cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Ali Ramadhan
Contact Email
ali.ramadhan@mercubuana.ac.id
Phone
+6285813007765
Journal Mail Official
jurnal.narada@mercubuana.ac.id
Editorial Address
Fakultas Desain dan Seni Kreatif Universitas Mercu Buana Gedung E Lantai 4 Jl. Raya Meruya Selatan no.1, Kembangan, Jakarta 11650 Tlp./Fax: +62215871335
Location
Kota adm. jakarta barat,
Dki jakarta
INDONESIA
Narada : Jurnal Desain dan Seni
Published by Universitas Mercu Buana
ISSN : 24775134     EISSN : 26215233     DOI : https://dx.doi.org/10.22441/narada
Core Subject : Art,
Arts
Narada: Jurnal Desain dan Seni diterbitkan oleh Fakultas Desain dan Seni Kreatif, Universitas Mercu Buana. Jurnal ini merupakan sarana untuk mempublikasikan tulisan ilmiah berupa hasil penelitian, hasil pemikiran (gagasan konseptual), serta hasil perancangan karya desain dan seni terapan (Applied Art) dalam ruang lingkup bidang desain dan seni rupa yang mencakup desain interior, desain produk, desain fashion, desain multimedia, desain komunikasi visual, fotografi, HAKI Desain, Hak Cipta Desain serta bidang perluasan yang ditujukan untuk mengembangkan bidang ilmu tersebut. Narada: Jurnal Desain dan Seni terbit sebanyak tiga kali dalam setahun, yakni pada bulan April, September, dan Desember. NARADA Jurnal Desain dan Seni menerima artikel yang ditulis menggunakan Bahasa Indonesia.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 217 Documents
 13   14   15   16   17 
PENGARUH FREKUENSI PENCELUPAN DAN JENIS MORDAN DARI EKSTRAK DAUN KETAPANG SEBAGAI PEWARNA ALAMI KAIN BATIK Irsya Qisti Awwalie; Tri Widayatno; Agus Haerudin
Narada : Jurnal Desain dan Seni Vol 9, No 2 (2022)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2022.v9.i2.004

Abstract

Ketapang leaves contain tannin pigments of 11% -23% so that they can produce colors ranging from brownish yellow to dark brown. The purpose of this study was to determine how to process ketapang leaves into natural dyes for batik cloth and to determine the effect of dyeing frequency and type of mordant on color sharpness and color fastness. This study uses an experimental method, which is a method that is useful for finding the effect of certain treatments on the conditions to be controlled. The process starts from the selection of the extraction method, namely the reflux method, and the selection of the mordanting process, namely the provision of mordant at the end. The results showed that the effect of dyeing frequency and type of mordant on color sharpness using the L*, a*, b* color test was quite significant. The more the dyeing frequency, the darker the resulting color. The lowest L* value was 53.02 for lime mordant and 20.78 for tunjung mordant with 18 times of immersion frequency. The highest a* value was in lime mordant 12.15 with 18 times of immersion and 8.43 of tunjung mordant with 6 times of immersion. The highest b* value was 38.99 for lime mordant and 11.35 for tunjung mordant with 6 times of immersion frequency. The effect of the frequency of immersion and the type of mordant on the TLW test, namely washing soap and hot ironing dry did not have much significant effect. A good and optimal TLW value found in lime mordant and tunjung is 4 in the good category with 12 times the immersion frequency.
PERANCANGAN MOTIF TEKSTIL KONTEMPORER BERBASIS ISU BUDAYA POPULER DENGAN PRINSIP LOCALISM Enrico Enrico; Ciawita Lautama; Evan Raditya Pratomo
Narada : Jurnal Desain dan Seni Vol 9, No 2 (2022)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2022.v9.i2.001

Abstract

The fashion sub-sector is part of the creative economy sector (Ekraf) which is a contributor to GDP that contributes to lifting Indonesia's economic growth. The fashion industry will continue to offer differentiation and novelty in each of its products in order to be accepted by the public and consumers, one of the important aspects in the manufacture of fashion products is textiles. As an expression of expression and function of communication, fashion is a determinant of the lifestyle of urban communities. The design of this contemporary textile motif applies one of the principles of fashion sustainability, namely localism, by raising the issues of popular culture that became the inspiration in doing the design. The method used in this design applies the six stages of FRANGIPANI. This design produces 20 contemporary textile motifs using design principles ecspecially rhtym and emphasis, and 3 of them are realized into a resort fashion collection. It is hoped that the design of contemporary textile motifs can increase the interest of the younger generation to continue to advance the fashion industry and not forget Indonesian local culture.
DESAIN SARANA BUDIDAYA LALAT BLACK SOLDIER FLY (BSF) Yoga Bayu Pangestu; Moch. Junaidi Hidayat
Narada : Jurnal Desain dan Seni Vol 9, No 2 (2022)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2022.v9.i2.003

Abstract

Black Soldier Fly larvae has a voracious appetite and processes from maggot Black Soldier Fly can be used to make compost from household waste and agricultural waste. The purpose of this research is to produce a product for the cultivation of Black Soldier Fly that can help reduce the amount of household wet waste and make it easier for cultivators to cultivate Black Soldier Fly flies.This research uses qualitative and quantitative research methods. In the qualitative method, the researcher conducted interviews with BSF , namely Sudi BSF and Omah Maggot Surabaya, then the results of the survey, observation and documentation from the two case study sites were used as reference data in this study. Qualitative data obtained from questionnaires, journals, books and online media are used as a reference in making products. The result of this research is the design of a Black Soldier Fly fly cultivation process Black Soldier Fly starting from the egg laying process to the harvest process.  
KAJIAN KONSEP “CUSTOMIZATION” VITVAL IKEA Rinkapati Swatriani
Narada : Jurnal Desain dan Seni Vol 9, No 2 (2022)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2022.v9.i2.002

Abstract

One of the advantages of the products offered by IKEA is that it carries the concept of "customization". Vitval products apply this concept, namely a bunk bed frame which has empty space at the bottom so that it can be used to create another "space" by placing several pieces of furniture that can be adjusted to the needs of users, the children. The method used is qualitative with descriptive analysis. The results of this study are, as a student, the customization that can be done is Vitval with a study table. In addition, looking at the Vitval size and user anthropometry, some pieces of furniture that can be customized include sofas, cabinets, drawers, shelves, or portable mattresses. Vitval is a solution for parents who want to take advantage of the limited space in their child's room by getting two spaces in one room.
TINJAUAN DESAIN KEMASAN PRODUK OLAHAN BELIMBING “RASA DEWA” Dwi Ramayanti
Narada : Jurnal Desain dan Seni Vol 9, No 2 (2022)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2022.v9.i2.005

Abstract

An attractive packaging design will be an advantage of a product. Products will be more visually attractive and also attract the attention of buyers. Depok City is a city known for star fruit cultivation and has MSME products made from star fruit, however, many UMKM have been affected by the pandemic causing a decline in productivity.The research method used is qualitative with research instruments in the form of observation, interview guidelines, and researchers as key instruments. This research was conducted to review the packaging design of food products and starfruit-based drinks in Depok, brand Rasa Dewa with product variants such as juice, syrup and dodol. Specifically, it aims to determine the structural design and interface design of the packaging, in general, it aims to help improve the packaging design knowledge of these starfruit-based food and beverage producers. The expected benefit is that the packaging design will be better and as a literature study for other researchers.
KAJIAN SEMIOTIKA VISUAL PADA KARYA FOTOGRAFI “THE UNTOUCHABLES” ERIK RAVELO Wening Hesti Nawa Ruci; Nanda Nini Anggalih
Narada : Jurnal Desain dan Seni Vol 9, No 2 (2022)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/10.22441/narada.2022.v9.i2.007

Abstract

Erik Ravelo is an artist who produces controversial, vulgar, and offensive photography works of various parties whose figures are 'as if' involved in his various works. In this study, Erik Ravelo's work as one of the visual communication design that can produce signs or messages analyzed through a semiotic approach to explore the meaning of each sign. Researcher uses a semiotic approach from Charles Pierce Sanders that focuses on the idea of triadic semiotics (three basic elements), namely representamen, interpretantts and objects. The results obtained in the form of three types of signs classified as icons, indexes, and symbols.
POSTER GREENPEACE DITINJAU BERDASARKAN ASPEK DESAIN KOMUNIKASI VISUAL Fachrul Rozi Ramadhan; Fuad Erdansyah; Adek Cerah Kurnia Azis
Narada : Jurnal Desain dan Seni Vol 9, No 2 (2022)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penelitian ini bertujuan untuk mendeskripsikan bagaimana penerapan aspek Desain Komunikasi Visual pada poster Greenpeace. Penelitian ini berjenis penelitian kualitatif. Metode penelitian yang digunakan adalah metode penelitian deskriptif kualitatif dengan menggunakan pendekatan tinjauan desain. Populasi penelitian sebanyak 3 poster Greenpeace. Sampel yang digunakan terdiri dari 3 poster dengan menggunakan teknik sampling jenuh. Teknik pengumpulan data pada penelitian ini dilakukan dengan studi pustaka, observasi, dan dokumentasi. Hasil penelitian secara keseluruhan menunjukkan bahwa poster Greenpeace termasuk dalam kategori sangat baik dalam penerapan tipografi, warna, dan ilustrasi. Penerapan tipografi yang baik dapat dilihat dari legibility dan readability yang baik, dihasilkan dari bentuk huruf yang sesuai dan penggunaan warna yang kontras pada teks. Kemudian penerapan warna yang baik tidak terlepas dari warna yang kontras dan sesuai antara objek ilustrasi dan tipografi dengan background, serta menggunakan perpaduan warna yang harmonis. Berikutnya penerapan ilustrasi yang sangat baik dapat dilihat dari penggunaan ilustrasi yang mampu menjadi point of interest dan dapat menyampaikan pesan dengan baik. Simpulannya, poster Greenpeace sudah sangat baik dalam menerapkan aspek tipografi, warna, dan ilustrasi. Disarankan agar pembaca menjadikan poster Greenpeace sebagai referensi untuk membuat desain poster yang baik.
PERANCANGAN BUSANA PRIA SIAP PAKAI DENGAN INSPIRASI RITUAL IOMANTE SUKU AINU Maria Audrey Angkadiredja; Dewi Isma Aryani
Narada : Jurnal Desain dan Seni Vol 9, No 2 (2022)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2022.v9.i2.006

Abstract

The Ainu are the indigenous people of the northern regions of the Japanese Archipelago, particularly Hokkaido, as well as Russia's Sakhalin Island and the Kuril Islands. Currently, the Ainu tribe in Hokkaido numbering about 20,000 people and adheres to the belief of spirits in every part of nature, inanimate objects, and so on. One of the Ainu cultures is the Iomante ritual, which is the ceremony of returning Kamui's spirit to the divine realm by sacrificing a bear which is considered the incarnation of Kamui himself. The uniqueness of the Iomante ritual of the Ainu Tribe inspired the design of a ready-to-wear clothing collection with manipulation details in the form of a blend of culture, typical Ainu motifs with the concept of modern men's clothing and suitable for urban communities. Typical Ainu motifs are applied to clothing using special Ainu embroidery techniques, namely Ainu running stitch and pleats. The method used is the PBL (Project Based Learning) method in the form of real project learning outcomes through information search and data synthesis, material exploration, feasibility assessment, and design interpretation into the product. The purpose of this design is to create a menswear collection inspired by the Ainu Iomante Ritual to produce a ready-to-wear menswear collection with strong, confident, and passionate characters. Thus, it is hoped that the results of designing the THE LOST TRIBE collection from the inspiration of the Iomante ritual can be a reference for modern men's clothing in Indonesia. 
SEMIOTIKA ROLAND BARTHES DALAM IKLAN RINSO ‘YUK MULAI BIJAK PLASTIK!’ Mukhsin Patriansah; Ria Sapitri; Didiek Prasetya
Narada : Jurnal Desain dan Seni Vol 9, No 3 (2022)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2022.v9.i3.004

Abstract

The problem of plastic waste is a very complicated problem faced by this nation, the low level of public awareness in using and managing plastic waste is the main trigger for natural and environmental damage. Nature is a very good playground for children, they can freely explore. If nature is not maintained then the next generation can no longer feel the beauty of nature. Realizing this problem, Rinso campaigned for a 'Let's Start Wise Plastic' campaign in collaboration with Word Clean-up Day (WCD) as a real step to invite the public to increase their awareness of the problem of plastic waste. The study of verbal and visual messages in this study, the author uses Roland Barthes' Semiotic theory which aims to see the coding system and layers of denotative and connotative signs in Rinso's advertising campaign 'Yuk Start Bijak Plastik'.
FASAD CANDI BOROBUDUR SEBAGAI IDE PERANCANGAN DESAIN TIPOGRAFI UNTUK ASET VISUAL BRANDING KABUPATEN MAGELANG Hafiyan, R. Moch. Rizal; Pratama, Novan Edo
Narada : Jurnal Desain dan Seni Vol 9, No 3 (2022)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2022.v9.i3.010

Abstract

Visual branding can be an attraction for tourists to visit in certain areas. Various forms of visual branding in each city and district have begun to be developed with an effort to increase the interest of both local and international tourists to come. Visual branding can also be a visual design asset that can be used to package tourism products using the right visual design assets. One of the things that supports visual branding in an area is the type of typography or font design. Each city or district should have its own typographic design that characterizes the area. Magelang Regency with a fairly well-known tourist spot, namely the Borobudur temple, is a quite interesting tourist destination. However, until now, the design of visual branding, especially typography which is a characteristic of tourism in the Magelang Regency area, has not been fully facilitated, especially since Borobudur is included in the 5 super priority destinations according to the Indonesian Ministry of Tourism and Creative Economy. For this reason, by taking ideas from the facade of the Borobudur temple as an idea in designing typography for Magelang Regency's visual branding assets as an effort to support super priority destination areas. In this design using the design design method with the stages of exploring the source of ideas, experimentation, and formation or embodiment. This design is expected to provide useful visual branding assets for the development of Tourism in Magelang Regency.

Page 15 of 22 | Total Record : 217

 13   14   15   16   17 

Filter by Year

2017 2025


Reset
Filter By Issues
All Issue Vol 12, No 1 (2025) Vol 11, No 3 (2024) Vol 11, No 1 (2024) Vol 10, No 3 (2023) Vol 10, No 2 (2023) Vol 10, No 1 (2023) Vol 9, No 3 (2022) Vol 9, No 2 (2022) Vol 9, No 1 (2022) Vol 8, No 3 (2021) Vol 8, No 2 (2021) Vol 8, No 1 (2021) Vol 7, No 3 (2020) Vol 7, No 2 (2020) Vol 7, No 1 (2020) Vol 6, No 3 (2019) Vol 6, No 2 (2019) Vol 6, No 1 (2019) Vol 5, No 3 (2018) Vol 5, No 2 (2018) Vol 5, No 1 (2018) Vol 4, No 3 (2017): Jurnal Desain dan Seni Narada More Issue