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Yoga Sudarisman
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Lt. 3 Gedung Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung Jl. AH. Nasution No. 105 Cipadung Cibiru Bandung 40614 Telp. (022) 7810790 Fax. (022) 7803936
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Saksama: Jurnal Sastra
Published by UIN Sunan Gunung Djati Bandung
ISSN : -     EISSN : 29864550     DOI : https://doi.org/10.15575/sksm
Core Subject : Humanities, Art,
Arts Humanities
Saksama: Jurnal Sastra is a twice-yearly open access journal starts on the structural, post-structural, post-modern, comparative and post-colonial approaches to the critical analysis and interpretation of literature, with a special preference given to underrepresented works. Articles submitted should offer a critical viewpoint on modern works and contribute to ongoing literary discussions.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 7 Documents
 1 
Search results for , issue "Vol. 3 No. 1 (2024): Saksama" : 7 Documents clear
LIFE AND DEATH FANTASY IN MATT HAIG'S THE MIDNIGHT LIBRARY Sinda, Vatina; Assiddiqi, Hasbi; Pramita, Agry
Saksama: Jurnal Sastra Vol. 3 No. 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.34283

Abstract

Abstract This study discusses the fantasy of life and death desire in Matt Haig's The Midnight Library (2020). The aim of this research is: To find out what fantasy of life and death desire that represent id, ego, and superego of Matt Haig in The Midnight Library. This study uses a psychoanalysis approach, which is used to analyze the fantasy of life and death desire that can representative the id, ego, and superego of Matt Haig as an author regarding to life and death desire. The result of this study show the id is dominant among the ego and superego. prominently features id symbols, indicating a profound exploration of primal desires, instincts, and the unconscious mind, particularly evident in main character's arc. These id symbols, serve to unveil author's innermost wishes and untamed impulses, suspending societal norms and reality's constraints. Through id- driven narratives, readers witness Nora's pursuit of immediate gratification, navigating alternate lives driven solely by desires, devoid of moral judgment. Additionally, ego symbols reflect author's attempts to negotiate reality, while superego symbols embody societal ideals and moral judgments that conflict with author's id-driven desires. Keywords: Fantasy, Psychoanalysis, Matt Haig, Novel. Life and death.
HOPE AND SACRIFICE IN THE SHORT STORY 'THE LAST LEAF' BY O. HENRY Aisha, Shazfa Q.; Mahi M. Hkikmat, Mahi M.
Saksama: Jurnal Sastra Vol. 3 No. 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.36228

Abstract

This research explores the themes of hope and sacrifice using William Wordsworth's romanticism theory to analyze the themes of hope and sacrifice in O. Henry's short story The Last Leaf. An ill young woman named Johnsy believes she will die when the last leaf on the ivy vine outside her window falls in this short story. The main characters of the story are her close friend Sue and their elderly neighbor Behrman, an artist who eventually sacrifices his life to keep Johnsy from losing hope by painting a realistic leaf. This research looks at Romanticism, which emphasizes emotion and nature, shaped the story's structure and development of characters in The Last Leaf. This research examines how the characters' emotional experiences connect with Romantic ideals through a textual analysis of the short story. Based on the findings, it can be considered that Wordsworth's Romanticism is reflected in The Last Leaf, which portrays the remarkable act of creating art, the strength of hope, and human sacrifice. Behrman's last act of kindness, painting the leaf, is seen as a romantic gesture that exceeds reality and captures the hope that is present in the hopelessness of winter. The research concludes that O. Henry's short story represents Romantic ideals and emphasizes the capacity for selflessness in the human spirit.
THE DYNAMICS OF HUMAN RELATIONSHIP: A NARRATIVE COMPARISON BETWEEN 'HILLS LIKE WHITE ELEPHANTS' AND 'DEAD STARS' Saputra, Taufan; Priyawan, Pepen; Pauji, Resa Restu
Saksama: Jurnal Sastra Vol. 3 No. 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.36585

Abstract

This research analyzes two short stories, "Hills Like White Elephants" by Ernest Hemingway and "Dead Stars" by Paz Marquez Benitez, with a focus on the influence of communication, perception, and cultural differences in shaping the dynamics of interpersonal relationships. Through a qualitative approach with content analysis, this research shows how ineffective communication and different perceptions can hinder the development of interpersonal relationships. Analysis shows that in both stories, unclear communication and promises to express feelings honestly lead to conflict and conflict. Apart from that, cultural differences and social values also play an important role in shaping the perceptions and actions of the characters in the story. The results of this research provide a deeper understanding of the complexity of human relationships in different cultural and temporal contexts.
CRIME AND CLUES DETECTIVE FORMULA IN ENOLA HOLMES 2022 FILM SCRIPT Sulastri, Lilis Intan; Ruminda, Ruminda
Saksama: Jurnal Sastra Vol. 3 No. 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.37146

Abstract

This research aims to analyze patterns of action and the contribution of crime elements and clues as part of the pattern of action in Enola Holmes 2022. The method used in this research is descriptive qualitative, with Cawelti's detective formula theory (1976) as the analytical framework. From the research results, researcher found some aspects of pattern of action which were grouped into several categories, namely detective introduction, crime and clues, investigation, announcement of solutions, explanation of solutions, and final resolution (denouement). The detective introduction category includes aspects that introduce the main character as an intelligent and independent young detective. In the crime and clues category, various elements were found that highlight how the crime is introduced and the clues are presented. The investigation category focuses on the search and information gathering process carried out by Enola. The solution announcement includes the moment where the solution to the mystery is revealed. The solution explanation details how Enola explains the steps taken to solve the case. The resolution category highlights how all the story elements tie together into one satisfying conclusion. This research shows that the Enola Holmes 2022 film uses pattern of action typical of the detective genre well to create an interesting story. Crimes and clues are essential in building the structure of the story, adding tension, and driving the plot forward.
RESPRESENTATIONS OF MASCULINITY IN BARBIE FILM 2023 Ramdhan, Mochamad Akmal; Yatmikasari, Ika; Sudarisman, Yoga
Saksama: Jurnal Sastra Vol. 3 No. 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.37780

Abstract

Masculinity is the characteristics that are traditionally thought to be typical of or suitable for men. This research attempts to discuss a character's masculinity in The Barbie 2023 Film. To specify the research, the researcher divided this analysis into two research questions, they are: 1) What are the elements of masculinity depicted in The 2023 Barbie Film? 2) How is the depiction of stereotypical masculinity in The 2023 Barbie Film? Masculinity in Barbie 2023 is very interesting to discuss because it can be identified from various elements contained in the film, in this case the identification of masculinity can be seen from how the characters in this film behave, the instrinsic elements implied in the film, the setting, and also other things that illustrate how the elements of masculinity are contained in the film. The results of this study found two findings, namely the first is what elements of masculinity are found in this film in the form of how the character Ken has an athletic posture that strongly shows elements of masculinity and in several scenes in the film shows masculinity, then the findings of other stereotypes of masculinity that the author managed to identify from the dialog, character acting, setting, or atmosphere that is contained in this film.
RESISTANCE TO THE PATRIARCHAL CULTURE IN WHY WOMEN KILL (2019) BY MARC CHERRY Kamil, Syahrianu Syahidatul; Nurrachman, Dian; Ardiansyah, Erlan Aditya
Saksama: Jurnal Sastra Vol. 3 No. 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.37999

Abstract

This research aims to contribute to the analysis of feminism related to patriarchal culture and its resistance in the Why Women Kill television series that was released in 2019 and directed by Marc Cherry. The television series Why Women Kill (2019) illustrates that patriarchal culture grows and develops in people's lives as shown by the dominance of men over women in various aspects of society which causes women to experience underdevelopment and limited access to many fields in life. The analysis in this study includes the depiction of patriarchal culture in Why Women Kill (2019) and the resistance to patriarchal culture by female characters in Why Women Kill (2019). In conducting the analysis, the researcher used literary criticism method by using the theory of feminism from the thoughts of Mary Wollstonecraft and Helene Cixous to analyze feminism related to patriarchal culture and its resistance. This research found data analysis of 70 scenes in the film in the form of screenshots and dialogues. This research depicted patriarchy as a culture that is limiting women which makes women backward and disadvantaged, that patriarchy is depicting women as good mothers and wives, depending on men superiority, and as objects to satisfy men desires. In its resistance, women reject the traditional norms by being educated and having dreams and jobs. Women also resist to patriarchy by being independent from role of men, independent in defending themselves, and independent in making life decisions. Women also depicted to rebel against control of men. This research makes an answer to the title of this television series that “why women kill” because they wanted to “kill” norms and cultures that limit and harm women themselves and only fellow women understand how to be in that position. Keyword: Feminism, Film, Patriarchal Culture, Why Women Kill, Women
PERSONALITY DEVELOPMENT OF THE CHARACTERS IN RATATOUILLE MOVIE 2007 Fajar, Rahmat; Melati, Rima
Saksama: Jurnal Sastra Vol. 3 No. 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.38045

Abstract

This study undertakes a qualitative exploration of the principal characters' personality traits within the 2007 film Ratatouille. Specifically, it aims to delineate the primary character's personality profile and to identify the salient factors influencing the personality development of these central figures. Employing a qualitative descriptive methodology, primary data was derived from the film itself, focusing on the personalities of the main characters. Data analysis adhered to the framework proposed by Miles and Huberman. Findings indicate that the character of Linguini exhibits a constellation of personality traits including insecurity, shyness, timidity, and introversion. In contrast, Skinner is characterized by anger and ambition. Several factors contributed to the personality development of both Linguini and Skinner. Linguini's personality trajectory, marked by a transition from insecurity to confidence, is attributable to environmental and learning factors. Skinner, initially driven by anger and ambition, undergoes a transformation toward greed and vengefulness as a result of environmental pressures and unconscious motivations, ultimately culminating in a desire to usurp control of the restaurant

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