cover
Contact Name
ricky Irawan
Contact Email
rickyirawan@isi-dps.ac.id
Phone
+6285694109326
Journal Mail Official
jomsti@isi-dps.ac.id
Editorial Address
Program Studi Musik, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar. Jalan Nusa Indah, Denpasar 80235
Location
Kota denpasar,
Bali
INDONESIA
Journal of Music Science, Technology, and Industry (JOMSTI)
ISSN : -     EISSN : 26228211     DOI : https://doi.org/10.31091
Journal of Music Science, Technology, and Industry is a scientific media disseminating science, technology, aesthetic, and industry of music in relation to its uses in the society. JOMSTI is published with a focus on philosophy, aesthetic, concept, and theory of music; music analysis and genre; music education and learning; specific and/or common, traditional and/or modern, local and/or global music history and entity; music application, practice, show or performance, and technology; production, distribution, and consumption in music industrialization; anthropology, sociology, and psychology of music.
Articles 11 Documents
Search results for , issue "Vol. 8 No. 1 (2025)" : 11 Documents clear
Pemetaan Global Music Value Chain ADOR Entertainment: Studi Kasus Album "Supernatural" NewJeans Hidayati, Anugrah Nurul; Purbantina, Adiasri Putri
Journal of Music Science, Technology, and Industry Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This study aims to describe the application of the Global Creative Music Chain concept by ADOR Entertainment on the NewJeans album “Supernatural”, which involves cross-border contributions and interactions in managing the global value chain in the music industry. Research methods: The method used is descriptive with a qualitative approach, which uses data collection techniques from literature studies with data sources from the album “Supernatural” by NewJeans, the official websites of HYBE Corporation and ADOR Entertainment, mass media articles and news, official social media from NewJeans, as well as related sources related to the research topic. Results and discussion: The results showed cross-border interaction at all stages and activities of the album “Supernatural” production by NewJeans, both in core and support functions. Implication: This research contributes novelty to music studies by examining the global music value chain, which has not been widely done.
Analisis Improvisasi Tenor Saxophone Chris Potter pada Karya “Wistful” Purba, Bernard Zulfredo; Sanjaya, Singgih; Prasetyo, Agoeng
Journal of Music Science, Technology, and Industry Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: This article discusses the analysis of Chris Potter's improvisation on the song Wistful. The author chose Chris Potter because he is an inspiration in playing jazz, because of his very high skills (virtuoso). The song Wistful was released on an album entitled "Unspoken", in 1997. The author is interested in the song Wistful because Chris Potter shows a calm side of himself, the processing of sound color in an ensemble, and the resulting saxophone sound is thick and very unique. Research methods: This study uses a qualitative method. The process is through library research, then audio research, then the author transcribes directly using a saxophone and writes it into staff notation. Results and discussion: The song Wistful has a three-part song form, namely A-A-B. Chris Potter tends to use a chordal approach, and several theories of approach such as 7-3 resolution, 3-b9, mode, passing note, linear chromaticism, neighbor tone, and cesh. Implication: the discussion in the article provides an analysis model for jazz improvisation on the tenor saxophone in general and Chris Potter's works in particular.
Dari Gerak ke Suara: Interaksi Gestur, Bunyi, dan Teknologi dalam Seni Pertunjukan Aristadewi, Ni Putu
Journal of Music Science, Technology, and Industry Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: This study discusses the transformation of the body's role in contemporary performing arts through the interaction between gesture, sound, and technology. Starting from a paradigm shift in musical understanding, this study highlights how the body is no longer just a medium of expression, but also functions as an active controller in sound production, especially in the context of digital technology-based performances. Research methods: Using a qualitative descriptive-analytical approach and the theoretical framework of embodied music cognition and sound-action awareness, this study analyzes a number of video documentations of performances—from Balinese gamelan to the use of digital instruments such as theremin, sensory gloves, and ROLI Blocks. Results and discussion: The analysis shows that the body plays a central role in creating and modulating musical experiences in real time through gestures that are directly connected to the sound system. Implication: These findings reinforce the view that the integration of the body and technology opens up new pathways in performing arts practices and expands the traditional boundaries between instruments, performers, and voices.
Silih Asah, Asih, Asuh: The Concept of Learner Character Building in Music Learning Maulana, Marsel Ridky; Sukmayadi, Yudi; Gunara, Sandie
Journal of Music Science, Technology, and Industry Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: Indonesia faces the challenge of globalisation that can erode cultural identity, especially among the younger generation. Technological developments and foreign cultural influences often cause a shift in values and threaten the sustainability of local wisdom. This study confirms the urgency of revitalising local wisdom values in music education as an effort to maintain the nation's cultural identity amid global dynamics. Research methods: This paper uses a qualitative descriptive method with an in-depth literature analysis approach. Data were collected from various academic sources such as books, scientific journals, and research articles both in print and online. The analysis process was conducted systematically by reviewing, interpreting, and synthesising various perspectives found in the literature in order to gain a more comprehensive understanding of the concept of Silih Asah, Asih, Asuh in music learning. Results and discussion: The concept of Silih Asah, Silih Asih, and Silih Asuh in Sundanese culture offers a fundamental approach to character building through music learning. Silih Asah encourages intellectual strengthening and creativity through musical exploration, Silih Asih instils the value of empathy and compassion through togetherness in music, while Silih Asuh fosters mutual guidance and responsibility in the learning process. Implication: By integrating the concepts of Silih Asah, Silih Asih, and Silih Asuh in music learning, education can be a strategic means to form a generation that is intellectually intelligent, has emotional sensitivity, and moral integrity. This study confirms the urgency of revitalising local wisdom values in music education as an effort to maintain the nation's cultural identity amid global dynamics.
Organologi dan Fungsi Bedug Produksi Sanggar Kembang Tanjung Fauzi, Rafi Rizq; Permana, Rian; Rizal, Syamsul
Journal of Music Science, Technology, and Industry Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: This research focuses on making "Bedug musical instruments and the function of the Bedug music Sanggar Kembang Tanjung". The main objective of this research is to find out how to make Bedug musical instruments and the function of drum music at the Kembang Tanjung Studio. Research methods: Qualitative research was used to explore the physical and non-physical aspects of the drum. Data was collected through observation of the production and performance process, interviews with experts, craftsmen and studio members, and documentation in the form of notes, photos and recordings. Result and discussion: In the process of making the Sanggar Kembang Tanjung Bedug, the choice of materials is very important, where the wood used is coconut wood and mahogany wood, while the leather used is buffalo skin. The manufacturing process begins by forming the Bedug frame into a large tube using a tool called dodos to reach a diameter of 40-50 cm. After that, the process of smoothing the surface of the drum enters. The final stage involves installing hoops and drum skin and tied using slap rope and reinforced with drum buttons. Implication: This research shows that some of the functions of the drum musical instrument at the Tanjung Flower Studio include music as a means of entertainment, music as a cultural balance and music as a means of integrating society.
Transformasi Timbre dalam Gamelan Bali: Eksplorasi Resonator Digital pada Gender Wayang Sukawiadnyana, I Gede Yogi
Journal of Music Science, Technology, and Industry Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: This study discusses the modification of Balinese gender wayang instruments by replacing physical resonators with digital resonators based on the Digital Audio Workstation (DAW) Ableton Live software. It focuses on the practice carried out by Barga Sastrawadi, a musician and composer in the experimental music group Kadapat. A qualitative approach is used to explore the creative process, technical aspects, and artistic considerations in the modification. Research methods: Data were collected through in-depth interviews, Ableton Live patch observations, and a study of the potential and limitations of digital resonators. Results and discussion: This study shows that digital resonators can be an effective alternative to overcome the mobility limitations of gender wayang instruments without completely eliminating their distinctive sound quality. The use of this technology also presents challenges such as changes in the physical interaction of players and high technical demands. Implication: Digitalization of gamelan is not only a technical solution, but also a form of cultural adaptation that opens up new possibilities in contemporary music practice.
Balian River as an Inspiration for the Creation of Jantra Bhinawa Neurological Music Yudana, I Gede; Yudarta, I Gede; Ardini, Ni Wayan
Journal of Music Science, Technology, and Industry Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: The large number of psychiatric cases experienced by teenagers today raises great concerns about their future. To overcome this, there are many things that can be done, one of which is art therapy. Balian River in Pupuan Village, Tabanan, Bali, Indonesia, was used as a source of inspiration for the creation of neurological music with the title Jantra Bhinawa. This study was created to analyze Balian River as an inspiration for the creation of Jantra Bhinawa neurological music for the benefit of art therapy itself. Reseach methods: This creation uses a method of creating works of art based on qualitative and quantitative research. Data collection was carried out by means of surveys, literature studies, interviews, noise measurements and frequency measurements. Results and discussion: One part of art therapy that can be applied is low frequency music therapy such as red or brown noise. Noise is useful for improving concentration and sound sleep. This is generally produced by natural sounds such as waterfalls and river water in Balian River. Implication: Neo-Guntang as a medium of expression uses a neurological musical approach framed by karawitan artwork to convey the ideas of Balian River itself.
Garapan Baru Seni Karawitan Bali dalam Bingkai Estetika Postmodern Mawan, I Gede; Wardizal, Wardizal
Journal of Music Science, Technology, and Industry Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: This short article attempts to conduct a discourse on new works of Balinese karawitan art in the realm of postmodern aesthetic studies, one of the disciplines that is developing quite rapidly today. The main problem studied in this article is the forms of postmodern aesthetics in new works of Balinese karawitan art. Research methods: The main data in this article were obtained through field research (observation) in the form of direct observation of the dynamics of the development of Balinese karawitan art. For the purposes of this writing, a literature study was also conducted in the form of tracking various documents, both written and visual. Results and discussion: In the last decade or 10 years there has been a fairly fundamental change in the process of creating new works in Balinese karawitan art. The process of creating new works that have been based on strong traditions has now undergone changes into contemporary (modern) art, postmodern or contemporary art. Implication: The forms or idioms of postmodern aesthetics found in the process of creating new works in Balinese karawitan art include pastiche, parody, kitsch, camp, and schizfrenia.
Peningkatan Kemampuan Musikalitas Anak Usia Dini melalui Pelatihan Teknik Vokal Dasar di DeBeat Music Course Setiawan, Clarissa Jessy; Ardini, Ni Wayan; Wiyati, Wahyu Sri
Journal of Music Science, Technology, and Industry Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: This study aims to develop teaching materials for vocal instructors in order to improve the musicality of early childhood through basic vocal technique training at Debeat Music Course. Research methods: It uses a qualitative method with a case study approach and data collection techniques in the form of participatory observation. This study involved early childhood who participated in the vocal training program at Debeat Music Course as the main subjects. Results and discussion: With the right and structured teaching standards, children's musical abilities at Debeat Music Course can develop optimally according to their level of development. This can be seen in the increase in their ability to recognize tones, basic vocal techniques, and musical expression. Implication: This study shows the importance of developing teaching materials that are appropriate to the child's developmental stage and the preparation of a systematic curriculum to support optimal musical development in early childhood.
Manajemen Pembelajaran Ekstrakurikuler Matembang Sekar Madya di SMP Negeri 4 Sukawati untuk Melestarikan Karya Sastra Bali Sustiawan, I Made Aris; Sustiawati, Ni Luh; Mawan, Gede
Journal of Music Science, Technology, and Industry Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: This study aims to analyze the implementation of extracurricular learning of matembang sekar madya at SMP (Junior High School) Negeri 4 Sukawati and identify obstacles and strategies that can be applied to improve its effectiveness in preserving Balinese literary works. Research methods: It uses qualitative descriptive with data collection techniques through observation, interviews, and documentation. The subjects of the study consisted of extracurricular teachers, student participants in the activities, and the school. Results and discussion: Matembang sekar madya learning at SMP Negeri 4 Sukawati has been implemented systematically through a direct practice approach and guidance from expert teachers. There are several obstacles, such as lack of student interest, limited teaching resources, and minimal innovation in learning methods. Implication: With the right strategy, this extracurricular learning can be an effective means of preserving Balinese literary works while fostering students' love for regional cultural heritage.

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