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Jomantara International Journal of Art and Culture

jomantara
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Published by Universitas Pasundan

ISSN : - EISSN : 27987272 DOI : http://dx.doi.org/10.23969/jijac.v1i1

Core Subject : Humanities, Education, Art, Social,

Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other

Journal Jomantara is a peer reviewed International e-Journal written in English. It is published in two issues per year (January and July). The purpose of the journal is to bring a wide spectrum of participants to disseminate research findings of academicians, national and local government units, non-governmental organizations, heritage conservation practitioners and planners, tourism organizations, and the media. Specifically, Journal Jomantara intends to discuss and exchange knowledge on preservation and revitalizing art and culture in the world. Journal Jomantara also caters to recent challenges and opportunities for saving treasured art and culture. Its scope encompasses the thematic as follows: art and culture.

Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)

Articles 54 Documents

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White Crocodile as Social Criticism of Polygamy Phenomenon in Curug Dahu Village Yuda Syah Putra; Irpan Riana
JOMANTARA Vol 2 No 1 (2022): Vol. 2 No. 1 January 2022
Publisher : Universitas Pasundan

The purpose of this study was to analyze the structure of the traditional wedding ceremony and the White Crocodile performance in Curug Dahu Village. Signifying the concept of denotation and connotation of the White Crocodile in the traditional wedding ceremony in Curug Dahu Village, and analyzing the relationship between the White Crocodile communication elements to the phenomenon of polygamy in the Curug Dahu village. The research method used is a qualitative research method. The data collection technique was carried out starting with literature study, observation and interviews accompanied by documentation. The object of this research is the White Crocodile in a Sundanese traditional ceremony in Curug Dahu Village. This research uses Roland Barthes' Semiotics theory. Decoding the codes and identifying the denotations that have been formed are obtained at the primary level (denotation), Keywords: White Crocodile, Social Criticism, Polygamy, Roland Barthes

Study of the Form and Meaning of the Nawa Gapura Marga Raja as an Artefact of the Cirebon Cultural Community: Form and Meaning Nawa Gapura Marga Raja Fadhly . Abdillah; Setiawan Sabana; Imam Santosa
JOMANTARA Vol. 1 No. 2 (2021): Vol. 1 No. 2 July 2021
Publisher : Universitas Pasundan

A work of traditional culture by the geniuses of Cirebon's past, named Nawa Gapura Marga Raja, is one of the historical buildings that are still sacred. There are 9 doors or gates, each of which is gathered in one area of the building. The form and meaning of the number of gates for the author is a very interesting phenomenon to study, its relation to cultural expressions that allow so many symbolic values to be interpreted. This study of form and meaning aims to analyze and gain knowledge related to the form and visual meaning of the gates in this building. To find out the meaning of the physical form of Nawa Gapura Marga Raja, this study uses an art criticism approach from Edmund Burke Feldman with the visual narration method of Gerard Genette. In the process, the research goes through the following stages; literature study, observation, and conducting interviews with related parties. From the results of the analysis, it is understood that the structure of the form and layout of the building is heavily influenced by the spatial concept of primordial culture mixed with a new culture, so that it represents a myth, also has meanings that are closely related to religious teachings, culture and leadership values. Keywords: form, art criticism, visual narrative, meaning, nawa gapura marga raja

Racism Toward Chinese Ethnic Group in Indonesian Social Media: Hate Speeches Analysis from Forensic Linguistic Perspective Astri Dwi Floranti
JOMANTARA Vol 2 No 2 (2022): Vol. 2 No. 2 July 2022
Publisher : Universitas Pasundan

Anti-Chinese sentiments are still deeply ingrained in the Indonesian public discourse. The issue of their identity and position is debatable that triggers to many discriminatory actions toward them. The purpose of this study is to analyze hate speech against Tionghoa ethnic expressed in Indonesian social media which has officially evaluated as a legal offense by the authorities. The theory of speech acts from Austin (1962) and Searle (1969) within forensic linguistic study are employed to examine the utterances and evaluate them in the context of Indonesian legal regulations. The data was obtained from Direktori Putusan Mahkamah Agungfrom 2019 - 2021. The results of the analysis reveal that hate speech portrays hurtful feelings and harmful attitudes. It is reflected by malice (expressive speech act), insulting or accusing (assertive speech act), persuading the others to commit crimes (directive speech act), planning crimes in the future time (commissive speech act). Then, there are 10 forms of pejorative labels toward Tionghoa ethnic. Race-based hate speeches expressed in the online media are prohibited in Article 28 paragraph (2) of The ITE Law Article Number 19 of 2016. They are prejudiced action, violate human rights and cannot be considered as freedom of opinion and democracy because of their dangerous perlocutionary effects. The effects can provoke discriminatory action and even crime.

The Meaning of Tri Tangtu Value in Sundanese Traditional Game “Oray-orayan” Erna Nurmalinda
JOMANTARA Vol 1 No 1 (2021): Vol. 1 No. 1 January 2021
Publisher : Universitas Pasundan

Abstract In West Java (Bandung) there are copious traditional games that are actually still played by children. But because of technological advances and the absence of fields for playing, the traditional games is now sidelined and even forgotten. Games are offered now, not only traditional games but also the games that sophisticated technological based derived from abroad. The traditional games of West Java that used to be played have been put aside. Traditional “Oray-orayan” game is a game of boys and girls known since ancient times. Besides educational elements (choir, sports and sensitivity) this game is also containing a fun entertainment for children. In Traditional Games “Oray-orayan” the desires can arise from thoughts or deeds, then the mind or knowledge evokes desire, after that there is a process of thought so that desire can manifested in action. The pattern of the three relationships in Tritangtu can be known from the structure of objects or artifacts. Tritangtu reflects and is represented in all systems and sub systems in Sundanese culture such as the State system, Social system, Legal system, Art system and others that relates to Tritangtu principles. Keywords; Game, Traditional, Oray-orayan, Meaning, Tritangtu

The Modernity of Naga Village Community: Social Change Study through Visual Media Analysis Agus Setiawan
JOMANTARA Vol 2 No 1 (2022): Vol. 2 No. 1 January 2022
Publisher : Universitas Pasundan

Looking at the cultural area landscape, Tatar Sunda certainly inherited different rich culture then other regions. Not only inherited tangible cultural wealth but also intangible cultural wealth. However, in the midst of an increasingly advanced civilization, now the Sundanese cultural heritage has changed its existence. Functionally many spiritual traditional cultural products have been replaced by commercial modern cultural products. This fenomenon can be studied from the social changes that occured in Kampung Naga in Tasikmalaya regencies, although in the one hand still maintains its traditional values, on the other hand this traditional village has undergone in many changes. The study intends to determine the existence of Sundanese cultural products, as well as products of national culture in general from the influence of the development of modernism. In addition, by examining the phenomenon of community life in the traditional village of Kampung Naga, it is hoped that the indicators that cause these changes will be known. All objects of this study will be investigated using the qualitative-interpretive methods. This study uses cultural theory, Social Change theory, and semiotic theory as the main reference literature. The data sources used are main (primary) data and secondary data. The main data was obtained directly through interviews with the people of Kampung Naga. Meanwhile, secondary data was obtained from written sources such as: books from previous research, scientific journals, personal documents, photos, statistics, audio and video recordings. Therefore, starting from these initial observations, at least the root cause of social change in Kampung Naga can be described, and its cannot be separated from both internal and external factors behind it, for example: 1) The influence of global modernization, 2) The influence of modernization brought by the people of Kampung Naga who live outside the Traditional Village, 3) The adaptive attitude of the Kampung Naga people living in the Traditional Village. 4) Economic demands and community welfare. These factors are the main source of modernism in Kampung Naga.

Visual Studies: Identification of Cangkuang Temple As a Heritage Relic of Ancient Sunda Kingdom with Juxtaposing Technique Rahmadi Rahmadi; Aldi M Fitrah
JOMANTARA Vol. 1 No. 2 (2021): Vol. 1 No. 2 July 2021
Publisher : Universitas Pasundan

West Java has various relics of buildings and ancient artifacts that have the characteristics of buildings based on Hinduism, Buddhism and other older cultures. One of these remains is the Cangkuang Temple (8M) located in Garut, West Java. This temple is a Hindu-style temple, and is believed to be a relic of the Ancient Sundanese Kingdom. However, what is interesting about this Cangkuang Temple building is that it has quite different building characteristics from other sacred buildings of the ancient Sundanese people that were around the same era and in the surrounding area. This Cangkuang Temple has some similarities from the characteristics of the buildings generally from Ancient Sundanese, but has quite a few different distinct building features. This makes the question of whether Cangkuang Temple is really a relic from Ancient Sundanese Kingdom or by another kingdom in the different era. Therefore, in this research, the writer tries to raise the issue of these characteristics and differences. In the process, the writer compares the photo of the temple and the comparator with the Diptych and Triptych technique to identify the similarities and differences of the temples as objects. The research methodology used in this reseras is a descriptive qualitative visual study, with the data collection methods used are field observations, literature reviews and interviews. The objects that are observed are the sacred buildings of the Sundanese people of the same era and those in the surrounding area. In the end, after the photos are juxtaposed, they will be further validated to get the final conclusion. This research also includes comparisons with Gedong Songo Temple which complements the existing comparisons between the buildings of the Tarumanegara (Batujaya), Ancient Sundanese (Bojongmenje) and Galuh / Kalingga / Medang (Gedong Songo) era’s building to see their characteristics comparison.

Brand Dilution: An Analysis of The IKEA Versus IKEMA Dispute Syahroni Syahroni; harits numan; Dini Dewi Heniarti
JOMANTARA Vol 2 No 2 (2022): Vol. 2 No. 2 July 2022
Publisher : Universitas Pasundan

This study is aimed to provide a different analysis related to dispute of trademark or brand of IKEA against Ikema. IKEA in the Judicial Review Verdict of Indonesia Supreme Court of (Peninjauan Kembali Mahkamah Agung), was asserted not having similarity with Ikema. On the other hand, the author views this case is potentially presumed as as a dilution case. Regarding this, the analysis employs theory that proposed by Shuy (2002) to uncover the identical similarity between the two trademarks. Graphemic and Phonetic analysis are used to establish the feature similarity, for analysis of public perception upon the both trademarks, psycholinguistic has been practiced. The result is the both trademarks are similar in terms of dilution. Keywords: dispute, dilution, linguistic analysis

Illustrations for Encyclopedia Erupting Mountain Theme Purmaningrum Maeni
JOMANTARA Vol 1 No 1 (2021): Vol. 1 No. 1 January 2021
Publisher : Universitas Pasundan

Indonesia is a country that has a great potential for natural disasters, because of the location of geographic and others. Indonesia's geographical location in the growth zone of three plates namely Eurasia, Indo-Australia and Pacifica or commonly known as ring of fire, causes Indonesia to have many active volcanoes. This makes Indonesia vulnerable to natural disasters earthquakes, erupting mountains, tsunamis and others. To collect detailed actual information that describes the symptoms of nature as well as the situation of social symptom conditions then this research is carried out with descriptive qualitative and quantitative research methods. Illustration design is conveyed through drawings, illustrations, or photos about disaster situations and conditions that are equipped with narratives though effective language. It is expected that by the illustrations through visual images and combined with the narrative the interest of students, especially children can be more aroused so that the information presented can be more quickly captured and understood. The design of an encyclopedic book illustration that is useful as a support for Social Science lessons themed on natural disasters, especially erupting mountains. With the availability of the book Encyclopedia of Mount Erupting for elementary school students, it is expected that knowledge about the erupting mountain can be conveyed interestingly so that children can have better understanding of the causes and how to deal with the disaster of erupting mountains.

Binaural Beat of Bringbrung Music Made Bagus Permadi Putra
JOMANTARA Vol 2 No 1 (2022): Vol. 2 No. 1 January 2022
Publisher : Universitas Pasundan

Bringbrung is a ritual music in the tradition of society in the Kampung Cidadap Hilir, Ledeng, Kota Bandung. In each of Bringbrung performances, there is always a trance from the player and the audience. This phenomenon becomes the background in this research. One of the musical elements that is thought to be highly influential stimulates trance is binaural sensation. This article explains how music of Bringbrung can produce binaural sensation so that it can stimulate trance on the players and the audience. The research methods used in this article use qualitative methods with phenomenological approach. The data was collected through observation, interview, notes taking, triangulation, and focus group discussion. The analyses of this research were taken through analysis of reduction data, data presentation, and conclusion. The results of the research that has been done show that binaural sensation has a significant contribution in stimulating trance during the show Bringbrung. Binaural sensation generated from the frequency difference of each Bringbrung instrument that has a range of 0 - 25 Hz. The binaural sensation produced by Bringbrung music is certainly one of the proofs that ritual music in Indonesia has a therapeutic effect. Advanced research in the field is very important for the development of music therapy based on the music traditions of Indonesia

Mixed Cultural Representation of Stuart's Character in Minions As a Symbol of Strength and Protection: Mixed Cultural Representation of Stuart's Character in Minions As a Symbol of Strength and Protection Zaini Ramdhan
JOMANTARA Vol. 1 No. 2 (2021): Vol. 1 No. 2 July 2021
Publisher : Universitas Pasundan

The myth of the one eye symbol is a symbol of the symbolism of symbols that are still unclear and hidden visual signs. Interpretations can be unclear and varied, Connecting with the sign of the Illuminati, the sun god with the eye symbol depicted single or one will have a psychological impact on the one who reads it. History records of artifacts made about the shape of the eye symbol and other forms. It is in ancient religious symbols of worship and leadership. The Sumerians demonstrated the sanctity of certain sculptures, the shape of the eyes enlarged by an abnormal size gave the impression, the message of sensation from the statue. Making performances of religious ceremonies, artists seek to bring sculptures to life in the way they do eye openings. The ancient Egyptian civilization was the originator of the disembodied eye as a symbol of the single eye. One of the well-known symbols of Egypt is the eye of the sun god in Pharaoh's mythology. The image is a mixture of the image of a human eye combined with an eagle's eye, with eyebrow markings, dark cheek markings of a bird. And also various forms of the relics of the modern era associated with the shape of the image of the one eye. In this case, Semiotics is a branch of science that studies a sign. Semiotics comes from the Greek word: semeion, which means sign. Sign as something that represents something; metaphor. The process of a sign as a representative occurs when the sign is reinterpreted concerning what it represents, in the form of visual forms, colors in works of art. It can be said that Semiosis is a process in which the sign becomes a function as a representative of the signified. The focus of researchers in the study of semiotics here is a visual sign of combining entities that are used as representations of the represented entities. This representation process is often called signification. This research is how the visual sign of the one eye on the animated minion character named Stuart can be a representation of the one eye symbol in the past and modern era that represents it both in shape and color.

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Home Page

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Contact Name
Erna Nurmalinda

Contact Email
jomantara@unpas.ac.id

Phone
+628157126372

Journal Mail Official
jomantara@unpas.ac.id

Editorial Address
Kampus IV Universitas Pasundan Jomantara Journal,Kantor Fakultas Ilmu Seni dan Sastra Jalan Setiabudhi No.193 Bandung

Location
Kota bandung,

Jawa barat

INDONESIA

Abstract

Abstract

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Abstract

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Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Erna Nurmalinda

Contact Email jomantara@unpas.ac.id

Phone +628157126372

Journal Mail Official jomantara@unpas.ac.id

Editorial Address Kampus IV Universitas Pasundan Jomantara Journal,Kantor Fakultas Ilmu Seni dan Sastra Jalan Setiabudhi No.193 Bandung

Location Kota bandung, Jawa barat INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Erna Nurmalinda

Contact Email
jomantara@unpas.ac.id

Phone
+628157126372

Journal Mail Official
jomantara@unpas.ac.id

Editorial Address
Kampus IV Universitas Pasundan Jomantara Journal,Kantor Fakultas Ilmu Seni dan Sastra Jalan Setiabudhi No.193 Bandung

Location
Kota bandung,

Jawa barat

INDONESIA