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Gedung Program Studi Arsitektur Lingkungan Fakultas Teknik Universitas Tanjungpura Jalan Prof Dr. H. Hadari Nawawi, 78124
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JMARS: Jurnal Mosaik Arsitektur
Published by Universitas Tanjungpura
ISSN : -     EISSN : 27465896     DOI : -
Core Subject : Engineering,
Civil Engineering, Building, Construction & Architecture
JMARS: Jurnal Mosaik Arsitektur (sebelumnya Jurnal Online Mahasiswa S1 Arsitektur UNTAN) adalah jurnal nasional yang berisi kumpulan naskah/ artikel hasil perancangan arsitektur yang fokus pada kegiatan "analisis dan sintesis" yang mendukung proses-proses perancangan arsitektur dan menghasilkan karya arsitektural. Substansi naskah dapat berupa kajian mengenai metode perancangan, proses analisis dalam perancangan, pengambilan keputusan dalam proses desain, proses penciptaan karya arsitektural, dan teori yang mendukung proses perancangan. Selain itu, JMARS: Jurnal Mosaik Arsitektur juga menerima (terbatas) naskah dengan pendekatan "penelitian" kajian arsitektural lainnya, seperti sejarah, teori, dan kritik arsitektur, teknologi bangunan, serta kota dan permukiman. JMARS: Jurnal Mosaik Arsitektur mempunyai ISSN 2746-5896 (media online)
Arjuna Subject : -
Articles 428 Documents
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PERANCANGAN TAMAN KECAMATAN DI DESA SUNGAI RADAK II KECAMATAN TERENTANG KABUPATEN KUBU RAYA Sekar, Sekar; Purnomo, Yudi; Zain, Zairin
JMARS: Jurnal Mosaik Arsitektur Vol 14, No 1 (2026): Maret 2026
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v14i1.96839

Abstract

A sub-district park is a park intended to serve the residents of one sub-district. Parks are public open areas that function as social and aesthetic spaces for ecological, recreational, educational or other activities at the sub-district level. In an effort to design recreational facilities, as well as becoming a tourist attraction for the people of Terentang District, where there is no recreation area in the area, so that it can be realized as the main recreation place for the people of Terentang District. Based on the description above, the people of Terentang District need a recreational facility that has an educational function so that it can provide benefits. Based on the needs of the community, it is necessary to consider designing a "District Park in Sungai Radak II Village, Terentang District, Kab. Kubu Raya”, a recreational facility that can provide facilities and infrastructure for the community. Park visitors are divided into 4 age groups: children, teenagers, adults and the elderly. The space is spacious but still safe for children and elderly visitors. So it can provide visitor comfort. The sub-district park design has recreational and educational facilities such as arts performance areas, playgrounds, sports areas, reading areas, on same design site.
REDESAIN KOLAM RENANG MUARA KAPUAS DI KOTA PONTIANAK Nanda, Agustinus; Muazir, Syaiful; Mustikawati, Mustikawati
JMARS: Jurnal Mosaik Arsitektur Vol 14, No 1 (2026): Maret 2026
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v14i1.97361

Abstract

Indonesia has significant natural potential in the tourism sector, one of which is the Kapuas River located in West Kalimantan Province. The Muara Kapuas Swimming Pool, situated along the banks of the Kapuas River, has the potential to be developed to support the growth of the tourism sector. This study discusses the redesign efforts of the Muara Kapuas Swimming Pool in Pontianak into a waterpark-based facility to increase the number of attractions, improve facility quality, and optimize the existing resources. The design method applied is a redesign approach consisting of preparation, data collection, analysis, concept synthesis, final design, and evaluation stages, based on redesign theory, tourism principles, and waterpark standards. The analysis results indicate the need for enhancements to main attractions, optimization of supporting and complementary facilities, as well as development of site massing and design concepts inspired by the Muara Kapuas philosophy and its functional requirements. This redesign is expected to establish the Muara Kapuas Swimming Pool as a waterpark-based tourist destination that can further contribute to the growth of regional tourism.
CONFUCIAN CENTER DI KALIMANTAN BARAT Changniaga, Sac Sanayan; Pebriano, Valentinus; Irwin, Irwin
JMARS: Jurnal Mosaik Arsitektur Vol 14, No 1 (2026): Maret 2026
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v14i1.95272

Abstract

The Confucian Center is a place to support various religious and cultural activities for adherents of the Confucian religion. This facility serves as a platform for the practice and dissemination of Confucian teachings, which are rooted in the philosophy and teachings of Confucius. The center's functions include religious rituals, education, social activities, and recreation. The Confucian Center includes various facilities such as the Litang (living hall) as a place of worship, a learning area for education, a foundation office for administration, and a park for recreation. The design process for this center begins with data collection, analysis, and building design. The design approach used at the Confucian Center in West Kalimantan is Chinese architecture with feng shui principles. Feng shui concepts will be applied to the Litang and its surrounding areas. This Chinese architectural approach is based on building designs that reflect the values, traditions, and cultural identity of Chinese Indonesians, while also maintaining a balance between natural elements and the surrounding environment. An example of this approach is the courtyard within the center, which serves as the main access to the interior. The design results demonstrate that this center can facilitate Confucian followers in carrying out their activities. This center is expected to accommodate Confucian followers in West Kalimantan in their activities.
PUSAT SENI LUKIS DI KOTA PONTIANAK Febriana, Febriana; Caesariadi, Tri Wibowo; Kalsum, Emilya
JMARS: Jurnal Mosaik Arsitektur Vol 14, No 1 (2026): Maret 2026
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v14i1.94690

Abstract

Painting art continues to develop in Indonesia, including in the city of Pontianak, West Kalimantan, as reflected in the growing activities of painters, art communities, and various events such as exhibitions, marketing activities, seminars, workshops, and competitions. In addition to conventional painters, digital painters have also emerged, offering potential for collaboration between the two fields. However, the absence of adequate facilities remains a major obstacle to the development of painting art in Pontianak. Therefore, the design of a Painting Art Center in Pontianak is needed to support the growth of local artistic potential. The design process involves several methods, including determining the object of design—namely the painting art center—collecting data through observation, interviews, and literature studies, followed by analysis and design stages that produce both internal and external design concepts. The main idea and theme adopted is “A Vibrant & Thriving Center,” which represents a space where painting art and its community can grow together, emphasizing adaptiveness, flexibility, interactivity, and visual appeal.The design outcomes include a painting art center area tailored to the needs of painters, flexible spatial layouts with minimal permanent partitions, and facilities that encourage interaction through garden plazas, discussion spaces, and community areas positioned near recreational zones. The building is also designed with a distinctive organic form to strengthen the identity of the complex. Overall, the design of the Painting Art Center in Pontianak aims to create a space that accommodates and stimulates the enthusiasm and creativity of painters, while also increasing public interest and appreciation for painting art in Pontianak.
BORNEO FINE ART GALLERY DI KOTA PONTIANAK Habibie, Caesar Nakula Rafi; Affrilyno, Affrilyno; Purnomo, Yudi
JMARS: Jurnal Mosaik Arsitektur Vol 14, No 1 (2026): Maret 2026
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v14i1.95430

Abstract

The development of art, especially illustration, has been a much-discussed topic among Indonesians, both young and old. Fine art emphasises on freedom of expression, aesthetics, and also about conveying deep messages and encouraging reflection, including painting, sculpture, graphics, photography, and digital art. One of the issues in Pontianak City is the absence of a special building or space that meets the standards of fine art exhibition. The design method is based on Archer (1968), namely programming (determining important issues), data collection (classifying and storing data), analysis (reassessing the proposed programmed and estimating), synthesis (initial concept development), development (outline concept mapping), and communication (final presentation). By considering the environmental, and geographical aspects of Pontianak City. The selection of the main theme in the design of Borneo Fine Art Gallery in Pontianak City is "˜Social Interaction"™, with the approach of creating a sense of belonging. The design of Borneo Fine Art Gallery in Pontianak City aims to accommodate functions that can accommodate creative activities, creating a space that not only functions as a gallery, but also as a regional art activity centre, and an adaptive gathering space.
YOUTH CENTER KALIMANTAN BARAT DI KUBU RAYA Sandy, Sandy; Purnomo, Yudi; Affrilyno, Affrilyno
JMARS: Jurnal Mosaik Arsitektur Vol 14, No 1 (2026): Maret 2026
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v14i1.99938

Abstract

Adolescence is a transitional phase from childhood to adulthood. Teenagers require dedicated facilities where they can gather, engage in discussions, and share ideas. A significant issue in fostering youth creativity is the lack of adequate infrastructure and facilities for teenagers in West Kalimantan. One solution to this issue is the development of a Youth Center. The Youth Center of West Kalimantan, located in Kubu Raya, is designed to accommodate three main functions—education, recreation, and sports—aiming to support the development of skills, creativity, and social interaction among youth. The design method employed refers to R. Whitaker approach, which includes the stages of introduction, definition, preparation, analysis, synthesis, evaluation, and reevaluation. The result achieved in designing this building is a single-mass structure that adopts a comfortable and adaptive communal space concept, which is applied across several areas of the building.. The result of this design process is a communal space that serves as a platform for social interaction, allowing teenagers to engage in various activities together.
HOTEL BINTANG EMPAT DI TEPIAN SUNGAI KAPUAS KOTA PONTIANAK Fitriyah, Fitriyah; Gultom, Bontor Jumaylinda Br; Zain, Zairin
JMARS: Jurnal Mosaik Arsitektur Vol 14, No 1 (2026): Maret 2026
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v14i1.97498

Abstract

Pontianak City, as the capital of West Kalimantan Province, possesses significant tourism potential, evidenced by a substantial increase in the number of international tourists visiting West Kalimantan. The Pontianak City Government has developed a waterfront area along the Kapuas River to strengthen the city's image and create a new destination; however, it still requires supporting tourism facilities to sustain the productivity of the accommodation service industry. The design methodology was conducted through the collection of both primary and secondary data, which were subsequently analyzed using hotel design theories and neo-vernacular architectural principles. The design results demonstrate that the Four-Star Hotel, designed with seven floors and multiple room types, is capable of providing accommodation, relaxation facilities, recreation, and business meeting spaces that capitalize on the river orientation. The design integrates a Neo-Vernacular approach, combining traditional architectural characteristics with modern technology, including a curved roofline, swimming pool, and landscaped garden positioned near the river as a transitional area toward the waterfront, thus creating an optimal visitor experience along the Kapuas River banks.
PENATAAN KAWASAN WISATA PANTAI TANJUNG LESTARI DI KABUPATEN SAMBAS Utari, Erika Tri; Muazir, Syaiful; Mustikawati, Mustikawati
JMARS: Jurnal Mosaik Arsitektur Vol 14, No 1 (2026): Maret 2026
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v14i1.101796

Abstract

Indonesia, as an archipelagic country, holds great potential in the tourism sector, particularly coastal tourism. Sambas Regency in West Kalimantan, with its natural beauty and scenic beaches, possesses significant potential to be developed into a leading tourist destination. However, several challenges hinder tourism development in the region, such as the lack of facilities, inadequate infrastructure, and insufficient promotion. Although there has been an increase in tourist visits, beach management in Sambas Regency remains unprofessional, and many beaches are equipped with limited amenities. This situation highlights the need to design a more optimized coastal tourism area with complete facilities, including primary, supporting, and complementary infrastructure. The goal of this spatial planning is to create a comfortable, safe, and attractive coastal tourism area by developing facilities that meet the needs of visitors. The design method employed is based on Richard Whitaker's design approach, which comprises the following stages: identification, definition, preparation, analysis, synthesis, evaluation, and re-evaluation. The results of the design process indicate that integrating the components of attraction, amenity, accessibility, and ancillary services can enhance the quality of the area while also supporting the sustainable economic empowerment of the local community.

Page 43 of 43 | Total Record : 428

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