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Jurnal Pakarena
Published by Universitas Negeri Makassar
ISSN : 25286994     EISSN : 27146081     DOI : 10.26858
Core Subject : Education, Art,
Arts Other
Jurnal Pakarena merupakan jurnal ilmiah yang dikelola oleh Prodi Pendidikan Sendratasik Fakultas Seni dan Desain dengan proses peer review. Menerbitkan Artikel hasil dan pengkajian seni, dengan ruang lingkup: seni rupa, drama, tari, dan musik.
Arjuna Subject : -
Articles 132 Documents
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THE MEANING OF THE CIRCULAR FORMATION OF MOLULO DANCE IN THE CONTEXT OF LOCAL CULTURAL VALUES OF THE TOLAKI TRIBE Nurachmy Sahnir
JURNAL PAKARENA Vol 7, No 2 (2022): Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i2.35992

Abstract

Knowledge of the meaning contained in the Molulo dance performance relating to the context of the local cultural values of the Tolaki Tribe in Konawe Regency is contained in the floor pattern in this case a circular formation that contains a meaning based on "Kalo Sara" as a cultural symbol of the Tolaki tribe. The purpose of the study is to increase knowledge that there is a philosophy of life of the Tolaki tribe in the Molulo dance which is still maintained today. The descriptive method used by this study is to collect interview data, observation, and documentation. So that Lulo traditional dance by the Tolaki tribal community has a meaning related to local cultural values ranging from the form of movement of the position of hands and feet, the shape of the floor pattern, the displacement of dancers, and the change of dancers has a symbolic meaning in daily life by the Tolaki tribal community symbolized "Kalo sara" which is a circle pattern in the form of hand gestures and quadrangular patterns seen in the form of horizontal-vertical foot movements. The pattern that exists in Kalo sara, namely: circles, ties, and quadrangles have the local cultural value of the Tolaki tribe about unity and unity in the shape of the rattan circle, meaning the sincerity and purity of the white cloth, as well as the meaning of prosperity and well-being of the shape of the wicker container in which the rattan circle is placed. The conclusion of this study is about the meaning contained in the circular formation in the Molulo dance performance with the local cultural values of the Tolaki Tribe into several patterns of rules that must be obeyed
SONG ANALYSIS ON THE PRESENTATION OF POMPANG MUSIC Andi Ihsan
JURNAL PAKARENA Vol 7, No 2 (2022): Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i2.38079

Abstract

This study aims to analyze the song on the presentation of Pompang music in Mamasa district. The research approach is to use descriptive qualitative research methods where data collection, is done through document studies, observations, and interviews, including recording research activities. This study focuses on the intra-musical analysis of the presentation of pumping music, especially the type and structure of the song and how the composition of the musical aspects. Data analysis is done by reduction, display, and verification. The results of the research are the types of songs that are played in the presentation of Pompang music, namely songs in the form of Maras and Hymns. The song Maras is presented without lyrics and vocals, while the hymn uses poetry with the main melody dominated by a flute. In the presentation of the music, each group of instruments has a pattern of rhythm, harmony, and melody that influence each other and form the uniqueness of pumping music. 
TRADITIONAL ARTISTS' EXPRESSIONS AND NEGOTIATION PRACTICES THROUGH VIRTUAL SPACES Panakajaya Hidayatullah
JURNAL PAKARENA Vol 7, No 2 (2022): Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i2.31692

Abstract

This ethnographic research seeks to describe the phenomenon of the artistic practices of traditional artists in looking at new technologies and media. Discourse on various performing arts events outside the mainstream, in the 'periphery' (local) areas, which are often overlooked and neglected in discussions about art. The findings in this study confirm the progressive spirit of traditional artists in Situbondo in responding to the uncertain situation due to the pandemic. Adaptation and negotiation of the technology that has been adopted, opens new perspectives, and modes of attitude towards art practices in society. Traditional artists have demonstrated good practice in terms of survival skills and a critical attitude towards modernity
SEMIOTIC ANALYSIS OF THE MEANING OF WOOD CARVINGS IN TONGKONAN Soekarno Buhari Pasyah
JURNAL PAKARENA Vol 7, No 2 (2022): Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i2.39359

Abstract

The symbol on the wooden carving of the Toraja traditional house (Tongkonan) is an important part of its construction, so the purpose of this article is to describe and analyze the symbol of power. This exploration uses subjective interpretive examination techniques, breaks down and describes the significance of things that are concentrated considering the reality on the ground, involves key witnesses as sources of information, utilizes essential and optional information through top-down meetings, field perceptions, action documentation, and references related to this examination. The semiotic model developed by Charles Sanders Peirce is used in this research data analysis method. The Toraja traditional house has sixty-seven types of wood carvings, but only four represent the symbol of the strength of the Tongkonan owner for the present and the future. In addition, the Tongkonan carving patterns represent the social status of the Toraja people. From the underlying information From information obtained, it can be said that the carvings on the Tongkonan depict images of objects and animals that exist in the Toraja people. The message contained in cutting the Tongkonan is a way of thinking about the life of the Toraja people themselves.
APPLICATION OF THE KODALY METHOD IN ANGKLUNG MUSIC LEARNING USING THE CONCEPT OF BERKAWAN AND KAWAN BERKAWAN Irawan Sukma
JURNAL PAKARENA Vol 7, No 2 (2022): Agu-Des
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i2.37778

Abstract

Currently, angklung music has become part of ensemble music that can be taught to students at the elementary, middle, and high school levels as a form of appreciation for traditional Indonesian music. Therefore, through this research, the technique of playing angklung will be developed with the Kodaly method with the concept of Berkawan and Kawan Berkawan so that later it can display a form of musical presentation packaged in the form of a similar music ensemble. This research is qualitative, using the Research and Development approach from Borg and Gall, by discussing matters related to melody science, the laws of harmony in songs applied in choirs, tone symbols (the use of fingers), the Kodaly method with the development of the concept of Berkawan and Kawan Berkawan, and song notation. The initial stage is the observation of the Kodaly Method, then analyzing the shape of the Kodaly Method symbol with the application of the concept of Berkawan and Kawan Berkawan, then trying to apply it to several grade VII students of SMP Negeri Belitang Jaya from these methods and concepts. In the end, it is hoped that the Kodaly Method with the concept of Berkawan and Kawan Berkawan can be applied and taught to students as the best solution for playing Angklung Music easily. The results of this study revealed that the application of the Kodaly (hand sign) method in angklung learning can improve the ability to read notation to students and is a practical and effective method for students of SMPN 2 Belitang Jaya. It can be seen that the concept of Berkawan with two voices and Kawan Berkawan with three voices is very effective and practical in understanding the technique of playing angklung quickly. So that the application of the Kodaly method can be developed through the concept of Berkawan and Kawan Berkawan
IMPLEMENTATION OF THE MEANINGFUL RECEPTION LEARNING APPROACH IN MOTION AND SONG LEARNING Setiorini Rahma Safitri
JURNAL PAKARENA Vol 7, No 2 (2022): Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i2.38600

Abstract

This research is motivated by the implementation of the Meaningful Reception Learning approach in motion and song learning, which is seen as the most appropriate approach for students at PAUD Jelita. This approach is generally understood as the correlation of children's cognitive schemes to the new material given, resulting in a meaningful learning activity. However, on a practical level how it is implemented, so far no research has studied it. Based on the problems studied, namely regarding the implementation of the Meaningful Reception Learning approach in motion and song learning at PAUD Jelita, Pringsurat Village, Temanggung Regency, this research will use qualitative methods.  The activities carried out include data collection, data verification, analysis, and synthesis. The Meaningful Reception Learning approach in PAUD Jelita Pringsurat, Temanggung, is implemented in large class students whose students are 6 years old. The approach is appropriate when applied in large classes because students are more easily conditioned. The stages of the Meaningful Reception Learning approach can be passed effectively in large-class students. The stages passed are the initial settings (Advance Organizer). The initial arrangement is a classroom conditioning activity carried out by the teacher. Then the second is progressive differentiation, that is, learning from the general thing to the particular. Next is superordinate learning which is concept learning by relating concepts that have been previously understood. In the last stage, it is an integrative adjustment. The stages are carried out in the form of compiling material consisting of various concepts, in which the concepts have a general to a special relationship.
The Use of Beauty Blenders in the Application of Foundation in Adolescents with Combination Facial Skin Rika Riwayani; Israwati Hamsar
JURNAL PAKARENA Vol 8, No 1 (2023): Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v8i1.42913

Abstract

This research is a descriptive study that aims to find out, 1) The results of applying foundation using a beauty blender on combination facial skin types and 2) The opinion of the panelists on the results of applying foundation using a beauty blender on combination facial skin types. The number of respondents in this study was 20 trained panelists.Data collection techniques used were observation, Focus Group Discussion (FGD), documentation, questionnaires, and interviews. The data analysis technique used is descriptive and Likert scale. The results of this study indicate 1) Application of foundation using a beauty blender on combination facial skin, evenness is considered even in terms of color but is less able to cover pores and acne scars on the face, the durability of the foundation is considered to be less able to last when left on for 2 hours 2 ) based on the opinion of the panelists regarding the results of applying foundation, the beauty blender is in a good category at a percentage of 65%.
PERANCANGAN BUKU AJAR NOTASI TARI LABAN BERBASIS PEMBELAJARAN STEP BY STEP BAGI MAHASISWA TARI DI JURUSAN SENI PERTUNJUKAN FSD UNM Sumiani, Sumiani
JURNAL PAKARENA Vol 8, No 1 (2023): Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v8i1.34813

Abstract

Makalah penelitian dengan judul Perancangan Buku Ajar Notasi Tari Laban Berbasis Pembelajaran Step By Step bagi Mahasiswa Tari ini dilakukan di Jurusan Seni Pertunjukan Fakultas Seni dan Desain UNM. Dari observasi awal didapat fenomena akan kebutuhan akan perangkat pembelajaran yang berjenis buku ajar pada pelaksanaan mata kuliah Notasi tari di lingkungan Jurusan Seni Pertunjukan. Maka dari itu masalah penelitian difokuskan pada : (1) Bagaimana rancangan buku ajar yang dibutuhkan oleh mahasiswa tari dalam mata kuliah Notasi Tari Laban di Jurusan Seni Pertunjukan Fakultas Seni dan Desain UNM dan (2) Bagaimana rancangan buku ajar pada mata kuliah Notasi Tari Laban yang valid bagi  mahasiswa tari di Jurusan Seni Pertunjukan Fakultas Seni dan Desain UNM. Metode penelitian yang sesuai dengan masalah penelitian adalah R&D, menggunakan model ADDIE (Analysis, Design, Development, Implementation, dan Evaluation), yang pada penelitian ini diniatkan hanya sampai pada tahap Design atau Perancangan. Hasil penelitian dapat disimpulkan: (1) Bahan ajar tentang notasi tari khususnya Notasi Laban (Labanotation) telah terhimpun relatif banyak, namun himpunan materi tersebut masih belum tersusun secara sistematis sesuai garis besar pembelajaran yang didesain secara tahap per tahap. Dengan demikian buku ajar Notasi Laban yang dibutuhkan mahasiswa adalah yang dapat menjadi penuntun atau panduan belajar tahap demi tahap. (2) Kevalidan Buku Ajar Notasi Laban dilakukan dengan metode validasi internal, tersimpul adanya kesesuaian antara isi buku dengan tujuan pembelajaran, adanya kesesuaian antara metode step by step dengan susunan materi yang disajikan, adanya kesesuaian antara susunan isi dengan silabus mata kuliah Notasi Tari, tercermin kemudahan dari uraian penjelasan yang to the point. Pada aspek seni tari khususnya Notasi Tari Laban tersimpul adanya kesesuaian antara isi buku dengan konsep sistem Notasi Laban, adanya kesesuaian antara isi buku dengan prinsip-prinsip pencatatan gerak dengan sistem Notasi Laban
Analysis of Foundation Application Results Using Airbrush on Combination Facial Skin Types Israwati Hamsar
JURNAL PAKARENA Vol 8, No 1 (2023): Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v8i1.41824

Abstract

This research is a descriptive study that aims to find out the results of applying foundation using an airbrush on combination facial skin types. The number of respondents in this study was 20 trained panelists. Data collection techniques used were observation, Focus Group Discussion (FGD), documentation, questionnaires, and interviews. The data analysis technique used is descriptive and Likert scale. The results of this study indicate that with the application of foundation using an airbrush on combination facial skin, the evenness of the foundation is considered to be able to cover pores and acne scars, but the selection of the foundation color shade is not quite right so the skin color looks uneven. The durability of the foundation is considered to be able to last when left for 2 hours. Based on the opinion of the panelists regarding the results of applying airbrush, it is in the very good category at 85%. And in the aspect of resilience assessment, namely 98.75%.
CULTIVATION OF SELF-MANAGEMENT AS A FILTER OF KOREAN WAFE INFLUENCE AMONG STUDENTS M, Rahma
JURNAL PAKARENA Vol 8, No 1 (2023): Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v8i1.45898

Abstract

This article discusses the cultivation of self-management for Dance students as a filter to counteract outside lifestyle influences including the influence of Korean Wafe, with an innovative concept of self-awareness (mindfulness), while still having full awareness of thoughts, feelings, and focusing on goals. The research method used in this article is a theoretical study. Self-awareness is needed in carrying out social interactions, especially for students because this also affects the learning process which can fail if you are not able to manage or control yourself properly, especially from the influence of the social environment. Mindfulness as a form of inculcating self-management in students is a theory that can be instilled because it can help students change their perspective on something so that they can filter out the influences that can arise from the surrounding environment. Something that becomes a trend in society doesn't need to be avoided but it should be used to enrich our insights, especially for dance students, they should be able to take advantage of the good things caused by the boom in the Korean style, especially in dance creation.

Page 8 of 14 | Total Record : 132

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