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INDONESIA
Tamumatra : Jurnal Seni Pertunjukan
Published by Universitas Hamzanwadi
ISSN : -     EISSN : 26217244     DOI : 10.29408/tmmt
Core Subject : Education, Art,
Arts Education
Jurnal TAMUMATRA (e-issn: 2621-7244) mempublikasikan hasil penelitian dan kajian analitis dalam bidang pendidikan seni dan seni pertunjukkan drama, tari, dan musik. TAMUMATRA terbit dua kali setahun yaitu Juni dan Desember
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 98 Documents
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Masyarakat Kalijeruk dalam Pelestarian Pertunjukan Ebeg Nuzulul - Fadillah; Heri - Kurnia
TAMUMATRA Vol 5 No 2 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v5i2.14829

Abstract

The sophistication of technology and communication systems has had an impact on the high flow of globalization that has entered Indonesia. Not a few foreign cultural influences that enter are not in accordance with the cultural norms of the Indonesian nation. This is because people are more familiar with foreign cultures compared to native Indonesian culture. One of them is the traditional art of Ebeg as one of the noble heritages of the ancestors of the Indonesian people, which from now on is rarely found. A sense of belonging to the young people of Kalijeruk Village is needed for Ebeg art as an art that deserves to be upheld and becomes the pride of the community. This Ebeg art is widely displayed by people at festivals, celebrations, competitions and celebrations on certain days. The author discusses the preservation of Ebeg art using documentation and observation studies. Through literature review and observational notes, the data obtained was then collected, selected and presented in the discussion. As early as possible, the young people of Kalijeruk Village are introduced to Ebeg art and trained to play it so that they can continue the art that has been passed down from generation to generation as an intangible cultural heritage. The explanation presented is expected to be able to become a value of public awareness of the preservation of the Indonesian nation's traditional arts.
Proses Produksi Karya Tari Virtual “Nafas Nusantara” Mega Lestari Silalahi; Denny Eko Wibowo
TAMUMATRA Vol 5 No 2 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v5i2.12316

Abstract

The dance work "Nafas Nusantara" is a new dance creation that departs from the motion of representing four regions, Java, Malay, Bali, and Borneo. Nafas Nusantara is a form of virtual performance work produced as an opening ceremony in the virtual INTERNATIONAL MULTIDISCIPLINARY RESEARCH CONFERENCE ON EDUCATION, SCIENCES AND ARTS (IMReCESA 2021) held in the Philippines. Nafas Nusantara dance works through different stages of production from dance works are live show, the production of Nafas Nusantara works through the stages: pra-production, production, and post-production, where pre-production consists of 4 stages of preparation such as: Drafting the work concept, compiling a production schedule, making storyboards, and forming a production team. Production stage with the process of forming dance and music accompaniment, documenting dance works with cinematographic techniques. The last post-production is the editing and mastering process.
Studi Literatur: Analisis Estetika Musik Barok pada "Feel My Rhythm” Cevinita Nahany Nevia Nikita Becker; Maula Waytisi Kirana; Axel Nicholas Cornelius
TAMUMATRA Vol 5 No 2 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v5i2.12862

Abstract

Music, fundamentally, always evolves through increasing human creativity. The increase in human creativity has given rise to various variations of popular music trends. This is found in the use of Baroque music samples "Air on the G String" by Johann Sebastian Bach in the song "Feel My Rhythm" by the girl group Red Velvet. This study examines the aesthetic value of Baroque music "Air on the G String" by Johann Sebastian Bach in its utilization on the song "Feel My Rhythm" by Red Velvet. As qualitative research, the assessment was conducted using a literature study approach and descriptive analysis method. Through research, it was found that there are key adjustments, chord progressions, bass and harmony agility, as well as electronic sound medium intervention in the song "Feel My Rhythm" through the aesthetic perspective of Baroque music "Air on the G String." Thus, in the use of samples of Baroque music "Air on the G String" in the Modern era "Feel My Rhythm," it can be concluded that the aesthetic authenticity (characteristics) of Baroque music is still present and only given an increase in modernity aspects.
Perjalanan Batin Seniman di Wilayah Malang Raya Pasca-G30s PKI: Pendekatan Konflik Kurt Lewin Ella Jayahuda Prasety; Dewa Agung Gede Agung
TAMUMATRA Vol 5 No 2 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v5i2.15674

Abstract

This research was conducted to analyze the inner conflicts of artists in Malang Raya after the G30S PKI. The data in this study are described based on conflict theory according to Kurt Lewin as; (1) conflict between approaches, (2) conflict between approaches, and (3) conflict between approaches and the factors that cause inner conflict. The results were analyzed based on Abraham Maslow's theory of human needs. This research method is descriptive qualitative using a psychological approach and interview techniques. The results of the study describe the conflicting forms of approaches marking the happiness of artists who survived the G30S incident. The conflict between circumcision and circumcision marks the attitude of the artist who honestly admits his anxiety when he meets a servant of the state. Approach-avoidance conflict is marked when an artist faces two very dilemmatic choices about continuing his work and there is a possibility of not surviving or looking for another job. All of these conflicts arose because the impact of G30S among them was very traumatic.
Relasi Musikal Antara Pemusik dengan Penonton Parkiran Jazz di Surakarta Christianata, Fabianus Deny
TAMUMATRA Vol 6 No 1 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v6i1.4621

Abstract

This research was conducted in Surakarta, precisely at a jazz music event called Parkiran Jazz. This study aims to find out what are the background of the formation of musical relations between musicians and the audience. The research method used is a qualitative method with an ethnographic approach. The process of collecting data is done through document studies, field observations, audio visual recordings, and interviews. The focus of the problem in this study is why musical relations between musicians and audiences can form in jazz performances at the Jazz Parkiran event. In the discussion of this research, the analysis applied is the concept of proxemic relations from KeirEllam case studies of theater and drama performances. This proxemic relational concept consists of three analytical perspectives, namely the issue of taste, show momentum, and the distance or level of the actor's stage with the audience. Through these three perspectives of analysis the researcher sees a great influence in forming emotional relations between actors with the audience. After applying the jazz performance problems, the three perspectives of the analysis are relevant and represent all forms of events capable of building a strong musical relationship between the musician and the audience. Based on the results of the analysis in the discussion it can be concluded that the issue of song tastes, show momentum, and stage distance between the musician and the audience are factors that have a major influence on the formation of the musical's musical relationship with the Jazz Parkiran audience in Surakarta
Digitization and Development of Pantok Melody Themes Tongkek Using Leon Stein's Theory Approach Khair, Muhammad Alfian Nur
TAMUMATRA Vol 6 No 1 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v6i1.20938

Abstract

ABSTRACTThis paper presents a study on the composition of traditional music performance in Pancor Village, East Lombok, Indonesia with a focus on the creation of digitalized compositions based on traditional music. The study employs the approach of Leon Stein's theory of composition, which emphasizes the importance of understanding the cultural and historical context of musical works in order to create innovative and meaningful compositions.The study involves field research, where traditional music performances in Pancor Village are recorded, transcribed, and analyzed using Stein's approach to composition. The analysis focuses on identifying the characteristic elements of traditional music, such as melody, rhythm, and instrumentation, and exploring how these elements can be integrated with digital technology to create new compositions.The study also involves experimentation with digital tools, such as software synthesizers, digital audio workstations, and other music production tools, while adhering to Stein's approach to composition. These tools are used to create digitalized compositions based on the traditional music of Pancor Village, with the aim of exploring the creative possibilities of combining traditional music with modern technology, while maintaining the cultural and historical context of the original works.The results of the study show that the integration of traditional music with digital technology while employing Stein's approach to composition, can lead to the creation of innovative and compelling musical works that are relevant to contemporary audiences. The digital compositions created in this study demonstrate how traditional music can be transformed and reimagined in new and exciting ways, while still respecting the cultural and historical context of the original works.This study contributes to the ongoing conversation on the preservation and development of traditional music and demonstrates the potential of integrating traditional music with modern technology using a theoretical framework that emphasizes cultural and historical context. It also highlights the importance of understanding and respecting the cultural and historical significance of traditional music, and the role that technology can play in preserving and evolving these musical traditions.
Eksistensi Ibing Baksa Pada Kesenian Bangreng Di Kabupaten Sumedang Generasi 2000 Nabillah Putri
TAMUMATRA Vol 6 No 1 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v6i1.21426

Abstract

Eksistensi tari di era 2000 sudah mulai memudar karena terkikis oleh perkembangan zaman. Begitu pula dengan Ibing Baksa pada Kesenian Bangreng di Kabupaten Sumedang. Permasalah dalam penelitian ini adalah bagaimana eksistensi Ibing Baksa pada Kesenian Bangreng di Kabupaten Sumedang saat ini. Dengan demikian, teori atau konsep struktur dianggap relevansi untuk membedah permasalahan yang diusung. Teknik pengumpulan data untuk kebutuhan deskripsi dan analisis dilakukan observasi dan studi pustaka. Hal penting yang dapat diambil sebagai tujuan dan manfaat dari penelitian ini ialah mengetahui eksistensi Ibing Baksa pada Kesenian Bangreng di Kabupaten Sumedang Generasi 2000 sehingga keberadaan suatu bentuk kesenian bisa dilestarikan.
Peran Desain dalam Pertunjukan Tumirah (Sang Mucikari) di Prodi Pendidikan Sendratasik Universitas Palangka Raya Muhamad Romadoni; Jimy O Andin; Andi Arie Astuti; Cahyo Wahyu Darmawan
TAMUMATRA Vol 6 No 1 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v6i1.22769

Abstract

The role of design, as a visual art that most people think there is a dividing line between the art of motion and sound, will certainly be a new picture in understanding the interrelated relationship in the success of a performance. This is the background related to the research on the role of good design in a performance focused on the "Tumirah (Sang Mucikari)" performance performed at the University of Palangka Raya's Drama, Dance, and Music Education Study Program, with the aim of describing and analyzing the problems of the form and the creativity of the stage and the property used. The theory of two-dimensional and three-dimensional designs underlies the role of design in performance. The method used in this research is interpretative qualitative with case study studies. The results show that the role of design in the form of line, field, color, and space elements is inseparable from a performance. Design creativity that reduces some of its elements into imaginary elements and visualizes elements whose representation weight is high is a determining factor in explaining to the audience to be carried away in the atmosphere told in the performance story.
TARI TRADISI BETAWI SEBAGAI PIJAKAN TARI KONTEMPORER SOL SOL LA SOL DO DO Kamila Dara Tadurissya
TAMUMATRA Vol 6 No 1 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v6i1.23146

Abstract

Menari adalah ekspresi masyarakat yang membentuk komunitas pendukungnya, tari telah banyak berkembang seiring berjalannya waktu. Pada karya tari "Sol Sol La Sol Do Do," sebuah karya tari diciptakan dengan menggabungkan budaya Betawi dengan tari kontemporer, termasuk pertunjukan "lenong" sebagai bagian dari identitas budaya Betawi, yang digabungkan bersama gerakan tari Betawi. Oleh karena itu, penelitian ini bertujuan untuk memahami dan mendeskripsikan hal berikut: Penyajian karya tari "Sol Sol La Sol Do Do" dan proses koreografer dalam menggunakan tari Betawi sebagai dasar dari tari kontemporer. Sebagai hasilnya, diperlukan metode penelitian analisis deskriptif karena tujuan dari penelitian ini adalah untuk memperoleh tanggapan, pendapat, dan persepsi orang. Oleh karena itu, pembahasan yang disajikan harus dilakukan secara kualitatif atau dijelaskan dengan kata-kata. Hasil temuan menunjukkan bahwa salah satu bentuk budaya lokal yang membawa aspek dan nilai budaya dari generasi ke generasi adalah tari tradisional. Sebaliknya, tari kontemporer adalah bentuk tari yang tidak lagi mengikuti gerakan yang sama dengan tari tradisional, tetapi menggabungkan elemen desain modern dengan makna dan semangat asli dari tarian tersebut. Karya tari "Sol Sol La Sol Do Do" unik karena akulturasi budaya yang terjadi dalam penciptaannya.
Prinsip Suku Betawi Sebagai Inspirasi Utama Penciptaan Karya Tari Ngasosi Kusumaningtyas, Aryati Dewi
TAMUMATRA Vol 6 No 2 (2024)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v6i2.24832

Abstract

A principle is something that is inherent and its truth is the basic principle for thinking and acting. The Ngasosi dance work is a new dance performance presented in pairs, which departs from the habits of Betawi people's lives. This research was carried out using qualitative methods, namely by explaining in detail the inspirational ideas and forms of presentation with a background of creativity carried out by choreographers in developing traditional Betawi dance, as well as expanding character education. This research uses primary and secondary data sources. The primary data source is interview notes, the researcher's secondary data source was obtained through literature studies in the form of books, scientific journals that support research, and photo documentation of variations in dance movements, fashion, make-up, props and musical scores. The resulting understanding is that this dance depicts a father and son who carry out the principles of life of the Betawi people, namely the Koran, prayer, silat which are applied in everyday life, where the principles of life of the Betawi people must be remembered from an early age until adulthood so that they become good habits and obligations. which has always been passed down from generation to generation.

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