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INDONESIA
Narada : Jurnal Desain dan Seni
Published by Universitas Mercu Buana
ISSN : 24775134     EISSN : 26215233     DOI : https://dx.doi.org/10.22441/narada
Core Subject : Art,
Arts
Narada: Jurnal Desain dan Seni diterbitkan oleh Fakultas Desain dan Seni Kreatif, Universitas Mercu Buana. Jurnal ini merupakan sarana untuk mempublikasikan tulisan ilmiah berupa hasil penelitian, hasil pemikiran (gagasan konseptual), serta hasil perancangan karya desain dan seni terapan (Applied Art) dalam ruang lingkup bidang desain dan seni rupa yang mencakup desain interior, desain produk, desain fashion, desain multimedia, desain komunikasi visual, fotografi, HAKI Desain, Hak Cipta Desain serta bidang perluasan yang ditujukan untuk mengembangkan bidang ilmu tersebut. Narada: Jurnal Desain dan Seni terbit sebanyak tiga kali dalam setahun, yakni pada bulan April, September, dan Desember. NARADA Jurnal Desain dan Seni menerima artikel yang ditulis menggunakan Bahasa Indonesia.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 217 Documents
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TINJAUAN PEMANFAATAN LIMBAH KULIT JAGUNG PADA PRODUK FASHION Agustina Dwi Lestari
Narada : Jurnal Desain dan Seni Vol 8, No 1 (2021)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2021.v8.i1.003

Abstract

Based on the survey, there are already many fashions that use corn husk waste processing materials. Therefore, this research focuses on the waste processing techniques of corn husk for fashion. This study used an explanative qualitative method to analyze the processing of corn husk waste for fashion products. The processing of corn husk waste is done through the raft engineering technique by going through several stages, namely using the initial exploration-making stage which is used by applying the twisted, twisted, twisted twine, twisting, dense twisting, and crochet crafting technique. This weaving weave is composed by applying it using the raft technique of yarn, twisting, twisting twice, loosely twisting, dense twisting, and crochet, because to produce an attractive texture and get different results from the others, the last exploration stage is the technique. assemble thread rafts by applying using the twisted, twisted, twisted, loose twisted, dense twisting and crochet crafting technique. Meanwhile, in the process of coloring the results of the raft technique with the experimental method through a process of several stages in the form of a pickling process with bleaching and scouring techniques, the coloring process with natural colors that come from nature, the cutting process, and the forming process with the weaving technique using yarn in the union.
REPRESENTASI BUDAYA NUSANTARA DALAM ANIMASI BINEKON Rinkapati Swatriani
Narada : Jurnal Desain dan Seni Vol 7, No 3 (2020)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2020.v7.i3.001

Abstract

The characters contained in the Binekon animation are "representatives" of the culture that exists in Indonesia. Similar to a film, animation also has elements of construction and social representation that want to be built by giving meaning in the reality that occurs in society. Researchers will focus on discussing how the portrayal of binekon animated characters is represented from the social reality of the ethnic / racial communities of the Archipelago with the Pierce semiotic method. The triadic sign model proposed by Pierce, is depicted simply with three points, namely the sign, object, and interpreter. The hallmarks of this study are the characters found in the animations, with the visuals present in each character, then the intepretant is the archipelago culture. And the results of the study showed every character contained in the Binekon animation by Belantara Studio is a cultural representation of the archipelago that represents the major islands in Indonesia, namely Sumi from Sumatra, Jabo from Java, Kale from Kalimantan Island, Sula from Sulawesi Island, and Papu from Papua Island.
MAKNA EKSISTENSI LEUIT, SAUNG LISUNG, DAN GOAH DI SUNDA KASEPUHAN CIPTAGELAR DALAM MENJAGA KETAHANAN PANGAN Afina Nisa Aulia; Gregorius Prasetyo Adhitama
Narada : Jurnal Desain dan Seni Vol 8, No 1 (2021)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2021.v8.i1.006

Abstract

The traditional Sunda Kasepuhan Ciptagelar community is considered to have achieved food independence because each citizen has sufficient food supplies for the next few years. This community has rules related to food processing, such as storing rice in leuit (barn), pounding rice in saung lisung, and cooking rice in goah (cooking area) according to the teachings of their ancestors (tatali paranti karuhun) and the rules that bind them (tilu sapamilu). The purpose of this study was to see the relationship between the use of leuit, saung lisung, and goah by the community with their success in managing food. So this study is an ethnographic study using qualitative methods with data obtained from field observations, interviews with indigenous experts and local residents, and literature data. The data were analyzed using the theory of the meaning of the environment and architecture of Amos Rapoport, where understanding the meaning of the environment is important so that the physical environment such as buildings can be identified functionally, the value and meaning of their existence. This theory is supported by Edward Relph's theory of space and distance, which states that space has a unique quality where space is able to "command", focus human intentions, experiences, and actions spatially. This study also uses the elements of tatali paranti karuhun and tilu sapamilu to understand the meaning of existence from the perspective of the Sundanese Kasepuhan Ciptagelar community. The results of the study found that each process of rice processing in leuit, saung lisung, and goah became a complete unit and had to be carried out according to ancestral teachings which could not be replaced by modern technology. So that the three buildings are integrated, where the rules for storing rice, calculating when and how much rice is pounded, and the amount of cooking rice are fixed rules. The existence of permanent regulations on paranti karuhun and tilu sapamilu makes leuit, saung lisung, and goah a social institution for the people of Kasepuhan Ciptagelar in terms of food. This makes this community very careful in calculating daily food needs so that it is not excess or lacking and with it this community is able to manage food properly to achieve food sovereignty.
PERANCANGAN SIGN SYSTEM PADA DESA SADE LOMBOK TENGAH Alfryan Tribuana P Repi; Sandi Justitia Putra; Danang Adi Wiratama
Narada : Jurnal Desain dan Seni Vol 7, No 3 (2020)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2020.v7.i3.007

Abstract

Sade Village is an ecotourism atau ecotourism that is one of the tourism activities that is environmentally minded with the priority of nature conservation aspects, aspects of economic socio-cultural empowerment of local people as well as aspects of learning and education located in The Rembitan Village of Pujut Sub-District, Central Lombok. As one of the heritage attractions with an area of 5.5 hectares, Sade Village desperately needs the existence of a communicative and informative sign system for those who will assist wisatwan / visitors in accessing every facility in Sade Village. This research will design the work of sign system with the application of environtmental sign system concept with an atmosphere that remains authentic with Sade Village, which makes visitors still feel the rural atmosphere of sasak tribe. The design method used by the author is the design thinking method. The expected result in this study is the creation of environtmental sign system that makes visitors able to make the most of Sade Village facilities while traveling.
ESTETIKA DESAIN POSTER ALEKSANDR RODCHENKO BERDASARKAN KACAMATA TEORI EKSPRESI CROCE-COLLINGWOOD DAN FORMALISME BELL-FRY Alfiansyah Zulkarnain; Jennifer Claudy
Narada : Jurnal Desain dan Seni Vol 8, No 1 (2021)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2021.v8.i1.001

Abstract

A lot of contemporary analysis on Aleksandr Rodchenko’s design works is done through the critical lens of avant-garde and humanities. With the rise of effort to bring back relevance of traditional aesthetics as the point of view to look at art and design, there is a space to reread Rodchenko’s work. This paper will analyze the aesthetic of Rodchenko’s poster design titled “Books: The Advertisement Poster for the Lengiz Publishing House”. The analysis will be conducted through two different perspective: through the lens of Croce and Collingwood’s Expression Theory (or CC Theory), and the lens of Bell & Fry’s Formalism. The aim of this study is to determine whether aesthetical judgement could be given on constructivism poster design through both lens. The method of analysis is using qualitative research method based on literature study. The poster then will be investigated through each criteria of essence of art from each point of view. In the end, it could be concluded that the poster has significant aesthetic value from each point of view. 
TINJAUAN PROSES PEMBUATAN ALAT MUSIK GESEK BETAWI KONGAHYAN Imam Firmansyah; Faisal Ibrahim; Irgi Maulana Alfahrezy
Narada : Jurnal Desain dan Seni Vol 7, No 3 (2020)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2020.v7.i3.006

Abstract

Kongahyan is a Betawi stringed instrument that has an important function in the gambang kromong ensemble, as a bearer of melody. This musical instruments are made of wood and coconut shells. It’s made by craftsmen who are also players of the gambang kromong. But the existence of kongahyan craftsmen is very rare. There are only two persons in Jakarta and one in Tangerang. This condition is very alarming because it does not rule out the possibility of this musical instrument will become extinct due to the limitations of the maker. The research method used is a qualitative research method with a descriptive approach that is to present data by observing, studying, and documenting the process of making a kongahyan. This research found that kongahyan consisted of three major parts, namely stem, coconut shell, and bow. The three major parts are then assembled into one unit. The results of this research can be used as a reference both theoretically and practically regarding the process of making kongahyan musical instruments. In addition, this research paper is also complemented with a comprehensive documentation of the manufacturing process.
TINJAUAN POLYESTER PADA JERSEY SEPEDA Nukke Sylvia; Denta Mandra Pradipta Budiastomo
Narada : Jurnal Desain dan Seni Vol 8, No 1 (2021)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2021.v8.i1.007

Abstract

This research contains the “overview of polyester on bicycle jersey”. Polyester fabric is a fabric that is often used for bicycle jerseys because it has a high coefficient of elasticity and sweat absorption which is directly channeled to the outer layer of the jersey, thus keeping the body dry and comfortable during cycling. Bike jersey is designed in such a way as to support cyclists or racers in carrying out their activities. The choice of polyester type and the difference between the Mountbike jersey and the Roadbike jersey have a role to affect the comfort while cycling because cycling with the right clothes will further increase the benefits of cycling. To study the polyester review on the bicycle jersey, the author uses qualitative methods and analysis techniques using ergonomic theory. From the results of the discussion, it can be concluded that almost all types of polyester meet the material comfort standards, but there are differences in treatment in fulfilling safety aspects.  
ANALISA IDENTITAS "BRANDING KOPI DULU" Dwi Ramayanti
Narada : Jurnal Desain dan Seni Vol 7, No 3 (2020)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2020.v7.i3.008

Abstract

Coffee is a popular drink in the world. Coffee lovers in Indonesia are increasing day by day. This is marked by the proliferation of coffee shop businesses in various cities throughout Indonesia. The coffee shop business is a promising business. This is due to the growing trend of drinking coffee in coffee shops or so-called hanging out, a lifestyle and a means of showing the existence of adults to adolescents, men, and women. Depok City has many coffee shops spread across eleven sub-districts, each of which has four to six sub-districts. This research was conducted at a coffee shop in the Sukmajaya district, Depok. The analytical method used is a visual review methodology of visual communication design elements analysis on branding identity. Visual communication design elements such as typography, layout, colors, illustrations/ photography/ images and branding identity elements such as brands (brands, logos) which can be visual, text, or both then color (product, corporate) the composition of all the constituent elements and promotional media as well as information media.
TINJAUAN DESAIN MASKER VALVE UNTUK PENGGUNAAN NONMEDIS DALAM KONDISI PANDEMI Musdah Mulia Mukmin
Narada : Jurnal Desain dan Seni Vol 8, No 1 (2021)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2021.v8.i1.002

Abstract

The Covid-19 pandemic which occurred during early 2020 has spawned a new habit for society, called the New Normal. One of these new habits is the use of masks when we are going outside. This new habits cause emergence new variant of mask which inspired by the non-medical use mask, one of which is valve masks. Valve masks are becoming more and more prevalent as this new habits develops. This inspired the author to conduct a review of the valve mask design, the work system of this product, as well as its weaknesses and advantages. Due to this reasons, the author uses a descriptive method in conducting a review of this product. The author selects several samples that represent each type of valve mask. The results of this study indicate that in general, there are three types of valve mask variants, which are one valve mask, two valve mask, and three valve mask. In principle, the valve working system flows the air unidirectional, thus allowing the regulation of circulating air circulate according to the valve position on the mask. Valve masks are relied on in reducing the incidence of tightness compare to the use of usual mask (masks without valves), but on the other hand, the valve have potential to be an entry and exit door for the Covid-19 virus droplets. 
PERANCANGAN FURNITURE RUANG TAMU TERINSPIRASI DARI HUTAN BAMBU SUKOLILO Salsabila Prionggo; Wyna Herdiana
Narada : Jurnal Desain dan Seni Vol 7, No 3 (2020)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2020.v7.i3.003

Abstract

As the times progress, the population in Indonesia will also grow. What was followed by the increasing need for housing and land. The increasing of land for a place to live causes a limited available vacant land, therefore an alternative has emerged, namely the size of a house with a small type and vertical residence, such as apartments and flats. Even though it has a limited land area, it can still give a beautiful impression to the living room. Because living room is the main room which is used as a place to receive guests and shows the social status of the house owner. Therefore, we make furniture for the living room with a limited area, inspired by the shape and aesthetics of the bamboo forest in Sukolilo Surabaya.

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