cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Hengki Armez Hidayat
Contact Email
hengkiarmez@fbs.unp.ac.id
Phone
+6281363124849
Journal Mail Official
sendratasikfbsunp21@gmail.com
Editorial Address
Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171
Location
Kota padang,
Sumatera barat
INDONESIA
Jurnal Sendratasik
Published by Universitas Negeri Padang
ISSN : -     EISSN : 23023201     DOI : 10.24036
Core Subject : Science, Education, Art, Social,
Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences
Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 820 Documents
 78   79   80   81   82 
Tari Piriang Lenggang Manatiang di Sanggar Anjuang Siriah Kota Padang: Tinjauan Koreografi Leri Yano Wardana; Nerosti Nerosti
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.121562

Abstract

his research aims to describe and analyze the choreography of the Piriang Lenggang Manatiang Dance at the Anjuang Siriah Studio, Padang City. This type of research is qualitative research using descriptive analysis methods. The instrument for this research is the researcher himself and is assisted by supporting instruments in the form of writing instruments, books, recording equipment and audio-visual equipment. Data collection techniques were carried out using literature study, observation, interviews and documentation. The steps for analyzing data are data collection, data reduction, data presentation and conclusion. The results of the research show that the choreography process for the Piriang Lenggang Manatiang Dance starts from determining the idea/theme, then exploration, improvisation and composition. The choreography process produces the following form aspects: movement, space design, time design, energy design, top design, dramatic design, floor design, group composition, equipment and music. The movements of the Piriang Lenggang Manatiang Dance are the saayun steps, buai ayun movements, lenggang mantiang movements, manyabiak movements, rampak movements, saayun saangkat movements, Baginjai movements, ayun ma ayun movements, lenggang sway movements. The spatial aspect in the Piriang Lenggang Manatiang Dance uses straight, oblique and curved lines. The group compositions performed by dancers include unison (union), alternating, broken, alternating (canon), and balanced (balance). The Piriang Lenggang Manatiang Dance Costume is a garment that was developed and created by the Baju Kurong. The musical instruments used are Gandang, Bansi, Sarunai, Canang and Talempong Pacik. Meanwhile, the property used is piriang tujuah.
Bentuk Penyajian Tari Sewa dalam Acara Pesta Perkawinan di Jorong Gando Nagari Paninggahan Kecamatan Junjung Sirih Kabupaten Solok Arif Agustakdir Rahman; Herlinda Mansyur
SENDRATASIK UNP Vol 12, No 3 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i3.120544

Abstract

The research aims to reveal and describe the form of presentation of the Sewa Dance in Jorong Gando Nagari Paninggahan, Junjung Sirih District, Solok Regency. This type of research is qualitative research with descriptive methods. The instrument for this research is the researcher himself and is assisted by supporting instruments such as stationery, camera and cellphone. The data in this research uses primary data and secondary data. Data collection techniques were carried out using literature study, observation, interviews, and documentation techniques. The data analysis steps are carried out by collecting data, describing the data and concluding the data. The results of the research show that the presentation of the Sewa Dance in Nagari Paninggahan consists of movement, floor design, dancers, music, make-up and costumes, props, place and contextual performance time at a wedding party. There are 12 types of Sewa dance movements, but at the wedding ceremony, only 5 (five) types of movements are performed. Each of the five types of movements has a name, namely the Ciek Tusuak Siku Step, the Duo Tusuak Gasiang Step, the Tigo Tusuak Dado Step, the Ampek Sambuik jo Rabuik Pisau Step, and the Limo Kepoh Kaki Step.
Makna Tor-Tor Naposo Nauli Bulung pada Pesta Perkawinan di Kotanopan Kabupaten Mandailing Natal Derhani, Derhani; Handra Kadir, Tulus
SENDRATASIK UNP Vol 13, No 3 (2024)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v13i3.129822

Abstract

Tor-Tor Naposo Nauli Bulung merupakan tarian yang ditarikan muda-mudi dengan catatan tidak boleh satu marga, misalnya panortor bermarga Nasution dengan pangayapi bermarga  Nasution. Tetapi yang boleh adalah yang berlainan marga seperti panortor bermarga Nasution dan pangayapi bermarga Batubara. Selain tidak boleh satu marga juga tidak boleh bersentuhan antara laki-laki dan perempuan karena melanggar aturan adat. Tujuan penelitian ini yakni untuk mendeskripsikan serta menganalisis Makna Tor-Tor Naposo Nauli Bulung pada pesta perkawinan di Kotanopan Kabupaten Mandailing Natal. Jenis penelitian ini adalah penelitian kualitatif yang menggunakan metode deskriptif analitis. Objek penelitian  adalah Tari Tor-Tor Naposo Nauli Bulung Pada Pesta Perkawinan di Kotanopan Kabupaten Mandailing Natal. Data yang dipergunakan penelitian ini yakni data primer serta sekunder. Instrumen utamanya adalah peneliti itu  sendiri, teknik pengumpulan data melalui tinjauan pustaka, observasi, wawancara, serta dokumentasi. Hasil penelitian menunjukkan makna yang terkandung dalam Tor-Tor Naposo Nauli Bulung pada pesta perkawinan. Tor-Tor Naposo Nauli Bulung memiliki makna utama dan makna baru. Makna utama Tor-Tor Naposo Nauli Bulung terbagi lima yaitu sebagai sarana penerusan nilai dalam memperlihatkan tatanan adab, sebagai bentuk kebesaran hati yang mengadakan pesta, sebagai simbol tradisi dan warisan budaya, keramahan masyarakat, dan media komunikasi antara partisipan dalam perayaan pesta. Sedangkan makna baru dalam Tor-Tor Naposo Nauli Bulung terbagi empat yaitu simbol kebersamaan dan gotong royong, ekspresi kegembiraan, penyambutan tamu, dan adaptasi modern. Tor-Tor Naposo Nauli Bulung bukan sekedar tarian, tetapi juga sebagai sarana dalam menyampaikan nilai-nilai budaya, kebersamaan, dan penghormatan dalam konteks perayaan perkawinan. Secara keseluruhan Tor-Tor Naposo Nauli Bulung tetap memainkan peran penting dalam pesta perkawinan di Kotanopan. Tor-Tor Naposo Nauli Bulung ia a dance danced by young people with the caveat that they are not allowed to be from the same clan, for example panortor from the Nasution clan and pangayapi from the Nasution clan. However, those who are allowed are those from different clans, such as the such as the panortor with the Nasution surname and the pangayapi with the Batubara surname. Apart from not being allowed to be in the same clan, men and women are also not allowed to have contact because it violates customary rules. The aim of this research is to describe and analyze the meaning of Tor-Tor Naposo Nauli Bulung at wedding parties in Kotanopan, Mandailing Natal Regensy. This type of research is qualitative research that uses analytical descriptive methods. The object of this research is to research is to interpret Tor-Tor Naposo Nauli Bulung dance at the wedding party in Kotanopan, Mandailing Natal Regensy. The data used in this research are primary data and secondary data. The main instrument is the researcher himself. Data collection methods through literature reviews, observation, interviews and documentation. The research result show the meaning contained in Tor-Tor Naposo Nauli Bulung at wedding parties. Tor-Tor Naposo Nauli Bulung has a main meaning and a new meaning. The main meaning of Tor-Tor Naposo Nauli Bulung is divided inti five, namely as a means of transmitting values in showing the order of manners, as a form of magnanimity in holding parties, as a symbol of tradition and cultural heritage, community friendliness, and a medium of commucation between particippants in party celebrations. Meanwhile, the new meaning in Tor-Tor Naposo Nauli Bulung is divided into four, namely a symbol of togetherness and mutual cooperation, expression of joy welcoming guests, and modern adaptation. Tor-Tor Naposo Nauli Bulung is not just a dance, but also a means for conveying cultural values, togerherness and respect in the context of wedding celebrations. Overall, Tor-Tor Naposo Nauli Bulung still plays an important role in wedding parties in Kotanopan.
Transformasi Fungsi Silat Perisai di Desa Empat Balai Dusun Pulau Empat Kuok Bangkinang Barat Fikhen Tri Wulandari; Riski Alita Istiqomah
SENDRATASIK UNP Vol 13, No 2 (2024)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v13i2.128618

Abstract

Penelitian ini bertujuan untuk membahas tentang keberadaan serta identitas kebudayaan yang ada di Desa Empat Balai Dusun Pulau Empat Kuok Bangkinang. Metode yang digunakan dalam penelitian ini menggunakan paradigma kualitatif, penelitian kualitatif adalah penelitian yang bermaksud untuk memahami fenomena dengan menggunakan cara deskripsi dalam bentuk kata-kata dan bahasa. Silat Perisai merupakan salah satu tradisi yang ada di Kampar, yang biasanya ditarikan untuk mencari sebuah kemufakatan dari perselisihan yang terjadi di antar suku, yang sekarang beralih fungsi menjadi seni pertunjukan atau hiburan. Keberadaan Silat Perisai di desa Empat Balai merupakan salah satu hasil seni budaya masyarakat yang merupakan realitas kehidupan yang telah dikembangkan oleh masyarakat itu sendiri, namun keberadaan Silat Perisai itu sendiri pada saat sekarang sudah mulai menghilang karena pengaruh dari budaya modern dan seperti tidak memiliki fungsi lagi bagi kehidupan masyarakat desa Empat Balai. Sesuai dengan yang diungkapkan oleh Soedarsono tentang teori fungsi maka isu-isu yang akan dibahas dalam artikel ini adalah fungsi Silat Perisai sebagai sarana upacara, sarana hiburan dan sebagai seni pertunjukan. Implementasi dari fungsi yang terdapat pada Silat Perisai diharapkan dapat dilestarikannya kesenian yang ada didaerah setempat dan dapat direalisasikan terhadap generasi penerus, tradisi harus selalu diperbarui agar tetap diminati oleh masyarakat pendukungnya. This research aims to discuss the existence and identity of culture in the four hamlet villages of Empat Kuok Bangkinang Island. The method used in this research uses a qualitative paradigm. Qualitative research is research that aims to understand phenomena by using descriptions in the form of words and language. Silat Perisai is a tradition in Kampar, which is usually danced to find a consensus on disputes that occur between tribes, which has now changed its function to performing arts or entertainment. The existence of silat shield in Empat Balai village is one of the results of community arts and culture which is a reality of life that has been developed by the community itself, however the existence of silat shield itself is now starting to disappear due to the influence of modern culture and seems to no longer have a function for life of the people of Empat Balai village. In accordance with what Soedarsono expressed about function theory, the issues that will be discussed in this article are the function of silat shield as a means of ceremony, a means of entertainment and as a performing art. It is hoped that the implementation of the functions contained in Silat Shield can preserve the arts in the local area and can be realized by future generations. The tradition must always be updated so that it remains in demand by the supporting community.
Meningkatkan Hasil Belajar Tari Melalui Metode Tutor Sebaya bagi Kelas VIII MTsN 11 Agam Radhia Hanifa
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.121474

Abstract

This study aims to explain and describe how to improve student dance learning outcomes using the peer tutor method in class VIII MTsN 11 Agam. This type of research carried out is class action research (PTK) which is carried out in 2 cycles. The subjects of the research were students of class VIIIF MTsN 11 Agam totaling 23 people. The data collection techniques used are observation and documentation. The results of this study show that dance learning using the peer tutor method is successful in improving the learning outcomes of class VIIIF MTsN 11 Agam students. It can be proven that before using the peer tutor method, the average score of students in the first cycle under KKM, which is 74.78 with KKM 78. Meanwhile, in cycle II, student learning outcomes with the peer tutor method increased by an average of 82.39.  So it can be concluded that the application of learning through this peer tutor method can improve the learning outcomes of MTsN 11 agam students.
Analisis Komponen Melodi, Ritme, dan Harmoni dalam Lagu “Tan Malaka” Karya Geliga: Tinjauan Musik Konvensional Randi Restu Hadi; Robby Ferdian
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.125764

Abstract

This research is an analysis of the song "Tan Malaka" by the band Geliga from Pekanbaru City. The name "Geliga" which is taken from the Malay expression for a gem or mystical stone that exudes brilliance, reflects their aspiration for their music to be a shining and timeless work. This research aims to find out the tips and methods they use in working on each of the basic elements in their music so that each work they create has its original character. The focus of the analysis includes elements of melody, rhythm and conventional harmony. This research is a type of qualitative research with a case study approach. Data was collected through observation, interviews and document study. Geliga is known for its ability to combine traditional and modern musical influences, creatively combining Riau Malay musical idioms with contemporary elements in their musical compositions. This research concludes that Geliga applies and develops harmony, rhythm and melody which are commonly found in jazz music. Through this research, it is hoped that it can provide motivation and insight for music activists and performers in their work. Penelitian ini adalah analisis terhadap lagu “Tan Malaka” karya group band Geliga asal Kota Pekanbaru. Nama "Geliga" yang diambil dari ekspresi Melayu untuk permata atau batu mistik yang memancarkan kegemilangan, mencerminkan aspirasi mereka agar musik mereka menjadi karya yang bersinar dan abadi. Tujuan dari penelitian ini untuk mengetahui kiat beserta metode yang mereka gunakan dalam menggarap setiap unsur-unsur mendasar yang ada di dalam musiknya, sehingga setiap karya yang mereka ciptakan memiliki karakter asli tersendiri. Fokus analisis meliputi unsur melodi, ritme dan harmoni konvensional. Penelitian ini adalah jenis penelitian kualitatif dengan pendekatan studi kasus. Data dikumpulkan melalui observasi, wawancara, dan studi dokumen. Geliga dikenal melalui kemampuannya menggabungkan pengaruh musik tradisional dan modern, menggabungkan dengan kreatif idioma musik Melayu Riau dengan unsur-unsur kontemporer dalam komposisi musik mereka. Kesimpulan dari penelitian ini yaitu Geliga menerapkan sekaligus melakukan pengembangan harmoni, ritme, melodi yang biasa ditemukan dalam musik jazz. Melalui penelitian ini diharapkan dapat memberikan motivasi beserta wawasan bagi para pegiat dan pelaku seni musik dalam berkarya.
Pengembangan Video Gerakan Tari Panen pada Proyek Penguatan Profil Pelajar Pancasila Di TK N 01 Sitiung Ana Novitasari; Aprimadedi Aprimadedi; Sumira Sumira
SENDRATASIK UNP Vol 13, No 2 (2024)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v13i2.129967

Abstract

Penelitian ini dilatar belakangi oleh pentingnya membangun karakter aku cinta Indonesia sejak dini dengan mencintai kebudayaan sendiri agar menjadi bekal dan menjadikan rakyat Indonesia yang cerdas dan berkarakter yang unggul. Tujuan penelitian ini adalah untuk mengenalkan budaya kepada anak terutama tari tradisional karena anak mengetahui sejarah tarian yang dapat menumbuhkan pemahaman anak tentang kebudayaan yang ada di Indonesia. Penelitian ini menggunakan jenis penelitian pengembangan (R&D) yang menggunakan model pengembangan 4-D: Definisi, Desain, Development, Disseminate. Berdasarkan hasil validasi dari segi isi/materi 92% (sangat valid). tingkat praktikalitas Video Gerakan Tari Panen pada proyek pengutan profil pelajar Pancasila untuk anak usia 5-6 tahun di TK N 01 Sitiung mencapai nilai rata-rata 100% (sangat praktis). Nilai efektifitas video Gerakan Tari Panen dengan rata-rata 83,75% yang diperoleh dari Gerakan Tari Panen anak usia dini. Dengan demikian dapat disimpulkan bahwa Video Gerakan Tari Panen pada proyek pengutan profil pelajar Pancasila untuk anak usia 5-6 tahun di TK N 01 Sitiung dinyatakan valid, praktis dan efektif. This research is motivated by the importance of building the character of I love Indonesia from an early age by loving one's own culture so that it becomes a provision and makes the Indonesian people intelligent and with superior character. The aim of this research is to introduce culture to children, especially traditional dance because children know the history of dance which can increase children's understanding of culture in Indonesia. This type of research is research and development (R&D) research using the 4-D Define, Design, Development, Disseminate) development model. Based on validation results in terms of content/material, 92% (very valid). The level of practicality of the Harvest Dance Movement Video in the project to develop the Pancasila student profile for children aged 5-6 years at TK N 01 Sitiung achieved an average score of 100% (very practical). The effectiveness value of the harvest dance movement video with an average of 83.75% was obtained from early childhood harvest dance movements. Thus, it can be concluded that the Harvest Dance Movement Video in the project to develop the Pancasila student profile for children aged 5-6 years at TK N 01 Sitiung was declared valid, practical and effective.
Pelaksanaan Kegiatan Ekstrakurikuler Seni Musik (Calempong) di SMP Negeri 1 Siak Hulu Jihan Muthiah; Tengku Ritawati
SENDRATASIK UNP Vol 13, No 1 (2024)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v13i1.128250

Abstract

Extracurricular music activities at SMP Negeri 1 Siak Hulu are  specifically research conducted to find out how the implementation of extracurricular music activities includes goals, materials, methods, facilities and infrastructure as well as evaluation and assessment in extracurricular music activities. The data collection technique used in using interview, observation and documentation  techniques to find out directly the implementation of extracurricular music activities at SMP Negeri 1 Siak Hulu. Then the results of observation and interviews that have been conducted in this  study are described and described. The material taught is calempong musical instrumens. The teaching method used is the lecture method and coupled with practice.  Based on the results of the analysis of student learning, which amounted to 4 students consisting of class VII, it shows that most of the students who participated in this extracurricular  music received an A (Very Good) grade, because this method made  students feel quite understanding and interested in the material taught, students alson often practiced together and discussed the notes they did not understand. So  that this extracurricular music activity at SMP Negeri 1 Siak Hulu also runs very well.
Kemampuan Mendengar Ritme dalam Solfegio Maria Klara Amarilis Citra Sinta Dewi Tukan; Wilfridus Beda Nuba Dosinaeng
SENDRATASIK UNP Vol 12, No 4 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i4.105623

Abstract

This research is a quantitative study conducted to determine the effect of the ability to hear rhythm on students' solfeggio learning achievement. The research population was 83 second-semester students of the Sendratasik Study Program FKIP Unwira Kupang. Based on the Slovin formula with a significance level of 5%, 69 students were randomly selected using a simple random sampling technique. There are two variables in this research, namely the ability to hear rhythm as the independent variable and solfeggio learning achievement as the dependent variable. Data for these two variables were obtained from the results of students' rhythm listening ability tests and solfeggio learning achievement tests. After the data was collected, the data was then analyzed using simple regression analysis. From the statistical calculations carried out, the values obtained were F count =68.383 and F table = F (0.05)(17.40) =1.885. Because F count < F table then Ha is accepted so it can be concluded that there is a significant influence on the ability to hear rhythm on students' solfeggio learning achievement. The RSquare value = 0.505 indicates that the ability to hear rhythm 50.5% influences the solfeggio learning achievement of students in the second semester of the Sendratasik Study Program, FKIP Unwira Kupang.
Organologi dan Fungsi Sape dalam Ritual Panen Raya Dayak Kayan Kalimantan Utara Musa Kiring
SENDRATASIK UNP Vol 12, No 3 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i3.125265

Abstract

This article aims to provide understanding and knowledge to the younger generation about the organology and function of Sape music used in the Dayak Kayan harvest ritual in North Kalimantan. This research uses a qualitative descriptive research method with data collection techniques through observation, interviews and documentation steps. Observations were carried out on the Kayan tribe in Naha Aya Village, Peso Hilir District, Bulungan Regency, North Kalimantan. To analyze the results of this research, the researcher carried out data reduction, then the data was presented in the form of descriptions and images, and finally concluded. The results of the research explain that the organology of the Sape music used in the harvest ritual is Sape with 3 strings and was studied in terms of organology, how to make it and how to play the stringed musical instrument. Apart from that, Sape music has a role and function in the Dayak community's harvest rituals, including: 1) functioning as a medium for religious rituals; 2) functions as an entertainment medium, as a dance accompaniment medium, 3) functions as a communication medium, 4) functions as a self-expression, 5) functions as an economic means, and 6) functions as a symbolic offering. By providing understanding and knowledge to the younger generation regarding the form and function of Sape music in harvest rituals, it is hoped that the younger generation will preserve and preserve traditional Sape music.

Page 80 of 82 | Total Record : 820

 78   79   80   81   82 

Filter by Year

2012 2024


Reset
Filter By Issues
All Issue Vol 13, No 4 (2024): (in progress) Vol 13, No 3 (2024) Vol 13, No 2 (2024) Vol 13, No 1 (2024) Vol 12, No 4 (2023) Vol 12, No 3 (2023) Vol 12, No 2 (2023) Vol 12, No 1 (2023) Vol 12, No 1 (2023): (In Progress) Vol 11, No 4 (2022) Vol 11, No 3 (2022) Vol 11, No 2 (2022) Vol 11, No 1 (2022) Vol 10, No 4 (2021) Vol 10, No 3 (2021) Vol 10, No 2 (2021) Vol 10, No 1 (2021) Vol 8, No 4 (2020): Seri A Juni 2020 Vol 9, No 4 (2020) Vol 9, No 3 (2020) Vol 9, No 2 (2020) Vol 9, No 1 (2020) Vol 8, No 2 (2019): Seri A Desember 2019 Vol 8, No 2 (2019): Seri B Desember 2019 Vol 8, No 1 (2019): Seri C. September 2019 Vol 8, No 1 (2019): Seri D. September 2019 Vol 8, No 1 (2019): Seri E. September 2019 Vol 8, No 1 (2019): Seri A. September 2019 Vol 7, No 4 (2019): Seri A. Juni 2019 Vol 7, No 3 (2019): Seri E. Maret 2019 Vol 7, No 3 (2019): Seri D. Maret 2019 Vol 8, No 4 (2019) Vol 8, No 3 (2019) Vol 8, No 2 (2019) Vol 8, No 1 (2019) Vol 7, No 4 (2018) Vol 7, No 3 (2018) Vol 7, No 2 (2018) Vol 7, No 1 (2018) Vol 6, No 2 (2017) Vol 6, No 1 (2017) Vol 5, No 2 (2016) Vol 5, No 1 (2016) Vol 4, No 2 (2015) Vol 4, No 1 (2015) Vol 3, No 3 (2014): Seri A Vol 3, No 2 (2014): Seri B Vol 3, No 2 (2014): Seri A Vol 3, No 1 (2014): Seri A Vol 2, No 3 (2013): Seri A Vol 2, No 3 (2013): Seri B Vol 2, No 2 (2013): Seri A Vol 2, No 2 (2013): Seri B Vol 2, No 1 (2013): Seri E Vol 2, No 1 (2013): Seri C Vol 2, No 1 (2013): Seri D Vol 2, No 1 (2013): Seri A Vol 2, No 1 (2013): Seri B Vol 1, No 1 (2012): Seri C Vol 1, No 1 (2012): Seri B Vol 1, No 1 (2012): Seri A More Issue