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Serupa : The Journal of Art Education
Published by Universitas Negeri Padang
ISSN : -     EISSN : 23023236     DOI : https://doi.org/10.24036/stjae
Core Subject : Education, Art,
Arts Education
Serupa: The Journal of Art Education menyambut baik kiriman yang memberikan wawasan tentang isu-isu terkini dan utama yang berhubungan dengan studi pendidikan maupun seni rupa. Jurnal ini menyediakan tempat bagi para peneliti dan praktisi pendidikan dan seni rupa untuk berdiskusi, mengejar dan mempromosikan pengetahuan di bidang yang muncul dan berkembang dalam studi pendidikan dan seni rupa. Bahasa naskah bisa dalam bahasa Indonesia. Harus ada diskusi kritis tentang masalah dan kontribusi baru dan signifikan untuk bidang terkait. Artikel dapat berasal dari salah satu bidang berikut: Pendidikan seni rupa, Seni Rupa, Kriya, Seni Grafis, Seni Patung, Seni Lukis, Seni Ukir Kayu,.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 801 Documents
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PENGEMBANGAN MODUL PEMBELAJARAN SENI RUPA BERORIENTASI MIND MAPPING PADA MATERI POKOK SENI RUPA UNTUK KELAS X SMAN 1 PAINAN Randi Julian; zubaidah zubaidah
Serupa The Journal of Art Education Vol 11, No 1 (2022)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (367.374 KB) | DOI: 10.24036/stjae.v11i1.117981

Abstract

Penelitian ini bertujuan untuk menghasilkan modul pembelajaran seni rupa berorientasi mind mapping yang valid dan praktis. Adapun model pengembangan yang digunakan merupakan model 4-D. Model 4-D terbagi atas pendefinisian (define), perancangan (design), pengembangan (develop), dan penyebaran (disseminate). Dikarenakan keterbatasan waktu, penelitian ini hanya dilakukan sampai tahap pengembangan. Modul pembelajaran berorientasi mind mapping ini telah direvisi atas saran dan masukan dari ahli validator, diantaranya 3 dosen seni rupa, 1 dosen bahasa dan 1 guru seni budaya. Pengembangan modul pembelajaran berorientasi mind mapping dilakukan dengan uji skala kecil yang terdiri dari 10 orang siswa kelas X SMAN 1 Painan. Pada lembar validasi yang diberikan kepada validator, diperoleh hasil yaitu, 93% dikategorikan sangat valid. Sedangkan untuk lembar praktikalitas, hasil uji praktikalitas yang diberikan kepada siswa, diperoleh hasil yaitu, 89,5% dikategorikan sangat praktis.  Berdasarkan penilaian dari ahli validator dan siswa mengenai modul pembelajaran berorientasi mind mapping dapat disimpulkan bahwa modul pembelajaran tersebut sudah valid dan praktis
IBU DALAM KARYA SENI GRAFIS CINDI RAMALISA; Ariusmedi Ariusmedi
Serupa The Journal of Art Education Vol 10, No 3 (2021)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (458.644 KB) | DOI: 10.24036/sr.v9i3.112272

Abstract

This work aims to visualize the sacrifice of a mother as well as a reminder to every child that the importance of being devoted to parents, especially mothers. The methods in the creation of this artwork are: (1) preparation, (2) Elaboration, (3) Synthesis, (4) Concept Realization, (5) completion. The result of the artwork is to visualize the portrait of the mother in the form of graphic artwork to be displayed, ten titles of the work are displayed as follows: 1) God's Deposition 2) Two Best Years 3) The Most Beautiful Anughrah 4) First Teacher 5) Sincerity 6) Responsibility 7) Hope 8) Companions 9) Way Home 10) Gifts.Keywords: Mother, Artwork, Graphics
BENTUK KASIH SAYANG IBU KEPADA ANAK DALAM KARYA SENI GRAFIS Eigmal Misgi Muholik; Irwan Irwan
Serupa The Journal of Art Education Vol 11, No 1 (2022)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (400.776 KB) | DOI: 10.24036/stjae.v11i1.117624

Abstract

Karya akhir ini dibuat untuk memvisualisasikan bentuk kasih sayang ibu kepada anak dalam karya seni grafis. Hal ini karena kasih sayang ibu diberikan sepanjang masa, dan penuh ketulusan. Metode penciptaan pada karya akhir dilakukan secara bertahap, dimulai dari tahapan persiapan mengamati fenomena yang terjadi langsung. Elaborasi tahap mendalami, tahapan sintesis penetapan ide, realisasi konsep mempersiapkan sketsa, bahan, alat, serta proses penggarapan karya. Terakhir tahapan penyelesaian atau finishing karya. Setelah semua tahapan dilakukan terciptalah sepuluh karya grafis yang berjudul “Beban Tak Terasa”, “Bersepeda”, “Membawa Harapan”, “Peluk Kehangatan”, “Menapi”, “Menuju Bersama”, “Menanti”, “Mencari Nafkah”, Harapan Orang Tua”, “Doa Ibu”
KERUSAKAN LINGKUNGAN AKIBAT PEMBANGUNAN INFRASTRUKTUR Tri Habil Adha; Irwan Irwan
Serupa The Journal of Art Education Vol 10, No 2 (2021)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (436.847 KB) | DOI: 10.24036/sr.v9i3.112292

Abstract

The purpose of making this final work of graphic art is to visualize forms of environmental damage due to infrastructure development with serigraphy techniques and also to create working techniques in graphic arts and to deepen the concept of work. The stages used in this final work are the stages of preparation, elaboration, synthesis, concept realization and completion stages. So that ten works were created that visualize the form of environmental damage due to infrastructure development with the following titles: the first work is "Pencemaran Laut", the second is "Terdesak", the third is "Tak Sesuai Kenyataan", the fourth is "Hilang Asa", the fifth is "Korban Infrastruktur", sixth " Terkikis Habis ", seventh" Dampak Pencemaran Udara ", eighth" Kehilangan Habitat ", ninth" Berangan-angan "and ten" Pemukiman Diatas Banjir ".Kata Kunci: Kerusakan Lingkungan, Infrastruktur, Seni Grafis
BURUNG WALET DALAM KARYA SENI GRAFIS Anda Rizka Damanik; Ariusmedi Ariusmedi
Serupa The Journal of Art Education Vol 10, No 2 (2021)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (359.611 KB) | DOI: 10.24036/sr.v9i3.112301

Abstract

The making of the final work of graphic art using serigraphy techniques is to visualize the uniqueness of the swallow, including its characters and anatomy. Several stages were taken in carrying out this final work including preparation, elaboration, synthesis, concept realization and completion stages. By carrying out these stages, ten graphic art works visualizing the various uniqueness of the swallow birds, including the titles "Tersesat", "Straight", Doubt "," Group ".Kata Kunci: Burung Walet, Keunikan, Seni Grafis.
DAMPAK KERUSAKAN HUTAN DALAM KARYA LUKIS SUREALIS Slamet Suono; Yasrul Sami
Serupa The Journal of Art Education Vol 10, No 4 (2021)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (385.417 KB) | DOI: 10.24036/sr.v9i3.112254

Abstract

This final work aims to visualize the impact of forest destruction in surrealist paintings, the bad effects that occur due to forest destruction are very many, including air pollution, floods, landslides, drought to the threat of animal habitats in the forest. The principle of making this final work uses five stages, namely the preparation stage, the elaboration stage, the synthesis stage, and the concept realization stage, starting with sketching, moving the sketch, equipment and materials, working and finishing procedures. The last stage is refinement to exhibition. Ten of the works raised were visualizing the impact of forest destruction in surrealist paintings.Kata kunci: Dampak kerusakan, surealis.
PERKEMBANGAN BATIK GETAH GAMBIR LUMPO PESISIR SELATAN (STUDI DESKRIPSI DI RUMAH BATIK LUMPO) Ikbal Rahdianto; Erwin Erwin
Serupa The Journal of Art Education Vol 10, No 4 (2021)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (451.307 KB) | DOI: 10.24036/sr.v9i3.112259

Abstract

Batik Getah Gambir Lumpo is the signature batik of the lumpo batik in the Ampuan Lumpo sub-district which was founded in 2013 and was inaugurated in 2017. The sap-gambir lumpo batik has a characteristic motif with contemporary concepts.Novia Hertini, the owner, revealed that the existence of this lumpo batik sap could empower the surrounding community to create jobs and be useful for increasing economic development around the village of Ampuan Lumpo, Pesisir Selatan, West Sumatra.With the main ingredient in the form of sap Gambir, the gatah farmer also feels the presence of this lumpo sap gambir batik. And the sap of gambir lumpo batik is well known among many circles, especially in the government agencies which have given awards to the batik sapah gambir lumpo house in 2020.
Strategi guru seni rupa dalam melaksanakan pembelajaran pada masa new normal di SMPN 13 Padang putri nabila; Suib Awrus
Serupa The Journal of Art Education Vol 11, No 2 (2022)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (461.985 KB) | DOI: 10.24036/stjae.v11i2.116998

Abstract

Penelitian ini bertujuan untuk mengidentifikasi strategi guru seni rupa dalam mencapai hasil belajar di era new normal. Metode yang digunakan dalam penelitian ini adalah metode deskriptif dengan pendekatan kualitatif. Subjek  penelitian ini adalah 3 orang guru seni budaya dan 1 siswa kelas VII, VIII dan IX di SMPN 13 Padang. Hasil penelitian yang dilakukan menunjukkan bahwa pada saat pembelajaran  new normal, guru menggunakan strategi pembelajaran ekspositorik dan hueristik yang dirasa cocok untuk diterapkan di kelas dalam situasi  new normal. Kesimpulan yang peneliti tarik dari penelitian ini adalah tidak ada strategi khusus yang digunakan  guru seni rupa pada masa new normal, perbedaannya hanya pada alokasi waktu tatap muka yang  lebih singkat.
PERSEPSI SISWA TERHADAP PEMBELAJARAN DARING MATA PELAJARAN SENI BUDAYA MATERI SENI RUPA KELAS VII DI SMP NEGERI 12 PADANG Yola Permata Syahri; Yusron Wikarya
Serupa The Journal of Art Education Vol 10, No 1 (2021)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (409.494 KB) | DOI: 10.24036/sr.v9i3.112307

Abstract

The purpose of this study was to find out students' perception of online learning of Art and Culture subjects of Fine Arts Class VII at SMP Negeri 12 Padang. This research method uses a type of descriptive quantitative research. Data collection techniques in this study use questionnaire instruments and data analysis techniques using descriptive statistics with percentages. The population in this study amounted to 295 students of Grade VII SMP Negeri 12 Padang using Simple Random Sampling technique so as to determine the number of samples 20% of the total number of students is 61 students of Grade VII SMP Negeri 12 Padang. Based on the results of the overall research, it was concluded that students' perception of online learning of Art and Culture subjects in Fine Arts Class VII at SMP Negeri 12 Padang with a perception criteria score of 1.46. So it can be said that the perception of Grade VII students towards online learning in the category is very lacking.Keywords: perception, online learning, fine arts
ANYAMAN LAPIK TERAWANG PANDAN DESA KOTO DIAN KECAMATAN HAMPARAN RAWANG KOTA SUNGAI PENUH (Kajian Bentuk, Fungsi, dan Makna) RIZKY ADITYA; Yusron Wikarya
Serupa The Journal of Art Education Vol 10, No 3 (2021)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (408.975 KB) | DOI: 10.24036/sr.v9i3.112271

Abstract

The purpose of this study was to examine the form, function, and meaning of the Terawang pandan woven lining in Koto Dian Village, Hamparan Rawang District, Sungai Penuh City. This research uses qualitative methods with a descriptive approach. The data needed in this study are primary and secondary data in the form of interviews and documentation. The research instruments were observation, interview, and documentation. The results of the study found that there are two forms of Terawang Lapik pandan woven products with different uses, firstly plain as a functional object, and Lapik Terawang as a decorative object, social, and natural beauty.Key words: Woven, Lapik Terawang, Sungai Penuh

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