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All Journal Jurnal Ilmu Sosial dan Humaniora Jurnal Pendidikan dan Kajian Seni Dinamisia: Jurnal Pengabdian Kepada Masyarakat Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jurnal Pengabdian Masyarakat Borneo Tamumatra : Jurnal Seni Pertunjukan Visual Heritage: Jurnal Kreasi Seni dan Budaya Community Development Journal: Jurnal Pengabdian Masyarakat Journal of Management and Bussines (JOMB) G-Couns: Jurnal Bimbingan dan Konseling Pengabdian Kampus: Jurnal Informasi Kegiatan Pengabdian Pada Masyarakat Jurnal Pengabdian Masyarakat Indonesia (JPMI) Tambuleng: Jurnal Pendidikan Seni Drama, Tari, dan Musik
Muhamad Romadoni
Universitas Palangka Raya
Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Physics Public Health Social Sciences Other

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Tracing Bong Lie Phin’s ceramic artistry in Singkawang: unveiling cultural heritage and technological advancements (1989-2020) Iwan Pranoto; M. Agus Burhan; Muhamad Romadoni
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 18, No 1 (2023)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v18i1.5188

Abstract

Ceramics by artist Bong Lie Phin has a historical record in the world of art by bringing social change to form a new culture through ceramic works. Another thing about ceramic development technology. This research is important in order to provide renewal through ceramic works. As for the research question, namely, how are inductive empiricism, reconstruction, and humanism related to ideas, society, and technology? This research process used qualitative methods with historical, social, and technological approaches and data collection techniques through interviews, literature studies, notes, and documentation documents. In the process of collecting data, researchers will gather information from artists and other supporting data. The data needed is in accordance with the research questions and then tested by involving experts and artists. There are several findings that the artist Bong Lie Phin created works from 1989 to 2020 with the concept of Chinese mythology and interpreted Chinese cultural symbols. This is also supported by the exploration of materials and technologies that develop in making ceramics, but without reducing the value and meaning, it was found that there were financial support factors carried out by the management of these ceramic artists in influencing understanding. Work so that the presence of work continues. Occurs, the work is considered capable of providing transformation of spiritual values; another discussion is the community's contribution in providing understanding in the creation of ceramic art so that the process of reconstruction in the work occurs continuously.
Peran Desain dalam Pertunjukan Tumirah (Sang Mucikari) di Prodi Pendidikan Sendratasik Universitas Palangka Raya Muhamad Romadoni; Jimy O Andin; Andi Arie Astuti; Cahyo Wahyu Darmawan
TAMUMATRA Vol 6 No 1 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v6i1.22769

Abstract

The role of design, as a visual art that most people think there is a dividing line between the art of motion and sound, will certainly be a new picture in understanding the interrelated relationship in the success of a performance. This is the background related to the research on the role of good design in a performance focused on the "Tumirah (Sang Mucikari)" performance performed at the University of Palangka Raya's Drama, Dance, and Music Education Study Program, with the aim of describing and analyzing the problems of the form and the creativity of the stage and the property used. The theory of two-dimensional and three-dimensional designs underlies the role of design in performance. The method used in this research is interpretative qualitative with case study studies. The results show that the role of design in the form of line, field, color, and space elements is inseparable from a performance. Design creativity that reduces some of its elements into imaginary elements and visualizes elements whose representation weight is high is a determining factor in explaining to the audience to be carried away in the atmosphere told in the performance story.
Local Wisdom-Based Village Potential of Talekoi and Danau Bambure Village: IKN Buffer Areas Luluk Tri Harinie; Muhamad Romadoni; Meylinda Sukmani; John Budiman Bancin
Jurnal Ilmu Sosial dan Humaniora Vol 13 No 1 (2024)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jish.v13i1.70160

Abstract

The results of available natural resources became a village potential that deserved to be developed as an independent effort for the village's well-being. This research aimed to reveal the potential of the local wisdom-based village in Talekoi and Danau Bambure Village as an effort to strengthen the IKN buffer areas. Qualitative research with phenomenological designs was the analytical tool. Research informants comprised two village chiefs, two public figures, and two youth figures. Data collection methods included partitional observations, in-depth interviews, and document study. The data analysis used was an interactive model of Miles and Huberman. The result of the research showed that the stink bean farm and salted fish processing from Talekoi Village was an economic activity for promising village potential. Furthermore, lake tourism and clean water in Danau Bambure Village became the leading potential in utilizing local wisdom-based village potential and preparing the village's well-being to strengthen the IKN buffer areas.
Batik Tambun Bungai Penciptaan Motif Lokal Untuk Kejatidirian Eknonomi Kreatif Kalimantan Tengah Nawung Asmoro Girindraswari; Utari Yolla Sundari; Muh.Andis Hidayatullah; Muhamad Romadoni
Journal of Management and Bussines (JOMB) Vol 6 No 1 (2024): Journal of Management and Bussines (JOMB)
Publisher : IPM2KPE

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31539/jomb.v6i1.8191

Abstract

This research aims to create local batik motif. This research was focused on creating local Tambun Bungai batik motifs for the creative economic identity of Central Kalimantan Province in supporting SDGs in regional development. This research uses a design creation approach that is implemented on fabric using a digital batik printing process. The design creation research methods involves the following steps. (1) identification (2) research (3) idea formulation (4) prototype (5) selection (6) implementation (7) evaluation. The results yield are typical Tambun Bungai batik which has its own uniqueness, inspired by the richness of the natural landscape, traditional art and has bold color patterns that convey a strong impression of the philosophical values ​​inherent in Central Kalimantan batik motifs as well as being an effective regional promotional media. Keywords: Batik, Dayak, Creative economy, Central Kalimantan
Sosialisasi Program Wisata Budaya Di Kelurahan Sei Gohong Clara, Titha Widya; Romadoni, Muhamad; Jastin, Erik; Ramadhani, Sylvia Putri Malik; Gepeng; Hasan, Putri Julyesti; Anggela, Fridha Maya
Jurnal Pengabdian Kampus Vol 11 No 1 (2024): Jurnal Pengabdian Kampus
Publisher : LPPM Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52850/jpmupr.v11i1.14955

Abstract

One of the tourist settlements that could be converted into a more upscale destination is Sei Gohong. The existence of traditional houses as a part of Palangka Raya City's cultural legacy ought to spur the development of the tourist villages' inventiveness. Sei Gohong Village's problem is the constant, non-increasing number of visitors. Tourists should be drawn in by the presence of built cultural assets close to the tourism sector. Nevertheless, in the process of creating cultural tourism towns, the cultural heritage has not been adequately and creatively utilized as an alternative source. Using lecture and Q&A methods, the community empowerment method was employed in this exercise. Socialization, program sustainability, and evaluation were among the activity stages. In order to socialize cultural tourism, the team worked with the community to conduct a direct field visit as part of their intervention. One of the main draws for travellers visiting Sei Gohong Village is its cultural tourism. Travelers can be drawn in by the use of cultural heritage as a platform for performing arts and technology in regional cultural arts activities. Introducing local culture to visitors as a new tourism attraction may help draw them to the village.
PELATIHAN MEWARNAI RAGAM HIAS TAMBUN BUNGAI SEBAGAI PENGENALAN IDENTITAS BUDAYA LOKAL DI RA HIDAYATUL INSAN PALANGKA RAYA Romadoni, Muhamad; Asi, Yuliati Eka; Girindraswari, Nawung Asmoro; Hidayatullah, Muh. Andis; Permana, Kefas Satriya; Olala, Numeri Beny; Clara, Titha Widya
Jurnal Pengabdian Masyarakat Borneo Vol 8, No 3 (2024)
Publisher : Universitas Borneo Tarakan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35334/jpmb.v8i3.5941

Abstract

Early childhood learning in kindergarten is a sensitive period that only occurs once in a lifetime. Sensitive period is a period of physical and psychological development as the children receive stimulus from the surrounding environment. RA Hidayatul Insan is one of the target partners that serves as an object in training the sensitivity of the children who attend the school. The problem that occurs is not far from the current globalization which is quite worrying. The world of fast-developing video games is preferred by children rather than honing their creativity in coloring pictures as a fun activity. In addition, the problem also seems to have an effect on the current generation in abandoning their regional cultural identity. The solution that can be offered in solving this problem is by the tambun bungai decorative coloring training as an effort to recognize cultural identity, especially in Central Kalimantan as a local culture. Many methods can be used to overcome this problem. However, the first method was direct observation of the children's habits accompanied by the socialization of the coloring program, the second was a demonstration or simulation of coloring the tambun bungai decorative pattern as a local identity, and the last activity was to conduct a workshop on coloring the tambun bungai decorative pattern together with the children. The activity aimed to encourage children to be creative in coloring the tambun bungai decorative pattern in recognizing local cultural identity. Thus, children can develop creativity in activating the right brain while recognizing the local cultural identity of the Central Kalimantan province.
Pemberdayaan Komunitas Lokal Berwawasan Ekonomi Kreatif melalui Pelatihan Pembuatan Benang Bintik Bermotif Fauna Khas Sabangau di Kalampangan Muh. Andis Hidayatullah; Nawung Asmoro Girindraswari; Utari Yolla Sundari; Muhamad Romadoni
Jurnal Pengabdian Masyarakat Indonesia (JPMI) Vol. 2 No. 2 (2024): Desember
Publisher : Publikasi Inspirasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62017/jpmi.v2i2.2694

Abstract

Kawasan wisata Taman Nasional Sabangau terletak di Kota Palangka Raya, Kalimantan Tengah. Sebagai wisata andalan, kawasan ini merupakan habitat bagi flora dan fauna khas Kalimantan. Namun masyarakat sekitar wilayah ini masih dihadapkan dengan berbagai permasalahan salah satunya adalah ekonomi. Pemberdayaan komunitas lokal berwawasan ekonomi kreatif dapat menjadi salah satu solusi untuk mengatasi permasalahan tersebut. Melalui pelatihan pembuatan benang bintik bermotif fauna khas Sabangau yang diberikan kepada PKK Kalampangan diharapkan akan meningkatkan pengetahuan, keterampilan serta kreativitas masyarakat yang kemudian menjadi diproduksi menjadi salah satu produk ekonomi kreatif. Pelatihan pembuatan benang bintik yang telah dilakukan pada bulan Oktober diikuti oleh 15 peserta mendapatkan atensi dari masyarakat dan juga pihak Kelurahan Kalampangan. Hasil evaluasi juga menunjukkan bahwa terjadi peningkatan pengetahuan serta keterampilan dari peserta setelah mengikuti pelatihan.
Transformasi Estetik Keramik Kasongan dalam Konteks Perubahan Sosial Budaya Romadoni, Muhamad
Tambuleng Vol 3 No 2 (2022): Tambuleng: Jurnal Pendidikan Seni Drama, Tari, dan Musik
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Transformasi estetik keramik Kasongan tumbuh seiring berjalanya waktu. Perubahan sosial budaya yang terjadi pada masyarakat perajin keramik Kasongan merupakan suatu gambaran yang dapat diinterpretasikan sebagai pengarah dalam transformasi estetik keramik Kasongan. Penelitian ini bertujuan mengkaji transformasi estetik keramik Kasongan. Penelitian ini menggunakan metode penelitian kualitatif dengan model interpretatif, yaitu memahami dan mendeskripsikan fenomena transformasi estetik keramik Kasongan dalam konteks perubahan sosial budaya masayarakat perajin. Produk yang dihasilkan dari seni kerajinan keramik Kasongan merupakan suatu produk budaya yang dilestarikan oleh para perajin sebagai pembuatnya. Perubahan seni kerajinan keramik Kasongan semula sebatas barang-barang untuk keperluan rumah tangga dengan desain yang semula sebatas lingkaran, membulat, silinder, berubah menjadi bentuk binatang dengan teknik dekorasi tempel, guci-gucian dengan teknik finishing cat ataupun mozaik kaca, serta patung Loroblonyo dengan teknik finishing glasir. Desain keramik yang semula berfungsi sebagsi pemenuhan kebutuhan sehari-hari telah mengalami perubahan desain, yaitu kearah disain keramik yang tidak hanya fungsional praktis (tradisional). Akan tetapi lebih ke arah desain produk seni (hiasan) atau seni praktis (hiasan yang fungsional). Perubahan sosial budaya dengan masyarakat luas berpengaruh terhadap variasi produk yang dihasilkan perajin keramik di Kasongan.
Perkembangan Karakter Siswa Melalui Pembelajaran Seni Budaya Siswa Kelas XI SMAN 1 Dusun Hilir Kabupaten Barito Selatan Tahun Ajaran 2024/2025 Hizkia, Uria Septiani; Asi, Yuliati Eka; Romadoni, Muhamad
Tambuleng Vol 5 No 2 (2024): Tambuleng: Jurnal Pendidikan Seni Drama, Tari, dan Musik
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/jt.v5i2.17800

Abstract

Penelitian ini bertujuan untuk menganalisis perkembangan karakter siswa melalui pembelajaran Seni Budaya pada siswa kelas XI SMAN 1 Dusun Hilir Kabupaten Barito Selatan Tahun Ajaran 2024/2025. Metode yang digunakan dalam penelitian ini adalah metode kualitatif deskriptif, sehingga memaparkan secara lengkap masalah yang diteliti sesuai dengan data lapangan. Teknik pengumpulan data dalam penelitian ini ialah observasi, wawancara, studi dokumen, dan perekaman. Teknik analisis data menggunakan pengumpulan data, reduksi data, penyajian data, dan penarikan kesimpulan. Teknik keabsahan data menggunakan triangulasi sumber. Hasil penelitian ini menunjukan bahwa perkembangan karakter siswa melalui pembelajaran seni budaya siswa kelas XI SMAN 1 Dusun Hilir Kabupaten Barito Selatan dirasa belum optimal. Jika ditinjau dari beberapa faktor yang mempengaruhi perkembangan karakter siswa terdapat dua faktor pendukung, faktor internal dan faktor eksternal. Faktor internal meliputi faktor jasmaniah, sedangkan faktor eksternal meliputi kepala sekolah, guru seni budaya,keluarga, lingkungan sosial dan teman sebaya, media dan teknologi, budaya dan masyarakat.
Analisis Bentuk Dan Fungsi Tari Miempu Pada Masyarakat Suku Dayak Ma'anyan Desa Dorong Kabupaten Barito Timur Astuti, Andi Arie; Hidayatullah, Muh. Andis; Girindraswari, Nawung Asmoro; Romadoni, Muhamad
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol 7, No 3 (2025): Visual Heritage: Jurnal Kreasi Seni Dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v7i3.13714

Abstract

Penelitian ini meneliti tentang tari Miempu yang diciptakan oleh Sesiliani. Tari Miempu merupakan tarian tradisi kreasi yang digarap berdasarkan sebuah upacara ritual yang ada di Desa Dorong Kabupaten Barito Timur Kalimantan Tengah. Upacara ritual Miempu merupakan upacara ritual masyarakat Suku Dayak Maanyan sebagai ritual pengobatan atau penyembuhan yang masih berlangsung sampai saat ini. Tujuan penulisan ini adalah untuk mengetahui fungsi dan elemen-elemen atau unsur-unsur yang ada dalam pertunjukan tari Miempu. Metode penelitian yang digunakan adalah kualitatif dengan menghasilkan data deskriptif. Langkah penelitian yang dilakukan adalah pengumpulan data melalui observasi, wawancara, studi pustaka dan dilanjutkan dengan analisis. Berdasarkan hasil penelitian, fungsi dan elemen-elemen atau unsur-unsur yang ada dalam tari Miempu terdiri dari gerak, musik, desain lantai, properti, tema, tata rias, kostum, tata cahaya dan ruang.
Co-Authors Andis, Muh. Anggela, Fridha Maya Arie Astuti, Andi Asang, Daniel Batuah Barajaki Astuti, Andi Arie AULIA MAYANGSARI, MARRISA Cahyo Wahyu Darmawan Clara, Titha Widya Dhani, Eka Rohma F, Vitani Desy Derja Gepeng Girindraswari, Nawung Asmoro Girindraswari, Nawung Asmoro Harinie , Luluk Tri Harinie, Luluk Tri Hasan, Putri Julyesti Hidayatullah, Muh. Andis Hizkia, Uria Septiani Iwan Pranoto Jastin, Erik Jimy O Andin John Budiman Bancin Khatarina, Febya Luluk Tri Harinie M Agus Burhan Meylinda Sukmani Muh. Andis Hidayatullah Muh.Andis Hidayatullah Nawung Asmoro Girindraswari Nawung Asmoro Girindraswari Olala, Numeri Beny Permana, Kefas Satriya Ramadhani, Sylvia Putri Malik Sendayu, Fendahapsari Singgih Utari Yolla Sundari Utari Yolla Sundari Yuliati Eka Asi