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Jurnal Pakarena
Published by Universitas Negeri Makassar
ISSN : 25286994     EISSN : 27146081     DOI : 10.26858
Core Subject : Education, Art,
Arts Other
Jurnal Pakarena merupakan jurnal ilmiah yang dikelola oleh Prodi Pendidikan Sendratasik Fakultas Seni dan Desain dengan proses peer review. Menerbitkan Artikel hasil dan pengkajian seni, dengan ruang lingkup: seni rupa, drama, tari, dan musik.
Arjuna Subject : -
Articles 132 Documents
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TONGLING MUSIC INNOVATION WITH PRINGGOWULUNG WONOMULYO ART STUDIO, GENILANGIT, PONCOL, MAGETAN REGENCY Darno Darno; Sutriyanto Sutriyanto; Sigit Setiawan
JURNAL PAKARENA Vol 7, No 1 (2022): Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i1.32707

Abstract

Tongling musical instrument derived from the words "kentongan" and "suling" a musical instrument made of bamboo material, is an art originating from the Pringgowulung Wonomulyo art studio, Genilangit village, Poncol district, Magetan regency, East Java. Wonomulyo creates and can preserve the art of tongling until now, because tongling music is an accompaniment during worship so that it can survive until now, using Darsono's artistic creation approach, is expected to produce a craft work in the form of a musical instrument using large bamboo material as an accompaniment and complement of Tongling musical instrument that already exists
MULTIPLE EXPOSURE PHOTOGRAPHY TECHNIQUES IN TRADITIONAL DANCE MOVEMENTS AS AN ALTERNATIVE TO LEARNING MEDIA Deddy Award Widya Laksana; Bernardus Andang Prasetya Adiwibawa
JURNAL PAKARENA Vol 7, No 1 (2022): Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i1.24703

Abstract

Learning technology tools need to be designed to make it easier for students to learn effortlessly and achieve optimal results in particular materials and situations. Traditional dance is one of the learning materials that focus on psychomotor aspects through understanding movement. When face-to-face learning processes are not allowed, it is necessary to develop appropriate learning technology devices. The multiple exposure photography technique is feasible as an alternative to the traditional dance learning media. The technique is considered by comparing the criteria for developing learning media. The result achieved is a graphic media about traditional dance movements.
GITA BAHANA NUSANTARA AS A REPRESENTATION OF BHINNEKA TUNGGAL IKA Adira Hesti Ksvara
JURNAL PAKARENA Vol 7, No 1 (2022): Jan-Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i1.33540

Abstract

The purpose of this study is to describe Gita Bahana Nusantara as a musical group that represents diversity and strengthens the value of patriotism for the participants involved. This research uses the descriptive qualitative method. The results of the study found that Gita Bahana Nusantara has become a space for diversity that is applied by bringing together individuals from various regions in Indonesia so as to create brotherly ties as fellow Indonesians. In addition, patriotism also emerged in the participants involved through the media of music, namely struggle songs. The lyrics and the type of song can stir the hearts and souls of the people who sing and even those who listen to the song.
"PANGGIH " ARTIST ART CRAFT WOVEN “PECI” FROM BANANA TREE FRONDS Irawan Sukma
JURNAL PAKARENA Vol 7, No 1 (2022): Jan-Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i1.32779

Abstract

Panggih is one of the woven craft artists who are already famous in East OKU Regency because of his peculiarity in making works in the form of "Peci from banana tree fronds". Not only in the district environment, h work is sold, but there are also many orders from outside the city and even the province. ina intends to develop craft art in Belitang, so that cra artworks are not extinct and there are future generations. The purpose of this research is to reflect on and introduce how the figure of a 'Panggih' works in the world of Fine Arts. This research is qualitative, describing how a woven craft artist named Panggih creativity, made artwork based o banana tree fronds. Furthermore, this research tells how panggih's creative process becomes a craft artist? What craft artwork was created by Pangg and the specialty of the artwork created by Panggih? And how is t process of making the craft artwork "Peci" by Panggih? This is what w be explained in this study. Wallas's theoretical thoughts about the creative process, combined with Anna Cra  thoughts on the circle of creative processes were used in this research. It is hoped that the results of this study can foster the interest and talent of the younger generation in East OKU and be able to pass on what has been done by Panggih so that the Kriya A made from banana tree fronds becomes a strong identity for Panggih work for the East OKU Community.
STUDY OF PENDANTS MADE OF RESIN PRODUCED BY THE ART FOLK VILLAGE INSTITUTION Israwati Hamsar; Ismayanti Hamsar; Hasnawati Hasnawati; Irfan Irfan
JURNAL PAKARENA Vol 7, No 1 (2022): Jan-Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i1.35125

Abstract

The background of the problem in this study is the lack of craftsmen in making pendants made from resin, this becomes a problem because this pendant is quite a in demand to be used as souvenirs at weddings, by doing this research the public can be invited directly to see the process of making this pendant. , as an effort to find people who are interested in becoming a pendant craftsman made of resin. This study aims to describe the process of making pendants made from. The type of research is survey research with a descriptive qualitative data analysis technique. Data collection techniques in the form of observation, interviews, and documentation. Data analysis techniques in the form of data collection, data reduction, data presentation, and data verification. The results showed 1) the pendant manufacturing process consisted of several stages, first: preparation of tools and materials, second: selection of raw materials, third: assembling the main material with additional materials such as resins, catalysts, and dyes, fourth: printing process, fifth: drying process, sixth: finishing includes sanding and brassoing.
THE PARADOX OF KUBROSISWO'S ART IDENTITY: BETWEEN ISLAM AND JAVANESENESS Setiorini Rahma Safitri
JURNAL PAKARENA Vol 7, No 1 (2022): Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i1.31566

Abstract

This study was motivated by intellectual anxiety about the study of the art of Kubrosiswo. So far, most of the existing studies have focused on the discourse of Islamic identity attached to this art. This study intends to look at the arts in terms of two sides of identity, namely Islamic and Javanese. The method used in this study is a qualitative research method with steps that include: data collection, data validation, analysis, and synthesis. The results of this study show that the art of Kubrosiswo since its birth has brought religious sentiments, in the form of anti-communism. This articulation is manifested in his extra-aesthetic identity which contains elements of Islamic culture, especially from the songs used. Even so, there is another side to this art, especially those that show Javanese characteristics, such as the use of offerings and the presence of a trance session from each performance. This to some extent becomes a kind of paradox of identity for this art.
A FORMALISM CRITIQUE OF DJOKO PEKIK'S PAINTINGS ENTITLED GO TO HELL CROCODILE Arum Wilis Kartika Ayuningtari
JURNAL PAKARENA Vol 7, No 2 (2022): Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i2.35027

Abstract

This research aims to explain the aesthetic aspects of Djoko Pekik's paintings entitled Go to Hell Crocodile. This research uses descriptive qualitative research methods. The approach step taken in this research is the art criticism approach with analytical interpretation using Feldman's formalism art criticism. The data was obtained through observation and literature studies. The subject of criticism in this research is a painting entitled Go to Hell Crocodile (2014) made by Djoko Pekik, a realist-expressive painter from Yogyakarta. To Feldman's critique structure, in this art criticism paper, there are four parts of explanations namely description, formal analysis, interpretation, and evaluation or decision. The research's results showed that there was a significant consistency in Djoko Pekik's paintings entitled Go to Hell Crocodile (2014) with his old work in 1998 entitled Berburu Celeng. This consistency is found in the concept of ideas, he brings up the phenomenon of Indonesian socio-politics issues. In addition, consistency is also found in visual concepts such as the selection of the main object's form, the supporting objects, and his unique expressive painting styles. The results of the observations also found some transformations in the visual aspects of Djoko Pekik's paintings, but some of these aspects did not change his style in a major way and this aspect could not even be known if the art enthusiast did not make in-depth observations.
BLENDED LEARNING OF NUSANTARA DANCE TO AFFECT LEARNING DANCE PRACTICE IN THE PANDEMIC PERIOD Sumiani Sumiani; Selfiana Saenal
JURNAL PAKARENA Vol 7, No 2 (2022): Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i2.37992

Abstract

This research aims to design dance practice learning in the Sendratasik Education study program. Changes in the curriculum in response to the MBKM program will indirectly affect the learning process, where lecturers must develop their learning designs. This study followed up by designing a blended learning-based practice of Nusantara dance. Of course, this research is a step towards more effective learning for students of the Sendratasik Education Study Program who are heterogeneous in terms of their dancing abilities, also during the pandemic which has an impact on limiting face-to-face (offline). The research problem is focused on: How is the design of a valid Nusantara dance practice learning design in the Sendratasik Education Study Program, Department of Performing Arts, FSD UNM. The research step uses the ADDIE (Analysis, Design, Development, Insemination, and Evaluation) model, which in this research activity reaches the design stage. The results of the study: The design of learning design for the practice of Nusantara dance needed in the Sendratasik Education PS, Department of Performing Arts, FSD UNM, is a design that is following the learning objectives as implied in the learning outcomes (CPL) in the curriculum of the study program, that the practical ability, especially the practice of Nusantara dance, is limited to learning interests in primary and secondary education units. The learning design for the practice of Nusantara dance is based on the concept of the 10-stage Dick & Carey model, namely: identification of learning objectives for Nusantara dance, analysis of learning, identification of initial behavior and characteristics of students who are required to program, formulating learning objectives following CPL, developing criteria for reference test items that refer to three aspects (wiraga, wirama, wirasa), learning strategies are arranged according to the needs of MBKM, development of a selection of learning materials following the availability of human resources (competence of lecturers in the Department of Performing Arts), formative evaluation is carried out at the end of the middle of the semester, revision of learning is carried out by reflecting on the results formative evaluation, and summative evaluation carried out at the end of the semester
BT BATIK TRUSMI BRAND IDENTITY STUDY Lulu Afifah Ichsan; Alvanov Zpalanzani Mansoor
JURNAL PAKARENA Vol 7, No 2 (2022): Agu-Des
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i2.36025

Abstract

Sama halnya dengan seorang individu yang memerlukan sebuah identitas diri, sebuah perusahaan juga harus memiliki sebuah identitas yang merepresentasikan citra perusahaan tersebut agar dapat menarik perhatian konsumen. Dalam menjalankan usahanya BT Batik Trusmi telah menjalankan berbagai strategi branding yang menjadikan brand tersebut dapat dikenali tidak hanya lingkup nasional namun telah sampai ke mancanegara. Metode yang digunakan dalam penelitian ini adalah pendekatan kualitatif dengan metode deskriptif dengan mengkaji identitas merek BT Batik Trusmi berdasarkan teori brand identity prism atau prisma identitas merek oleh Kapferer. Pengumpulan data dilakukan melalui wawancara terhadap pihak perusahaan, observasi pada lingkungan sekitar serta studi pustaka. Hasil penelitian menunjukkan bahwa identitas merek BT Batik Trusmi yang telah dikaji menggunakan brand identity prism telah memenuhi keenam aspek yang ada yaitu physique, personality, culture, reflections, relationship, self image yang saling berhubungan satu sama lain. Aspek-aspek tersebut yang kemudian membantu membangun BT Batik Trusmi menjadi merek yang kuat sehingga dapat berkomunikasi dengan khalayak sasaran dengan jelas serta menjadi mudah diingat dan dikenali
LOGO MAKER APP USER INTERFACE ANALYSIS Irfan Irfan; Satriadi Satriadi; Jalil Jalil
JURNAL PAKARENA Vol 7, No 2 (2022): Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i2.37752

Abstract

This research seeks to provide an overview of the quality of the user interface in logo maker applications. The results of this analysis can be used to consider users in choosing applications, especially MSME actors in designing the visual identity of their products. The user interface analysis used is reviewed from the aspects of clarity, conciseness, familiarity, responsiveness, consistency,  aesthetics,  efficiency, and forgiveness.  The results of the analysis show that these criteria show good results so that the two applications are suitable for use by UMKM actors in creating logos or other visual identities for their products.

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