SULUK: Jurnal Bahasa, Sastra, dan Budaya
SULUK: Jurnal Bahasa, Sastra, dan Budaya is a half-yearly journal published by the literary studies program of Universitas Islam Negeri Sunan Ampel Surabaya. Suluk provides a forum for the scholar of literary studies, with special reference to linguistics, literature, and culture. The journal publishes articles on literature, language, philology, and culture of Indonesia with a special interest in the study of literature/language from different geographical areas such as Arabic, Indonesian, Javanese, etc. Suluk is accredited by Crossref, Google Scholar, Garuda, Indonesia Onesearch, Dimensions, Microsoft Academic, Index Copernicus International, Research Bible, and ROAD. Suluk uses the Open Journal System and email. It is a double-blind peer-reviewed by the international and national reviewers. This journal is an open-access journal which means that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access.
Articles
70 Documents
<![CDATA[Nilai-nilai Kearifan Lokal Masyarakat Pandalungan: Kasus Upacara Taropan di Probolinggo ]]>
<![CDATA[Indra Tjahyadi]]>;
<![CDATA[Hosnol Wafa]]>;
<![CDATA[Moh. Zamroni]]>
<![CDATA[ SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 1 (2020): Maret ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya ]]>
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DOI: 10.15642/suluk.2020.2.1.52-62
<![CDATA[This study focuses on the values of the local wisdom of hybrid Probolinggo community. The material object in this study is Taropan Ceremony. Taropan is a tradition carried out by the people of Probolinggo. The method used in this research is ethnographic method through data collection interviews, observations, and literature studies. The results of this study note that Taropan exclusively happens only for the people of Probolinggo. The values of local wisdom in Taropan include (1) the values of brotherhood and (2) the value of religiosity. Overall, it can be seen that the values in Taropan are the fundamental element of the local wisdom values of Probolinggo, especially Pandalungan community that has a hybrid identity which are a mixture of Javanese and Madura wisdom values.]]>
<![CDATA[Pluralitas Mesir dalam Imarah Yakubian: Dialogisme Bakhtin dalam Novel Al-Aswany ]]>
<![CDATA[Herpin Nopiandi Khurosan]]>
<![CDATA[ SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2020): September (Special Theme) ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya ]]>
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DOI: 10.15642/suluk.2020.2.2.150-159
<![CDATA[Al-Aswany is known as the writer who often calls for Egyptian democracy. In his creative work, al-Aswany made the themes of democracy, freedom of speech, equality of rights and so on. The various thematic (democracy) in Bakhtin terms are called carnivalistic and/or polyphonic, have many voices. In this paper the author will map carnivalistics/polyphonic through the novel Imarah Yakubian written by al-Aswany. The carnivalism and polyphony of the Jacobian Empire are tested by Bakhtin's dialogic theory. The elements studied include: 1) carnivalization, 2) composition of the polyphonic novel, 3) character and author position, 4) dialogue of the novel consisting of: a) dialogue between characters; b) representation of ideas; and c) intertextual dialogue. As a result, the Jacobian Imarah can be categorized as a polyphonic novel with predominantly carnivalistic features. In the novel there are many dialogical voices. The dialogue is in the form of dialogue between figures as well as dialogue between novel texts (Imarah Yakubian) and other texts.]]>
<![CDATA[Paradigma Posmodern Sebagai Dasar Filosofi Perilaku Budaya Masyarakat Indonesia di Masa Pandemi ]]>
<![CDATA[Indra Tjahyadi]]>;
<![CDATA[Jiphie Gilia Indriyani]]>
<![CDATA[ SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2020): September (Special Theme) ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya ]]>
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DOI: 10.15642/suluk.2020.2.2.130-139
<![CDATA[This paper focuses its study on the postmodern paradigm as the basis for the philosophy of cultural behavior of the Indonesian people during the COVID-19 Pandemic. This study aims to determine the relevance of the application of the postmodern paradigm as the basis for shaping and strengthening the national immunity of the Indonesian people. The approach used in this study is metodeliterature review. This approach is used because data collection and analysis is based on the literature study stage. The findings of this study are 1) the postmodern paradigm is a paradigm that appears as a critical reaction to the failure of modern projects, 2) rejection and denial of metanarations, monoliths, convention and arbitration systems, as well as rejection and denial of the objectification of truth, subject determination and limitation of freedom. are elements contained in the postmodern paradigm, 3) the postmodern paradigm is relevant to be applied as the basis for the philosophy of Indonesian people's behavior during the COVID-19 pandemic because it can help strengthen national values in Indonesian society.]]>
<![CDATA[Lanskap Arkeologi Situs Gosari-Gresik dalam Perspektif Prosesual dan Pasca-Prosesual ]]>
<![CDATA[Laksmi Eko Safitri]]>
<![CDATA[ SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 3 No. 1 (2021): Maret ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya ]]>
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DOI: 10.15642/suluk.2021.3.1.23-33
<![CDATA[Dalam tulisan ini Situs Gosari-Gresik dikategorikan sebagai salah satu artefak arkeologis Nusantara yang memberikan informasi terkait masa silam. Situs tersebut dipahami sebagai representasi dari perspektif Prosesual dan Pasca-Prosesual. Ruang lingkup tulisan ini menyajikan lanskap Situs Gosari sebagai representasi dari paradigma prosesual dan pasca-prosesual. Kontradiksi kedua paradigma di atas disinergikan untuk mengetahui lanskap Situs Gosari yang terdiri dari bekas tungku pembakaran gerabah, sendang, dan prasasti. Dalam hal itu paradigma pertama menjelaskan tarikh atau usia situs, jenis atau model gerabah yang dihasilkan; korelasi antarunsur arkeologi; dan peranan atau industri gerabah pada masa Majapahit. Sedangkan paradigma kedua digunakan untuk melengkapi analisis yang tidak dapat dijangkau paradigma sebelumnya, terutama terkait interpretasi terhadap sendang dalam pandangan masyarakat setempat berdasarkan tradisi lisan/folklor yang diyakini. Dari kedua paradigma tersebut dihasilkan kesimpulan bahwa kedudukan sendang memiliki peranan penting, baik dalam industri gerabah maupun kehidupan masyarakat sekitar. Selain itu, diketahui bahwa tinggalan budaya tak bendawi masa klasik tersebut masih dipelihara.]]>
<![CDATA[Kilas-Balik Wabah di Indonesia: Mengurai Kembali Pandemi COVID-19 Melalui Peristiwa Flu Spanyol 1918-1920 ]]>
<![CDATA[Muhammad Khodafi]]>;
<![CDATA[Wildayati Wildayati]]>;
<![CDATA[Rizki Endi Septiyani]]>
<![CDATA[ SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2020): September (Special Theme) ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya ]]>
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DOI: 10.15642/suluk.2020.2.2.91-106
<![CDATA[This paper aims to determine (1) the events of the Spanish Influenza 1918-1920 pandemic in Indonesia, (2) the COVID-19 pandemic in Indonesia, and (3) a map of the COVID-19 pandemic through the Spanish Influenza1918-1920 in Indonesia. This research uses qualitative methods through literature study techniques. The data obtained were analyzed using the phenomenological theory of Alfert Schurtz. The results of this study indicate if (1) the Spanish Influenza1918 in Indonesia can be categorized through the history, impact, and efforts to overcome the pandemic in Indonesia, (2) the COVID-19 pandemic in Indonesia can be mapped into three parts (discussion) similar to the Spanish Influenza 1918 in Indonesia, and (3) a map of the COVID-19 pandemic through the Spanish Influenza 1918 in Indonesia. Overall these two pandemic events can be correlated as historical repetitions, that is, between the past and the present. This research is expected to find continuity as a historical fact as well as learning material in the future.]]>
<![CDATA[Nilai Budaya dan Sistem Kepercayaan dalam Legenda Raden Ayu Oncattondo Wurung: Kajian Folklor ]]>
<![CDATA[Icha Fadhilasari]]>;
<![CDATA[Mohamad Nizar Rahmanto]]>
<![CDATA[ SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 3 No. 1 (2021): Maret ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya ]]>
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DOI: 10.15642/suluk.2021.3.1.34-45
<![CDATA[Legenda merupakan bagian dari folklor lisan yang tidak hanya menggambarkan kisah-kisah kolektif suatu kelompok masyarakat tetapi juga mengandung anasir sejarah. Legenda dapat mencerminkan kebudayaan sebuah komunitas kultural. Legenda Raden Ayu Oncattondo Wurung merupakan salah satu folklor lisan yang masih diyakini oleh sebagian masyarakat di sekitar Sidoarjo. Penelitian ini bertujuan untuk mendeskripsikan fungsi, nilai budaya dan sistem kepercayaan pada sosok Raden Ayu Oncattondo Wurung terkait masyarakat di Terung Wetan, Krian, Sidoarjo. Penelitian ini menggunakan metode kualitatif-deskriptif. Dalam pengumpulan data dilakukan pengamatan dan wawancara kepada beberapa tokoh masyarakat dan warga setempat. Hasilnya diketahui asal-usul Raden Ayu Oncattondo Wurung. Selanjutnya, dapat dipahami fungsi, nilai budaya dan sistem kepercayaan terkait legenda tersebut sehubungan dengan masyarakat setempat. Legenda tersebut memiliki dua fungsi yang mengatur perilaku manusia dalam kehidupan masyarakat. Nilai budaya pada legenda tersebut menjadi acuan tingkah laku masyarakat setempat. Nilai budaya dalam penelitian ini difokuskan pada nilai rohani, yakni: 1) kebenaran, 2) keindahan, 3) kebaikan, dan 4) nilai religius.]]>
<![CDATA[Pesantren, Perempuan, dan Subaltern dalam Perempuan Berkalung Sorban dan Hati Suhita ]]>
<![CDATA[Novi Diah Haryanti]]>;
<![CDATA[Farah Nur Fakhriyah]]>
<![CDATA[ SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2020): September (Special Theme) ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya ]]>
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DOI: 10.15642/suluk.2020.2.2.140-149
<![CDATA[This study aims to describe the phenomenon of matchmaking among pesantren. Abidah El Khalieqy's novel Perempuan Berkalung Sorban and Khilma Anis' Hati Suhita are the objects of study. The method used is descriptive qualitative. The data collection technique is done by analyzing the data interpretation. The type of data collected is a library. The approach used is sociology of literature. The data discussed in this study include: (1) comparison of the narrative structure of the two novels above, (2) matchmaking at the pesantren in the two novels, (3) matchmaking between two people and two pesantren, and (4) marriage satisfaction.Research result show Matchmaking in pesantren is usually done because of the interests or goals that benefit one of the parties. MatchmakinginThe two novels originated from compulsion that led to divorce and sadness, especially on the part of women.]]>
<![CDATA[Tradisi Keagamaan Sebagai Bentuk Pelestarian Budaya Masyarakat Jawa Pada Masa Pandemi ]]>
<![CDATA[Dwi Susanto]]>;
<![CDATA[Ainur Rosidah]]>;
<![CDATA[Deivy Nur Setyowati]]>;
<![CDATA[Guntur Sekti Wijaya]]>
<![CDATA[ SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2020): September (Special Theme) ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya ]]>
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DOI: 10.15642/suluk.2020.2.2.107-118
<![CDATA[Petiken is one of the villages in Gresik Regency that still preserves religious traditions. In its implementation, this tradition is an annual routine. Religious traditions are still carried out by the community even during the COVID-19 pandemic. This study aims to (1) find out the religious traditions in Petiken, Driyorejo, Gresik Villages before the COVID-19 and (2) know the religious traditions in Petiken Village, Driyorejo, Gresik as a form of cultural preservation of the community during the COVID-19 pandemic. This research uses qualitative methods with data collection through interviews and observations. The results of this study were (1) religious traditions in Petiken Village, Driyorejo, Gresik before the COVID-19 were carried out normally, both annual traditions and weekly routines and (2) religious traditions in Petiken Village,the early days of the arrival of COVID-19 which made all traditions temporarily abolished, the PSBB period with the implementation of some traditions underwent a change, and a new normal period by re-implementing all traditions by complying with health protocols.]]>
<![CDATA[Kearifan Lokal Masyarakat Jawa dalam Menghadapi Pandemi ]]>
<![CDATA[Siti Rumilah]]>;
<![CDATA[Kholidah Sunni Nafisah]]>;
<![CDATA[Mochammad Arizamroni]]>;
<![CDATA[Sholahudin Abinawa Hikam]]>;
<![CDATA[Sita Arum Damayanti]]>
<![CDATA[ SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2020): September (Special Theme) ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya ]]>
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DOI: 10.15642/suluk.2020.2.2.119-129
<![CDATA[This research discusses various local wisdoms of the Javanese people in dealing with the COVID-19 Pandemic. Plague which means “pagebluk” in Javanese is responded with cultural attitudes such as understanding the wabah (pandemic) in the framework of titen science, jamasan heirloom as a method, and herbal medicine treatment as a method. This research makes use of Social Anthropology theory. The method used is descriptive qualitative. While the research background is Ngawi Regency, East Java. Data were collected from observations and interviews with several sources and literature study. The results of this study show that each region in Indonesia, especially Java, has its own way of responding to the arrival of the COVID-19 outbreak. With existing local wisdom, the Javanese people are trying to deal with this pandemic in their own way and culture.]]>
<![CDATA[Genealogi Wabah dalam Cerita-cerita Dewi Sekardadu: Kajian Sastra Pandemik ]]>
<![CDATA[Mashuri Mashuri]]>;
<![CDATA[Jauharoti Alfin]]>
<![CDATA[ SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2020): September (Special Theme) ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya ]]>
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DOI: 10.15642/suluk.2020.2.2.74-90
<![CDATA[This research traces the genealogy of the wabah (pandemic) in Dewi Sekardadu's stories. Dewi Sekardadu’s story in this study is taken from the Javanese writing tradition. This paper aim to describe the origin of the wabah in the story (Dewi Sekardadu) and the power relations of knowledge in Java from the point of view of origin and meaning. The theory used is triangulation folklore theory, comparative literature and archo-genealogy of knowledge. The results were (1) almost all Javanese chronicles or chronicles always included Dewi Sekardadu's story because it was always mentioned in the stories of Maulana Ishak or Seh Wali Lanang and Sunan Giri; (2) the position and causes of the wabah in Dewi Sekardadu's storyline in the old writing tradition varied depending on the writing period; and (3) the genealogy of the wabah in Dewi Sekardadu's stories can be traced to several previous Javanese sources or literature, namely the stories of prophets, guardians, and pre-Islamic treasures in Java.]]>
