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Ahmad Bahrudin
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Relief: Journal of Craft
Published by Institut Seni Indonesia Padang Panjang
ISSN : -     EISSN : 28092945     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
RELIEF: Journal of Craft contains scientific articles of research, conceptual ideas, creation of craft, craft design, ornaments, and interdisciplinary studies related to the field of craft (kriya).
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 51 Documents
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EKSPRESI CERITA SURAU KESELARASAN KOTO PILIANG PADA KARYA RELIEF LOGAM rahman, abdur; Hendra, Hendra; Nofrial, Nofrial
Relief : Journal of Craft Vol 3, No 2 (2024): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/relief.v3i2.2723

Abstract

ABSTRAK Surau mempunyai peranan dan fungsi yang disignifikan dalam kebudayaan Minangkabau. Surau yang menjadi acuan penciptaan karya adalah Surau Lubuk Bauk yang terdapat di Nagari Batipuh, Tanah Datar. Konsep perwujudkan karya bersumber dari Surau keselarasan Koto Piliang dengan mengadirkan cerita yang bersumber dari aktivitas Surau keselarasan Koto Piliang. Cerita yang diwujudkan pada relief logam, berupa kegiatan yang terdapat pada Surau tua Lubuk Bauk, seperti mengaji, beladiri, dan gotong-royong. Metode penciptaan karya relief melalui tahapan eksplorasi, perancangan dan perwujudan. Penggarapan karya menggunakan teori, diantaranya bentuk, estetika, fungsi, dan ekspresi. Penggarapan karya menggunakan bahan plat alumunium dan tembaga dengan teknik tatah. Hasil karya relief logam berjumlah lima buah dengan judul yaitu: Mambangun Surau, Mangaji, Basilek I, Basilek II, Basilek III, Judul yang tercipta merupakan gambaran nilai-nilai yang terdapat pada masyarakat Minangkabau diantaranya belajar membaca Al-Qur’an, gotong-royong, dan  pengendalian diri serta bela diri. Kata kunci: Ekspresi , Cerita Surau keselarasan Koto Piliang , dan Relief logam.
MANUMBUAK PADI PADA KARYA SULAM Maharani, Maharani; Widdiyanti, Widdiyanti; yulimarni, yulimarni
Relief : Journal of Craft Vol 4, No 1 (2024): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/relief.v3i3.4915

Abstract

Manumbuak padi is an activity of Minangkabau`s women in processing paddy into rice traditionally using traditional tools. the traditional tools is lasuang, pestle/antan and tampian. Nowadays, rice processing using lasuang is starting to be abandoned, because it has been replaced by more sophisticated technology. This is the interest and concept in creating embroidery works. The embroidery creation methods that we used are three-stage theory, the exploration stage, looking for ideas and reference sources. The design stage, namely expressing ideas in the form of a design, continued with the realization stage. The work is made using embroidery techniques using cotton linen and polycherry thread. The works in the form of wall decorations have a diameter of 80 cm, and each work has a storyline according to its title, namely Work 1 entitled manjamua padi (drying rice), work 2 manumbuak padi (pounding rice), work 3 basumarak (lively/excited), work 4 manampi (winnowing), work 5 manyumpik bareh (putting rice into a sack), and work 6 malapeh panek (unwinding or resting).
Bentuk Bawang Merah Sebagai Motif Hias Cardigan Wanita Vonia, Lahara Tasya; Bahrudin, Ahmad; Hendra, Hendra
Relief : Journal of Craft Vol 4, No 1 (2024): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/relief.v3i3.4916

Abstract

Shallots are a plant that provides many benefits to humans, one of which is that shallots can be used as a cooking spice and traditional medicine. Shallots have a unique shape, in terms of structure they have various shapes, some are round, sometimes a bit oval, which makes the creator interested in making the visual of the shallot plant as a motif on women's cardigans. The shape of the shallot plant is made into a batik motif which is created using written batik techniques and sewing techniques, while the material used to make the work is silk cotton. The resulting work consists of 7 works, with the titles composition, symmetrical, balance 1, balance 2, sowing, side by side, growing and developing
SONGKET NAGARI UNGGAN KAJIAN BENTUK DAN FUNGSI Yondra, Nofri; nofrial, nofrial; Rahmi, Hijratur
Relief : Journal of Craft Vol 4, No 1 (2024): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/relief.v3i3.4917

Abstract

The research conducted in Nagari Unggan aims to describe the form of motifs and product forms produced by songket craftsmen, as well as to find out what the functions of Nagari Unggan songket are. The theory used in this study is the theory of form, function, songket, motifs, clothing and products, while the method used in this study is qualitative, data collection is carried out by observation, documentation and interviews. Songket Unggan has 30 motifs that are typical of the area, 15 motifs are very popular in the market, namely the Unggan thousand hills, lansek manih, tampuak manggi, cantik manis, cemara, lotus, chain, kelok lontiak, itiak pulang patang, makota, bintang, rangkiang, rumah gadang, pucuak rebung and pintuek motifs. Songket Nagari Unggan also uses other regional motifs, namely motifs from Pandai Sikek, Halaban and Silungkang. Products produced by songket craftsmen in Nagari Unggan include Koko shirts, skirts or kodek, kuruang shirts or tunics, gamis shirts, jackets, tingkuluak, shawls, scarves, deta, outer, shirts, wallets, bucket hats, peci, bags, and household items such as tablecloths. The function of songket in Nagari Unggan is used for traditional events, and parties, and also used as everyday clothing.
Bentuk Palaminan sebagai Interior Istano Basa Pagaruyuang N, Ilfa Septiani; Bahrudin, Ahmad; Akbar, Taufik
Relief : Journal of Craft Vol 4, No 1 (2024): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/relief.v3i3.4913

Abstract

This research is entitled "The Shape of Palaminan as the Interior of Istano Basa Pagaruyung." Its purpose is to describe the form of application and what elements, in terms of motifs and colors, are found in the palaminan at Istano Basa Pagaruyung. This research uses a descriptive qualitative research method. The object of this research is Palaminan in Istano Basa Pagaruyung. Informants in this study were obtained using a purposive sampling method. This palaminan research method was conducted through qualitative research to describe the palaminans found in Istano Basa Pagaruyung. Data was collected through observation, interviews, documentation, and recording of the interview results. The results of Palaminan research in Istano Basa Paguruyung consist of nine elements in their application, there are 5 motifs and colors that give the value of Minangkabau traditionalism, seen in terms of aspects of color psychology. Palaminan color has a meaning that is compatible with the function of space utilization that applies Palaminan to the building in Istano Basa Paguruyung. Keywords: shape, palaminan, interior, Istana Basa Pagaruyuang
KREASI MOTIF KUCIANG LALOK PADA TAS WANITA Wahyuni, Dini; Ferawati, Ferawati; nofrial, Nofrial
Relief : Journal of Craft Vol 4, No 1 (2024): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/relief.v3i3.4914

Abstract

The kuciang lalok motif is one of the motifs found in the Rumah Gadang which is placed in the singok part of the Rumah Gadang. The kuciang lalok motif was created by taking part of the kuciang lalok motif and arranging it in a regular plane pattern. The method for creating works goes through three stages. The stages are exploration, design and realization. The exploration stage is looking for reference ideas directly or through literature study, the design stage is pouring ideas into several sketches. Then, the sketches are selected and made into a design, and the design chosen is realized into a work using felt inlay and sewing techniques. The form of realized leather women's bags are handbags, sling bags, shoulder bags and backpacks.
Visualisasi Makan Bajamba Dengan Teknik Ukir Pada Kayu Farihah, Nur Annisa; Yulimarni, Yulimarni; prastawa, Wisnu
Relief : Journal of Craft Vol 3, No 1 (2023): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/relief.v3i1.5393

Abstract

Makan bajamba adalah budaya asli Minangkabau khususnya di nagari Koto Baru Salo, kabupaten Agam yang sangat patut untuk dilestarikan keberadaannya. Dalam Konsep perwujudan karya bersumber dari budaya makan bajamba menghadirkan visualisasi dari prosesi makan bajamba yang diwujudkan dalam bentuk relief dengan tiga nilai utama yang terkandung di dalam makan bajamba yaitu nilai kebersamaan, nilai etika dan nilai silaturahmi. Proses perancangan, perwujudan serta penerapan karya menggunakan teori bentuk, estetika, dan fungsi. Teknik yang digunakan pada pembuatan karya ini adalah teknik ukir tinggi, dengan menggunakan bahan utama kayu surian. Hasil akhir dari karya ukir kayu berbentuk relief ini bejumlah tujuh karya yang berjudul yaitu Karya I Mahidang, Karya II Pasambahan, Karya III Jamba, Karya IV Adab Makan Bajamba, Karya V Menikmati Jamba, Karya VI Parabuang, Karya VII Makan Parabuang. Dalam setiap karya mengandung nilai dan ilmu pengetahuan tentang kegiatan makan bajamba .
Perancangan Media Informasi Mengatasi Quarter Life Crisis Dalam Pandangan Islam Putri, Vina Sri jelita; Rajudin, Rajudin; Bermana, Ary Leo
Relief : Journal of Craft Vol 3, No 1 (2023): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/relief.v3i1.5746

Abstract

Quarter life crisis is an identity crisis resulting from an individual's unpreparedness in the early adulthood phase. Based on surveys and interviews conducted by the author in Padangpanjang City, data was obtained that 63.70% of early adults experienced a quarter life crisis. The design of an illustrated book on overcoming the quarter life crisis from an Islamic perspective aims to provide information about the quarter life crisis in early adults aged 18-25 years. Data collection methods through the process of interviews, questionnaires, and literature studies, design analysis using 5W+1H analysis, and using a semiotic approach.The visual concept of illustrative book design applies a flat design style with vector techniques. The illustrated book contains information about quarter life crises, the causes of quarter life crises, and how to overcome quarter life crises based on Islamic views. The design stages include brainstorming, keywords, sketches, storyline, color study, typography study. The results of designing information media in the form of an illustrated book address the quarter life crisis from an Islamic perspective. Other media mixes include e-books, posters and supporting media such as banners, t-shirts, quote cards, stickers and instagram feeds. 
Burung merak hijau sebagai ide penciptaan motif batik pada cardigan Azizah, Nisatul -; Ferawati, Ferawati; prastawa, wisnu; Kurniawan, Ramadhani
Relief : Journal of Craft Vol 4, No 2 (2025): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/relief.v4i1.5453

Abstract

Burung Merak Hijau merupakan salah satu burung terindah di dunia yang juga terdapat di Indonesia, khususnya di pulau Jawa, yaitu Pavo muticus. Bulu ekor ini tumbuh dari pangkal ekor sehingga dapat berbentuk seperti sebuah kipas yang sangat besar dan indah. Di atas kepalanya terdapat jambul tegak. Sedangkan merak betina memiliki bulu-bulu yang kurang mengkilap, berwarna hijau keabu-abuan tanpa dihiasi bulu penutup ekor. Burung merak hijau walaupun berukuran besar, tetapi memiliki keunikan pandai terbang dan bulu ekor yang memiliki warna yang indah yaitu hijau keemasan yang berkilau dengan ujung ekor berbentuk seperti mata berwarna coklat, hijau dan biru.Konsep penciptaan karya ini berangkat dari burung merak hijau karena memiliki bulu yang indah, memiliki warna yang cerah, serta hewan yang dilindungi sebagai motif batik pada cardigan.  Landasan teori yang digunakan dalam mewujudkan karya ini yaitu teori bentuk, fungsi, warna, motif, kreasi, dan estetis. Metode pada proses penciptaan karya ini dimulai dari tahap eksplorasi dilanjutkan pada tahap perancangan kemudian perwujudan karya. Karya ini menggunakan teknik batik tulis dan jahit dengan media kain mori primisima dan zat pewarna remazol. Karya yang diciptakan merupakan karya fungsional. Adapun fungsi karya secara fisik adalah sebagai pakaian cardigan yang berlengan panjang dan tanpa lengan dengan ukuran L. Karya yang diciptakan berupa cardigan sebanyak tujuh dengan judul bertengger, bersuara, kasih sayang ibu, terbang, cantik, kipas, dan merak betina.
Tari Rangguk Sebagai Ide Penciptaan Pada Karya Kulit Dewi, Eti Livia; Hendra, Hendra; Prastawa, Wisnu
Relief : Journal of Craft Vol 3, No 2 (2024): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/relief.v3i2.5460

Abstract

Penciptaan karya “Tari Rangguk Sebagai Ide Penciptaan Pada Kriya Kulit” dilatarbelakangioleh ketertarikan pengkarya, terhadap tari rangguk yang ada di wilayah Kumun Debai. MasyarakatKumun Debai masih menjaga dan melestarikan tradisi ini sampai sekarang. Tari Rangguk adalahsalah satu kesenian tradisional yang bernuansakan Islam yang tumbuh dan berkembang di KumunDebai. Tari rangguk biasanya ditarikan oleh 7 sampai 15 orang remaja putri sebagai penari, 2 oranglaki-laki sebagai penabuh rebana dan 2 orang perempuan sebagai pelantun tale. Penciptaan karyaini menjadi salah satu media promosi bagi masyarakat luas, tidak hanya masyarakat pemilik tradisitersebut, namun juga masyarakat luas. Metode penciptaan karya yaitu melalui tahapan dan proseseksplorasi terhadap sumber ide, perancangan dengan menghasilkan sketsa dan desain, danperwujudan atau visualisasi menjadi karya. Secara umum penciptaan karya menggunakan landasanteori berupa bentuk, fungsi, estetis, dan dekoratif. Sementara perwujudan karya menggunakanmedia kulit samak nabati, dengan teknik tatah kempa dan pyrography.

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