku" is a musical work inspired by Kompang's percussion music that grew and developed in Rengat, Indragiri Hulu. As far as studies have been conducted on Kompang’s music, the authors can state that in space and time the up-beat on the peningkah has a very important role in producing interlocking rhythms that accumulate in the rhythmic time cycle cycle, so that producing a formula for ostinato-moving rhythms. The principle of Kompang's rhythmic playing of music patterns which produces an up-beat 'space and time' fabric, of course, it cannot be denied that the fabric is the result of the game of various peningkah and basic variations. In this case, the space and time in question are "space" created by time leading up to and after the up-beat accompanied by "rhythmic time" where the rhythmic playing takes place. This is the focus of working on a musical composition entitled "Kompangku" which is sourced from Kompang's music.

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